| The New Novello Book Of
Short And Easy Anthems
For Upper Voices Chorale 3 parties SSA, Piano Novello & Co Ltd.
The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful c...(+)
The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic.Some works included in this collection are universally-loved, pieces like Ave Maria by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu. Despite the title of Short And Easy, these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty.With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol, the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs.Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short and Easy Anthems gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily. / Choeur SSA Et Piano
23.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Jakob Lenz (RIHM
WOLFGANG) Piano, Voix Universal Edition
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera...(+)
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke.
Büchner’s Lenz
is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs.
The musical consequence
An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead.
Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out.
The compositional process
December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz.
Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work.
The musical stage
For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages.
I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations.
Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts.
Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano
116.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| TANGO CANCION (HIGH
VOICE) Piano, Voix [Partition] Peters
Par . This collection of Argentinean tangos for voice and piano offers a cross-s...(+)
Par . This collection of Argentinean tangos for voice and piano offers a cross-section of tango across the ages, from the beginnings, through the Gardel era, the golden age and Tango nuevo (of Piazzolla and others), right up to contemporary compositions ? creating a perfect tango concert program. Whether used within a song recital, as encores, or as music for dance events, the repertoire in Tango canción is completely versatile and suitable for singers from all backgrounds. Arranged by the Argentinean composer, pianist and tango expert Juan María Solare, these songs retain an authentic tango sound while making the vocal and piano writing approachable by all ? especially those who are not familiar with the repertoire. Additional information and performance tips help performers achieve the passion of tango. A cross-section of Argentinean tangos from the beginnings up to the present day Easier and intermediate-level pieces, with practical piano accompaniments Includes introductions to the songs, translations of the lyrics and a guide to pronunciation Ideal as a complete concert programme. / Date parution : 2022-11-12/ Recueil / Chant et Piano
23.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| The Dove (HAKIM NAJI) Ténor et Quatuor à
Cordes [Conducteur et Parties séparées] Schott
auf Texte aus der Bibel. Par HAKIM NAJI. Die Taube (The Dove) was commissioned b...(+)
auf Texte aus der Bibel. Par HAKIM NAJI. Die Taube (The Dove) was commissioned by ”Kirchenmusik bei St. Anna Augsburg” to celebrate the 450th anniversary of the 'Augsburger Religionsfrieden' (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness.
The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ.
First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest,
8 August 2005.
Gen.8/11 : ”And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. ”
Luk. 1/79 : ”To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. ”
Joh.14/27 : ”Peace I leave with you, my peace I give unto you. ”
'...to guide our feet into the way of peace.' (Luke 1,79)
Words and music bind people together to form fellowships which guide us into the way of peace.
Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'.
In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, 'Let God´s melody resound in you.' The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another.
God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, 'I am with you always, even to the end of the age.'
(Matthew 28, 20).
Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future.
Let God´s melody resound in you and guide your feet into the way of peace./ Répertoire / Ténor et Quatuor à Cordes
30.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Top Ten Jazz Songs To
Play On Piano Piano, Voix [Partition] Amsco Wise Publications
Part of the popular 'Top Ten' series, this collection contains ten carefully sel...(+)
Part of the popular 'Top Ten' series, this collection contains ten carefully selected pieces in the jazz style.There is such variety within the genre we call 'jazz' it seems almost impossible to do it justice in just ten songs, but we've given it our best shot. We've unforgettable standards, like Duke Ellington's 'Take The A Train', and 'Fly Me To The Moon' as popularised by Frank Sinatra - elegant tunes from the 1930s, such as 'The Way You Look Tonight' and 'The Very Thought Of You' - classic numbers from the late 50s and early 60s, 'So What' and 'Cantaloupe Island' - and we make no apology for stretching the jazz definition to accommodate the gorgeous 'Girl From Ipanema'!Some of the pieces are arranged for Piano and Voice - others are purely instrumental, but every one possesses that special something that has earned it a place in our collection, and indeed in the heads and hearts of countless jazz lovers around the world.Each piece in The Top Ten Jazz Songs To Play On Piano is accompanied by interesting background notes to give you that extra bit of insight. / Piano
20.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 11 Oblique Strategies Violoncelle Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British...(+)
The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
21.19 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Changing Voices: Songs
within an Octave for
Teenage Male Singers Piano, Voix [Partition] Peters
When boys’ voices change from a childhood treble to a lower adult voice it is ...(+)
When boys’ voices change from a childhood treble to a lower adult voice it is important to treat the voice particularly carefully.Pushing it too hard may cause permanent damage. Changing Voices contains a collection of songs to help the young singer through this period./ Recueil / Chant et Piano
23.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Lord's Blessing
(GILL JOANNA) Choeur Mixte SATB a Cappella Universal Edition
Par GILL JOANNA. This work is a reflective setting of a popular blessing used re...(+)
Par GILL JOANNA. This work is a reflective setting of a popular blessing used regularly in both church services and within choral concerts.
Scored for unaccompanied mixed choir, the four parts are often divided to create an eight-part texture. The main melodic interest is carried in the soprano line over a supporting line of six parts provided by the lower voices. Within this short setting a variety of beautiful shifting choral combinations are used: sopranos and tenors against altos and basses, sopranos against altos, tenors and basses and finally alto and tenor lines which lead into the concluding six-part texture ending on a radiant E major chord spread over three octaves. Within these voice combinations we hear a choral texture which spans just the interval of a perfect fifth to the concluding three octave final chord, creating a wide palette of choral sound in a short space of time.
Joanna herself says the following about this work:
I wrote “The Lord’s Blessing” in 2018. That year, I had been on tour to New York with the London Symphony Chorus and we got the privilege to spend a day with the Westminster Choir College. At the end of the day they sang a blessing over us and I thought it was such a beautiful moment. So as soon as I got home I wrote a short blessing that I imagined would be sung at the end of a concert as a blessing over the audience. I dedicate it to the LSC./ Répertoire / Choeur Mixte SATB a Cappella
4.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Guest Spot Smash Hits
Play Along Saxophone Alto [Partition + CD] - Facile Amsco Wise Publications
Step into the spotlight along with the superb backing tracks on the specially re...(+)
Step into the spotlight along with the superb backing tracks on the specially recorded CD. On the CD: Hear the full performance versions of the songs from the songs from tracks 1-10 on disc 1. The instrumental part is then omitted from tracks 2-11 of disc 2 to enable you to play along woth the recorded accompaniment. In the book: Top line arrangements of all the songs plus instrumental fingering guide. / Saxophone
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| CASTOR ET POLLUX (RAMEAU
JEAN-PHILIPPE) (RAMEAU
JEAN-PHILIPPE) Piano, Voix Barenreiter
Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to u...(+)
Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an act to the tragedy and to give more weight to the brotherly friendship between Castor and Pollux. The main plot remains very similar to the one of 1737, aside from the fact that the sisters Télaïre and Phébé no longer are in love - the one with Castor the other with Pollux - but rather both with Castor which is the reason why Phébé is jealous of Télaïre. Already at the beginning of the first act Pollux relinquishes his love of Télaïre to the benefit of Castor. Castor, however, is killed by Linceus and finds himself in Hades. Pollux commits to saving his brother, sacrifices his immortality and declares his willingness to take Castor?s place in Hades so that his brother and Télaïre may be reunited. Jupiter, moved by this sacrifice, frees Pollux and bestows the couple immortality by giving them a place in the zodiac. Following the editorial principles of the ?Opera omnia Rameau? (and in contrast to the 1903 edition by August Chapuis issued within the old Rameau series), both versions of ?Castor et Pollux?, the version of 1737 (OOR IV.3) and the present version of 1754 (OOR IV.23), are published in two separate volumes in their entirety. Owing to the discovery of the original performance material, today preserved at the Gesellschaft der Musikfreunde in Vienna, the second version of 1754, which up until today was in the shadow of the 1737 version, can now be presented with its more tightly woven plot in all its vigor and dramatic momentum. This edition is enriched with twelve additions which enable the performance of the 1763-1764 version when the work was restaged. / Date parution : 2023-06-16/ Répertoire / Chant et Piano
65.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Medea [Linen Score + Usb]
(BENDA GEORG) Récitant et Orchestre Barenreiter
A Melodrama Interspersed With Music. Par BENDA GEORG. Georg Anton Benda's melodr...(+)
A Melodrama Interspersed With Music. Par BENDA GEORG. Georg Anton Benda's melodrama „Medea' (1775) was one of the most successful German musical theatre works of the late 18th century. With a libretto by Friedrich Wilhelm Gotter, the work soon became a great influence within the melodrama genre. For several decades, it was performed all over central Europe, developing an impressive reception history. Between 1775 and about 1790, the melodrama was considered an extremely popular (albeit controversial) part of musical theatre, in particular in German-speaking regions. Consequently, Benda's „Medea' was at the center of many heated debates.
Unlike opera, the melodrama does not present the libretto in sung form, but rather, the text is spoken and combined with orchestral music and scenes. The traditional opera forms (aria, recitative, ensemble, chorus) are dissolved and replaced by a new interplay of music, speech, and scenes. A focus on a single protagonist and the quick, delicate alternation between spoken text and music allows for the development of conflicting and contradictory psychological profiles with a heightened intensity within the melodrama.
Near the end of his life, Benda revised the work significantly, drawing from his experience of real performances and their effectiveness. The changes leading to the new version of his „Medea' music were quite extensive, affecting almost every single measure: numerous details of the part writing (tempi, voice leading, rhythms, accompanying figures etc.) were revised, the instrumentation was changed, middle voices were led in a more lively manner, and the music as a whole was shortened and effectively compressed. The composer regarded the latter, modified „Medea' as the authorized version of the work. The premiere took place in 1784 in Mannheim, however, the altered work received little attention since then and has become tangible again for the first time with the OPERA Edition. All previous editions of the work - and along with them, all previous recordings - are based on the earlier version of 1775.
The third volume of the OPERA series 'Medea” contains a linen-bound book and the edirom on a USB stick in credit card format. The number of users permitted to simultaneously use the digital content of the edition is not limited.
For further information regarding the work and the OPERA series, please visit www.opera-edition.com and Takte online/ Répertoire / Récitant et Orchestre
310.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Piano Chord Songbook :
Hits (BEATLES THE) Piano, Voix [Partition] - Facile Novello & Co Ltd.
Par BEATLES THE. This Piano Chord Songbook contains complete lyrics and chord sy...(+)
Par BEATLES THE. This Piano Chord Songbook contains complete lyrics and chord symbols for over 50 great Beatles hits, plus clear, easy-to-read diagrams for every chord that you'll need to play. / Niveau : Facile / Recueil / Chant et Piano
20.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Library Of Romantic
Music Piano seul [Partition] - Intermédiaire/avancé Amsco Wise Publications
The Library Of Romantic Music is a comprehensive collection of the greatest work...(+)
The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano
36.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Mozart, Wolfgang Amadeus
: Concert Arias for High
Soprano Voix Soprano, Piano [Partition] - Intermédiaire Barenreiter
These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias...(+)
These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.
Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.
? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /
32.95 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
| Piano Treasury Of Easy
Classical Music Cd Piano seul [Partition + CD] Amsco Wise Publications
Compilation. The Piano Treasury of Easy Classical Music is designed to be the co...(+)
Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano
30.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| BERKLEE MILI BERMEJO -
JAZZ VOCAL IMPROVISATION Voix seule [Partition + Accès audio] Berklee
Learn the art of jazz vocal improvisation! This book will help you hear, u...(+)
Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment. You will learn to: Develop your sense of timing and swing Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble ?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.? ?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator ?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.? ?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices) ?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser. Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.? ?Magos Herrera, GRAMMY-nominated Jazz Singer ?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.? ?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer / Méthodes et pédagogie / Chant / / BERKLEE
24.99 EUR - vendu par Woodbrass Délais: Sur commande | |
| Hänsel und Gretel
(HUMPERDINCK ENGELBERT) 2 Voix et Piano - Intermédiaire Schott
Das Liederspiel. Par HUMPERDINCK ENGELBERT. When Engelbert Humperdinck’s fairy...(+)
Das Liederspiel. Par HUMPERDINCK ENGELBERT. When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin. Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric” Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]”. She enclosed the corresponding verses with the letter and “for fun” also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April. This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment” (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note (E flat) instead of on the four notes of the chord.” The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form. / Niveau : Intermédiaire / Répertoire / 2 Voix et Piano
32.71 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Arie Da Camera Per Voce
Media E Pianoforte O Arpa Italiano Piano, Voix Ricordi
Gaspare Spontini, composer and conductor, was celebrated for his operas in the l...(+)
Gaspare Spontini, composer and conductor, was celebrated for his operas in the late 1700s and early 1800s, although he also composed several pieces of vocal chamber music at the same time. The chamber repertoire was composed with the amateur performer in mind: the tessitura of his melodies falls mostly within the medium/high range and does not call for any special techniques. This does not, however, diminish the artistic value of his chamber music- indeed, it is a body of work of great interest and beauty. Each piece was written for a single voice accompanied by the piano or the harp - the two instruments most commonly found in salons of the time - and in a variety of forms: bagatelle, barcarole, chansonnette, romance, stances, stances élégiaques, élégie, strophes, Lied, romanze, ariette, melodici accenti, duetti and duetti notturni. In addition to a selection of compositions for medium-range voices - proposed here in the original tonic key - this book also includes the most celebrated and significant of Spontini's compositions. / Voix Moyenne(s) Et Piano
27.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| The Singing School
Handbook Voix seule Faber Music Limited
How to make your school sing. A Singing School is a place not just where singing...(+)
How to make your school sing. A Singing School is a place not just where singing happens regularly, but where singing is right at the heart of school life. It is a school where all children are involved in singing, every day, as a normal part of school life. It is a place where the whole school community knows and can describe what difference singing makes to their school. The Singing School Handbook is a how-to guide to help teachers and singing leaders working within school settings take appropriate steps towards making their school a Singing School. With universally transferable principles, suggestions and strategies, this book provides a framework that applies to any educational setting or school structurefrom the ages of 4-11, and beyond. A Singing School is a place not just where singing happens regularly, but where singing is right at the heart of school life. It is a school where all children are involved in singing, every day, as a normal part of school life. It is a place where the whole school community knows and can describe what difference singing makes to their school. The Singing School Handbook is a how-to guide to help teachers and singing leaders working within school settings take appropriate steps towards making their school a Singing School. With universally transferable principles, suggestions and strategies, this book provides a framework that applies to any educational setting orschool structure from the ages of 4-11, and beyond. / Education musicale / Livre / Voix
19.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Songscape Assembly (MARSH
LIN) Piano, Voix [Partition + CD] - Facile Faber Music Limited
21 Songs to inspire and Motivate. Par MARSH LIN. Songscape Assembly presents 21 ...(+)
21 Songs to inspire and Motivate. Par MARSH LIN. Songscape Assembly presents 21 songs to inspire and motivate by leading educational composer Lin Marsh. This new title in the best-selling Songscape series is ideal for assembly, classroom and concert use. Designed to develop young singers' confidence, the vocal ranges are carefully considered for Key Stages 2-3 and many songs include an optional second part. The keyboard accompaniments are well within the grasp of pianists of moderate ability and high-quality audio tracks are included of complete performances as well as backing tracks. / Niveau : Facile / Recueil / Chant et Piano
36.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 46 Mélodies (Low
Voice And Piano) En Français Voix basse, Piano Durand
The melodies of MAURICE RAVEL (1875-1937) span the entire chronology of his crea...(+)
The melodies of MAURICE RAVEL (1875-1937) span the entire chronology of his creative output, from his earliest song BALLADE DE LA REINE MORTE D`AIMER (1893), written during his student years at the Paris Conservatory, to the cycle DON QUICHOTTE À DULCINEE (1932-33), his last compositions in any genre. In his songs, Ravel's text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined, classical in their phrase structure. In his treatment of rhythm, Ravel finds subtlety within traditional meters, and dance forms-minuet, waltz, folk dances (especially Spanish dance) -also shape the rhythm in many of his songs. / Voix Moyenne(s) Et Piano
28.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| 46 Mélodies (High
Voice And Piano)
Voix haute, Piano Durand
The melodies of Maurice Ravel (1875-1937) span the entire chronology of his crea...(+)
The melodies of Maurice Ravel (1875-1937) span the entire chronology of his creative output, from his earliest song BALLADE DE LA REINE MORTE DAIMER (1893), written during his student years at the Paris Conservatory, to the cycle DON QUICHOTTE À DULCINEE (1932-33), his last compositions in any genre. In his songs, Ravel's text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined, classical in their phrase structure. In his treatment of rhythm, Ravel finds subtlety within traditional meters, and dance forms-minuet, waltz, folk dances (especially Spanish dances)-also shape the rhythm in many of his songs. / Voix Haute(s) Et Piano
28.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Junior Songscape :
Children's
Favourites (MARSH LIN) Piano, Voix [Partition + CD] Faber Music Limited
Par MARSH LIN. Junior Songscape: Children's Favourites is the perfect resource f...(+)
Par MARSH LIN. Junior Songscape: Children's Favourites is the perfect resource for infant and lower primary school singing, carefully selected and arranged by Lin Marsh. A timeless collection of 20 best-loved children's songs. Includes suggestions for adding movement, by experienced choreographer Wendy Cook. Ideal for bringing confidence and fun to classroom singing, with vocal ranged carefully considered for Key Stage 1 (Scottish P1-2) voices. Keyboard accompaniments are well within the grasp of Pianists of moderate ability. 2 CDs include complete performances of all the songs, plus backings ideal for rehearsals or performance. Lyrics included on enhanced CD for easy printing/projection./ Recueil / Chant
32.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Peacock Moment
(HILLBORG ANDERS) Clarinette et Piano [Partition] Faber Music Limited
Par HILLBORG ANDERS. Despite its short duration, The Peacock Moment holds a cent...(+)
Par HILLBORG ANDERS. Despite its short duration, The Peacock Moment holds a central place in Anders Hillborg’s worklist. Much of material in this frenetic 1-minute work for clarinet and piano derive from a prime-number series – a common feature in his subsequent work. Particularly striking is the way Hillborg creates the impression of a polyphony of voices within the clarinet’s solo lines.
/ Instrumental Music / Répertoire / Clarinette et Piano
16.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Distant Voices (HOSOKAWA
TOSHIO) Quatuor à cordes: 2 violons,
alto, violoncelle
Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simp...(+)
Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simple melody concealed in the background. That melody (distant voices) is played within an extremely slow tempo, and the notes which form the melody gain different textures by becoming disassembled, and played by different techniques. In our daily lives, our inner voices become concealed by our daily customs. The act of composing, to me, is to find out that concealed distant voices, make those voices spatialized and construct them within the musical time. This work is dedicated to Alois Lageder. Toshio Hosokawa / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes
43.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
Page suivante 1 31 61 |
|