Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa / Kate Bennett Wadsworth. For cello and piano. This edition: Urtext edition. Stapled. With an Urtext solo part by Clive Brown and a solo part with bowing and fingering by Kate Bennett Wadsworth; Fingering in the piano part by Neal Peres Da Costa; Performance Practice Commentary by C. Brown, N. P. Da Costa and K. B. Wadsworth. Level 3. Score and part. Text Language: German/English. Opus 38. Published by Baerenreiter Verlag

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Adam Anders, Ed Lojeski, and Peer Astrom. For Choral (ShowTrax CD). Pop Choral Series. CD only. Published by Hal Leonard

By Palmer Hughes. For Organ. Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 48 pages. Published by Alfred Publishing.

Arranged by Carol Tornquist. Songbook. Softcover. 88 pages. Published by Word Music.

Composed by Willard A. Palmer and Bill Hughes. Method/Instruction; Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 32 pages. Alfred Music #00-102. Published by Alfred Music

By Palmer Hughes. For Organ. Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 32 pages. Published by Alfred Publishing.

By Langston Hughes, Audrey Snyder. (SSA). Festival Choral. Festival. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.

Composed by Willard A. Palmer and Bill Hughes. Method/Instruction; Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 32 pages. Alfred Music #00-105. Published by Alfred Music

By Palmer Hughes. For Organ. Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 32 pages. Published by Alfred Publishing.

By Palmer Hughes. For Organ. Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 32 pages. Published by Alfred Publishing.

14 Songs Set to Poems by Contempory Poets - for Medium High Voice and Piano. By Ricky Ian Gordon. Text: Audra Mcdonald; Frank OHara; Gwendolyn Brooks; Howard Moss; James Schuyler; Jean Valentine; John Ashbery; Kathleen Raine; Langston Hughes; Paul Celan; Stanley Kunitz; Sylvia Plath; W.S. Merwin; X.J. Kennedy. For Piano, Mezzo-Soprano. Piano/Vocal Score. 78 pages. Published by Carl Fischer.

By Palmer Hughes. For Organ. Organ - Spinet Method or Collection. Palmer-Hughes Spinet Organ Course. Book. 32 pages. Published by Alfred Publishing.

Composed by Jack Curtis Dubowsky. For SATB choir. Choral. Secular; contemporary. Octavo. Composed 2000. 4 pages. Duration 1:15. Published by De Stijl Music

By Tim Hughes. Arranged by Dan Edwards. For 3-5 octave handbells or handchimes. Beginning Music - Very, Very Easy , Contemporary Christian. Level 1. Handbell score. Published by Jeffers Handbell Supply

By Tim Hughes. Arranged by Bill Ingram. For handbells (3-5 octaves) / handchimes (3-5 octaves). Level 2. Sheet music. Published by Lorenz Publishing Company . Sheet music.

By Tim Hughes. Arranged by Lloyd Larson. For handbells (2-3 octaves) / handchimes (2-3 octaves). Level 2 . Sheet Music. Published by Lorenz Publishing Company

By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Adam Anders, Ed Lojeski, and Peer Astrom. SAB. Pop Choral Series. 12 pages. Published by Hal Leonard

By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Adam Anders, Ed Lojeski, and Peer Astrom. TTBB. Pop Choral Series. 12 pages. Published by Hal Leonard

By Tim Hughes. Edited by Michael Perry. Arranged by Peggy Bettcher. Handbell choir. For 3-5 octave handbells. Sacred. Grade 3. Handbell Score. 8 pages. Published by Hope Publishing Company

25 Solo Keyboard Medleys for Contemporary Worship. Arranged by Carol Tornquist. Sacred Choral. Size 9x12 inches. 128 pages. Published by Word Music.

By Gwyneth W. Walker (1947-). For SATB choir and Piano (Mixed Voices). General, Secular. Choral. 16 pages

By Various. Arranged by Joan Frey Boytim. Vocal Collection. Size 9x12 inches. 136 pages. Published by G. Schirmer, Inc.

Piano Solo. By Various Artists. This edition: 080689395383. Book (not sheet music). Softcover. 144 pages. Published by Word Music.

By Palmer Hughes. For Accordion. Accordion. Palmer-Hughes Accordion Course. Book. 32 pages. Published by Alfred Publishing.

Fanfare Band - Grade 3

SKU: BT.AMP-139-020

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-020. Published by Anglo Music Press (BT.AMP-139-020).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-139-010

Composed by Traditional. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-010. Published by Anglo Music Press (BT.AMP-139-010).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Fanfare Band - Grade 3

SKU: BT.AMP-139-120

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2005. 12 pages. Anglo Music Press #AMP 139-120. Published by Anglo Music Press (BT.AMP-139-120).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.