English Folk Tunes contains 29 original arrangements of traditional and contemporary tunes including ballads, sea shanties, and carols. Most of the pieces are arranged for solo guitar, with several also offered as trios and with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh Burns. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

30 Favourite Pieces Arranged For The Middle-Grade Guitarist. 'From Folk to Classical 1” is a mouth-watering collection of thirty arrangements for classical guitar by Paul Coles. The classical pieces include many favourites, including a few you would not expect to hear on the guitar, such as 'Hall of the Mountain King” and 'Three little Maids from School”, but they really work! Traditional folk numbers are not neglected, with 'Sweet Molly Malone” and 'Skye Boat Song” among the best known. The arrangements are for intermediate players and Paul Coles has offered fingering help for both left and right hands. Book 2 will be published in 2018 but, meanwhile, try Paul Coles' '26 Melodic Studies” or his 'Momentos Espanoles”../ Recueil / Guitare

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

30 Traditional Songs. Par HUNT PETER / OLIVIER DAVID. 30 chansons traditionnelles de l'Angleterre, l'Ecosse, et Pays de Galles Des arrangements plus souples pour l'unisson et d'une partie de chant Idéal pour les chorales communautaires et les jeunes, les groupes scolaires (à la hausse KS3), et des chorales de tous âges et de l'expérience Vaste gamme de répertoire: un plaisir à prononcer chanson accumulables, chants de Noël, des chansons sur la vie dans les mines, les chantiers, des chants lyriques et de réflexion, des chansons sur les rituels et coutumes Trucs et astuces sur l'échauffement, les répétitions, et le chant chanson folklorique Idées de performance pour chaque chanson Pages photocopiables CD avec des performances de toutes les chansons Folk VoiceWorks est une exceptionnelle collection de chansons folkloriques dans le modèle VoiceWorks, y compris des chansons des siècles passés aux côtés de morceaux par des musiciens folk célébré. Vous trouverez des pièces dans une gamme de genres et de styles, y compris les chantiers, des chansons de protestation, des chansons sur la terre, des berceuses, des chansons d'amour, et bien plus encore - a marqué de manière flexible pour l'unisson et d'une partie de chant. Avec d'excellentes notes de répétition pratique, simple d'accompagnement des parties instrumentales, et un CD avec des performances de toutes les chansons, c'est une ressource fabuleuse et accessible pour tous les chOeurs. ' / Niveau : Débutant / Recueil / Chant

63 Traditional Pieces. Par BOWMAN PETER. Irish Folk Tunes for Descant Recorder is a collection of 63 arrangements for descant recorder, of traditional tunes including a range of styles such as Reels, Hornpipes, Jigs and more. Experienced recorder player and co-author of English Folk Tunes for Descant Recorder, the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. The volume contains recordings for download in order to get a sound impression of the stylistic and technical features of the pieces. / Niveau : Facile / Recueil / Flûte à Bec

Irish Folk Tunes for Guitar is a collection of arrangements of traditional and contemporary tunes including jigs, reels, airs and more. Most of the pieces are arranged for solo guitar, with several also offered with accompaniments.Experienced folk guitarist, and author of Scottish Folk Tunes for Guitar (ED 13359), and English Folk Tunes for Guitar (ED 13491) Hugh Burns provides notes on all of the pieces, as well as playing tips, and technical advice. The volume is accompanied by a CD with a recording of all tunes performed by Hugh. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8. / Guitare

Par BOWMAN PETER. English Folk Tunes for Descant Recorder' is a collection of 62 arrangements for descant recorder, of traditional tunes including a range of styles such as Ballads, Hornpipes, Jigs and more. Experienced recorder player and co-author of the Baroque Recorder Anthology series, and Fun and Games with the Recorder series amongst others, Peter Bowman provides notes on all of the styles covered, as well as individual pieces. The volume is accompanied by a CD with a recording of all tunes performed by Kathryn Bennetts. German and French translations of all texts are available as pdf downloads from the Schott Music website as well as MP3 play-along tracks. Suitable for players of grades 3-8./ Recueil / Flûte à Bec

Par WORLEY PETER. This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barré chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. “It’s an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian. “These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition.” Gerald Garcia/ Recueil / Guitare

The original version of this setting of the well-known traditional English folk song was completed in 1974, and was commissioned by Rachel McMillan College of Education (where Gregson was a lecturer at the time) for its Music Department choir (female voices). It then had the somewhat unusual instrumentation of spinet, flute and string quartet. In 2017 Gregson made a revision for performance and publication in a new version for upper voices and piano / Ssa Et Piano

The seven recital pieces in volume 3 of the 'Viola Recital Album? augment the repertoire in volumes 2 and 3 of the Sassmannshaus tutor 'Early Start on the Viola.? But other viola tutors will also benefit from these pieces, all of which are in first position.The editors have chosen a short series of delightful little pieces by such unknown composers as Septimus Winner ('The Last Rose of Summer?) or Martin Greenwald ('Arminta Waltz?).Each piece is accompanied by duo version in which the teacher or an advanced learner can play the second part. There is also a piano part that can be played by the teacher or parents.- New recital pieces for the proven viola tutor- Well-known traditionals- Every piece in first position- Second viola part for duo performance- Piano accompanimentAll the pieces in the four 'Viola Recital Albums? represent welcome additions to the already varied repertoire of Egon Sassmannhaus's viola tutor 'Early Start on the Viola?.Kurt Sassmannshaus is the editor of many string editions in the Bärenreiter catalogue. He continues in the tradition of 'Early Start on String Instruments? founded by his father, Egon Sassmannshaus. The new editions mentioned here were developed by Kurt Sassmannshaus in conjunction with his wife Melissa Lusk and his son Christoph Sassmannshaus. / Alto Et Piano (Ou 2 Altos)

Par SPARKE PHILIP. Comme beaucoup d’autres pays, l’Angleterre jouit d’une longue tradition de chansons traditionnelles transmises oralement au _x001C_fil des siècles. Three English Folk Song Miniatures rassemble trois airs populaires ( Dance to you Daddy, O Waly, Waly et Bobby Shafto ), prodigieusement arrangés pour orchestre junior ou formation incomplète. Comme dans toutes les publications de degré de diffi_x001F_culté 1 à 1 ½ des éditions Anglo Music, les parties des registres ténor et basse peuvent être jouées par diff_x001B_érents instruments, ce qui permettra aux orchestres incomplets de toujours produire un son ample et généreux. / Niveau : 1.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Adagio (Mozart) * Allegretto (Haydn) * Bouree (Telemann) * Concert Duet in Three Movements (Snell) * Dance (Snell) * Daniel Cowper (English Country Dance) * English Folk Tune (Traditional) * The Hunters of Kentucky (American Traditional) * Intrada (Graupner) * Legend (Snell) * March (Anonymous) * Minuet in G (Bach) * The Music Box (Snell) * Norwegian Folk Song (Traditional) * Red River Valley (American Traditional) * Scottish Folk Song (Traditional) * Sea Shanty (American Traditional) * Serenade (Turk) * Three German Dances (Haydn).

An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art. Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition. The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions. Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it's hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don't even have a composer. However, it's what's NOT written on the page that makes folk fiddle so interesting and challenging. This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing. Key areas covered include: Tune types and structures Ornamentation Bowing Modes and scales Scordatura Starts, endings and links Variation, improvisation and composition Playing tunes in 'sets” Regional and individual style Playing in sessions, for contests, and for dancing / Niveau : 3 / Pédagogie / Etude / Violon

Par HARLE JOHN. RANT! is a portrait of the saxophonist Jess Gillam: her energy, her sound and her presence, painted in music from her own part of England. A 'rant' in the tradition of English folk music is an energetic dance and means 'to make merry' - a reflection of Jess's fearless and exuberant performances. RANT! draws on Cumbrian folk tunes sourced from Ed Heslam's unique folk music resource Music of Cumberland and Westmoreland, as well as several tunes composed by Ed himself. This advanced piece is suitable for soprano saxophone or clarinet with piano accompaniment. / Niveau : Avancé / Musique contemporaine / Répertoire / Saxophone Soprano ou Clarinette et Piano