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| Music For Children Vol.5 [Partition]
Schott
Carl Orff a consacré une grande partie de sa vie au développement d'une philos...(+)
Carl Orff a consacré une grande partie de sa vie au développement d'une philosophie de ' La musique pour enfants ', basée sur sa conviction que la musique est le résultat naturel de discours, de rythme et de mouvement. Ses idées et travaux pionniers ont eu une influence majeure sur la musique et danse de l'éducation partout dans le monde, et aujourd'hui que le travail se poursuit sous la direction du chef de file des enseignants et éducateurs dans de nombreux pays. Les cinq volumes allemands base de musique pour enfants par Carl Orff et Gunild Keetman ont été publiés entre 1950 et 1954. Editions ont depuis été publié en Bolivie, Brésil, Canada, Tchécoslovaquie, Danemark, Estonie, France, Ghana, la Grande-Bretagne (y compris une édition spéciale en galloise), Grèce, Italie, Japon, Corée, Amérique latine, Pays-Bas, Portugal, Espagne, Suède, Taiwan et aux Etats-Unis. En 1952, la première édition de la traduction est apparue une adaptation en langue anglaise par Doreen Hall et Arnold Walter pour leurs étudiants canadiens et américains. Quelques années plus tard, Margaret Murray développé indépendamment un... / Voix, Flûte A Bec Et Percussions
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| Six Character Pieces Op.
17 Book 1 (ZELENSKI
WLADYSLAW)
Piano seul [Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for pian...(+)
Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied).
The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance.
The first book of the Six Character Pieces opens with a Prelude. Here the voices are often led in thirds, sixths and octaves. This work is ideally suited to practising parallel intervals, but with its expressive qualities it can also be successfully played in a recital by a mature pianist.
The second piece, entitled Promenade, displays a distinct ABA form. The composer gradually builds up to a climax, beginning with an initially innocent motif and an intricate right-hand part.
The Dance is the most complex of all the three pieces. Here the composer juxtaposes two different characters: a waltz in A flat major in the outer sections with a playful scherzando in the middle, led in E major. The virtuosic triplet progressions in a Chopinesque brillant style lend this miniature a light feel. The closing coda recapitulates the principal motifs.
In the first book of Six Character Pieces, besides the Chopinesque subtleties, one also notes inspirations from the German Romantic tradition, while Zelenski himself comes across as an extremely interesting figure in Polish neoromanticism and a composer who elaborated his own original, distinctive style.
Anna Miernik/ Répertoire / Piano
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| How To Play Jazz -
Guitar + 2 Cd
Guitare notes et tablatures [Partition + CD]
Jamey Aebersold Jazz
Adapted by Corey Christiansen Spiral Book and 2 CDs! Why should horn players ...(+)
Adapted by Corey Christiansen Spiral Book and 2 CDs! Why should horn players have all of the fun' Now, the number one selling Jazz Improvisation book in the world has a whole new look! Introducing a new version of Jamey's world famous Volume 1 - How To Play Jazz And Improvise, completely revised and specifically tailored for guitarists by jazz great Corey Christiansen! This edition is perfectly aligned with the original classic Sixth Edition that introduced tens of thousands of musicians to essential jazz fundamentals such as scale/chord relationships, articulation, note choices, etc. In this special version, however, the text has been carefully edited and rewritten to speak specifically to guitarists. Even non-reading players will benefit, because we've also included TAB and FRAMES for each of the musical examples. The piano track from the original CD has been replaced by Corey on guitar, and many of the chords and voicings are explained and notated in the book. The play-a-long/demonstration CD includes special stereo separation, allowing the guitar on each track to be eliminated so that the student can play along with bassist Rufus Reid and drummer Jonathan Higgins. A second CD includes the same play-a-long tracks as the first CD, but at slower practice tempos. This high-quality book is spiral bound, designed to lie flat for ease of use. A complete package! Includes: Scales/Chords Developing Creativity Improv Fundamentals 12 Blues Scales Bebop Scales Pentatonic Scales Time and Feel Melodic Development II/V7s Related Scales and Modes Practical Exercises Patterns and Licks Dominant 7th Tree of Scale Choices Nomenclature Chromaticism Scale Syllabus and more! NOTE FROM JAMEY When I first heard So What on the Kind of Blue record I didn't think anything was happening because I was used to hearing changes flying by and this seemed so tame by comparison. I quickly fell in love with Kind of Blue and of course we at IU started experimenting with modal tunes and trying to keep our place in those many 8 bar phrases that seemed at times to make me feel like I was in the middle of a desert and couldn't see for the life of me the beginning of the next 8 bar phrase.
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| AN EXPEDITION INTO CZECH
PIANO MUSIC
Piano seul
Barenreiter
An Expedition into Czech Piano Music
A collection of pieces for early inter...(+)
An Expedition into Czech Piano Music
A collection of pieces for early intermediate pianists
- Cross-section of Czech piano literature from the 18th to the late 20th century
- Works selected and provided with fingering by piano virtuoso Ivo Kahánek
- Pieces of easy to moderate technical difficulty
The leading Czech pianist Ivo Kahánek has long devoted himself to training young musicians. With this album of recital pieces he offers young pianists quite easy pieces by well-known Czech composers.
The collection provides a cross-section of Czech piano literature from the 18th to the late 20th century. It contains pieces from the Czech classical period (Benda and Dusík), 19th-century and ?fin-de-siècle? romanticism (Vorí?ek, Smetana, Dvorák, Fibich, Suk and Novák) as well as pieces of various styles from the latter half of the 20th century (Vre?tál, Kabelác, Eben, Slavický, Dlouhý and Sluka). Fingering has been supplied by the editor to support pianists in their playing. All the pieces appear in their original form; they have neither been arranged nor adapted.
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- Benda, Jirí Antonín
Sonatina III A minor
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- Dusík, Jan Ladislav
Chansonette
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- Vorí?ek, Jan Vaclav Hugo
Rondo G major
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- Smetana, Bedrich
Friendly Landscape
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- Smetana, Bedrich
Souvenir
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Polka G minor
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- Dvorák, Antonín
Humoresque G-flat major
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- Dvorák, Antonín
Goblins' Dance
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- Fibich, Zdenek
Reminiscence
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- Suk, Josef
Idylls
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- Novák, Vítezslav
Devil´s Polka
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- Janácek, Leo?
The Frýdek Madonna
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- Janácek, Leo?
The Barn Owl has not Flown Anway!
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- Janácek, Leo?
Come with us!
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- Martinu, Bohuslav
Colombine Dances
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- Martinu, Bohuslav
Harlequin
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- Vrestál, Jirí
Study in Sixths
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- Kabelác, Miloslav
Preludio ostinato
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- Eben, Petr
Bells befor the Lights go out
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- Dlouhý, Milan
Bagatelle No. 2
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Swans
/ Partitions classique / Piano - instruments à clavier / Piano / BARENREITER
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| Arcadiana (ADES THOMAS)
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Faber Music Limited
Par ADES THOMAS. Composed in 1994 and now firmly established as part of the cont...(+)
Par ADES THOMAS. Composed in 1994 and now firmly established as part of the contemporary string quartet repertoire, Arcadiana is one of Thomas Adès’s early masterpieces. Six of its seven movements evoke various vanished or vanishing idylls. The odd-numbered movements are all aquatic. I might be the ballad of some lugubrious gondolier; III takes a title and a figuration from a Schubert Lied; in V a ship is seen swirling away to L’Isle Joyeuse; VII is the River of Oblivion. The second and sixth movements inhabit pastoral Arcadias, respectively: Mozart’s ‘Kingdom of Night’, and more local fields. The joker in this pack is the fourth movement, the literal dead centre: Poussin’s tomb bearing the inscription ‘Even in Arcady am I’. / Ensemble Music / Répertoire / Quatuor à Cordes
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| Symphony C Minor Op. 27
'Asrael' (SUK
JOSEF)
Orchestre [Partition]
Barenreiter
Par SUK JOSEF. Le Matériel est disponible à la location seulement. Replaces H ...(+)
Par SUK JOSEF. Le Matériel est disponible à la location seulement. Replaces H 3978. Roughly eight months after the death of Antonín Dvorák (1 May 1904), his son-in-law Josef Suk began to compose a funeral symphony. While he was working on it fate struck a second time with the death of his beloved wife, Otilie. He dedicated the five-movement symphony to Dvorák and his daughter Otilie and named it after the Angel of Death '
Asrael”.
The principal source for our edition is the first edition of the score (1907), supplemented by the corrections Suk entered at the suggestion of conductor Václav Talich (1921). The most significant change was the expansion of the orchestra to include ad libitum parts for the fifth and sixth horns.
- First scholarly-critical edition
- Includes Suk'
s later corrections, including ad libitum parts for the fifth and sixth horns
- Detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor/ Répertoire / Orchestre
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| Gw Keith Wyatt Talkin
Blues Part 2 (Dvd)
Guitare
Alfred Publishing
With over 150 minutes of instruction, Talkin' Blues, Part 2 provides you with 10...(+)
With over 150 minutes of instruction, Talkin' Blues, Part 2 provides you with 10 new, in-depth video lessons on essential blues musical elements and guitar-playing techniques. Keith Wyatt's Talkin' Blues, Part 2 DVD will teach you: *'Street Jazz' chord extensions and alterations *Soloing over chord substitutions *How to play like Blink Blake and Charlie Christian *How to match the solo to the song *'Dead thumb (or pick)' technique *Conversational phrasing *Sixth and ninth chords *The New Orleans sound And much, much more! Dive deeper into the blues today! / Guitare
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| TRIVIUM - VENGEANCE FALLS
- GUITAR TAB
Guitare notes et tablatures
Hal Leonard
This sixth album from thrash metal band Trivium peaked at #2 on the Billboard To...(+)
This sixth album from thrash metal band Trivium peaked at #2 on the Billboard Top Hard Rock Albums chart. Our folio includes guitar transcriptions of all 10 tracks 1. To Believe 2. Strife 3. Brave This Storm 4. Vengeance Falls 5. No Way To Heal 6. At The End Of This War 7. Through Blood And Dirt And Bone 8. Villainy Thrives 9. Incineration: The Broken World 10. Wake (The End Is Nigh) / Guitare tablatures / Hal Leonard
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| Ich Freue Mich In Dir
(BACH JOHANN SEBASTIAN)
Solistes SATB, Choeur SATB, 2 Hautbois
d'Amour, 2
satb (soli), SATB (chœur), Clavier [Partition]
Carus Verlag
Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue ...(+)
Kantate Zum 3. Weihnachtstag. Par BACH JOHANN SEBASTIAN. The cantata 'Ich freue mich in dir' was first performed during Bach's second year as Thomaskantor, on the 3rd day of Christmas, and belongs to the so-called annual cycle of chorale cantatas. Here the focus of the composition is the hymn of the same name by Philipp Ziegler, in which the first and final strophes were adopted, word for word, in the first and sixth movements of the cantata. The soprano, which carries the chorale, is supported by the conrnett [Zink], which already at this time had become a seldom-used instrument. The joyful, lively choral movement with instrumental interludes directly follows the first aria, and begins with a marked, ascending motive at the word'Getrost!' [safely]. The oboes d'amore which accompany the alto lend the movement a special color. In the second aria [for soprano], Bach again shows himself to be the master of text interpretation. The words 'Wie lieblich klingt es in den Ohren' are emphasized in an exchange between open strings and sixteenth note figures. / Date parution : 2004-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois d'Amour, 2
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| Joy Of Classics
Piano seul [Partition] - Facile
Yorktown Music Press
71 morceaux pour piano facile tels qu'écrits par les maîtres. Convient aux pia...(+)
71 morceaux pour piano facile tels qu'écrits par les maîtres. Convient aux pianistes de niveau débutant avancé. / Piano / 80 pages / Partition
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| Les Joies du classique
 En Français
Piano seul [Partition]
Editions Musicales Francaises
24.60 EUR - vendu par Note4Piano
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| Elementary Training For
Musicians
Formation musicale - Solfège [Livre]
Schott
Publié à l'origine dans les années 1940, manuels commentait de Paul Hindemith...(+)
Publié à l'origine dans les années 1940, manuels commentait de Paul Hindemith sont encore les oeuvres remarquables de leur genre. Contrairement à de nombreux manuels musicales écrites par des musiciens académiques, celles-ci ont été produites par un homme qui pourrait jouer tous les instruments de l'orchestre, pourrait composer une pièce satisfaisante pour presque tous les types d'ensemble, et qui était un des professeurs plus stimulantes de son époque. Il n'est donc pas surprenant que presque quarante ans plus tard ces livres demeurent essentielles à la lecture de l'étudiant et le musicien professionnel. / Divers
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