John Tavener Anthems favoris pour choeur SATB présente quelques-unes des oeuvres les plus populaires de John Tavener de son catalogue remarquablement vaste et variée d'oeuvres pour choeur. Sont également inclus les belles miniatures et des hymnes radiants qui tracent une ligne au cours des ans à compter de la simplicité exquise de son cadre de William Blake L'Agneau à la voile monumentale du temple et au-delà. John Tavener a connu la gloire en 1969 lorsque son oratorio La baleine a été enregistrée sur The Beatles 'étiquette Apple. Après sa conversion à l'Eglise orthodoxe en 1977, sa musique déplacé dans le sens de la spiritualité et de l'intensité toujours plus grande. Il a marqué un succès populaire en 1989 avec la première Proms de The Protecting Veil, suivie par la production de son opéra Marie d'Egypte au Festival d'Aldeburgh.Son titre de chevalier a été annoncé dans la Liste du Millénaire de distinctions honorifiques. Plus tard, en 2000, il a fait l'objet d'un festival au South Bank Centre. Depuis lors, sa musique a adopté une approche universaliste, qui englobe de nombreuses traditions religieuses, y compris les puissantes oeuvres chorales Le voile du Temple ainsi que l'automne et de la Résurrection, Ikon d'Eros, Lament for Jerusalem, Les Beaux Noms, ses Sollemnitas de masse dans Conceptione immaculata Virginis Mariae Beatae et un ensemble Requiem dans une variété de langues, dont l'anglais, l'arabe, le grec, l'hébreu et le sanskrit ainsi que le texte plus familier en latin. En aucune manière limitée dans sa production d'oeuvres chorales, Tavener a également produit d'innombrables orchestre, soliste instrumental et pièces vocales et a collaboré à des projets de danse et de musiques de film. / Choeur Mixte (SATB)

Par HARVEY JONATHAN. Forms of Emptiness by Jonathan Harvey   Forms of Emptiness is a work for mixed choir which sets words from the Buddhist Heart Sutra, in the original Sanskrit, and three poems by E.E. Cummings. The E.E. Cummings poems all have emphasis on the here and now, on 'catching the joy as it flies'. Seeker of truth Follow no path All paths lead where Truth is here Against these vivid flashes of joy and colour is set a chant - the sanskrit of the Heart Sutra - which acts as a ground from which the 'forms of emptiness' briefly emerge, and against which they are comprehended as transient, scarcely real. There are references to other 'sacred styles' as well as that of the chant - to those of Palestrina and Messiaen for instance. Jonathan Harvey  / Répertoire / SATB

Poems From The Sanskrit for Mezzo-Soprano Double Bass and Piano (2010). Written for Annika Skoglund and Dan Styffe.

En 1955, alors qu'en train de travailler sur une version musicale de Candide de Voltaire avec le dramaturge américain distingué Lillian Hellman, Leonard Bernstein compose choeurs français et le Latin comme musique de scène pour la pièce The Lark adapté par Miss Hellman de la version française originale par Jean Anouilh. Depuis le drame a propos de la Jeanne d'arc, la musique -s Bernstein and rsquo a été délibérément évocateur de l'époque médiévale -s Saint and rsquo. / Choeur D'Hommes Ou Solistes (TTBarB) A Cappella Et Percussions Ad Libitum

Get yourself — or your beginning jazz combo — sounding good right away with the first fake book ever designed for the beginning improviser.This book contains: Easy, but classic jazz tunes to give thestudent a good start in learning the jazz repertoire. Sample Piano voicings, Guitar chord diagrams, sample Bass lines and useful scales for improvisation included with each tune, for easy reference. Each song willsound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos.With The Real Easy Book Volume 1 you'll learntheeasiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery and more.Bags' GrooveBig BerthaBlue SevenBlues By FiveBlues In The ClosetCold Duck TimeContemplationDoxyEdward LeeEquinoxFreedom Jazz DanceGingerbread BoyGroove MerchantJive SambaJo Jo CalypsoKiller JoeListen HereLittle SunflowerMercy, Mercy, MercyMidnight WaltzMr. P.C.One For Daddy-ORed's Good GrooveRevelationRoad SongShort StuffShoshanaSir JohnSister SadieSo Danco SambaSong For My FatherSonnymoon For TwoSt. James InfirmarySt. ThomasStraight LifeTenor MadnessTrail DustWhen The Saints Go Marching InWork SongYardbird SuiteZ's Blues / Instrument en mib / Sher Music

Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn – Child – Youth – Adult – Old – Dead, followed by a short epilogue. In this universal tale of Man’s journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the composer, with the Salisbury Festival Chorus and Salisbury Area Young Musicians Junior Choir, at Salisbury Cathedral on 31 May 2008. This edition (EP73536) is the full score. The vocal score (EP73536a) is available to purchase and the orchestral materials are available for hire. / Date parution : 2022-07-23/ Répertoire / Ténor Solo, Violon Solo, SATB, Chœur d'Enfants et

Commandé pour Tenebrae et leur directeur, Nigel Short. John Tavener écrit:'Mère et enfant célèbre le miracle de l'accouchement. Il célèbre aussi Marie dans son aspect universel en tant que mère de tous les Prophètes, et co-rédemptrice du Christ. Mais derrière tout cela est la lumière théophanique, unique et infini, et le même dans toutes les traditions religieuses. La musique est à la fois tendre, extatique, et lumineux et suit le texte. J'ai interpolées dans le poème Brian Keeble, textes célébrant l'éternel féminin en grec, puis à l'apogée une explosion en sanskrit de l'ATMA. Telle est la réalité suprême, le vrai Soi, brillant et infini, le seul Dieu unique, exprimée en musique par pulsation coups impressionnants sur le Falun temple hindou avec orgue et choeur en blocs massifs. Cela semble dire que 'Mère et enfant 'le réel sont deux-delà de la naissance et au-delà la mort et au-delà du temps.' / Orgue

The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser: Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines, and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshops summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. Available in C, Bb, Eb and Bass Clef. / Instruments En Do

Mahamatar (Study Score). Mahámátar is written for Oriental or Middle-Eastern female voice, distant boys' voices (in a vast acoustic), tubular bells and muted strings. The music is an invocation to the Great Mother Mahámátar in Sanskrit, and to the Theotóke (God-bearer) in Greek. Originally written to accompany a fi lm by Werner Herzog which deals with South American Indians who travel for many miles on their knees to venerate the miraculous Ikon of The Mother of God of Guadalupe. Mahámátar may be performed by a solo voice or alternatively the melody could be played by a solo cello, with decorations and improvisations by the singer.

The Saman Chant is one of the oldest musics of which there is any record. This piece Samaveda for flute voice and tampura is a tribute to this ancient form of Indian sacred music. It is freely based on the original chantin Sanskrit.This work was commissioned by the Nehru Centre and first performed at the Nehru Centre London in June 1997 by Patricia Rozario and Kathyn Lukas.Duration c. 5mins. This is a special item which is made toorder. Please e-mail our Mail Order Department for further information.

The second in Glass' trilogy about men who changed the world Satyagraha's sub-text is politics. The opera is semi-narrative in form and deals with Mahatma Gandhi's early years in South Africa and his development of non-violentprotest into a political tool. (Satyagraha is a Sanskrit word meaning 'truth force'). Each act is dominated by a single historic figure (non-singing role) overlooking the action from above: the Indian poet Rabindranath Tagore inAct 1 the Russian author Leo Tolstoy in Act 2 the American civil rights leader Martin Luther King Jr. in Act 3. The music from the conclusion of Act 3 has been beautifully arranged and adapted for Organ solo by MichaelRiseman and Donald Joyce.

The ukulele is becoming more and more popular, and more and more guitarists are getting involved with the 4-stringed little sister of the guitar.Especially for this group, the alternative tuning of the ukulele with a low G-string ( low G ) is interesting, because not only the range is enriched, but also the feeling of playing with a low string is very reminiscent of a guitar.The melody-chord playing in this songbook uses techniques of classical guitar as well as folk guitar and combines chords with the song melody to create rousing arrangements, all of which have proven themselves in lessons and have been written by the experienced author and pedagogue Patrick Steinbach to be easy to moderately difficult.PrefaceVorwortAin´t NobodyAngieBlue Suede ShoesCalifornicationCandle In The WindCan You Feel The Love TonightChild In TimeDon?t Worry Be HappyDust In The WindEleanor RigbyFields Of GoldHallelujahHeart Of GoldHe´s A PirateHey JudeHey There, DelilahKnocking On Heaven?s DoorIn The SummertimeLady In BlackLet It beLocomotive BreathMad WorldNights In White SatinNothing Else MattersRock Around The ClockSailingSound Of SilenceStreets Of LondonTears In HeavenTequilaAbout The Songs / Über die SongsChord Diagrams / Grifftabelle / Guitare tablatures / Schott