| Great Smoky Mountains Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, Double
Bass, English Horn,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Percussion 1 and more.
SKU: PR.16500102F
Mvt. 2 from Symphony
No. 6 (Three Places in
the East). Composed
by Dan Welcher. Full
score. 52 pages. Theodore
Presser Company
#165-00102F. Published by
Theodore Presser Company
(PR.16500102F). ISBN
9781491131749. UPC:
680160680276. Ever
since the success of my
series of wind ensemble
works Places in the West,
I've been wanting to
write a companion piece
for national parks on the
other side of the north
American continent. The
earlier work, consisting
of GLACIER, THE
YELLOWSTONE FIRES,
ARCHES, and ZION, spanned
some twenty years of my
composing life, and since
the pieces called for
differing groups of
instruments, and were in
slightly different styles
from each other, I never
considered them to be
connected except in their
subject matter. In their
depiction of both the
scenery and the human
history within these
wondrous places, they had
a common goal: awaking
the listener to the
fragile beauty that is in
them; and calling
attention to the ever
more crucial need for
preservation and
protection of these wild
places, unique in all the
world. With this new
work, commissioned by a
consortium of college and
conservatory wind
ensembles led by the
University of Georgia, I
decided to build upon
that same model---but to
solidify the process. The
result, consisting of
three movements (each
named for a different
national park in the
eastern US), is a
bona-fide symphony. While
the three pieces could be
performed separately,
they share a musical
theme---and also a common
style and
instrumentation. It is a
true symphony, in that
the first movement is
long and expository, the
second is a rather
tightly structured
scherzo-with-trio, and
the finale is a true
culmination of the whole.
The first movement,
Everglades, was the
original inspiration for
the entire symphony.
Conceived over the course
of two trips to that
astonishing place (which
the native Americans
called River of Grass,
the subtitle of this
movement), this movement
not only conveys a sense
of the humid, lush, and
even frightening scenery
there---but also an
overview of the entire
settling-of- Florida
experience. It contains
not one, but two native
American chants, and also
presents a view of the
staggering influence of
modern man on this
fragile part of the
world. Beginning with a
slow unfolding marked
Heavy, humid, the music
soon presents a gentle,
lyrical theme in the solo
alto saxophone. This
theme, which goes through
three expansive phrases
with breaks in between,
will appear in all three
movements of the
symphony. After the mood
has been established, the
music opens up to a rich,
warm setting of a
Cherokee morning song,
with the simple happiness
that this part of Florida
must have had prior to
the nineteenth century.
This music, enveloping
and comforting, gradually
gives way to a more
frenetic, driven section
representative of the
intrusion of the white
man. Since Florida was
populated and developed
largely due to the
introduction of a train
system, there's a
suggestion of the
mechanized iron horse
driving straight into the
heartland. At that point,
the native Americans
become considerably less
gentle, and a second
chant seems to stand in
the way of the intruder;
a kind of warning song.
The second part of this
movement shows us the
great swampy center of
the peninsula, with its
wildlife both in and out
of the water. A new theme
appears, sad but noble,
suggesting that this land
is precious and must be
protected by all the
people who inhabit it. At
length, the morning song
reappears in all its
splendor, until the
sunset---with one last
iteration of the warning
song in the solo piccolo.
Functioning as a scherzo,
the second movement,
Great Smoky Mountains,
describes not just that
huge park itself, but one
brave soul's attempt to
climb a mountain there.
It begins with three
iterations of the
UR-theme (which began the
first movement as well),
but this time as up-tempo
brass fanfares in
octaves. Each time it
begins again, the theme
is a little slower and
less confident than the
previous time---almost as
though the hiker were
becoming aware of the
daunting mountain before
him. But then, a steady,
quick-pulsed ostinato
appears, in a constantly
shifting meter system of
2/4- 3/4 in alteration,
and the hike has begun.
Over this, a slower new
melody appears, as the
trek up the mountain
progresses. It's a big
mountain, and the ascent
seems to take quite
awhile, with little
breaks in the hiker's
stride, until at length
he simply must stop and
rest. An oboe solo, over
several free cadenza-like
measures, allows us (and
our friend the hiker) to
catch our breath, and
also to view in the
distance the rocky peak
before us. The goal is
somehow even more
daunting than at first,
being closer and thus
more frighteningly steep.
When we do push off
again, it's at a slower
pace, and with more
careful attention to our
footholds as we trek over
broken rocks. Tantalizing
little views of the
valley at every
switchback make our
determination even
stronger. Finally, we
burst through a stand of
pines and----we're at the
summit! The immensity of
the view is overwhelming,
and ultimately humbling.
A brief coda, while we
sit dazed on the rocks,
ends the movement in a
feeling of triumph. The
final movement, Acadia,
is also about a trip. In
the summer of 2014, I
took a sailing trip with
a dear friend from North
Haven, Maine, to the
southern coast of Mt.
Desert Island in Acadia
National Park. The
experience left me both
exuberant and exhausted,
with an appreciation for
the ocean that I hadn't
had previously. The
approach to Acadia
National Park by water,
too, was thrilling: like
the difference between
climbing a mountain on
foot with riding up on a
ski-lift, I felt I'd
earned the right to be
there. The music for this
movement is entirely
based on the opening
UR-theme. There's a sense
of the water and the
mysterious, quiet deep
from the very beginning,
with seagulls and bell
buoys setting the scene.
As we leave the harbor,
the theme (in a canon
between solo euphonium
and tuba) almost seems as
if large subaquatic
animals are observing our
departure. There are
three themes (call them
A, B and C) in this
seafaring journey---but
they are all based on the
UR theme, in its original
form with octaves
displaced, in an
upside-down form, and in
a backwards version as
well. (The ocean, while
appearing to be
unchanging, is always
changing.) We move out
into the main channel
(A), passing several
islands (B), until we
reach the long draw that
parallels the coastline
called Eggemoggin Reach,
and a sudden burst of new
speed (C). Things
suddenly stop, as if the
wind had died, and we
have a vision: is that
really Mt. Desert Island
we can see off the port
bow, vaguely in the
distance? A chorale of
saxophones seems to
suggest that. We push off
anew as the chorale ends,
and go through all three
themes again---but in
different
instrumentations, and
different keys. At the
final tack-turn, there it
is, for real: Mt. Desert
Island, big as life.
We've made it. As we pull
into the harbor, where
we'll secure the boat for
the night, there's a
feeling of achievement.
Our whale and dolphin
friends return, and we
end our journey with
gratitude and
celebration. I am
profoundly grateful to
Jaclyn Hartenberger,
Professor of Conducting
at the University of
Georgia, for leading the
consortium which provided
the commissioning of this
work. $36.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Song Charting Made Easy Livre - Pas de partitions [Partition + Accès audio] Hal Leonard
A Play-Along Guide to the Nashville Number System. Music Instruction. Songwritin...(+)
A Play-Along Guide to the
Nashville Number System.
Music Instruction.
Songwriting, Instruction.
Softcover Audio Online.
64 pages. Published by
Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| ChordBuddy Guitar Learning System - Worship Edition Guitare [Partition + CD + Accessoire] - Débutant Hal Leonard
By Travis Perry. For Guitar. Chord Buddy. General Merchandise. 120 pages. ...(+)
By Travis Perry. For
Guitar.
Chord Buddy. General
Merchandise. 120 pages.
Published by Hal Leonard
$44.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| PreSonus StudioLive Mixer Handbook Livre - Pas de partitions Alfred Publishing
(The Official Guide to Getting the Most from Your Console). By Bobby Owsinski. B...(+)
(The Official Guide to
Getting the Most from
Your Console). By Bobby
Owsinski. Book; Books and
DVDs; Method/Instruction;
Pro Audio; Pro Audio
Textbook; Reference
Textbooks. 220 pages.
Published by Alfred Music
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Essential Technique - Bb Trumpet Trompette - Intermédiaire Hal Leonard
Intermediate to Advanced Studies (Book 3 level). Essential Elements Band Method....(+)
Intermediate to Advanced
Studies (Book 3 level).
Essential Elements Band
Method. Size 9x12 inches.
48 pages. Published by
Hal Leonard.
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Book of Urizen - Symphony No. 1 Orchestre d'harmonie - Avancé De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1043551-140 I. The Vision ...(+)
Concert Band/Harmonie -
Grade 5 SKU:
BT.DHP-1043551-140
I. The Vision - II.
The Creation.
Composed by Jacob De
Haan. Sovereign Series.
Concert Piece. Score
Only. Composed 2004. De
Haske Publications #DHP
1043551-140. Published by
De Haske Publications
(BT.DHP-1043551-140).
The Book of
Urizen is Jacob de
Haan his first Symphony
for concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und (männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des großen
englischen Dichters und
Malers William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP 1043551.
The Web, der
dritte Satz von The
Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP 1125252.
Laden Sie hier die
Audiosamples herunter:
track 1, track 2,track
3
En 1794,
l’écrivain, peintre,
graveur, enlumineur,
visionnaire et philosophe
mystique anglais William
Blake (1757-1827)
dénonce dans The Book of
Urizen (Le Livre
d’Urizen), la loi de
fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre d’Harmonie,
Soprano et un récitant -
des collages sonores sont
utilisés. The
Vision, la première
partie et The
Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger lesextraits
audio ici: track 1, track
2, track 3
The
Book of Urizen is a
work for concert band,
solo soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The Net
of Religion,” which is
spanned over the earth by
Urizen. The sound
collages, compiled by
Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come together.” In
the first movement
of this composition,
The Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.” His
vision is rejected,and
Urizen locks himself up
in his own abstract
world. When he does
emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,” and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his “stony
sleep,” they wonder if
this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give Urizen’s
world concrete form. In
thesecond
movement, The
Creation, Urizen’s
world, but also man,
woman, and child are
created. Los is horrified
with the appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.” Orc is fed at
Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’ chest. He
takes the child to the
top of the mountain and
chains him down. The
cries of Orc awaken
Urizen, who explores his
world creating
instruments of scientific
measurement to do so. Los
encircles theface of
Enitharmon from the sight
of Urizen and Orc. She
then populates the earth
by giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP
1125252. $65.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Complete Flatpicking Guitar Book Guitare notes et tablatures [Partition + Accès audio] - Intermédiaire/avancé Mel Bay
Guitar (flatpicking) - Beginning; Intermediate; Advanced SKU: MB.94562M <...(+)
Guitar (flatpicking) -
Beginning; Intermediate;
Advanced SKU:
MB.94562M With
ONLINE AUDIO and
VIDEO. Composed by
Steve Kaufman. Squareback
saddle stitch, Country,
Bluegrass, Method.
Complete. Style. Book and
online audio/video. 102
pages. Mel Bay
Publications, Inc
#94562M. Published by Mel
Bay Publications, Inc
(MB.94562M). ISBN
9780786693320. 8.75 x
11.75 inches. This
comprehensive study of
contemporary flatpicking
guitar technique presents
numerous solos for the
beginning through
advanced flatpicking
guitarist along with tips
on creating your own
flatpicking arrangements.
The book addresses the
tablature system, tuning,
right and left-hand
technique, use of the
capo and the microphone,
transposing using the
Nashville numbering
system, bluegrass
back-up, arranging
flatpicking solos and
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outstanding flatpicking
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tablature. Includes
access to an online video
containing some of the
solos and techniques
presented in the book and
a stereo play-along audio
featuring Steve Kaufmans
rousing performance of
each flatpicking
solo. $24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| ChordBuddy Worship Songbook Paroles et Accords - Facile Hal Leonard
By Travis Perry. For Guitar. Chord Buddy. Softcover. 80 pages. Published by ...(+)
By Travis Perry. For
Guitar.
Chord Buddy. Softcover.
80
pages. Published by
ChordBuddy
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| Jazz Guitar Songs Guitare notes et tablatures [Partition + CD] Hal Leonard
Hal Leonard Guitar Method Supplement. By Various. Guitar Method. Softcover with ...(+)
Hal Leonard Guitar Method
Supplement. By Various.
Guitar Method. Softcover
with CD. Guitar
tablature. 72 pages.
Published by Hal Leonard.
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| Rock House Master Blues Guitar Guitare notes et tablatures Guitare électrique [Partition + DVD] Hal Leonard
A Complete Course. Rock House. Softcover with DVD. 108 pages. Published by Hal L...(+)
A Complete Course. Rock
House. Softcover with
DVD. 108 pages. Published
by Hal Leonard
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| Roy Clark Complete Bluegrass Banjo Bible Banjo Santorella Publications
Roy Clark's Bluegrass Banjo Bible by Roy Clark. For banjo. This edition: Paperba...(+)
Roy Clark's Bluegrass
Banjo Bible by Roy Clark.
For banjo. This edition:
Paperback. Instructional.
Method. Book. Text
Language: English. 140
pages. Published by
Santorella Publications
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| Introducing The Pointer System For The Organ Pre Book 1 Orgue Hal Leonard
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| Les Misérables - Broadway Singer's Edition Piano, Voix [Partition + Accès audio] Hal Leonard
Broadway Singer's Edition. Composed by Alain Boublil and Claude-Michel Schonberg...(+)
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Claude-Michel Schonberg.
Vocal Piano. Broadway,
Movies. Softcover Audio
Online. 96 pages.
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Guitar Method. Instruction, Method. Softcover Audio Online. 48 pages. Published ...(+)
Guitar Method.
Instruction, Method.
Softcover Audio Online.
48 pages. Published by
Hal Leonard
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| Vocal Aerobics Voix seule [Partition + Accès audio] Hal Leonard
A 40-Week Workout Program for Developing, Improving and Maintaining Vocal Tech...(+)
A 40-Week Workout Program
for
Developing, Improving and
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Technique.
Vocal Instruction.
Instruction. Softcover
Audio
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| Summa Kitharologica, Volume 1 The Physiology of Guitar Playing: Functional Anatomy and Physiomechanics Guitare [Partition + Accès audio] Mel Bay
Composed by Ricardo Iznaola (1949-). For guitar (classical). Perfect binding. Bo...(+)
Composed by Ricardo
Iznaola (1949-). For
guitar (classical).
Perfect binding. Book and
online audio/video.
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| Blues Guitar Songs Guitare notes et tablatures [Partition + Accès audio] - Facile Hal Leonard
By Various. Guitar Method. Blues. Softcover Audio Online. With guitar tablature....(+)
By Various. Guitar
Method. Blues. Softcover
Audio Online. With guitar
tablature. 64 pages.
Published by Hal Leonard
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Hal Leonard Guitar Method. By Various. Guitar Method. Rock. Softcover Audio Onli...(+)
Hal Leonard Guitar
Method. By Various.
Guitar Method. Rock.
Softcover Audio Online.
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pages. Published by Hal
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An Inside Look at the Bass Styles of Metallica. Performed by Metallica. By James...(+)
An Inside Look at the
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Performed by Metallica.
By James A. Rota. Hal
Leonard Guitar Method.
Book and CD package. With
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| Power Chords Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
A Beginner's Guide with 20 Killer Rock Riffs. Guitar Method. Instruction, Rock. ...(+)
A Beginner's Guide with
20 Killer Rock Riffs.
Guitar Method.
Instruction, Rock.
Softcover Audio Online.
With guitar tablature. 48
pages. Published by Hal
Leonard
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| Easy Pop Christmas Rhythms Guitare [Partition + Accès audio] Hal Leonard
Guitar SKU: HL.278175 Supplement to Any Guitar Method. By Various....(+)
Guitar SKU:
HL.278175
Supplement to Any
Guitar Method. By
Various. Guitar Method.
Christmas, Pop. Softcover
Audio Online. 32 pages.
Published by Hal Leonard
(HL.278175). ISBN
9781540029522. UPC:
888680752569. 9x12
inches. Hal Leonard
Guitar
Method. Strum along
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Deck the Hall •
Feliz Navidad • I
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Old St. Nicholas •
Joy to the World •
The Little Drummer Boy
• Nuttin' for
Christmas • O Come,
All Ye Faithful •
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Zampognari) • Up on
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Method The
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Elements of Vocal Technique. Berklee Guide. Instruction, Vocal Reference. Softco...(+)
Elements of Vocal
Technique. Berklee Guide.
Instruction, Vocal
Reference. Softcover
Audio Online. 208 pages.
Published by Berklee
Press
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