Score Parties. Par BEETHOVEN LUDWIG VAN. When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello. The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works' original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions. Beethoven preserved the autograph score to the end of his days ? perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text. Bärenreiter's scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven's expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato./ Répertoire / Quatuor pour Piano, Violon, Alto et Violoncelle

Par VAN DE VELDE ERNEST. Traduite dans sept langues, La Méthode Rose a guidé de nombreuses générations de pianistes dans l'apprentissage du piano. Elle séduit pour ses références aux répertoires classiques et pour les nouveautés apportées aux nombreux morceaux proposés dans la nouvelle édition. / Niveau : Débutant / méthode - études / Méthode / Piano

Volume 1. Par EPS GEORGE VAN. The most in-depth, revolutionary presentation of the harmonic framework of music is applied to the guitar fingerboard ever presented. Leads to total mastery of harmonic and technical aspects of the guitar. The material in this landmark series of 3 massive volumes address virtually every aspect of playing jazz guitar representing the fruits of years of the author's investigation of harmony and fingerboard mobility. This series of books leads to total mastery of the harmonic and technical aspects of the guitar. In notation only. / Niveau : Tous Niveaux / All Styles - Theory and Harmony / Etude / Guitare

With introductory text, performance notes, standard notation and chord names (does not include words to the songs). A must for Evans fans, this book presents note-for-note piano transcriptions and performance notes for six songs played on February 21, 1966 at Town Hall, Bill's New York concert debut. As his father had passed away shortly before, Bill played a requiem to him, which was repeated for TV in 1968 in memory of Bobby Kennedy. Nine songs in all, including Epilogue, One for Helen, Who Can I Turn To and more, as well as a foreword from project editor Jeff Sultanof.

Par WALLER FATS. solos de Piano intermédiaire et avancé. Les arrangements de l'artiste de titres, qu'il a rendu célèbre. Pianistes ne trouveront aucun mieux de la sélection ' Fats '. 20 titres comprennent : tous cette viande et non pommes de terre - Margie - je suis assis sur le toit du monde - qui est désolé maintenant - je suis bébé de personne et article ial bonus de sélectionné chansons de la comédie musicale ' Ain 'T Misbehavin. ' / Jazz / Recueil / Piano

Il s'agit de la première édition du XIXe siècle guitariste et compositeur de Ivan Padovec deuxième Concertino pour guitare de reception terz, 2 violons, alto et violoncelle. Les manuscrits ont été découverts dans la collection de Karl Scheit, un des plus importants enseignants de guitare et éditeurs dans la seconde moitié du XXe siècle. La couverture de l'édition est une reproduction des couleurs du manuscrit original. / Guitare Classique

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Alto

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Violon II

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Ensemble A Vent

Bärenreiter's new scholarly-critical edition of Gabriel Fauré's evergreen, the Pavane op. 50, has been edited by Robin Tait as part of the 'Complete Works of Gabriel Fauré?.The popularity of the work is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Fauré began work on a version for choir, which was actually premiered before the orchestral version.This new Bärenreiter edition offers conductors and orchestras a reliable Urtext edition of the 'Pavane's? original orchestral version which will surely enhance symphonic concert programmes everywhere.- First edition of the original version for orchestra- Urtext based on the 'Complete Works of Gabriel Fauré?- Large format orchestral parts (25.5 x 32.5 cm) / Orchestre

Notice
Rien de tel qu'une courte mélodie de 8 mesures à jouer et rejouer pour intérioriser, apprendre, intégrer un geste spécifique de la technique pianistique. Chaque petit morceau illustre un animal et aide à faire comprendre la particularité du geste à travailler. Et la technique s'acquiert avec plaisir.
Presse
Guidée par sa fine connaissance du besoin des élèves, Nathalie Béra-Tagrine signe deux nouveaux recueils. Pour les débutants, Allures offre 20 miniatures, chacune évoquant un animal pour mieux expliquer des techniques de base, comme le jeu staccato et la rotation du poignet. Un premier pas ludique dans la maîtrise technique, laquelle est développée dans Les Soirées musicales, d'un niveau plus avancé. Des scènes vivantes d'un livre de contes y surgissent, leur lyrisme romantique faisant la part belle à ces compositions imagées.
M. K.
Pianiste n°127
Contenu
Le Hérisson - Le Moustique - Le Papillon - Le Poisson rouge - Le Loup - L'Ours - Le Chat - Le Faon - La Marmotte - Le Paon - Le Dauphin - Le Hamster - L'Abeille - Le Poulain - La Poule et le coq - Le Chien - La Biche - Le Chaton - Le Canard - L'Ecureuil
/ Partitions classique / Piano - instruments à clavier / Piano / VAN DE VELDE