The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Les éditions SGAE de miroirs de Jazz (2e prix SGAE-Jazz 1997) Instrumentation : Piano, basse, batterie, guitare électrique, trompette (Bb), saxo ténor (Bb). Ces éditions sont conçues avec trois objectifs en tête : pour informer nos auteurs dans le domaine de l'intérieur - divulguer et à faire circuler notre musique espagnole et d'Amérique latine et offrir aux étudiants des partitions de musique (un élément nécessaire et pourtant si peu dans notre pays) afin tangan connaître cette formxpresión et la créativité musicale conféré par le jazz... / Off the Record

The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915, Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London, all the while writing works for light orchestra, chorus and brass bands. Unfortunately, Fletcher's music has largely been lost to the annals of classical history. However, with this sheet music of Song Of The Grey Seas, your SATB choir can revive the forgotten glory of this piece, something that audiences will surely love. / Choeur Mixte (SATB) Et Piano

John Luther Adams' Poem Of The Forgotten for Voice and Piano. Duration: 5 minutes. This work sets a text by John Haines and is dedicated to Haines on the occasion of his 80thbirthday. I came to this place a young man green and lonely. Well quit of the world I framed a house of moss and timber called it a home andsat in the warm eveningssinging to myself as a man singswhen he knows there isno one to hear. I made my bed under the shadow of leaves and awokein the first snow of autumnfilled with silence. - John Haines

Description Pat Metheny Songbook A complete collection of Pat Metheny's work, which features 167 compositions spanning the guitarist's 25 year career. Songlist A Map Of The World Across The Sky Airstream Always And Forever American Garage And Then I Knew Antonia April Joy April Wind Are You Going With Me? As A Flower Blossoms As I Am Ballad Z Barcarole Beat 70 Better Days Ahead Bright Size Life Cathedral In A Suitcase Change Of Heart Chris Cool Nights Cross The Heartland Dancing Daulton Lee Daybreak Don't Forget Double Guatemala Dream Of The Return Eighteen End Of The Game Estupenda Graca Every Day I Thank You Every Summer Night Extradition Facing West Family Farmer's Trust First Circle Follow Me For A Thousand Years Forward March Get It Goin' Ahead Goodbye Grampa's Ghost Half Life Of Absolution Have You Heard Here To Stay Hermitage Holding Us Homecoming House On The Hill If I Could Imaginary Day In Her Family Inori It's For You Ivy Jaco James John Mckee Just Like The Day Kathelin Gray Lakes Language Of Time Last Train Home Letter From Home Lone Jack Long Ago Child Marta's Theme Mas Alla Message To A Friend Midwesten Nights Dream Minuano Missouri Uncompromised Mojave Nacada Naked Moon Never Too Far Away New Chautauqua Nine Over Reggae Not To Be Forgotten On The Night You Were Born Praise Pretty Scattered Quiet Rising Red Sky Resolution Sea Song See The World Seven Days Slip Away So Falls Wichita Falls Sometimes I See Story From A Stranger Take Another Look Tears Of Rain Tell Her You Saw Me Tell It All The Bat The Awakening The Calling The Chief The Epic The Fields, The Sky The Girls Next Door The Heat Of The Day The Last To Know The Longest Summer The Red One The Red Wind The Road To You The Search The Sun In Montreal The Whopper , This Is Not America To The End Of The World Too Soon Tomorrow Unity Village Watercolors We Had A Sister We Live Here What Do You Wan't

America Will Always Stand Randy Travis * Austin Blake Shelton * Awful Beautiful Life Darryl Worley Back When Tim McGraw * Best I Ever Had Gary Allan * Big Time Big and Rich * Billy's Got His Beer Goggles On Neal McCoy * Bless the Broken Road Rascal Flatts * Bumper of My SUV, The Chely Wright * But I Do Love You LeAnn Rimes * Cowboy Take Me Away Dixie Chicks * Don't Worry 'Bout a Thing Shedaisy * Girls Lie Too Terri Clark * Good Morning Beautiful Steve Holy * Good Stuff, The Kenny Chesney * Have You Forgotten? Darryl Worley * I Breathe In, I Breathe Out Chris Cagle * If My Heart Had Wings Faith Hill * It's Five O'clock Somewhere Alan Jackson and Jimmy Buffett * Kiss This Aaron Tippin * Laredo Chris Cagle * Let Them Be Little Billy Dean *Let's Make Love - Faith Hill * Let's Make Sure We Kiss Goodbye Vince Gill * Like We Never Loved At All Faith Hill * Little Girl, The John Michael Montgomery * Live Like You Were Dying Tim McGraw * Long Slow Kisses Jeff Bates * Memory Like I'm Gonna Be, A Tanya Tucker * Mississippi Girl Faith Hill * My Give A Damn's Busted Jo Dee Messina * No Mercy Ty Herndon * Nobody Gonna Tell Me What To Do Van Zant * Nothing On But The Radio Gary Allan * One More Day Diamond Rio * Pour Me Trick Pony * Redneck Woman Gretchen Wilson * Save a Horse (Ride a Cowboy) Big and Rich * Somebody Reba * Somebody Like You Keith Urban * Suds In The Bucket Sara Evans * Texas George Strait * There Goes My Life Kenny Chesney * Tough Little Boys Gary Allan * When I Think About Angels Jamie O'Neal * Where I Come From Alan Jackson * Why They Call It Falling Lee Ann Womack * Without You Dixie Chicks * WWW.Memory Alan Jackson

The songs from the world-wide hit album, arranged for piano and voice, complete with lyrics and guitar chord boxes. / Piano/Vocal/Guitare (PVG)

Les partitions de 167 compositions de Pat Metheny écrites en format Real Book accords de guitare. / Guitare

The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery.  Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands.  Unfortunately Fletcher's music has largely been lost to the annals of classical history. However with this sheet music ofSong Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.

Jessica O'Leary (Editor). Over the years, many examination pieces have captured the imagination of teachers and students, but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 3 Violin pieces, including Build that Wall, Overnight Mail Express (Cohen) and Sleep Song (Humperdinck). Containing fresh editions of folk and classical masterpieces alongside contemporary favourites, all pieces have been rigorously researched by violin expert Jessica O'Leary. A CD of performance and accompaniment tracks is included, as are useful practice tips. This book includes pieces from current and past Trinity and ABRSM syllabuses. Jessica O'Leary has a successful career as a teacher, professional violinist, ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields, and has performed with Madonna, Led Zeppelin, the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul's Girls' School, Eltham College and Junior Guildhall London. / Niveau : Facile / Recueil / Violon

Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied). The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance. The second book of Wladyslaw Zelenski?s Six Character Pieces contains three miniatures: Canon, Scherzo and Farewell. They manifest characteristic features of the composer?s style, such as the use of counterpoint and a rich, organ-like texture. The Canon, with its emotional charge and build-up of tension, brings to mind miniatures from the brilliant piano cycles of Robert Schumann. A very simple phrase is imitated canonically between the top voice and the two bottom voices, passing through different keys. A touch of finesse is added by the triplet figuration in the middle plan. The next miniature is a classic Scherzo in ABA form. The outer sections, with an imitated theme, are in G minor. With its rather ominous, perhaps somewhat tragic, character, it contrasts with the middle section, Un poco più tranquillo, in the parallel key of G major, which clearly represents a more luminous, dance-like episode in this set of works. The title Farewell given to the last piece in opus 17 may stir associations with Ludwig van Beethoven?s only programme sonata, Les Adieux. This miniature is far more expansive and texturally richer than the other works in this set. The virtuosic elements are of the highest order, not overwhelming the composition, but emphasising its powerful emotional charge. Each of these miniatures can function as a separate work, but when played as two three-part cycles they fall into logical wholes, in which the climax is reached in the last, most elaborate piece. Yet a performance of all six works from both books, so the whole of Zelenski?s opus 17, allows us to discern an even larger cyclical form, developed in an equally deliberate way. - Anna Miernik/ Répertoire / Piano

Cet opéra de Gilbert and Sullivan est défini dans la tour de Londres, au cours du XVIe siècle, et est la plus sombre et peut-être plus émotionnellement engageant, des opéras Savoy, se terminant avec un personnage principal-Hearted et deux missions très réticentes, plutôt que l'habituel de nombreux mariages. Le livret contient humour considérable, y compris beaucoup de calembour-laden fractionné, mais la satire de marque de commerce de Gilbert et de complications de l'intrigue envers sont remplacées par les nouvel ISBNdued en comparaison avec les autres opéras de G and S. / Chant/Vocal/Choeur