Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano

Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ”/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-10-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2005-04-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2002-03-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-10-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

herausgegeben von Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible new solutions, alternative to the widely accepted ones, and retrace the history of harmonic perception, as evidenced by the changes the composition went through across all its historical editions. The curator provides indications (clearly distinguishable from the original source) for the performance, the bowings specifically. They are suggestions founded in the observation of the technical apparatus pictured by Bach in his genius: a hand technique closer to a pianist?s than a traditional violinist?s; a mechanism we could call pioneering to this day. / Date parution : 2022-09-20/ Recueil / Violon

Par ADAMS SALLY. Twenty-seven superb concert solos for the intermediate recorder player, compiled and arranged by Sally Adams. This selection of pieces spans all styles of music, from the melodies of Handel and Bach to settings of traditional folk tunes and more contemporary compositions - something for every occasion, whether it be a recital, concert or competition. Full Piano accompaniments are included throughout. / Niveau : Assez Facile / Répertoire / Flûte à Bec et Piano

Let the Earth Now Praise the Lord. Par TRADITIONAL. Martin Luther (1483-1546) a réalisé en son temps la fusion entre chant sacré et chant traditionnel. L'une des plus anciennes attestations est l'hymne de saint Ambroise (vers 339-397), Veni redemptor gentium, traduit fin 1523par le Réformateur en cantique de l'Avent, Nun komm, der Heiden Heiland. Jean-Sébastien Bach s'en est inspiré pour composer plusieurs cantates. Cet arrangement de Jacob de Haan évolue dans la douceur et la lumiére de Noël. / Niveau : 2.5 / Musique religieuse / Date parution : 1905-06-30/ Répertoire / Fanfare

Let the Earth Now Praise the Lord. Par TRADITIONAL. Martin Luther (1483-1546) a réalisé en son temps la fusion entre chant sacré et chant traditionnel. L'une des plus anciennes attestations est l'hymne de saint Ambroise (vers 339-397), Veni redemptor gentium, traduit fin 1523par le Réformateur en cantique de l'Avent, Nun komm, der Heiden Heiland. Jean-Sébastien Bach s'en est inspiré pour composer plusieurs cantates. Cet arrangement de Jacob de Haan évolue dans la douceur et la lumiére de Noël. / Niveau : 2.5 / Musique religieuse / Date parution : 1905-06-30/ Répertoire / Brass Band

Let the Earth Now Praise the Lord. Par TRADITIONAL. Martin Luther (1483-1546) a réalisé en son temps la fusion entre chant sacré et chant traditionnel. L’une des plus anciennes attestations est l’hymne de saint Ambroise (vers 339-397), Veni redemptor gentium, traduit fin 1523 par le Réformateur en cantique de l’Avent, Nun komm, der Heiden Heiland. Jean-Sébastien Bach s’en est inspiré pour composer plusieurs cantates. Cet arrangement de Jacob de Haan évolue dans la douceur et la lumière de Noël. / Niveau : 2.5 / Musique religieuse / Répertoire / Fanfare