| Songs of Love, Inspiration, and Travel Piano, Voix Alfred Publishing
(10 Contemporary Solos for Male Voice and Piano). Edited by Sally K. Albrecht. F...(+)
(10 Contemporary Solos
for Male Voice and
Piano). Edited by Sally
K. Albrecht. For with
Piano (Male voice). Book;
Vocal Collection.
Contemporary; Love. 56
pages
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Folk Songs for Solo Singers - Vol. 2, Medium High (Book)
Voix moyenne, Piano [Partition] - Intermédiaire Alfred Publishing
(14 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts and C...(+)
(14 Folk Songs Arranged
for Solo Voice and
Piano... For Recitals,
Concerts and Contests)
Edited by Jay Althouse.
Songbook for medium high
voice solo and piano
accompaniment. Published
by Alfred Publishing.
(4)$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| American Folk Songs for Two Voix duo, Piano Alfred Publishing
(10 American Folk Songs Arranged for Two Voices and Piano for Recitals, Concerts...(+)
(10 American Folk Songs
Arranged for Two Voices
and Piano for Recitals,
Concerts, and Contests).
Edited by Andy Beck. For
Voice. Book; Duet or Duo;
Vocal Collection. Folk.
64 pages. Published by
Alfred Music Publishing
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Folk Songs for Two Voix duo, Piano [Partition + CD] Alfred Publishing
(10 American Folk Songs Arranged for Two Voices and Piano for Recitals, Concerts...(+)
(10 American Folk Songs
Arranged for Two Voices
and Piano for Recitals,
Concerts, and Contests).
Edited by Andy Beck. For
Voice. Book; CD; Duet or
Duo; Vocal Collection.
For Two Series. Folk. 64
pages. Published by
Alfred Music
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Folk Songs for Solo Singers Piano, Voix Alfred Publishing
(13 Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Con...(+)
(13 Folk Songs Arranged
for Solo Voice and Piano
for Recitals, Concerts,
and Contests (Medium High
Voice)). Arranged by Jay
Althouse. For Voice (High
voice (Medium-High)).
Book; Vocal Collection.
For Solo Singers. Folk;
Patriotic. 64 pages.
Published by Alfred Music
Publishing
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Folk Songs for Solo Singers Piano, Voix [Partition + CD] Alfred Publishing
(13 Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Con...(+)
(13 Folk Songs Arranged
for Solo Voice and Piano
for Recitals, Concerts,
and Contests (Medium High
Voice)). Arranged by Jay
Althouse. For Voice (High
voice (Medium-High)).
Book; CD; Vocal
Collection. For Solo
Singers. Folk; Patriotic.
64 pages. Published by
Alfred Music Publishing
$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Folk Songs for Solo Singers Piano, Voix Alfred Publishing
(13 Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Con...(+)
(13 Folk Songs Arranged
for Solo Voice and Piano
for Recitals, Concerts,
and Contests (Medium Low
Voice)). Arranged by Jay
Althouse. For Voice (Low
voice (Medium-Low)).
Book; Vocal Collection.
For Solo Singers. Folk;
Patriotic. 64 pages.
Published by Alfred Music
Publishing
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Audience Pleasers, Book 2 Piano seul [Partition] - Facile Alfred Publishing
By Lynn Freeman Olson. For Piano. Piano Collection. Level: Late Elementary / Ear...(+)
By Lynn Freeman Olson.
For Piano. Piano
Collection. Level: Late
Elementary / Early
Intermediate (grade 2/3).
Book. 32 pages. Published
by Alfred Publishing.
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Folk Songs for Solo Singers, Vol. 2
Voix moyenne, Piano Alfred Publishing
Edited by Jay Althouse. For Voice. (Medium Low Voice). Vocal Collection. Book. ...(+)
Edited by Jay Althouse.
For Voice. (Medium Low
Voice). Vocal Collection.
Book. 64 pages. Published
by Alfred Publishing.
(1)$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Folk Songs for Solo Singers, Vol. 2 Voix moyenne, Piano [Partition + CD] Alfred Publishing
Edited by Jay Althouse. For Voice. (Medium Low Voice). Vocal Collection. Play a...(+)
Edited by Jay Althouse.
For Voice. (Medium Low
Voice). Vocal Collection.
Play along. Book and CD.
64 pages. Published by
Alfred Publishing.
(1)$26.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kendor Debut Solos - Tuba with MP3s Tuba et Piano - Débutant Kendor Music Inc.
Tuba Solo with Piano Accompaniment - 1-2 SKU: KN.KEN10317 Composed by Var...(+)
Tuba Solo with Piano
Accompaniment - 1-2
SKU: KN.KEN10317
Composed by Various.
Edited by Carl Strommen.
Arranged by Michael
Salzman. Solo. Tuba Solo.
Solo part only. Kendor
Music Inc #KEN10317.
Published by Kendor Music
Inc (KN.KEN10317).
UPC:
822795103175. Desig
ned for a first contest
or recital performance,
this grade 1-2
collections contain 14
pieces that have been
carefully edited by
tubist Michael Salzman,
and edited by Carl
Strommen. The free
downloadable piano
accompaniment MP3s will
be an invaluable tool for
students. Piano book sold
separately (#10318).
Available in
SmartMusic
Content
s: The Water Is Wide
(traditional); Scotland
The Brave (traditional);
Chester (Billings);
Arirang (Korean folk
song); 'O Sole Mio
(Capua); Stephen Foster
Medley (Foster); Haydn's
Surprise (Haydn); At The
Fireplace (Warshawsky); O
Canada (Lavallee); Largo
(Dvorak); Tambourin
(Rameau): Hatikvah
(traditional); Themes
From March Slav
(Tschaikowsky); Adagio
(Beethoven). $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Accessible Solo Repertoire for Voice Voix haute, Piano - Intermédiaire Excelcia Music Publishing
10 Folk Songs and Spirituals. Composed by Various. Solo collection. Accessibl...(+)
10 Folk Songs and
Spirituals. Composed by
Various. Solo collection.
Accessible Solo
Repertoire.
Folk, spiritual. Vocal
score. Excelcia Music
Publishing #VB2001.
Published by Excelcia
Music
Publishing
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Accessible Solo Repertoire for Voice Voix basse, Piano - Intermédiaire Excelcia Music Publishing
10 Folk Songs and Spirituals. Composed by Various. Solo collection. Accessibl...(+)
10 Folk Songs and
Spirituals. Composed by
Various. Solo collection.
Accessible Solo
Repertoire.
Folk, spiritual. Vocal
score. Excelcia Music
Publishing #VB2002.
Published by Excelcia
Music
Publishing
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First Recital Series (Piano / Viola) Alto, Piano [Partition + CD] - Facile Curnow Music
Piano Accompaniment for Viola. Curnow Play-Along Book. Play Along. 44 pages. Pub...(+)
Piano Accompaniment for
Viola. Curnow Play-Along
Book. Play Along. 44
pages. Published by
Curnow Music.
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony [Conducteur] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Water Is Wide 1 Piano, 4 mains - Intermédiaire Alfred Publishing
Arranged by Robert D. Vandall. For Piano. Piano Duet (One Piano, Four Hands). Le...(+)
Arranged by Robert D.
Vandall. For Piano. Piano
Duet (One Piano, Four
Hands). Level: Early
Intermediate. Sheet. 12
pages. Published by
Alfred Publishing.
$5.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Water Is Wide Chorale SATB SATB, Piano Schirmer ECS Publishing
Arranged by Grant Cochran. For SATB Choir & piano. (Mixed Voices). Secular. Cho...(+)
Arranged by Grant
Cochran. For SATB Choir &
piano. (Mixed Voices).
Secular. Choral. 12
pages. Published by ECS
Publishing.
$2.65 $2.5175 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fruit of the Spirit Piano seul [Partition] - Avancé Alfred Publishing
Arranged by Mark Hayes. Collection for piano solo. Level: Advanced. Series: Alfr...(+)
Arranged by Mark Hayes.
Collection for piano
solo. Level: Advanced.
Series: Alfred's Sacred
Performer Collections. 40
pages. Published by
Alfred Publishing.
(2)$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Yamaha Piano Library - Piano Pieces in Romantic Era Vol. 2 Piano seul Yamaha
Piano SKU: YM.GTP01101464 Intermediate. Composed by Various. Class...(+)
Piano SKU:
YM.GTP01101464
Intermediate.
Composed by Various.
Classical. Piano
Classical. Book. Yamaha
Music Media #GTP01101464.
Published by Yamaha Music
Media (YM.GTP01101464).
ISBN 9784636880472.
8.75 x 12
inches. The Yamaha
Piano Library, which
began in the 1980s, is a
series designed to
provide students with new
teaching materials and
repertoire essential to
music education. Today,
pianists all over the
world are required to
play pieces from
different eras with
technique and sensitivity
that reflect the
characteristics of the
music of that period. To
meet these demands, this
series offers a wide
range of piano
compositions from
different periods,
regions, and styles. Many
of these pieces are not
included in other
collections and are
selected as required
pieces for competitions
each year. This
fascinating collection
includes compositions
from Germany, one of the
leading countries of the
Romantic period, as well
as from all over Europe,
Russia, the United States
and other regions,
ranging from the less
frequently played to the
standard pieces in a
well-balanced manner.
Arranged in order of
difficulty so that they
can be played according
to the student's skill
level, the 31 pieces
composed for the piano by
Romantic composers are
selected for students
studying at Bayer's later
levels. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Accessible Solo Repertoire for Viola Alto, Piano - Débutant Excelcia Music Publishing
Viola with Piano Accompaniment - Grade 1.5-2 SKU: XC.SB2005 18 Festiva...(+)
Viola with Piano
Accompaniment - Grade
1.5-2 SKU:
XC.SB2005 18
Festival Solos with
Piano. Composed by
Larry Clark and Tyler
Arcari. Arranged by Larry
Clark and Tyler Arcari.
Solo and Ensemble.
Accessible Solo
Repertoire. Solo. Score
and part. Excelcia Music
Publishing #SB2005.
Published by Excelcia
Music Publishing
(XC.SB2005). ISBN
9781644020449. UPC:
812598034721. 9 x 12
inches. Accessible
Solo Repertoire for Viola
contains eighteen newly
composed or arranged
solos with piano
accompaniment written at
grades 2 to 2.5. Written
by one of the most
popular composers of
music for students, Larry
Clark, and the talented
up and coming composer
Tyler Arcari, these solos
will add something new,
fresh, and different to
your solo repertoire for
Viola. Larry and Tyler
use their experience as
music educators to write
solos that are fun to
play and musically
stimulating. These solos
are perfect for use at an
adjudicated solo festival
or recital. Each book
comes with beautifully
set solo parts. Piano
accompaniment parts and
piano only recordings of
each piece are available
for download from the
Excelcia Music Publishing
website.
Contents<
br>Bountiful Harvest
An Inconsistent Love
Barbary Coast Danse
Macabre Earth
Song Humble Heart
Italian Song
Kelvingrove
Minuet Never to Rise
Again Serenade
Skydance Sonatina
Spinning Song Swan
Dancing The Eastern
Moors The Water is
Wide Wild
Horseman. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songs of the British Isles for Solo Singers Voix seule Alfred Publishing
(11 Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests...(+)
(11 Songs Arranged for
Solo Voice and Piano for
Recitals, Concerts, and
Contests (Medium High
Voice)). Arranged by Jay
Althouse. For Voice (High
voice (Medium-High)).
Book; Vocal Collection.
For Solo Singers. Folk;
Recital. 64 pages.
Published by Alfred Music
Publishing
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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