Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ' a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy'he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book'encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation and pivot, and the application to tunes. The reader will be tempted to stop on every page and compose. I found the Lost Chord, but won't tell you the page number. Bert Ligon Jazz Pianist/Guitarist, Composer, Arranger, Educator, Director of Jazz Studies, University of South Carolina Ever wonder how to move harmony around instead of repeating the same chord voicing over and over' Then Chords in Motion is a must have book for you! Andy has included a ton of information that will open up your comping and should keep you busy with new ideas for a long time! I highly recommend it! Dan Haerle Jazz Pianist, Composer, Author, Educator, Professor Emeritus, University of North Texas Chords in Motion is an essential guide to expanding one's conception of modern Jazz Piano Harmony. Andy LaVerne has managed to outline in a very practical and concise way, modern principles of piano chord voicings, as they pertain to the Jazz Pianist's primary group function of comping. David Hazeltine Jazz Pianist, Composer, Educator, SUNY Purchase College Conservatory of Music Chords in Motion should be fun to take into the practice room to explore new ways of sustaining harmonies over the entire register of the piano. It is encyclopedic and thorough in its content. No stone is left unturned! Stephany Tiernan Pianist, Composer, Educator, Chair, Piano Department, Berklee College Of Music Chords In Motion is an excellent practicing resource that provides a garden of harmonic sonorities for a musician to choose and explore at the piano. I like the way that Andy has made the information accessible to any level of student. I look forward to discovering some different sounds with this book. Phil DeGreg Jazz Pianist, Author, Educator, University of Cincinnati College Conservatory of Music I am delighted to recommend Andy LaVerne's Chords In Motion to aspiring jazz pianists! Andy is a superb pianist, very capable of addressing this topic. Prior to pianists like McCoy Tyner, Herbie Hancock, Bill Evans, and others, most pianists were content to have acquired a small handful of chord voicings, generally with the chord roots on the bottom of the voicings. Though 'rootless voicings' were adopted in later years, they were primarily for the left hand and generally only used the 3rd or 7th on the bottom. But now the serious jazz pianist needs to be able to move his or her voicings in a more diatonic manner, as shown in Andy's book. Jerry Coker Jazz Saxophonist, Author, Educator Andy LaVerne's Chords in Motion is a study of encyclopedic scope on the use of harmonies based on fourth intervals in the context of jazz harmony. There is a wealth of information in terms of voicings, voice leading and chord/scale relationships and their application to common harmonic formulae (ii-V, etc.) and the chord progressions used in blues and common standard tunes. Jazz musicians interested in this vocabulary should find this book to be a useful launching pad for exploring this important corner of the world of jazz harmony. Bill Dobbins Jazz Pianist, Composer, Arranger, Author, Educator, Professor of Jazz Studies, Conductor, Coordinator Jazz Composition and Arranging, Eastman School of Music Chords in Motion is a highly detailed, informative and filling-in-the-gap text. It's an important and welcome addition to the jazz piano literature, which can be applied to any level of proficiency. Stefan Karlsson Jazz Pianist, Educator, Professor/Jazz Studies Division, University of North Texas Fantastic pianist Andy LaVerne has put together an amazing, detailed, and incredibly comprehensive guide for effectively implementing quartal and related voicings. He has honed in on the 'secret' to using these structures musically and creatively: moving the voicings through changes in logical and interesting ways. Clearly presented, extremely thorough, and loaded with information, Chords in Motion is a must-have for any pianist! Martin Bejerano Jazz Pianist, Composer, Educator, Assistant Professor, Jazz Piano, Frost School of Music University of Miami Chords in Motion is an in-depth look at fourth and related voicings that give an atmosphere that you want to improvise on. We play over the voicing, not the chord symbol. Chords in Motion targets that modal atmosphere that horn players love playing over. Love this book - can't wait to start practicing it! Jerry Bergonzi Jazz Saxophonist, Composer, Author, Educator, New England Conservatory I was thrilled when Jazz Piano Great Mulgrew Miller agreed to write a quote for this book. I was deeply saddened to hear of Mulgrew's passing just days before publication. All who loved Mulgrew and his music will sorely miss him, and are grateful for the rich musical legacy he left us. Rest easy, Mulgrew. Andy LaVerne

CD inclus avec le livre contient 37 mélodies plus de 200 chansons et 550 pages ! 64 Classic Jazz, Jazz contemporain 98, 5 afro-cubains et 12 Latin Jazz. 2 Degrés est,/ Recueil / Instruments en Mib

The Complete Resource for Community Choirs. Par BURNS ALISON / PARTINGTON GITIKA. 43 flexible songs, from simple unison to four parts, by established writers and arrangers Ideal for community choirs of all types and school groups of 11+ years Vast range of repertoire, including well-known pop songs, traditional songs from around the world, contemporary songs, protest songs, and rounds Diverse themes, including Peace and Reflection, Liberty and Freedom, and Celebrations Warm-ups and practical tips on working with amateur singers and the natural voice Supporting rehearsal plans for each song, from the basis of learning by ear Copiable pages CD containing MP3s of learning tracks (providing individual vocal parts) and backing tracks for some pieces Recordings of full performances available to download Community Voiceworks is an unrivalled collection of fun, reflective, empowering, and moving songs in the practical Voiceworks format. With five sections covering a variety of life's key themes, there is something for everyone - from classic hits such as 'Sitting on the Dock of the Bay', 'If I had a hammer', 'Walking on Sunshine', and 'Something Inside So Strong' to well-known traditional songs and new works by acclaimed choir leaders. The CD provides recordings of individual parts, allowing non-readers to learn aurally, and song sheets are photocopiable. A truly inclusive collection for all groups who love singing together, regardless of experience!/ Recueil / Voix

Jackson Mississippi attracted a host of blues musicians in the period 1910-1940. Many players from small towns made their way to Jackson which as the capital of Mississippi and a much larger city held forth the promise of moreand better work opportunities and the possibility of making a living playing music rather than driving a mule or chopping cotton. The Jackson Blues scene was an unusually rich one stylistically spanning the gap from thesophisticated Pop blues of Bo Carter to the low-down blues of Rube Lacy and a host of players working between those two extremes.Included on this DVD are transcriptions and teaching of recorded performances from TommyJohnson one of the fountainheads of the Mississippi blues Itta Bena natives Rube Lacy and Ishmon Bracey with their distinctive vocal head tones and intense playing the great Geeshie Wiley a woman who played and sang asstrongly as any man Walter Vinson guitarist and lead singer for the Mississippi Sheiks and Bo Carter a player with a rich chordal vocabulary and Jazzy sound. The songs presented offer a wide range of left and right handapproaches and ways of keeping time and will expand your your ability to play blues moving far afield from the simple alternating bass.A detailed tab/music booklet is included as a PDF file on the DVD and contains all ofthe songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include: Tommy Johnson: LonesomeHome Blues Walter Vinson: Overtime Blues Geeshie Wiley: Eagles On A Half Rube Lacy: Ham Hound Crave Ishmon Bracey: Four Day Blues Bo Carter: Honey

'the little book...with all the BIG songs!? A pocket-sized collection of Coldplay songs, in chord songbook format, with chord symbols, guitar chord boxes and complete lyrics.Including the hits Adventure Of A Lifetime, Hymn For The Weekend, Miracles (Someone Special), Paradise, The Scientist, Viva La Vida, yellow and many more! / Paroles Et Accords Guitare

Paroles et accords de guitare de 124 chansons de Bob Marley / Chant Et Guitare / Partition

Onze pièces rythmées et attrayantes pour développer ses connaissances des techniques et de l'interprétation du jazz. / Saxophone Alto Ou Tenor / Partition + Cd

With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.

Grade 3 - Score Only-The lilting joy of a compound triple meter piece is a great way to add contrast to your concert. “Sketches on an Olde English Song” keeps that wonderful 6/8 momentum rolling along nicely. As bands start moving intomore challenging pieces it's important that the musicians develop facility with 6/8 and 9/8 time. This arrangement is a great way to take your group to the next level. Dur: 4:30

Par WEDGWOOD PAM. It's Never Too Late to Sing Piano Accompaniments contains the piano accompaniments to all the songs and exercises in It's Never Too Late To Sing , the teach-yourself tutor with interactive CDs./ Recueil / Piano Accompagnement

P/V/G. The Super Songbook For Kids contains a collection of 37 favorite children's songs including nursery rhymes, campfire songs, silly songs, and folk tunes. Clearly presented in easy-to-play musical arrangements for piano, voice, and guitar, the book also includes vibrant full-color illustrations!