20 Easy to Intermediate Arrangements for Alto Flute and Piano. Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet's Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512). Originally published in a different format, Potter's Alto Flute Solos is here issued in a separate book for alto flute and piano accompaniment. This collection contains works at the easy and intermediate levels, and includes popular recital pieces such as Bizet's Habanera from Carmen, the traditional Irish tune Danny Boy, and 18 others. The same contents are also available in Bass Flute Solos (FH0512)./ Recueil / Flûte Traversière Alto et Piano

A compilation of pieces composed and performed by some of France's most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standard notation. A compilation of pieces composed and performed by some of France's most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standard notation.

Selected pieces and traditional songs in five volumes-The five-volume ABRSM Songbook series offers singers and their teachers an unrivalled choice of core repertoire that will provide the bedrock for many years of rewarding vocal study. This series features: Over 1000 art songs drawn from Grades 1-5 of the Associated Board's Singing syllabus. A massive range of repertoire from the Medieval to modern musicals - many in practical new editions. Irresistible new arrangements by Carol Barratt of eighteen classic songs. A rich collection of sixty authentic unaccompanied traditional songs sourced from around the world. English singingtranslations for every non-English-language song - many newly-commissioned. Useful notes on the songs containing background information and performance suggestions. CDs of Piano accompaniment to all the art songs performed by Simon Lepper as well as recordings of the text to every song performed by native speakers.

Par BEETHOVEN LUDWIG VAN. Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. In addition to a reader-friendly engraving and practical page-turns, the edition is roundedoff with an informative Introduction and valuable notes on historical performance practice. Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. In addition to a reader-friendly engraving and practicalpage-turns, the edition is rounded off with an informative Introduction and valuable notes on historical performance practice. / Niveau : 6 / Répertoire / Piano

Par HARBERG AMANDA. Commissioned by a consortium of nearly two dozen piccoloists, Amanda Harberg's 12-minute Sonata is a substantial and exciting addition to the piccolo repertoire. Harberg's uniquely American sound gives voice to the full range of the piccolo's expressive and virtuosic powers within a traditional three-movement sonata. Featuring driving rhythms, engaging melodies, and jazz-tinged harmonies, the sonata is ideal for advanced and professional performers. Commissioned by a consortium of nearly two dozen piccoloists, Amanda Harberg's 12-minute Sonata is a substantial and exciting addition to the piccolo repertoire. Harberg's uniquely American sound gives voice to the full range of the piccolo's expressive and virtuosic powers within a traditional three-movement sonata. Featuring driving rhythms, engaging melodies, and jazz-tinged harmonies, the sonata is ideal for advanced and professional performers./ Répertoire / Piccolo et Piano

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

While his contemporary Paul Hindemith found new approaches to composition Gál remained rooted in the Germanic tradition. The Sonata clearly follows in the footsteps of the great masters Brahms and Reger and though traditional in idiom is less complex and complicated than comparable works of these composers. The Sonata is available on CD together with the two Clarinet Sonatas by Brahms.

This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles commonly described as 'Celtic Music'.This type ofmusic is often associated with the English publisher John Playford. In the 17th century he published The English Dancing Master which contains traditional music as well as tunes of his day (up to the Renaissance).AuthorMonika Mandelartz a specialist in historical performance practice follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars ScotCap(Edinburgh Castle) Upon a Summer's Day Parson's Farewell Welcome Home Old Rowland Dissembling Love (The Lost Heart) An Italian Rant Porter's Lament Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace) JennyPluckPears Remember Me My Deir Enfield Common The Sword Dance and Drive the Cold Winter Away.

Larry Moore has created an ingenious combination of favorite carols and Pachelbel's most famous work into a clever holiday treat. Starting with the traditional ground bass and melody he adds a delightful assortment of holidaytunes with some that are not so obvious. Let your audience find them all while enjoying this creative arrangement. Includes: Jolly Old Saint Nicholas Up On the Housetop Good King Wenceslas Go Tell It on the Mountain Hark!The Herald Angels Sing Joy to the World The First Noel Jingle Bells and We Wish You a Merry Christmas.

8 Twentieth-Century Pieces. Having touched on the romantic era in 'To a Wild Rose' and the classical era in 'An die Musik', Kember moves forward to the twentieth-century with this thoughtfully chosen collection for string quartet. The Schott String Quartet Series With the first books in the series focusing on baroque, classical and romantic styles, The Schott String Quartet Series has expanded to cover music ranging from traditional pieces through to Eastern-influenced works. Aside from 'Indian Summer', which features original compositions, each book contains original arrangements of well known themes, which have often never been arranged for string quartet before. An important characteristic of these arrangements is that they allow all four instruments to demand the attention throughout the music. The pieces are suitable for amateur musicians or school students and are ideal for public performance./ Recueil / Quatuor à Cordes

Arranged and edited by John Iveson. Includes treble and bass clef parts. Includes music by Byrd, Purcell, Brahms plus many traditional pieces. / Trombone Et Piano

Regarded as the greatest Spanish composer of the 20th century Manuel De Falla (1876-1946) had a distinctively nationalistic style.Cantares De Nochebuena was written c.1903 making it one of his earlier works. It is a collection and arrangement of 9 traditional folksongs for Christmas Eve originally from the Andalusian region of southern Spain. They were probably gathered in the city of Cadiz.The songs are scored for solo Voice and Guitar. In an attempt to imitate the simplistic nature of the source material the Guitar part is relatively easy requiring only a handful of different chords.

An extremely expressive and beautiful piece it is a traditional favorite for church performance.

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. / Messe / Répertoire / Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois,