A great collection of classical music arranged for Clarinet, specially graded from easy-to-play tunes to more challenging pieces. This book is specially bound to help the pages to lie flat while you are playing. / Clarinette

Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes

Le nouveau Robert Schumann Edition (RSA) est conçu comme une édition historico-critique des oeuvres recueillies. Ils seront soigneusement étudiés et préparés selon des techniques musicologiques et rédactionnelles actuelles et présentés dans leur intégralité. Brouillons, des croquis et des fragments, bref, tout ce qui est parvenu à nous comme étant authentiquement par Schumann et qui, dans la plupart des cas, a été délibérément préservé par lui, seront rassemblées, évalué quant à son importance et documentés dans une forme ou une autre, dans l'édition des oeuvres complètes.C'est le but de l'édition de reproduire des textes authentiques qui - après avoir corrigé copistes, copies et d'impression des erreurs et éradiquées ajouts et autres corruptions textuelles - aborderont aussi étroitement que possible l'intention des originaux.L'édition critique formeront la base du matériel de rendement précis pour le travail de Robert Schumann. / Quatuor A Cordes

The Library Of Classical Music is a wonderfully vast collection of the greatest pieces of music from the Classical period. Featuring a diverse range of compositions from the innovators and masters, each work is arranged for solo Piano in a conveniently spiral-bound volume.Among the many composers whose work is included are C.P.E. Bach, J.C. Bach, Beethoven, Clementi, Czerny, Gluck, Haydn, Hummel, Mozart and Weber. The sheer amount of incredible music featured within The Library Of Classical Music makes this an essential book to have on your bookshelf or music stand. The joy of playing this music will be in learning your favourite pieces or discovering new ones by unfamiliar names. The Classical period saw a broad reaction against the layered complexities of Baroque music and led to a simpler relationship between melody and harmony. It reflected the mid-18th century's wider enthusiasm for reviving the clean, well-ordered structures of Greek classicism across the arts. The orchestra expanded in size, woodwind became a self-contained section and the Harpsichord was increasingly displaced by the recently invented fortepiano. Instrumental music dominated, notably symphony and string quartet, with examples of both strands represented here in beautiful and accurate Piano arrangements that are perfect for seasoned players of Classical music, or those new to the period.The Library Of Classical Music sheet music songbook covers the rich musical period that followed Baroque and preceded Romantic. The Classical era saw some of Europe's greatest composers exploring new musical possibilities, spanning some 70 years starting in the mid-18th century. The spirit of Classicism would last until the new preoccupations of Romanticism defined the next major period of Western music. All of this makes The Library Of Classical Music a brilliant collection of Piano sheet music that works as well as an introduction to the period as it does as a comprehensive anthology of the greatest works of that era. / Piano

Music has always been a vital magical ingredient to any wedding ceremony, and this celebratory anthology features all those memorable melodies arranged for solo Piano in one convenient volume. From Wagner's Bridal March and Handel's Arrival Of The Queen Of Sheba to Bach's Air On The G String and Pachelbel's Canon In D , these classical favourites have become synonymous with the grace and sparkle of that special day. This album is the perfect choice, not only for the working pianist, but for anyone wishing to capture that unique atmosphere of love and harmony at the Piano. / Piano

Chester Music's best-selling series, The Essential Collection Gold , features works by some of the most famous composers - ranging from Henry Purcell to Scott Joplin. Each album in the series highlights either a particular composer's essential works, or music from a certain genre such as opera or ballet. This anthology presents a selection of the finest music from the series. Every piece has been composed, or specially arranged, for solo Piano and is accompanied by high quality demonstration performances, available via the included download card. An essential addition to your Piano library. / Piano

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano

Cette collection spectaculaire dispose thèmes époustouflante de tous vos classiques sur grand écran!Depuis le show-arrêt des morceaux de Shine convaincante, par l'intermédiaire du Jazz miteux de LA Confidential à onze de l'océan suave et l'Apocalypse dramatique Maintenant, qui peut oublier ces moments musicaux merveilleux qui ont fourni la profondeur et du caractère à ces chefs-d'oeuvre de celluloïd - et c'est mais une poignée de mélodies et de thèmes proposés dans cette anthologie unique.Toutes les pièces de vingt à cinq fabuleuses ont été soigneusement disposés comme des solos de piano à couper le souffle pour vous permettre de profiter encore et encore, terminer avec des performances complètes sur le CD fourni. / Piano

Retrouvez une collection de 10 oeuvres Classique pour clarinette. / Flûte Traversière / Partition

Great Piano Solos: The Orange Book is a diverse collection of pop hits, well-known show-tunes, jazz and blues classics, film themes, great standards and classical pieces arranged for soloPiano.
Thisbumper collection offers an eclectic selection of 44 pieces and great standards for the intermediate level pianist.
This songbook includes fabulous pieces such as Every Breath You Take, Somewhere OnlyWe Know, StraightNo Chaser and Skyfall all presented clearly for Piano solo.
1. A Man And A Woman (Un Homme Et Une Femme) (From Un Homme Et Une Femme )
2. All Blues
3. Après Un Rêve (Fauré)
4. Ave Verum Corpus, K618 (Mozart)
5. Best Song Ever
6. Blue Moon
7. Bolero (Ravel)
8. Can't Take Me Eyes Off You (From Jersey Boys )
9. Cantaloupe Island
10. Chinatown (From Chinatown )
11. Circle Of Life (From The Lion King )
12. Clocks
13. Every Breath You Take
14. Fireflies
15. Good Morning (From Singin' In The Rain )
16. Halo
17. Hero
18. How D'Ya Like Your Eggs In The Morning'
19. Hushabye Mountain (From Chitty Chitty Bang Bang )
20. I Believe It To My Soul
21. Li'L Darlin'
22. Love story
23. March From The Nutcracker (Tchaikovsky)
24. My Cherie Amour
25. Nocturne From String Quartet No.2 (Borodin)
26. One Day More (From Les Misérables )
27. Price Tag
28. Ratatouille (Main Theme) (From Ratatouille )
29. Right Place, Right Time
30. Run
31. Sarabande In D Minor (Handel)
32. Skyfall (From Skyfall )
33. Somewhere only we know
34. Spring (3Rd Movement) (From The Four Seasons ) (Vivaldi)
35. Straight No Chaser
36. Thank God For The Rain/Betsy's Theme (From Taxi Driver' )
37. The Great Escape (Main Title) (From The Great Escape )
38. The Pink Panther Theme (From The Pink Panther )
39. The Sidewinder
40. The Trolley Song (From Meet Me In St Louis )
41. To The Evening Star (From Tannhäuser ) (Wagner)
42. Troika (From Lieutenant Kijé Suite ) (Prokofiev)
43. Voulez-Vous (From Mamma Mia! )
/ Partitions variété - pop - rock / Variété internationale / Piano / MUSIC SALES

Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle