The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

A collection of one hundred fantastic songs including classic hits from the 1960s to today! With full melody line arrangements in their original keys, this is an ideal resource for buskers everywhere and suitable for any occasion. The book features melody line, lyrics and guitar chord boxes as well as vocal harmonies, instrumental cues and solos. Specially designed 'distressed' cover. / Niveau : Assez Facile / Recueil / Ligne de Mélodie, Paroles et Accords

The Gig Book: Bob Dylan is a tough and hard-wearing collection of tunes by one of the greatest songwriters the world has ever seen. These handy books feature lyrics, chord boxes and melody line, as well as a few black and white photos, all condensed into a compendium that may look compact but is actually packed full of genius songs.Bob Dylan is one of those rare songwriters who has managed to keep up an incredibly prolific output since he first burst onto the New York folk scene in the early 1960s. Undergoing constant reinventions of his songwriting style, singing style and even a Christmas album, Dylan has written some of the most famous songs ever, and retained serious critical acclaim throughout the decades he has been writing and singing. This Bob Dylan songbook features highlights from Dylan's entire career, spanning his early folk songs, through his country phase, over his electric rock and pop period through to his more recent return rock balladry. Early protest songs like Blowin' In The Wind, A Hard Rain's A'Gonna Fall and The Times They Are A'Changin' feature, alongside some all-time classics spanning his entire career like All Along The Watchtower, Like A Rolling Stone, Knockin' On Heaven's Door and Make You Feel My Love. Take it from us, if you need some inspiration in songwriting, melody construction, inventive use of chords, or just want to play some incredible songs, The Gig Book: Bob Dylan is the perfect song book for you. This Bob Dylan sheet music is great for guitarists, key for keyboardists and momentous for all other musicians. The durable construction and convenient size of the Gig Book series makes it incredibly easy to carry around, just leave it in your gig bag and we can guarantee it'll stand up to the years of use you'll definitely be getting out of it. So whether you're a die-hard Dylan fanatic, or you've heard cover versions of the most covered artist of all time, we've definitely got you covered with The Gig Book: Bob Dylan, the massive collection of 100 of the best songs by (possibly) the best songwriter. / Ligne De Mélodie, Paroles Et Accords

100 Most Gorgeous Songs Ever contains some of the world's most beautiful ballads, including: All the Things You Are, Bridge over Troubled Water, Can't Help Falling in Love, Hallelujah, I Only Have Eyes for You, I'll Know, If, Just the Way You Are, Laura, Michelle, My Heart Will Go on (Love Theme from 'Titanic'), Night and Day, Over the Rainbow, She's Always a Woman, Summertime, Three Times a Lady, Time in a Bottle, Unchained Melody, Walking in Memphis, Your Song and more. / Piano/Vocal/Guitare (PVG)

The Real Vocal Book has many of the selections from volumes 1 and 2 of the instrumental Real Books, but now with the lyrics added to the pre-existing melody line.This songbook contains nearly 300 essential songs compiled especially for singers, including: Alfie, All of Me, Autumn Leaves, Bewitched, Bluesette, Don't Get Around Much Anymore, Fever, Georgia on My Mind, Misty, Moon River, My Funny Valentine, Satin Doll and more. / Voix Haute

One of the most monumental rock bands ever, AC/DC, return with their 15th album, Rock Or Bust, the first without founding member and rhythm guitarist Malcolm Young. This matching folio features accurate arrangements of all 11 songs, including the lead single Play Ball, for Guitar Tab with full lyrics.Ever since bursting onto our airwaves in the 1970s, Australian group AC/DC have brought their unique brand of foot-stomping, power-chord-strumming hard rock to international acclaim. This book of AC/DC Guitar Tabs features every anthemic tune from their album Rock Or Bust, including Play Ball, Rock Or Bust and Dogs Of War.AC/DC immediately won the hearts of rock fans across the globe with a winning formula, straight-up rock drumming, powerfully catchy riffs from Guitarist brothers Angus and Malcolm Young, and some gravity-defyingly high vocals from lead singer Bon Scott, whose duties were taken over by Brian Williams, who appears on this album at almost 70 years old, his vocal performance as powerful here as it was on their seminal 1980 album Back In Black. The real main ingredient of AC/DC's recipe, though is the Guitar-work of Angus Young, often named as one of the greatest ever, and with our Rock Or Bust Guitar Tabs, you can learn each chunky riff and every one of those Marshall-flavoured licks exactly as Young plays them on the record. Featuring blues-inspired riffs, power-chords galore and solos that rival any other rock band, the Guitar work on Rock Or Bust is not just your run-of-the-mill rock Guitar. If you are looking for a masterclass in constructing riffs, playing face-melting solos, or simply great hard rock playing, these AC/DC Guitar Tabs will certainly help you with that. For fans of AC/DC's undoubtedly successful formula of driving rhythms, rocking riffs and innuendo-laden lyrics, this Rock Or Bust Guitar Tab book will satisfy your desire for more blues-rock and even more of that unmistakeable sound of Angus Young's Gibson SG through a Marshall stack. Critics are loving listening to this album, and we're sure you'll love playing it. / Guitare

Part of the popular 'Top Ten' series, this collection contains ten carefully selected pieces in the jazz style.There is such variety within the genre we call 'jazz' it seems almost impossible to do it justice in just ten songs, but we've given it our best shot. We've unforgettable standards, like Duke Ellington's 'Take The A Train', and 'Fly Me To The Moon' as popularised by Frank Sinatra - elegant tunes from the 1930s, such as 'The Way You Look Tonight' and 'The Very Thought Of You' - classic numbers from the late 50s and early 60s, 'So What' and 'Cantaloupe Island' - and we make no apology for stretching the jazz definition to accommodate the gorgeous 'Girl From Ipanema'!Some of the pieces are arranged for Piano and Voice - others are purely instrumental, but every one possesses that special something that has earned it a place in our collection, and indeed in the heads and hearts of countless jazz lovers around the world.Each piece in The Top Ten Jazz Songs To Play On Piano is accompanied by interesting background notes to give you that extra bit of insight. / Piano

Par ROLLING STONES THE. Enfin le Fake Book du célèbre groupe 'The Rolling Stones'. Superbe ouvrage qui regroupe 167 chansons du groupe enregistrées entre 1963 et 1971. Ligne mélodique, symboles d'accords et paroles complètes. Inclus des photos en couleur. / Rép International / Recueil / Chant et Guitare

Written by established educator David Harrison, The Complete Ukulele Player is the most in-depth and comprehensive introduction to playing this fantastic instrument. Taking you from being an absolute beginner to playing scales, harmony and your first tunes, this is the essential volume for anyone interested in learning the Ukulele.If you have no prior experience with musical instruments, or you do, but not on the Ukulele, then The Complete Ukulele Player is the ideal book for you. With comprehensive advice, clear diagrams, numerous photographs and invaluable tips, this book will take you from not even knowing how to hold the Ukulele to feeling right at home. The Complete Ukulele Player begins your journey with an introduction, a short history of the instrument and how to choose one. When you've got your first Ukulele, you'll find out the anatomy of the instrument, which accessories you might need, how to hold it and how to tune it. After you've mastered the practicalities, it'll be time to make music! This tuition book begins by using easy 3-chord songs like Dylan's Blowin' In The Wind, Love Me Do by The Beatles, before moving on to songs with diminished chords like Patsy Cline's Crazy, transposition with Jambalaya and more advanced strumming techniques with Norwegian Wood. The benefit of using popular songs in this way is to enhance musicality at the same time as teaching theoretical concepts. It's easy to pick up a Ukulele and strum a few chords, but with The Complete Ukulele Player chords and harmony are explored in much more depth and detail than in other books. Different chord voicings and techniques are explained and made clear in relation to songs, making learning easier and more enjoyable. Van Morrison's Brown-Eyed Girl is used as an introduction to tablature, and by the end of the book you'll have mastered notes, scales, basic fingerpicking, palm muting, different strumming patterns and more advanced chords.A final truly unique addition to The Complete Ukulele Player is the accompanying download card, giving you access to over a hundred studio-quality demonstration and backing tracks, helping you learn by listening and ear-training. The three hours of audio comprises basically everything that you would need to hear from the book itself, in easy to use tracks that you can download to your computer.So if you're new to the Ukulele and you are looking for a place to start, look no further than The Complete Ukulele Player. Featuring all the essential theoretical knowledge you will need, along with famous and popular tunes to play, this is the ideal beginning tuition book that will put the inimitable Ukulele at your fingertips. If you are looking for even more tunes to play with your newly-learned skills, check out The Complete Ukulele Player Songbook 1 and Songbook 2. These songbooks each contain 16 favourite tunes in the same format as this tuition book, making them the perfect companion for budding Uke players. / Ukulélé

Now you can sing and play all your favourite hits from the Sixties. Over 80 rock and pop classics including big hits from The Beatles, The Who, The Byrds, Bob Dylan, The Rolling Stones, Jimi Hendrix and many more legends of pop. All the songs have been arranged for guitar and voice in the original keys from the actual hit recordings. Complete with full lyrics, guitar chord boxes and playing guide. / Chant Et Guitare

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

C instruments. Par . 200 more popular songs in real book format, with no duplication from the first volume. / Date parution : 2023-01-24/ Recueil / Instruments en Do