Tell the story of Canada through our folk songs! This collection of 14 tradition...(+)
Tell the story of Canada
through our folk songs!
This collection of 14
traditional folk songs
and one composed song can
be used by music
teachers, social studies
teachers or classroom
teachers! The
orchestrated musical
arrangements and vocal
recordings are beautiful,
and include both
performance and
accompaniment
tracks.The collection
includes reproducible
lyrics pages, a script
telling the history of
Canada and piano/vocal
music. You can use the
script and stage a
complete production, or
you can teach the songs
as part of music or
social studies classes.
A pdf file of all the
vocal scores for
projection is included
with attached audio for
teachers who have
computer/projectors,
SMART Boards or an IWB
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Set of Parts.
Composed 2008. De Haske
Publications #DHP
1074334-050. Published by
De Haske Publications
(BT.DHP-1074334-050).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy, where
Benedict was born. The
holy Benedict (480-547)
is considered the founder
of monastic life within
the Roman Catholic
Church. His enormous
influence is especially
owing to his monastic
rule, the Regula
Benedicti.Jacob de Haan
has named the movements
of Cantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the other
texts, were originally
used in Gregorian chant)
are voiced by the choir.
To this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the three movements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the conductor:
For this cantata, there
are various possibilities
for the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
sounds together with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a three-dimensional
performance in a church.
For example, the choir
can sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
could also sing from a
gallery. With layouts
like this, working with
two conductors is
advisable.
Cantica de
Sancto Benedicto ist
ein dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen Stadt
Nursia, dem Geburtsort
von Benedikt. Jacob de
Haan benannte die
Sätze von Cantica
de Sancto Benedicto
nach der Heiligen
Dreifaltigkeit: der Vater
(Gloria Patri),
der Sohn (Gloria
Filio) und der
Heilige Geist (Gloria
Spiritui Sancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierteJacob de Haan
neue choralartige,
homophone Musik. Der
Abschnitt Laeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Proprium aus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet
werden.Link zur Partitur:
DHP
1074334-140Link zum
Blasorchesterset: DHP
1074334-010
Fanfare Canzonique Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé Canzonique Music
By Brian Balmages. For Brass Ensemble. Canzonique Music. Full set (score and par...(+)
By Brian Balmages. For
Brass Ensemble.
Canzonique Music. Full
set (score and parts).
Score only also
available: S. Level:
Grade 5. Score and Set of
Parts. Composed 2001.
Published by Canzonique
Music.
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Concert Piece. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1074334-010. Published by
De Haske Publications
(BT.DHP-1074334-010).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy,
whereBenedict was born.
The holy Benedict
(480-547) is considered
the founder of monastic
life within the Roman
Catholic Church. His
enormous influence is
especially owing to his
monastic rule, the Regula
Benedicti.Jacob de Haan
has named the movements
ofCantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the
othertexts, were
originally used in
Gregorian chant) are
voiced by the choir. To
this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the threemovements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the
conductor:For this
cantata, there are
various possibilities for
the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
soundstogether with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a
three-dimensionalperforma
nce in a church. For
example, the choir can
sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
couldalso sing from a
gallery. With layouts
like this, working with
two conductors is
advisable. Choral parts
available
separately.
Koor
partijen apart
verkrijgbaar.
Cantica de Sancto
Benedicto ist ein
dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen StadtNursia,
dem Geburtsort von
Benedikt. Jacob de Haan
benannte die Sätze von
Cantica de Sancto
Benedicto nach der
Heiligen Dreifaltigkeit:
der Vater (Gloria
Patri), der Sohn
(Gloria Filio) und
der Heilige Geist
(Gloria
SpirituiSancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierte Jacob de Haan
neue choralartige,
homophone Musik. Der
AbschnittLaeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Propriumaus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet
werden.Chorstimmen sind
unter folgendem Link
separat erhältlich:DHP
1074334-050Anmerkungen
für den
Dirigenten:Für
dieseKantate gibt es
mehrere
Aufführungsmöglichk
eiten. Die erste ist eine
Version, in der die Chor-
und Sopranstimmen nur von
der Orgel begleitet
werden. Solch eine
Aufführung bietet
mehrere Vorteile: Da das
Blasorchester nie
zusammen mit Chor und
Sopranerklingt, gibt es
keine Probleme mit der
klanglichen
Ausgewogenheit und sogar
eine Aufführung mit
einem großen
Blasorchester und einem
kleinen Kantatenchor ist
denkbar. Eine besondere
Aufstellung für eine
dreidimensionale
Aufführung in einer
Kircheist ebenso
möglich. Der Chor
singt zum Beispiel von
der Kanzel aus, begleitet
von der Chororgel; der
Sopran steht auf der
Galerie, begleitet von
der Hauptorgel,
während das
Blasorchester in einem
anderen Teil der Kirche
aufgestellt ist. Der Chor
kannauch von Galerie aus
singen. Bei solchen
Aufstellungen ist es
ratsam, mit zwei
Dirigenten zu arbeiten.
Die Begleitung der
Singstimmen ist in
Stichnoten für das
Blasorchester notiert.
Wenn das Werk ohne Orgel
aufgeführt wird,
beispielsweise in
einemKonzertsaal, spielt
das Blasorchester die
Begleitung. Die
Begleitstimmen sind
transparent orchestriert,
zugunsten der klanglichen
Ausgewogenheit von
Blasorchester, Chor und
Sopran. Im dritten Satz
(Takte 144-151) gibt es
eine optionale Passage
fürden Chor. Diese ist
nur für eine
Aufführung mit einem
sehr großen Chor
gedacht. Eine weitere
Variante beinhaltet, den
musikalischen
Höhepunkt im dritten
Satz zu überspringen
und direkt von Takt 156
zu Takt 213
weiterzugehen. Gründe
hierfür könnensein:
der etwas höhere
Schwierigkeitsgrad, eine
begrenzte
Aufführungsdauer
und/oder der Wunsch, den
Kantatentext auf Gemma
Caelestis und
Laeta Quies zu
beschränken.
Während einer Messe
oder eines Gottesdienstes
können auch
verschiedeneStrophen
verwendet werden.
Wahlweise kann das
Sopransolo auch vom
Chorsopran gesungen
werden. Alternativ hierzu
können Sie die
Sopranstimmen (komplett
oder teilweise) von einem
Tenor singen lassen.
Für Chöre, die
Cantica de Sancto
Benedictoaufführen
wollen, bietet der
Komponist einen
Extra-Service auf seiner
Website
https://www.jacobdehaan.c
om, wo Audiodateien der
einzelnen Chorstimmen
für das Einstudieren
zu Hause zugänglich
sind. Informationen zu
anderen Werken für
Chor undBlasorchester
(Missa Brevis und
Missa Katharina)
sind ebenfalls dort zu
finden.Chorstimmen
separat
erhältlich.
Choral (ShowTrax CD) SKU: HL.289803 Composed by Richard Rodgers. Arranged...(+)
Choral (ShowTrax CD)
SKU: HL.289803
Composed by Richard
Rodgers. Arranged by
Kirby Shaw. Jazz Chorals.
Concert, Jazz, Medley,
Standards, Swing,
Thirties, Vocal Jazz. CD.
Duration 170 seconds.
Published by Hal Leonard
(HL.289803).
UPC:
888680917173.
5.0x5.0x0.169
inches.
Here is an
easy swing style
arrangement of the
classic Rodgers and Hart
song from the musical The
Boys from Syracuse. A
second Rogers and Hart
song--This Can't Be
Love--mashes in and
together we have a hot
swinging love song. Pure
joy.
Saint Benedict
Cantata. Composed by
Jacob De Haan. Musica
Sacra. Score Only.
Composed 2008. De Haske
Publications #DHP
1074334-140. Published by
De Haske Publications
(BT.DHP-1074334-140).
9x12 inches.
English-German-French-Dut
ch.
Cantica de
Sancto Benedicto is a
three-movement work for
mixed choir, soprano
solo, concert band and
organ ad libitum - on
Latin lyrics that relate
to the life of Saint
Benedict. It was
commissioned by the city
of Norcia in Italy,
whereBenedict was born.
The holy Benedict
(480-547) is considered
the founder of monastic
life within the Roman
Catholic Church. His
enormous influence is
especially owing to his
monastic rule, the Regula
Benedicti.Jacob de Haan
has named the movements
ofCantica de Sancto
Benedicto after the
Holy Trinity: the Father
(Gloria Patri),
the Son (Gloria
Filio) and the Holy
Spirit (Gloria
Spiritui Sancto). The
lyrics of thehymn
Gemma Caelestis,
(which, like the
othertexts, were
originally used in
Gregorian chant) are
voiced by the choir. To
this purpose, Jacob de
Haan composed new,
choral-like, homophone
music. The sequence
Laeta Quies is
rendered by the soprano;
the verses (divided over
the threemovements) are
alternated with those of
Gemma Caelestis.
The work closes with an
impressive grand finale,
in which texts are used
from the proprium of the
mass in honor of the
saint’s day of the
holy Benedict (11 July).
Notes to the
conductor:For this
cantata, there are
various possibilities for
the performance. The
first involves a
performance in which the
choir and soprano parts
are only accompanied by
organ. Such a performance
has several advantages:
since the band never
soundstogether with the
choir and the soprano, no
balance problems occur,
and even a performance
with a large concert band
and a small cantata choir
is conceivable. A special
layout is also possible -
with which you can set up
a
three-dimensionalperforma
nce in a church. For
example, the choir can
sing in the chancel,
accompanied by the choir
organ; the soprano can
stand on the gallery,
accompanied by the main
organ; and the band can
be seated in another part
of the church. The choir
couldalso sing from a
gallery. With layouts
like this, working with
two conductors is
advisable. Choral parts
available
separately.
Koorpa
rtijen apart
verkrijgbaar.
C
antica de Sancto
Benedicto ist ein
dreisätziges Werk
für gemischten Chor,
Sopran-Solist,
sinfonisches
Blasorchester und Orgel
ad lib. - zu lateinischen
Texten über das Leben
des Heiligen Benedikt. Es
entstand im Auftrag der
italienschen StadtNursia,
dem Geburtsort von
Benedikt. Jacob de Haan
benannte die Sätze von
Cantica de Sancto
Benedicto nach der
Heiligen Dreifaltigkeit:
der Vater (Gloria
Patri), der Sohn
(Gloria Filio) und
der Heilige Geist
(Gloria
SpirituiSancto). Der
Text zur Hymne Gemma
Caelestis (der wie
die übrigen Texte
ursprünglich aus dem
Gregorianischen Choral
stammt) wird vom Chor
gesungen. Zu diesem Zweck
komponierteJacob de Haan
neue choralartige,
homophone Musik. Der
AbschnittLaeta
Quies wird vom Sopran
vorgetragen; die Strophen
(die sich über alle
drei Sätze verteilen)
wechseln sich mit denen
von Gemma
Caelestis ab. Das
Werk endet mit einem
eindrucksvollen
großartigen Finale, in
dem Texte aus dem
Propriumaus der Messe zu
Ehren des Feiertags des
Heiligen Benedikt (11.
Juli) verwendet werden.
Chorstimmen separat
erhältlich.
This Liverpudlian modern classical composer is recognised for his musical compos...(+)
This Liverpudlian modern
classical composer is
recognised for his
musical compositions of
Shakesperian action, such
as 'Full Fathom Five thy
Father lies' from 'The
Tempest' and 'Ophelia
Drowning' from 'Hamlet.'
This Canto is arranged
for the flute
This Liverpudlian modern classical composer is recognised for his musical compos...(+)
This Liverpudlian modern
classical composer is
recognised for his
musical compositions of
Shakesperian action, such
as 'Full Fathom Five thy
Father lies' from 'The
Tempest' and 'Ophelia
Drowning' from 'Hamlet.'
This Canto is arranged
for the Clarinet
Instrumental Pak - Rhythm (Combo Parts) SKU: HL.8742681 (from The Boys...(+)
Instrumental Pak - Rhythm
(Combo Parts)
SKU:
HL.8742681
(from
The Boys from
Syracuse). Composed
by Lorenz Hart and
Richard Rodgers. Arranged
by Paris Rutherford. Jazz
Chorals. Broadway, Jazz,
Show Choir. Parts. 9
pages. Published by Hal
Leonard (HL.8742681).
UPC: 073999426816.
8.5x11.0x0.062
inches.
Vocal jazz
groups will love to sink
their teeth into this
tasty standard set in a
medium swing by Paris
Rutherford. It's one of
the top standards of all
time, recorded by Tony
Bennett, Nat King Cole,
Ella Fitzgerald and many
more!Available
separately: SATB,
Instrumental Pak (Rhythm)
and ShowTrax CD.
Instrumental Pak includes
parts for Piano, Bass and
Drums. Performance Time:
Approx. 1:50.
Jazz Ensemble Jazz Ensemble - 2 (Medium Easy) (grade 2) SKU: AP.29782S Co...(+)
Jazz Ensemble Jazz
Ensemble - 2 (Medium
Easy) (grade 2)
SKU:
AP.29782S
Composed by
Lorenz Hart, music by
Richard Rodgers. Arranged
by Lisa DeSpain. Jazz
Ensemble. Young Jazz
Ensemble. Swing. Score.
16 pages. Duration 3:45.
Belwin Music #00-29782S.
Published by Belwin Music
(AP.29782S).
UPC:
038081324395. English.
Lorenz
Hart.
Arranged by
Lisa DeSpain as a tasty
swing chart featuring a
piano solo and a 1st
trumpet solo. A few drum
fills and the lead
trumpet range is to
written G on top of the
staff. Lisa is a superb
arranger and this chart
is no exception.
(3:45).
63 Traditional Pieces. Composed by Peter Bowman. This edition: Saddle stit...(+)
63 Traditional Pieces.
Composed by Peter Bowman.
This edition: Saddle
stitching. Sheet music
with
online material. Woodwind
Solo. Classical, Irish.
Edition with Online audio
file. 48 pages. Schott
Music
#ED 13568-96. Published
by
Schott Music
Composed by African American Work Song. Arranged by Anthony Trecek-King. Schoo...(+)
Composed by African
American
Work Song. Arranged by
Anthony Trecek-King.
School,
Concert. Cameron LaBarr.
Octavo. Walton Music
#WW1778.
Published by Walton Music
Composed by Orlando Gibbons (1583-1625). Arranged by David Domet. Text: Saint Jo...(+)
Composed by Orlando
Gibbons (1583-1625).
Arranged by David Domet.
Text: Saint John 1:19-23.
Renaissance treasure.
Advent. Octavo. Published
by CanticaNOVA
Publications (C5.7110).
An Advent Candlelighting Anthem. By Stephen P. Folkemer. For SATB and Organ, wit...(+)
An Advent Candlelighting
Anthem. By Stephen P.
Folkemer. For SATB and
Organ, with opt. C or
B-flat Instrument and
Congregation. Advent.
Octavo. Published by
MorningStar Music
Publishers.
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano
SKU:
HL.14006097
Composed
by Per Norgard. Music
Sales America. Classical.
Book and Part(s). Music
Sales #KP00873. Published
by Music Sales
(HL.14006097).
ISBN
9788759872222.
Danish.
Programme
Note CANTICA for cello
and piano (1977)When in
1975 I had finished
composing my Symphony no.
3 (begun in 1973), I
wrote three simple
melodies for two psalm
texts by Ole Sarvig: The
Year and Choral Hymn.
These three tunes were
derived from the same
material as the second
movement of the symphony
and could be harmonized
together in several
different tempo
relationships, like
proportional canons. For
this reason they inspired
me to write several
choral and instrumental
works in the following
decade: Frost Psalm,
Winter Cantata, the tuba
octet Now all the earth
is white with snow,
Canticles (and
others).Cantica, meaning
song or singing, was
composed (forthe Danish
musicians Hans Erik
Dechert og Kjeld Hansen)
as a instrumental little
brother the long,
polyphonic choral pieces.
As in these the canonical
melodies in Cantica drift
from foreground to
background, from cello to
piano. The melodies are
simple, diatonic and in
traditional rhythms and
the surface of the music
in a way traditional. The
intention of the composer
with this easily
understood expression is
to lead the listeners
ears to the many
internal, proportional
developments. The story
is in a way hidden
between the lines. In the
myriads of rhythmic and
tempo relations the
Golden Mean (near to
2:3:5:8: et cetera) plays
an important role, like
in nature. Among the
experiences giving by
this natural phenomenon
are - perhaps - the
musical points to be
found (?).Per
Norgard(1997).
Composed by Tim Knight (1959-). For unison voices with descant, organ. Easy anth...(+)
Composed by Tim Knight
(1959-). For unison
voices with descant,
organ. Easy anthem for
Confirmation or
Pentecost. Pentecost,
Confirmation, Ordination.
Octavo. Published by
CanticaNOVA Publications
Just Jazz Real Book - Bb Edition. (B-Flat Edition). For Bb instrument and voice....(+)
Just Jazz Real Book - Bb
Edition. (B-Flat
Edition). For Bb
instrument and voice.
This edition: B-Flat
Edition. Fake Book. Just
Real Books Series. Jazz.
Difficulty: easy-medium
to medium. Fakebook
(spiral bound).
Introductory text, vocal
melody, lyrics, chord
names, discography and
black and white photos.
400 pages. Published by
Alfred Music Publishing