Arrangeur: Mark Sirett. Par SEEGER PETER / SEEGER PETER. Pete Seeger's classic folksong is as moving and relevant today as when it was first written in 1955. This lyrical arrangement adds layers of voicing while retaining the song's original beauty and clarity./ Répertoire / Flûte Traversière, Hautbois, Violon, Windchimes, C

Theory Book 2-Accelerated Piano Adventures for the Older Beginner is a piano method on discovery creativity and adventure through music making. This book - Theory Book 2 - supplements the Accelerated Piano Adventures: Lesson Book 2 which is designed specifically for the older beginner.This book is divided into fifteen units correlating to the fifteen units of the Lesson Book. Each unit provides valuable reinforcement of basic theory concepts through writing sight-reading and ear-training activities.Although the Theory Book is designed to be used in conjunction with the other books in the series teachers will find that the creative effectiveapproach of this book will enhance instruction with many other piano methods as well.

With Sleigh Bells across the Snow renowned recitalist and composer of popular church music Malcolm Archer reveals another facet of his talented musicianship namely his love of light music and his mastery of the theatre organ.With this addition to Stainer & Bell’s stylish Light Organ Series Sleigh Bells across the Snow was conceived in the spirit of Leroy Anderson and joyfully follows the tradition of his and other notable sleigh rides. Bells and chimes feature prominently ad libitum. But as the composer himself remarks in true theatre-organ spirit players should also feel free to add their own embellishments glissandi or whatever else takes their fancy!

An Easter Celebration of Grace-From the composer of The Mercy Testament comes a new work that shines the light of joy and hope throughout your Easter and post-Easter worship celebrations. Incorporating jubilant contemporary Christian songs and newlyarranged classic hymns this work is a splendid choice for congregations exploring a blended approach to their music ministries. The brief performance time makes this a flexible yet effective choice for Easter worship gatherings.Well-planned moments of congregational participation are a highly desirable feature. With memorable tunes and well-crafted narrations this work leaps from the page and into the hearts of your singers.Titlesinclude: Christ is Risen (Matt Maher) Beautiful One (Tim Hughes) In Christ Alone (Keith Getty/Stuart Townend) He Is Exalted (Twila Paris) Christ the Lord is Risen Today (Traditional).Availableseparately: SATB Split/StudioTrax CD Listening CD Preview Pack (Book/CD) 10-Pack CDs RehearsalTrax CDs Orchestration CD-ROM (Score and parts for Trumpets 1-3 Horn 1&2 Trombones 1-3 Tuba Chimes Glockenspiel Percussion Timpani Rhythm Violin 1&2 Viola Cello Double Bass). Duration: ca. 16:00.

3-5 Octaves of Handbells Level 2-An optional three full octaves of handchimes are intermingled with the bells in this original work inspired by Christ's prayer in Gethsemane. The chimes are optional but extra effort should be made to include them as they addso much to the contemplative nature of the work. The gamut of Christ's emotions is portrayed through quiet building and strong passages. Finally in the last ten measures one can almost hear Jesus say “Thy will bedone.” 81 measures.

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Introducing New T3N Harmonic Chimes-The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods the author’s new T3N technique for creating banjo harmonics will add new dimensions to yourplaying. While particularly useful in the three-finger style T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjoover the 12th 7th and 5th frets or perhaps the 4th and 9th frets so that in typical G-tuning the open G-chord D-chord octave G-chord and B-chord notes are chimed. With the T3N technique presented in this book entire scalescan be chimed with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques while the second part explores theexciting new T3Napproach. Written in tablature only for 5-string banjo in GDGBD tuning.

This lovely contemporary Easter hymn has been masterfully crafted. The text has been appropriately set for handbells through the use of chimes LV and other various techniques. Utilizing optional handchimes and synth can further add to the ambiance of the piece. This lovely contemporary Easter hymn has been masterfully crafted. The text has been appropriately set for handbells through the use of chimes LV and other various techniques. Utilizing optional handchimes and synth can further add to the ambiance of the piece.

15'; for five instruments and wind chimesPublished 2005for alto flute/piccolo (doubling gong and wind-chimes) bass clarinet in Bb (doubling wind chimes) piano violin (doubling wind chimes) 'cello (doubling windchimes)Commissioned by Father Arthur E. Bridge for Ars Musica Australis for the Kammer EnsembleFirst performance: 3 June 2006 Riverside Theatre Parramatta SydneyScore.

In Scotland the monster of Loch Ness is a hot issue but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie. In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38miles in lenght and 24 kilometres /15 miles breath. At several places its depth exeeds 100 metres.Nessies discovery takes us back to the year 1889 when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to himsuddenly approaching his vessel across Flathead Lake. However it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards life would never be the same again in and around Flathead Lake.The composer wasinspired by the story and summarized the events into a symphonic poem but from a surprising angle:that of the monster. The exiting opening allows us to follow the monster in its natural surroundings.The fast follow-up movement depictsMontana Nessie trotting and frolicking about the Montana woods and prairies.From its abode it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes). The solo for cor anglais marks a new period in themonsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.The movingmusical continuation depicts the triumphant monster dancing an ironic waltz. The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads and develop into the works final theme.

Uses: GeneralScripture: Matthew 5:13-16The words of Jesus are shared in this Pepper Choplin sermon in song. A wonderful spiritual object lesson the text calls us to holiness and service. The music ismelodic and rich with expressive potential. Available: SATB opt. handbells or organ chimes. Duration: ca. 2:54.

for Concert Band-Citadel was composed to commemorate the 150th anniversary of The University of Kansas (1865 to 2015.) It begins with optional offstage chimes (one or two sets [opt.]) to depict the daily ringing of the bells in KU's World War II Memorial Campanile. Trumpets introduce a fanfare-like figure that quickly evolves into the opening theme of the work. As the music settles and becomes softer a saxophone choir introduces a slower more pensive middle theme intended to describe the university's academic nature. A quiet moment at the end of this section hints at the famous Rock Chalk Chant in solo horn before the chimes and fanfare return to end the work in a final dramatic outburstof sound and color.

Three festive carols are skillfully combined into a terrific showcase for holiday programming. The familiar strains of these bell songs will make a superb concert opening for your holiday needs. Includes: Westminster Chimes TheMerry Bells All Ring I Heard the Bells on Christmas Day and Ukrainian Bell Carol.