During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

Perhaps the most readily identifiable sound of traditional Irish music is the sound of the Tin or Penny Whistle. Once mastered this simple inexpensive instrument can be played by a soloist or as an important element in a multi-instrument Irish music session. Expert player and instructor L.E. McCullough teaches all the basic techniques along with several tunes to get beginners off to a great start. No prior experience of this or any other instrument is required making this an ideal method for elementary players. Includes a booklet of all the music included in the DVD.

Composed for SSA and Piano Irish Blessing is a moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony.

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

Ukulele Play-Along Volume 18-This volume of the Ukulele Play-Along series features 8 traditional Irish tunes each expertly arranged for Ukulele in standard notation.The Ukulele Play-Along series will help you play your favorite songs quickly and easily with incredible backing tracks to help you sound like a bona fide pro! Just follow the written music listen to the online audio to hear how the ukulele should sound and then play along with the separate backing tracks.  Each Ukulele Play-Along pack features eight cream-of-the-crop quintessential songs. Songs include: Danny Boy ? The Foggy Dew ? The Irish Rover ?MacNamara's Band ? Molly Malone (Cockles and Mussels) ? and more!

10 Original And Traditional Pieces. Par DIVERS AUTEURS / RAE JAMES (ARR.). Un recueil de dix pièces arrangées dans un styles variés, mais toujours dans esprit très irlandais! Ce volume propose des airs traditionnels et plusieurs compositions originales. La partie de flûte, d'une difficulté intermédiaire, bénéficie d'un accompagnement de piano offrant un bon soutien stylistique (James Rae - Juillet 2019)/ Recueil / Flûte Traversière et Piano

A breathtaking and unusual collection of Traditional Irish tunes that have been arranged for the Bagpipe by Dave Rickard. Fifty pieces are included some are rare and others had never been used before in bagpipe bands but all are familiar tunes or melodies which will delight and enthrall performers and audiences alike. Pieces featured include: O Sullivan’s March An Mhaighdean Mhara The Gravel Walk and The Lark In The Morning.

Par SHERIDAN DICK. Play 47 Irish selections on the tenor banjo with this collection of reels, jigs, slip jigs, hornpipes, polkas and slides. The tunes are presented in multiple keys (both traditional and modal), and are presented in both standard notation and tablature with chord names and large diagrams. Songs include: Bag of Spuds · Cherish the Ladies · Drowsy Maggie · Farewell to Whiskey · Lark in the Morning · Rocky Road to Dublin · The Tempest · and more. Audio tracks are available for learning and listening with pitch and speed control for download or streaming online. Also features traditional Irish GDAE tuning with a chart of basic chords. / Date parution : 2022-04-16/ Recueil / Banjo Ténor

This Book features sets played in West Coast Irish pub sessions presenting 40 often played Irish slip jig reel hornpipe waltz polka and jig sets as well as some original tunes and songs. These 'session friendly' settings arewritten for all melody instruments and include chord symbols. You will be able to build your own repertoire of Irish music from these sets and fit in with sessions from Ireland to California. The accompanying CDs have theversions of these sets as played by Dannsair on their 3 CD releases: Mists of Ennistymon Rias Medias and Galicia. Audio Tracks: The music on the audio tracks contains 40 pieces of music found in the book. The pieces ofmusic are the complete recordings of Dannsair and have all the melodies and backup instruments. They are played at performance tempos.

Nearly 60 traditional Irish ballads all expertly arranged for Piano Vocal and Guitar. Transport yourself to the Emerald Isle with these favourites including: Black Velvet Band Cliffs of Doneen Danny Boy Down by the Sally Gardens Leaving of Liverpool Minstrel Boy Red Is the Rose When You Were Sweet Sixteen Wild Rover and many more!

World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself Pierre Bensusan and Duck Baker. As all of thetunes in this 1997 recording were arranged in altered tunings (DADGAD EADEAE or DADEAD) each appears in both standard notation and tablature with insightful performance notes. In general these transcriptions from Pat Kirtley’s1997 album of the same title are extremely accurate; The Red-Haired Boy however played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player the author provides insightful performance notes for each tune.

A moving traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in rich harmony. For SATB and piano.