For Violone-Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata Violino e Violoncino … di Giovannino del Violone. Giovannino (=Little or Young John) musthave been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that are known today (see Dart

Whether you're staging your first or your fiftieth children's musical production here's an indispensable planning guide that will ensure a successful performance. Includes techniques for staging characterization customizing for your particular cast using children's artwork costumes make-up sound systems developing self esteem and more. Comes unbound so you can place it in your own loose-leaf binder.

from 03 - This New Immense Unbounded World-from 03 - This New Immense Unbounded World. From Robert Kapilow's '03: This New Immense Unbounded World a musical tribute to the Louisiana Purchase of 1803 this movement establishes the experience of both the explorers andthe native people who lived in the territory. According to Kapilow Lives were both ended and expanded; it (the era) was simultaneously wonderful and terrible. Musically it is an imaginative marriage of poetry and melody into aremarkable musical creation. Recorded by the Young People's Chorus of New York City; Francisco J. Nuñez Artistic Director.

Uses: Advent Christmas Scripture: Isaiah 29:19 There is unbounded joy in this exuberant choral gesture for general worship. With rhythmic energy this call to praise captures a jubilant spirit right from the opening bars. Solidpart-writing gives each section a rewarding musical experience.

There is unbounded joy in this choral from new writer J.I. Myers. Her debut publication acclaims the attributes of the Almighty with a vibrant praise song sure to send your spirits soaring. Stan Pethel adds his magic touch in anarrangement that incorporates an infectious islands sensibility. Fantastic!

James Pethel takes one of the arrangements from his bestselling piano collection African American Spirituals and lets the choir in on the fun. The cheerful swing tempo of this piece captures a spirit of confidence and unbounded joy. Don't miss this one!

This series of national organ music collections showcases music from England France Germany and Italy. Each book contains 50 representative pieces especially suitable for Service use. The collections are compiled by ColinMawby.Adagio from Organ Sonata No. 1 - MendelssohnAria - HandelAria semplice - Karg-ElertCantilena - RheinbergerFughetta - PachelbelFughetta in C - BuxtehudeFugue from Organ Sonata No. 6 -MendelssohnFugue in A minor - J. S. BachFugue in C - FrobergerFugue in C - PachelbelFugue in E minor - J. S. BachGagliarda - Karg-ElertMelodia monastica - Karg-ElertPastoral from Sonata No. 3 -RheinbergerPostludio - RinckPostludio festivo - Karg-ElertPraeludium in D minor - J. S. BachPreface - HessePrelude in E minor - J. S. BachPrelude in F - Adolf HessePrelude in F - Georg MuffatPreludein G - Gustav MerkelPreludio - RinckSketch for pedal piano (Op. 58) - SchumannSonatina - FinkTrio - RheinbergerVersetto - MuffatChorale preludesAch Gott und Herr - J. S.BachAllein Gott in der Höh sei Ehr - RegerAuf meinen lieben Gott - J. S. BachAus tiefer Not - RegerChriste du Lamm Gottes - J. S. BachChrist lag in Todesbanden - J. S. BachEine feste Burg - RegerEs istein Ros entsprungen - BrahmsGod?s eternal grace unbounded - Karg-ElertGott durch deine Güte - J. S. BachHerr Jesu Christ - WaltherHerzlich thut mich verlangen - WaltherI?ll ever love thee Strength and Stay -Karg-ElertMachs mit mir Gott - WaltherNach einer Prüfung - Karg-ElertNun danket alle Gott - RegerNun lasst uns Gott - PachelbelO wie selig - BrahmsSchmücke dich O liebe Seele - Brahms

There is unbounded joy in the lilting qualities of this 6/8 anthem of praise. In this new work Pethel and Parker acclaim God's strength power and glory as the animator of our faith worship and purpose. The punctuated chordalrhythmic pattern of the keyboard is very exciting and distinctive. A great call to worship!

There is unbounded joy in this new gospel song from Joe Martin. Let Everything Praise God would be a great opener for a concert or worship service where praise is the central theme. The style lends itself to a revival orhomecoming but any time is a good time for a joyful noise.

Uses: Trinity Sunday GeneralScripture: Psalm 150; Psalm 43:4From our Cathedral Series comes an anthem of unbounded jubilation. Mixed meter and exciting syncopations fill the theme while articulatingpassages from the Psalms. The contrasting middle section is filled with expressive harmonies and lush choral writing. The piece ends with antiphonal voices echoing their praise and adoration.

Uses: General Music Appreciation Youth Choir Scripture: Psalms 33:3 96:1 149:1 With a driving piano opening this piece bursts into the air with unbounded joy. The theme is set in a call andresponse format calling the faithful to worship and praise. Mixed-meter adds interest but not difficulty. A slower section adds expressive reverence and reminds us that God is always faithful and worthy of the songs we raise inworship and praise. A great opener or special music choice! Duration: ca. 4:12.

Arrangeur: Claude Georgel. Since the success of the first volume in 2015, OpenSax has spoken for instrumentalists across the world who identify with an unbounded literature for saxophone that' s firmly in touch with today' s musical world. Claude Georgel, who directs the Vent de Sax collection at the Editions Leduc, here presents a sequel to this great adventure that widens its scope: while the 1st volume was aimed essentially at beginner saxophonists, the second targets more confirmed players (5 or 6 years of practice). Nine composers of varying backgrounds (Japan, Spain, Italy, Germany and France), several of whom are from the young generation, allow players to explore the saxophone' s wide palette of instrumental colours without forgetting what' s essential: the pure joy of playing. Tom Georgel, Giulia Lorusso, Alexandros Markeas, Clara Olivares, Sirah Mart?nez Alvarez, Pierre Bertrand-Cagnes, Ryo Noda, Luise Volkmann and Fuminori Tanada sign the pieces in this anthology that will delight anyone who has lost their heart to this instrument of freedom./ Recueil / Saxophone

Lively infectious rhythm reflects the spirited praise to God found in the book of Psalms. Written in the style of a Hebrew folksong this distinctive anthem is full of unbounded joy. The piece sounds more complex than it is andis certainly enjoyable to learn and sing. “Praise to the Lord!” will be a terrific addition to your worship service.

Uses: Easter Eastertide Scripture: Matthew 28:1-10; John 20:1-10.Alive with vibrant praise this acclamation of life is a festive flourish for Easter Sunday. The rhythmic theme is punctuated by a message of confidence and unbounded joy and the majestic brass and timpani and sparkling handbell parts will lift this invigorating anthem to the skies. Glorious! Score and Parts (tpt 1-2 tbn 1-2 tmp) available as a digital download. A separate handbell part (3 octaves 34 bells) also available as a digital download.