Volume 2 of the Cellissimo series contains 25 popular original pieces for cello and piano from the Baroque, Classical and Romantic eras and is a real treasure trove for advanced pupils, students, teachers and cello lovers.The cello literature comprises a lot of major standard works for lessons, concerts and competitions. Apart from classics by Vivaldi, Bréval, Beethoven, Mendelssohn, Schumann, Faurè, or Saint-Saëns, the volume also contains several lesser known pieces, e.g. by August Nölck (1862-1928) and Georg Goltermann (1824-1898).The pieces are of medium technical difficulty which corresponds to grade 3-4 or grade 5-8 of the international examination system. Some pieces can be played in the 2nd to 7th position, while several works require putting the thumb under. All selected works are particularly suitable for the development of sound, vibrato, differentiated bowing technique, as well as the performer's personal interpretation and musical presentation.Some of the pieces come with a basso part (violoncello 2) which is available for download free of charge.Other editions:Volume 1: Arietta. 40 easy original pieces for violoncello and piano (Schott, ED 22353) / Violoncelle Et Piano

Vladimir Bodunov's challenging duet arrangements make it possible to achieve a rich orchestral-like sound with only two instruments. He has taken great care to make the instruments equal in importance- the solo and accompaniment roles constantly alternate.These six classical pieces enable (prospective) music students, advanced or professional musicians to give impressive recitals and auditions or to leave a lasting impression at parties and celebrations.- Impressive show pieces for many occasions- Both instruments of equal standing - Perfect for auditions, recitals, parties, and celebrationsContents- 'Concerto grosso? in D minor (Vivaldi)- 'Toccata and Fugue? in D minor (Bach)- Overture from 'The Marriage of Figaro? (Mozart)- Overture from 'The Barber of Seville? (Rossini)- Cavatina from 'The Barber of Seville? (Rossini)- 'On the Beautiful Blue Danube? (Strauss)The AuthorVladimir Bodunov (b. 1981) comes from Belarus and lives in Erlangen. He is a composer-arranger who plays violin, piano, and musical saw. / 2 Violons

Par PART ARVO. 'Pari intervallo' was composed in 1976 on the occasion of the death of a friend and is dedicated to his memory. The basic musical material consists of two parts which move exactly parallel to each other, so that the interval between them is always the same- hence the title. 'Pari intervallo' is reminiscent of a chorale prelude which might be prefaced with the lines from Romans 14/8: 'If we live, we live to the Lord, and if we die, we die to the Lord.'(Arvo Pärt) Pärt's quiet meditation Pari Intervallo is available in several very diverse settings (4 recorders, organ solo, or clarinet and trombone with string orchestra), and UE now makes available this 2008 version, playable as piano duet or with two pianos. For intermediate to advanced pianists. Dur. c. 5'30'/ Répertoire / Piano 4 Mains

Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi's autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue

24 Favourite Pieces Arranged For The Moderately Advanced Guitarist. Par COLES PAUL. 'From Folk to Classical 2” is a mouth-watering collection of 24 arrangements for classical guitar by Paul Coles. The classical pieces include many favourites, including a few you would not expect to hear on the guitar, such as 'Habanera” from 'Carmen” and Saint-Saën's famous 'Swan” but they really work! Traditional folk numbers are not neglected, with 'Michael Row the Boat” and 'Londonderry Air” among the best known. The arrangements are for moderately advanced players (UK grade 5-6) and Paul has offered fingering help for both left and right hands. It follows Book 1 (UE 21673) which was published in 2017 (Grades 3-4). Try it, perhaps as a warm up for Book 2 if you don't already know it and then try Paul's '26 Melodic Studies” (UE 21670) or his 'Momentos Españoles” (UE 21671)./ Recueil / Guitare

Description This superb volume brings together in one authoritative playing edition one of the most important segments of Faure's works for piano: all of his nine preludes, five Impromptus and four Valse-Caprices. Each of these distinctive compositions reveal Faure's lyrical melodic gifts and innovative harmonies. Pianists of intermediate and advanced skills will find in this volume a unique opportunity to explore one of the most gifted and influential composers of the French School.

Par FINN JON. Guitariste de Faculté de renommée Berklee College of Music Jon Finn, combine son expérience, d\'éducation et stylistique polyvalence dans cette série éclectique de leçons pour les aspirants guitaristes de rock. Approche novatrice de Jon est unique, amusant et difficiles. L\'ensemble du livre/CD et DVD offrent un prendre original bien documenté sur l\'utilisation d\'échelles pentatonique improvisation rock. À l\'aide de son \' Warp réfraction principe \' qui prend en compte l\'intervalle de syntonisation troisième majeur entre les cordes de deuxième et troisième, Jon présente une série de cinq profils verticaux appliqué par incréments de deux cordes tout au long de l\'idéogramme. La philosophie derrière ce projet est de présenter des concepts et des techniques comme un processus de pensée plutôt que de simplement fournir un manuel de référence. / Niveau : Débutant à Intermédiaire / Rock - Improvisation / Méthode / Guitare Electrique

Niveau Intermédiaire/avancé.
Ce recueil permet d'apprendre 9 chansons importantes que vous pouvez employer sur presque n'importe quelle gig. Les compositions historiques d'Ellington se sont prouvées également aussi valables pour de petits groupes qu'elles étaient pour ses orchestres célèbres et ont été enregistrées par une large variété d'artistes tels que Johnny Hodges, Miles Davis, Yusef Lateef, et Mulgrew Miller

Par HEUMANN HANS-GUNTER. The author and arranger Hans-Günter Heumann adds to his bestselling series Piano Gefällt Mir! with a Classical edition. All of the greatest masters of musical history is represented by their most famous works, whether it's Bach, Strauss, Liszt, Mozart, these pieces are playable by beginners to advanced pianists, with tempo markings, fingerings and chord symbols. Among the 50 classic pieces in this edition are many famous works which have been used in some of the greatest Hollywood films. Heumann's ever-popular arrangements are perfect for different abilities and fans of the finest classical compositions./ Recueil / Piano

Duos für klassische Gitarre 2. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr’s Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions—from stylistically varied periods and for a range of original instrumentations—are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach. / Niveau : Moyen-Difficile / Date parution : 2020-11-16/ Recueil / 2 Guitares

Par VALLA RAY. In this book, Ray Valla shares the insights of a veteran bluegrass mandolinist. This method would best be appreciated by a student with some previous musical experience, as fundamentals of note-reading on the mandolin are not addressed. This is, however, the ideal book for the intermediate to advanced player. It is filled with practical hints to improve your general musicianship and increase the speed of your progress. For example, Ray suggests learning a new tune by mastering its individual 'licks' before attempting to assemble the whole. The book's 27 well-known bluegrass tunes are shown in standard notation and tablature with arrows indicating picking direction. Illustrated with photographs, charts and diagrams. / Niveau : Intermédiaire / Bluegrass - Methods / Tablatures / Mandoline Tablatures

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette