Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)

Joseph Martin and the creative team that brought you The Winter Rose and Journey of Promises now present their latest major work The Voices of Christmas. Using beloved carols and new anthems especiallycomposed for the cantata the story of Christmas unfolds through the “voices” of witnesses (narration) and is echoed in the voices of the choir as they sing the good news of the Savior's birth. Beautiful orchestrationsby Brant Adams are available as well as a full menu of companion products and support material. Familiar carol melodies abound: The First Noel • The Gallery Carol • St. Denio • O Come O Come Emmanuel • GodRest Ye Merry Gentleman • Masters in this Hall • Adeste Fideles • Still Still Still • In Dulci Jubilo – making this joyful cantata a splendid choice for your holiday programming.

Joseph Martin and the creative team that brought you The Winter Rose and Journey of Promises now present their latest major work The Voices of Christmas. Using beloved carols and new anthems especiallycomposed for the cantata the story of Christmas unfolds through the ?voices? of witnesses (narration) and is echoed in the voices of the choir as they sing the good news of the Savior's birth. Beautiful orchestrationsby Brant Adams are available as well as a full menu of companion products and support material. Familiar carol melodies abound: The First Noel ? The Gallery Carol ? St. Denio ? O Come O Come Emmanuel ? GodRest Ye Merry Gentleman ? Masters in this Hall ? Adeste Fideles ? Still Still Still ? In Dulci Jubilo ? making this joyful cantata a splendid choice for your holiday programming.

14 original piano pieces inspired by great works of art. Par WEDGWOOD PAM. Piano Gallery is a beautiful collection of piano pieces inspired by great works of art. By best-selling composer Pam Wedgwood, the intermediate-level pieces are accompanied by explanatory text and a stunning pull-out poster featuring all thepaintings. Piano Gallery is a beautiful collection of Piano pieces inspired by great works of art. By best-selling composer Pam Wedgwood, the intermediate-level pieces are accompanied by explanatory text and a stunning pull-out poster featuring all the paintings./ Recueil / Piano

For Flute (doubling Piccolo) Clarinet in B flat* Very large Tam-Tam (sounding from a high gallery) and Choir (SSATTBB).* Notated in C in the score. 'According to Hindu Cosmology welive at the end of a cycle the Kali Yuga the Dark Age. There are two important sayings of Christ that should accompany his disciples always during these challenging times. The first is ?The Gates of Hell shall not prevail against my Church? (Matthew 16 v. 18); and the second ?I am with you always unto the end of the world? (Matthew 28 v. 20). These sayings form the basis of this work which falls into two main sections each with the same structure and with linked material. Each section begins with Kali Yuga which I havetried to represent in a chaotic unstructured way in contrast to the cosmic Cries of Humanity to Christ (Kyrie eleison - Lord have mercy) and Christ?s responses from Saint Matthew?s Gospel.The work ends with a serene?Coda? of the sacred monosyllable ?OM? representing the peace and beatitude of God?s presence. The intermingling of Christianity and Hinduism is an important simile for our times; in the same way early Christianity did nothesitate to incorporate Jewish and Greek thought.' - John Tavener

For Clarinet solo with wind quartet and string quartet. Score OnlyFirst performed by Michael Collins Clarinet London Winds and the Endellion String Quartet on 27th January 2011 at the Wigmore Hall London.Scoring:Solo ClarinetFluteOboeBassoonFrench Horn2 ViolinsViolaCelloDuration:circa 13 minutes'During a visit to the exhibition of Francis Bacon at the Tate Gallery in December 2008my eye fell on Figure in a Landscape 1945 which resonated in me powerfully. It is a sceneof devastation and despair and also it seemed to me of latent anger and hostility... butabove it all a serene blue sky beckons. So perhaps even in the darkest moments there is aglimmer of hope - the possibility of change.This idea became the starting point for this work - Towards the Blue - a mini concerto forclarinet who eventually becomes the leader of the group.The work starts without the clarinet and all is desolate yet fiercely argumentative discordant and uncomfortable. Suddenly the offstage clarinet is heard and the players insurprise are quietened. However when the clarinet enters and approaches with a lyricalmusical motif some of the players respond others resist. Gradually the clarinetpersuades the dissident voices to join him in a spirit of co-operation and harmony.A brief memory of the opening desolation casts a momentary shadow which is quicklydispelled by the coda marked Gioioso.'Thea Musgrave (May 13th 2010)Parts available for hire separately

Ibanez is the most important Japanese guitar brand and this new book tells the story of its electric guitars tracking the fortunes of this impressive brand.At first the guitars were cheap and basic and in the 1970s Ibanez was best known for its copies of leading Gibson instruments including Les Pauls SGs and Explorers. As the Japanese music industry gained maturity and increased quality Ibanez made more assured instruments with original features; and in the late '70s and early '80s it hit new peaks of achievement. The big break came in the late '80s with the arrival of Steve Vai's impressive and spectacular JEM signature models. In recent years the company has continued to provide great modern electric guitars.Ibanez guitarists featured in the book include George Benson Charlie Burchill (Simple Minds) Phil Collen (Def Leppard) Allan Holdsworth Pat Metheny Steve Miller Joni Mitchell John Petrucci (Dream Theater) Lee Ritenour Joe Satriani John Scofield Paul Stanley (Kiss) Mick Thompson (Slipknot) Steve Vai and Bob Weir (Grateful Dead).The book is in the tradition of Tony Bacon's best-selling guitar series with a carefully researched story including exclusive interviews with Vai and Satriani a gallery of full-color pictures of famous guitars and players and a reference section detailing production years and specifications of all Ibanez's electric models.

Poul Ruders' Handel Variations for Orchestra (2009) -Ninety Symphonic Reflections on Eight Bars by Georg Friedrich Handel.Commissioned by and dedicated to the Aarhus Symphony Orchestra in celebration of their 75th anniversary 2010. Premiered by The Aarhus Symphony Orchestra conducted by Giancarlo Andretta at the Aarhus Concert Hall 14 January 2010. Programme noteThe short feisty Bourrée from Handel´s famous Water Music (First Suite in F major) has for some years been hovering at the back of my mind as possessing the perfectpotential for a series of variations. Not unlike the short 'morsel' by Henry Purcell (the witches Ho-ho-ho-chorus from the opera Dido and Aeneas) which kicks off the ten variations of my orchestral work Concerto in Pieces the music per se is not particularly interesting but it nevertheless grows on you and is difficult to get rid of. It is merely a handful of sequences (a technique much used in the Baroque era - a method in which the same motif is being shifted up and down in a specified order). Actually it is only the first eight bars of the Bourrée which I haul through the wringer.It would be obvious to assume that Handel Variations make up a sequel to Concerto in Pieces but in spite of the similarity in character between the two chosen themes the Handel Variations are far more symphonically coherent. There are no less than ninety (!) variations and each variation (they are relatively short ranging from four up to forty-something bars) runs seamlessly into the next creating a huge symphonic body of constantly changing colours. I set out with the original theme without interfering but the 'erosion' begins to gnaw away at the theme already from the first variation. Imagine a vast gallery of Handel portraits in which Georg Friedrich appears at first fully recognizable but then the 'disfiguration' sets in and

The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory and as I at the same time planned to write a piece for solo Viola my ideas for the music and the memory of the painting fused more and more. I decided then to let my piece borrow the title of Waterhouse’s painting: The Lady Of Shalott. The picture of a mad-like pale and perhaps singing woman alone in a boat without sculls which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson’s poem by the same title which again plaits into theold English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.

Arrangeur: Martin Shellard. Par MUSE. Accurate transcriptions of all the songs from Muse's bestselling live album and DVD package. Includes complete guitar parts in tablature and notation with chord boxes, vocal melodies with full lyrics, and keyboard and bass parts where appropriate. / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures