Par MATHEOS CHRIS. Everything is covered here - starting with all the basics like octaves, hammer-ons and pull-offs. It then builds into the most advanced slap techniques including double and triple pops, flamenco thumb technique, and plucks. There are lessons in upright bass slap, as well as modal harmony studies. The grooves cover a wide range of styles that include jazz fusion, walking lines, fingerstyle conversion, pop/dance, funk/soul, bluegrass, Dixieland, etc. These lessons have something for almost any student - written in bass clef and tablature with CD. / Niveau : Débutant / Rock - Methods / Tablatures / Guitare Basse Tablatures

Use Energize Your Fingers Every Day to develop correct technique from the very beginning. The books in this series by Helen Marlais with Timothy Brown are filled with short, patterned exercises with explicit 'how to? tips that will help you to build technical skills that can be used with all Piano methods.Each technical goal is written under the title of each 4-8 measure piece i.e. balance between the hands, weight transfer, flexible wrists, strong fingers, etc. The key signatures of C, G, F and D major appear throughout the book with suggestions for transposition. The appealing art and brevity of each day's exercise will result in tension-free technique for any student. / Piano

Par NORRIS TOMMY. This book contains 30 traditional to modern Celtic tunes arranged in either simple melodic lines with suggested accompaniment chords, or stand-alone melody/chord solos. From rollicking reels and jigs to tender ballads, these Celtic Gems will appeal to the intermediate to advanced mandolinist and their audiences. With a little imagination, the up-tempo melodic tunes could be effectively rendered with drums and electric bass a la Pentangle or Fairport Convention; conversely, three or four of the solo arrangements would provide a tasteful set within a mandolin recital. Take your pick! Presented in standard notation and tablature in mandolin and guitar-friendly keys, these settings provide a masterclass in 4-course instrumental arranging. The author?s online recording of each piece is included with this stellar collection. Includes access to online audio. / Date parution : 2021-12-09/ Tablatures / Mandoline

A large selection of Piano literature, from the baroque to the modern, is presented in a variety of forms, colours, and expressions. Included are pieces affording the student a greater opportunity to attain technical and pianistic effectiveness. The titles follow an approximately chronological sequence from the baroque to our modern period. All selections are in their original form, neither arranged, nor simplified, and are based on urtext or other highly reliable editions. / Piano

Le greastest rock n roll chansons par le roi tous dans un recueil de chansons ! Cette contient de volume plein Piano, chant et guitare arrangements de toutes les trente chansons classiques de l'album compilation hit numéro un. Inclut également la version remix de succès d'un peu moins Conversation / Piano/Vocal/Guitare (PVG) / 112 pages / Partition

I .Stride Piano Styles Cantankerous Chromatics Blues for Fats Basie's Beat Blood Brother II. Boogie Woogie Piano Basie's Boogie Prickly Pete Wobbly Waltz III. Gospel Piano Sanctified I'm In His Hands Holy Roller IV. Bebop Piano Styles A 624 Red's Blues T Time The Thing Yardbird Conversation V. Solo Ballad Styles For Art's Sake Song for Bill Evans Ballad VI. Harmonic Styles of 1960's and 1970's Centrifuge Waltz for Clare Memories Liberation VII. Latin and Ostinato Styles of the 1970's Autumn Song Winter Song Spring Song Summer Song VIII .Free Jazz Bent Vortex Mobile Anticipation Conclusion Appendix I Solo Piano Recordings of Interest Published Solo Piano Jazz Music Appendix II Publihsed Solo Piano Jazz Music

Par WEISSENBERG ALEXIS. This book presents pianists and ambitious amateur musicians with unfamiliar, surprisingly flamboyant and often witty compositions. These piano works are by one of the greatest pianists of the twentieth Century, one of the most recent all-round musical grand masters: Alexis Weissenberg, who was born in Sofia on 26 July 1929 and died in Lugano on 8 January 2012. This first edition includes all Weissenberg’s surviving completed piano works, apart from those written for two pianos and for piano duet, stage works and the Romance for piano and violin. Fingerings and pedal markings by Alexis Weissenberg are printed in italics (fingerings and allocation of notes between hands, too) or in large type (pedal markings); recommendations added by the editor are shown in roman font (fingerings and allocation of notes between hands) or in smaller type (pedal markings). / Niveau : Intermédiaire à Avancé / Recueil / Piano

The must-have repertoire book of 34 classic hits specially arranged using all the chords you learned in Absolute Beginners: Guitar Books 1 and 2 . Make your new chord skills come alive by playing these great hits with a full accompaniment - each song comes complete with professional-quality 'soundalike' backing tracks on the accompanying CDs! / Paroles Et Accords

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Rockschool is about playing the styles of music you love.This pack contains the songs for Level 2, covering grades 4 and 5. This level is tailored to those of you who are building upon the fundamentals as a vocalist. Each book is a standalone resource that features sound-alike backing tracks with top line melody featuring a wide range of artists including Robbie Williams, Coldplay and The Beatles.The level 2 book features:Aural testsRhythm examples and exercisesQuick study piecesBacking vocals techniqueFull mixes and backing tracks over 2CD'sDuel key backing tracksRockschool students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own vocal style. / Ligne Mélodique, Paroles Et Accords