Partition pour Viole - Violon Edition : Opera secunda, Lubeca, 1696. Présentation de Marie-Françoise Bloch : Corrections et suggestions. Fac-similé de l?édition originale en parties séparées : violino ? viola da gamba ? cembalo. C'est une musique de grande qualité, qui s'inscrit dans la tradition des sonates en trio allemandes, dans lesquelles les deux parties de dessus sont jouées par un violon et une viole de gambe . il faut un clavecin et une seconde viole pour exécuter la basse continue. Fac-similé de l'exemplaire de la Bibliothèque de l'Université d'Uppsala.
Second volume des trios de Buxtehude. Compositeur : BUXTEHUDE Dietrich
Auteur : BLOCH Marie FranCoise
Collection : Dominantes Contenu :
Sonata I, en Si b Majeur : allegro ? adagio ? allegro ? grave ? vivace ? lento ? presto - Sonata II, en Ré Majeur : adagio ? allegro - largo ? arietta (part.I A X) ? largo ? vivace - Sonata III, en sol mineur : vivace ? lento ? allegro ? largo ? andante ? grave ? gique - Sonata IV, en ut mineur : poco adagio ? allegro ? lento ? vivace - Sonata V, en La Majeur : allegro ? adagio pour viole et b.c. ? concitato ? allegro - Sonata VI, en Mi Majeur : grave ? vivace - adagio ? poco presto ? lento ? allegro - Sonata VII, en Fa Majeur : adagio ? forte [allegro] ? lento ? vivace - largo ? allegro Format : 24 x 33
Nombre de pages : 124
Date de parution : 02/2003

in c-Moll A2:55A, g-Moll A2:56A, a-Moll A2:57AThe Maltzan Collection is a trove of manuscripts made up of thirty for the most part unknown works for viola da gamba in the holdings of the library of Adam Mickiewicz University in Pozna?, Poland. Twenty-eight of the works are by Carl Friedrich Abel - including a number of autographs - and one each by Johann Christian Bach and Andreas Lidl. The manuscripts were copied between 1759 and 1789 in England, and purchased there by the then Prussian envoy in London, Count Joachim Carl Maltzan, who brought them back with him to Militsch, Silesia (today Milicz, Poland). In 1945 the manuscripts came into the possession of the library in Poznan. The collection was discovered in 2016 by Sonia Wronkowska, who is also the editor of the ten-volume edition of all the previously unknown works from this collection.The viola da gamba sonatas by Abel in the Maltzan Collection are musically mature pieces that throw a new light on Abel's compositional artistry. For the most part, they pose greater challenges for the player than the previously known sonatas from Abel's time in London. The fast movements are more expansive; the range extends from AA to b ; there are movements with variations and polyphonic passages; unusual keys, such as A-flat Major and E Major, are to be found; and many a slow movement contains a cadenza from Abel's hand. / Viole de gambe / Guntersberg

Allerheiligentag IV for viol. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and violin. The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered - the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' / Date parution : 2022-05-31/ Répertoire / Viole de Gambe

Written for soprano solo recorder viola da gamba and harpsichord.This little cantata was commissioned by Carl Dolmetsch and first performed by Elizabeth Harwood (soprano) Jeanne Dolmetsch (sopranino recorder) Marguerite Dolmetsch (viola da gamba) and Joseph Saxby (harpsichord) at the Wigmore Hall on 22 March 1979.

For Violoncellists and Lovers of the Viola da gamba viola da gamba - German - English - French composer: Gruemmer, Paul

Written in French by Pierre Jacquier and Jean-Louis Charbonnier  L'Art De Jouer La Basse De Viole ? Vol. 1 is a method for beginners who want to discover this instrument. The book introduces the player to the history of the Viola da Gamba and to the necessary techniques to be able to play. The book is divided as per below as if it were a game: the first part ?Pieces of the game? explains where the instrument comes from and the ?Rules of the Game? part gives directions to follow to be able to play the instrument. It includes scales studies scales and small pieces as well asadvice. This really interesting volume requires some solid music theory knowledge.

As a significant string player Jean-Louis Charbonnier had extensive knowledge of the musical family and was significantly instrumental in the revival of the Viola de Gamba. He compiled numerous prolific books for the instrument Play and Learn the Viola de Gamba being no exception. The Viola de Gamba characteristically has straight back and six or seven strings. However Charbonnier's Play and Learn the Viola de Gamba provides excellent and clear instruction to progression on the instrument. The book addresses general principles of the Viola de Gamba including a diagram of the instrument how to hold theinstrument tuning changing the frets how to hold the bow bowing technique and advice concerning works and editions. For all aspiring players of the Viola de Gamba Charbonnier's Play and Learn the Viola de Gamba provides excellent insight and instruction for beginners.

Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann?s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was rediscovered in 2015. For this edition, flautist Leona Rötzsch arranged the viola da gamba fantasias for solo flute, thereby complementing Telemann?s flute fantasias with another set of twelve. Carefully retaining Telemann?s tonal language, these viol works were made accessible for the flute by use of transpositions, diminutions, and broken chords. / Date parution : 2022-11-08/ Répertoire / Flûte Traversière

Reihe : Hortus Musicus
Ausgabe : Spielpartitur. Stimmensatz
Herausgeber : Ruf, Hugo
Einband : geheftet
Instrumentierung : Flöte/ Violine/ Oboe, Viola da gamba/ Violoncello/ Fagott, Basso continuo

Diego Ortiz's Trattado is a classic in the art of musical ornamentation. Part 1 provides examples of every cadence while part 2 discusses the interplay between viola da gamba and harpsichord, including many pieces for this combination of instruments as illustrations. All lovers of early music are familiar with Ortiz's standard work, but how many of them have actually read it' This new edition makes the work more accessible by choosing a synoptic layout: the original Spanish and Italian are printed on a double-page spread along with translations into modern German and English. An introduction by Annette Otterstedt explains the Trattado and its origins, the various tunings, and questions regarding the instrument. The musical section has been freshly engraved, and a separate viol part simplifies performances with a keyboard instrument. For the first time, Ortiz's text is now available to an international readership in the original and in translation at the same time. The Editor Annette Otterstedt is a concert gamba player and musicologist presently employed as an assistant curator at the Music Instrument Museum in Berlin . She has published several books, including Die Gambe (1994; Eng. trans. as The Viol, 2002) and a great many articles on early music. Ortiz, Diego Trattado de Glosas Edition no. BVK 1594 ISBN 9783761815946 Detailed product information Editor Otterstedt, Anette Language(s) of work Spanish, Italian, English, German Product format Book Binding Hardback Pages / Format 125/24 S. - 33,0 x 25,0 cm