For Percussion Quartet. Composed by Peter Schickele. Contemporary. Set of perfor...(+)
For Percussion Quartet.
Composed by Peter
Schickele. Contemporary.
Set of performance
scores. With Standard
notation. Composed
February 8 2015. 76
pages. Duration 13
minutes. Theodore Presser
Company #164-00294.
Published by Theodore
Presser Company
Violin Play-Along Pack. Composed by Franz Schubert (1797-1828). Sheet music. Mus...(+)
Violin Play-Along Pack.
Composed by Franz
Schubert (1797-1828).
Sheet music. Music Minus
One. Classical. Softcover
Audio Online. 24 pages.
Music Minus One #MMO3130.
Published by Music Minus
One
Piano seul [Partition] - Intermédiaire Music Sales
For piano. Music For Millions: Volume 37. Format: piano solo book. With fingerin...(+)
For piano. Music For
Millions: Volume 37.
Format: piano solo book.
With fingerings. Baroque,
classical period,
romantic period and 20th
century. 160 pages. 9x12
inches. Published by
Music Sales
(Woodwind Solos and Ensemble/Oboe Collection). By George Frideric Handel (1685-1...(+)
(Woodwind Solos and
Ensemble/Oboe
Collection). By George
Frideric Handel
(1685-1759). Arranged by
Andraud, Albert. For Oboe
(Oboe). Woodwind Solos
and Ensembles - Oboe
Collection. Southern
Music. Grade 3. 48 pages.
Southern Music Company
#B108. Published by
Southern Music Company
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo: pno - 2.2.2.2 -
4.2.0.0 - timp - str.
Solo concerto; Romantic.
Part. 8 pages. Duration
43'. Breitkopf and
Haertel #OB 3210-15.
Published by Breitkopf
and Haertel
(BR.OB-3210-15).
ISBN
9790004300695. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
Piano - intermediate to difficult SKU: HL.49005422 Composed by Franz Schu...(+)
Piano - intermediate to
difficult
SKU:
HL.49005422
Composed
by Franz Schubert. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 64 pages.
Schott Music #ED 510.
Published by Schott Music
(HL.49005422).
ISBN
9790001031516.
9.0x12.0x0.231 inches.
Schott Piano
Collection.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16).
ISBN
9790004300701. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-27. Published by
Breitkopf and Haertel
(BR.OB-3210-27).
ISBN
9790004300732. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-23. Published by
Breitkopf and Haertel
(BR.OB-3210-23).
ISBN
9790004300725. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
12 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-19. Published by
Breitkopf and Haertel
(BR.OB-3210-19).
ISBN
9790004300718. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Set
of parts. 90 pages.
Duration 43'. Breitkopf
and Haertel #OB 3210-30.
Published by Breitkopf
and Haertel
(BR.OB-3210-30).
ISBN
9790004300749. 10 x 12.5
inches.
Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time.
2 Flutes and Piano SKU: BT.EMBZ13334 By Istvan Homolya. By Giovanni Batti...(+)
2 Flutes and Piano
SKU: BT.EMBZ13334
By Istvan Homolya. By
Giovanni Battista
Bononcini. Book Only.
Composed 1988. 60 pages.
Editio Musica Budapest
#EMBZ13334. Published by
Editio Musica Budapest
(BT.EMBZ13334).
Giovanni Maria
Bononcini (1642-1678)
published in Bologna in
the last year of his
life, i. e. in 1678 a
collection of 24
movements for two violins
and basso continuo
entitled Arie e Correnti
a tre (Op. 12). In
agreement with the sonata
da camera traditions of
the early Baroque the
collection is a series of
9 two-movement and 2
three-movement sonatas.
It was published again in
London in 1701 with the
title Ayres in 3 parts.
Four years later a
revised edition of the
work appeared, also in
London, which bore the
title Bononcini's Aires
for two Flutes and a
Bass. The edition
published in Amsterdam
without date, but
presumably around 1725,
with the title Preludes,
Allemandes,Sarabandes,
Courantes, Gavottes et
Gigues á 2 Flutes ou
Violons et une Basse, is
essentially a reprint of
the London edition. The
present edition contains
this posthumous revised
variant. Territorial
restrictions may apply.
Please ask before
ordering.
Treble recorder and basso continuo (cello ad libitum) - easy to intermediate ...(+)
Treble recorder and basso
continuo (cello ad
libitum) - easy to
intermediate
SKU:
HL.49017077
Composed
by Robert Valentine.
Edited by Beatrice Ruf
and Hugo Ruf. This
edition: Saddle
stitching. Sheet music.
Woodwind. Book only. Op.
3. 36 pages. Schott Music
#OFB 205. Published by
Schott Music
(HL.49017077).
ISBN
9790001148955. UPC:
841886009165.
9.0x12.0x0.137
inches.
Robert
Valentine, born in
Leicester around 1680,
was one of the few
English masters of
Baroque music who
achieved fame and enjoyed
a high standing beyond
the borders of his home
country instead of
within. He made his
fortune in Italy where he
seemed to have spent most
of his lifetime. It is
assumed that he returned
to England in 1731. He
died at an unknown place
around 1735.Valentine was
a talented composer.
Apart from some
concertos, he mainly
wrote and published solo
sonatas, trio sonatas and
duets, works who clearly
show his preference for
the flute, he himself
being a flutist.
Sel., transcr., and ed. Samuel Applebaum. For Cello Piano Acc. String Series - C...(+)
Sel., transcr., and ed.
Samuel Applebaum. For
Cello Piano Acc. String
Series - Cello / Piano
Acc. Level:
Easy-Intermediate (grade
2-3). 16 pages. Published
by Alfred Publishing.
Brass Quintet - advanced SKU: CY.CC3002 Composed by Carl Philipp Emanuel ...(+)
Brass Quintet - advanced
SKU: CY.CC3002
Composed by Carl Philipp
Emanuel Bach. Arranged by
Justin Bland. Classical.
Score and parts. 63
pages. Cherry Classics
#3002. Published by
Cherry Classics
(CY.CC3002).
ISBN
9790530058220.
Symp
hony No. 1 for Brass
Quintet by C. P. E.
Bach, arranged by Justin
Bland C. P. E. Bach
was an innovator as an
early Classical era
composer, helping to
develop the sonata form
that was refined by
Haydn, Mozart and
Beethoven. Like his
father, Carl Phillip
Emanuel was prolific and
showed signs of true
genius.
Symphony
No. 1, in three movements
(fast-slow-fast),
originally in D major,
has been transposed down
a step to C by arranger
Justin
Bland.
This very
fine arrangement (the
entire work) of about 12
minutes in length is
appropriate for advanced
performers and can be the
cornerstone of a recital
program.
Instrum
entation: Trumpets (parts
in C and B-flat), Horn in
F, Trombone and Tuba.
Sonata (Vivaldi) Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire De Haske Publications
Brass Quintet - intermediate SKU: BT.DHP-1043507-070 Composed by Antonio ...(+)
Brass Quintet -
intermediate
SKU:
BT.DHP-1043507-070
Composed by Antonio
Vivaldi. Arranged by
Peter Knudsvig. Symphonic
Brass Ensemble Series
(Rekkenze Brass).
Educational Tool. Set
(Score and Parts) with
CD. Composed 2004. 20
pages. De Haske
Publications #DHP
1043507-070. Published by
De Haske Publications
(BT.DHP-1043507-070).
International.
V
ivaldi was hugely
successful as a composer
in his day and amassed a
fortune as many of his
works were published
during his lifetime. His
works remain popular
today and the three
movements in this suite,
Prelude, Allemande and
Corrente are taken from a
sonata for strings.
Die drei Sätze
dieser Suite stammen aus
einer Sonate für
Streicher des
italienischen Meisters
Antonio Vivaldi. Peter
Knudsvig machte diese
schöne Musik für
Blechbläserquintett
zugänglich.
by Phil Duncan. For Harmonica (Diatonic). method. All Styles. Level: Multiple Le...(+)
by Phil Duncan. For
Harmonica (Diatonic).
method. All Styles.
Level: Multiple Levels.
Book. Size 8.75x11.75.
112 pages. Published by
Mel Bay Publications,
Inc.
5 saxophones SKU: M7.DOHR-13936 Composed by Felix Bartholdy Mendelssohn. ...(+)
5 saxophones
SKU:
M7.DOHR-13936
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Albert
Loritz. Sheet music.
Score and parts. 28
pages. MDS (Music
Distribution Services)
#DOHR 13936. Published by
MDS (Music Distribution
Services)
(M7.DOHR-13936).
(2 Violins, Viola, Bass and Piano). By Tomaso Giovanni Albinoni (1671-1751). Edi...(+)
(2 Violins, Viola, Bass
and Piano). By Tomaso
Giovanni Albinoni
(1671-1751). Edited by
Frederick F. Polnauer.
For Violin, Viola, Cello,
Contrabass, Piano.
Classical. Score and
parts. Standard notation.
23 pages
Hawkes Pocket Score 1554. Composed by James Macmillan. Boosey and Hawkes ...(+)
Hawkes Pocket Score
1554. Composed by
James Macmillan. Boosey
and Hawkes Scores/Books.
Classical. Softcover. 76
pages. Boosey and Hawkes
#M060132148. Published by
Boosey and Hawkes
(HL.48024126).
Harp Solo. By Sophia Giustani Dussek, Johann Ladislaus Dussek. Arranged by Nican...(+)
Harp Solo. By Sophia
Giustani Dussek, Johann
Ladislaus Dussek.
Arranged by Nicanor
Zabaleta. (Harp).
Schott. Size 9.25x12
inches. 12 pages.
Published by Schott.