A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classique, savamment disposés comme oeuvres de concert séparés, le tout avec une excellente traduction anglaise et le chant des réductions clavier pratique. Le matériel d'accompagnement orchestral pour tous les titres de la collection est disponible à la location. Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres./ Recueil / Chant

The Gig Book: Showtunes is jam packed with 85 classic songs by the biggest names in musical theatre. Presented in gig-friendly melody line arrangements with complete lyrics, chord symbols and Guitar chord boxes. / Mélodie/Vocal/Guitare (MVG)

Une superbe collection en trois volumes de plus de 115 morceaux faciles à jouer pour le Piano Solo. Contient des morceaux pop, des musiques de spectacles, de jazz de la collection Tunes You've Always Wanted To Play, rassemblés ici pour une edition spéciale. / Variétés / Coffret Partition /

Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall and Oates * Jerry Lee Lewis * Jim Brickman * Jimmy Buffett * Joni Mitchell * Kelly Clarkson * Kenny Loggins * Madonna * Mariah Carey * Michael Jackson * Motley Crue * Neil Young * Nickelback * Pink Floyd * R.E.M. * Ray Charles * Rod Stewart * Santana * Sheryl Crow * Steppenwolf * The Cars * The Doobie Brothers * The Who * The Eagles * The Rolling Stones * Tina Turner * Van Halen * Van Morrison * Wham! * Whitney Houston, and many more! / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

The Piano Bench Of Easy Classical Music is a tremendous piano collection containing 400 pages of great music literature, specially selected and edited for the developing pianist who loves classical music. Here you will find the world's favorite preludes, minuets, sonata movements, nocturnes, waltzes, gavottes, mazurkas, romantic short pieces, impressionistic works, and light classics- as well as themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Piano

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Une sélection de chansons incontournables de la variété et du pop/rock acoustique international en transcriptions ligne mélodique, paroles complètes et accords tous instruments. Titres : Across The Universe - Against The Wind - Alison - American Pie - American Tune - Annie's Song - Arms Of A Woman - At Seventeen - Baby Can I Hold You - Baby Hold On - Babylon - Banana Pancakes - Barely Breathing - Beg Steal Or Borrow - Big Yellow Taxi - Black Horse And The Cherry Tree - The Boys Of Summer - Breakeven - Building A Mystery - Burn One Down - Can't Find My Way Home - Caramel - Cat's In The Cradle - Catch The Wind - Change The World (featured on the Motion Picture Soundtrack PHENOMENON) - Chasing Cars - The Christians And The Pagans - Chuck E's In Love - Cigarettes And Chocolate Milk - City Of New Orleans - Closer To Fine - Closing Time - Come Monday - Come On Get Higher - Come Pick Me Up - Constant Craving - Copperhead Road - Criminal - Dance With Me - Danny's Song - Darlin' Do Not Fear - Diamonds On The Inside - Don't Know Why - Don't Look Back In Anger - Dream Weaver (featured in the Motion Picture WAYNE'S WORLD) - Drift Away - Dust In The Wind - Early Mornin' Rain - Eight Miles High - Elderly Woman Behind The Counter In A Small Town - Escape (The Pina Colada Song) - Everybody's Talkin' (Echoes) (from MIDNIGHT COWBOY) - Everyone's Waiting - Everything I Own - Fallin' For You - Famous Blue Raincoat - Fast Car - Feels Like Home (from the Motion Picture MICHAEL) - Fidelity - Flake - Follow You Down - Fooled Around And Fell In Love - For What It's Worth - Free Fallin' - Fugitive - Give A Little Bit - Good Riddance (Time Of Your Life) - Good Time Charlie's Got The Blues - Half Of My Heart - Hallelujah (featured in the DreamWorks Motion Picture SHREK) - Have A Little Faith In Me - Have You Ever Seen The Rain? - Hello, It's Me - Hey There Delilah - Hickory Wind - Ho Hey - Hold You In My Arms - Home - Home - Hook - A Horse With No Name - Hummingbird - I Believe She's Lying - I Can't Make You Love Me - I Got You Babe - I Melt With You - I Need You - I Saw The Light - I Will Follow You Into The Dark - I Wonder - I'd Rather Be With You - I'll Be - Ice Cream - If I Had A Boat - If It Makes You Happy - If You Could Read My Mind - If You Leave Me Now - If You're Gone - Into The Mystic - It's A Heartache - Jealousy - Jumper - Kiss From A Rose - Knockin' On Heaven's Door - Last Kiss - The Lazy Song - Leader Of The Band - Least Complicated - Leaving On A Jet Plane - Let Him Fly - Like A Rolling Stone - Little Lies - Losing My Religion - Lover, You Should've Come Over - Lowdown - Lucky - Make It With You - Man On The Moon - Me and Julio Down By The Schoolyard - Meet Virginia - Missing You - Mrs. Robinson (from THE GRADUATE) - Mr. Bojangles - More Than Words - My Love - Naked As We Came - Name - New York, New York - 1952 Vincent Black Lightning - No Such Thing - Norwegian Wood (This Bird Has Flown) - Oliver's Army - One Love - One Of Us - Operator (That's Not The Way It Feels) - Peace Train - Peaceful Easy Feeling - Pink Houses - Pink Moon - Please Come To Boston - Possession - Push - Put Your Records On - Reason To Believe - Redemption Song - Rhythm Of Love - Round Here - Running On Empty - San Francisco Bay Blues - Sara Smile - Save Tonight - The Scientist - Scotch And Soda - Screaming Infidelities - She Runs Away - She Talks To Angels - Shelter From The Storm - Shiver Me Timbers - Show Me The Way - 6th Avenue Heartache - Skinny Love - Sky Blue Sky - Slip Slidin' Away - Songbird - The Sound Of Silence - Southern Cross - The Space Between - Stay - Steal Away - Steal My Kisses - Still - Stolen - Stoned Soul Picnic (Picnic, A Green City) - The Story - Suddenly I See - Summer Breeze - Sunny Came Home - Sunshine (Go Away Today) - Sunshine Superman - The Swimming Song - Tangled Up In Blue - Taxi - Tequila Sunrise - Thank You - Time In A Bottle - Toes - Tom's Diner - Torn - Touch Of Grey - Trouble - Tupelo Honey - Use Me - Vincent (Starry Starry Night) - Wagon Wheel - Waiting On The World To Change - Walk On The Wild Side - Walking In Memphis - The Way I Am - We Just Disagree - The Weight - Welcome Back (from the Television Series WELCOME BACK, KOTTER) - What I Am - What I Got - White Flag - Who Will Save Your Soul - Why Walk When You Can Fly - Wicked Game - Wild Horses - Woman - Wonder - Wonderwall - Wooden Ships - Yellow - You Can Sleep While I Drive - You Learn - You Were Meant For Me - You're So Vain - You've Got A Friend - You've Got To Hide Your Love Away - Your Song / Ligne Mélodique, Paroles Et Accords

Vol. 2: Lyric-Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

200 chansons arrangées pour piano solo, chant et accords guitare?Un livre exceptionnel !