Con sus 25 acompañamientos en el piano para canciones pop este método le divertirá durante un buen rato. Pero no sólo... En efecto se trata de aprender tocando y progresar disfrutando y nuestros toques le permitirán también descubrir y trabajar todas las técnicas que contribuyen a hacer unos buenos acompañamientos en el estilo: toque en acordes placados semi-arpegiados o arpegiados fórmulas melódicas de mano derecha con o sin contracanto a la mano izquierda síncopas rítmicas... ¡lo tiene todo! Y por último inspirándose en los grandes artistas y pianistas deayer y de hoy (The Beatles Michael Jackson Oasis Madonna Elton John Mika Robbie Williams...) esos 25 toques le brindarán un amplio panorama del piano pop y canciones. En el disco incluido en el método uno encontrará varios ficheros audios y vídeos. Los vídeos (mp4) presentan en imágenes los 25 toques tales como se deben tocar a velocidad normal (en su playback) y luego más lenta. Las grabaciones audios (mp3) por su parte presentan los playbacks correspondientes también en dos aires diferentes. Ud podrá tocar entonces las canciones propuestas o aprovechar para desarrollar con toda libertad sus propias ideas de acompañamientos en dicho estilo. Con sus 25 acompañamientos en el piano para canciones pop este método le divertirá durante un buen rato. Pero no sólo... En efecto se trata de aprender tocando y progresar disfrutando y nuestros toques le permitirán también descubrir y trabajar todas las técnicas que contribuyen a hacer unos buenos acompañamientos en el estilo: toque en acordes placados semi-arpegiados o arpegiados fórmulas melódicas de mano derecha con o sin contracanto a la mano izquierda síncopas rítmicas... ¡lo tiene todo! Y por último inspirándose en los grandes artistas y pianistas deayer y de hoy (The Beatles Michael Jackson Oasis Madonna Elton John Mika Robbie Williams...) esos 25 toques le brindarán un amplio panorama del piano pop y canciones. En el disco incluido en el método uno encontrará varios ficheros audios y vídeos. Los vídeos (mp4) presentan en imágenes los 25 toques tales como se deben tocar a velocidad normal (en su playback) y luego más lenta. Las grabaciones audios (mp3) por su parte presentan los playbacks correspondientes también en dos aires diferentes. Ud podrá tocar entonces las canciones propuestas o aprovechar para desarrollar con toda libertad sus propias ideas de acompañamientos en dicho estilo.

This beginning piano course introduces children or adult students to basic music notation and helps them build a solid foundation of piano skills. Theory and instruction appears alongside music examples in an integrated approachto learning. The play-along CD will help the student to develop a more musical approach and become more secure in both dynamics and rhythm. It is highly encouraged to use the play-along CD as much as possible. The CD containsmodel renditions of most of the pieces in the book as well as play-along accompaniments to make practicing more fun. After successful completion of this book the student will be well prepared for further piano studies in variousstyles of music.

Violin 1 And 2-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunesfor Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

Score-This work 3 Amplified Women's Voices 2 Pianos Percussion Wind and Brass was premiered by the San Fransico Symphony in February 1982. Grand Pianola Music recalls the music of Charles Ives in its creative synthesis ofvarious musical styles. The listener is greeted with a wide spectrum of sonic allusions ranging from band marches to gospel tunes from Beethoven's sonatas to melodramatic movie-hall stylings. The result is a work that walks theline between sincerity and irony.

Par BULLA STEPHEN. This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the variousinstrumental sections, each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work / Niveau : 3 / Pièce de concert / Répertoire / Concert Band

El segundo libro incluye estudios y canciónes en los claves de C, G, D, Em y F, síncopa, rasgueadno y ritmo avanzado, accordes en primera postura, solos y varios estilos de música desde bluegrass hasta blues-rock.?Las canciónes incluyen: Simple Gifts - Mamma Don't 'Low - Roll in My Sweet Baby's Arms - Jesu, Joy of Man's Desiring - y muchas más! / Guitare

Par BULLA STEPHEN. This rhapsody for concert band describes programmaticallythe period of history when knights fought bravely in suits ofshining armour. The tournament was a time of fierce joustingfor the favour of royalty as well as a duel of mortal combat. The music portrays this battle by showcasing the variousinstrumental sections, each fighting for attention with ‘calland response’ patterns. Each section of the band has its ownmoment of glory in this heroic concert work / Niveau : 3 / Répertoire / Concert Band ou Harmonie

The tutorial of flamenco song and dance and its accompaniment is the first written material that presents all the basic melodic lines for flamenco song as well as the traditional dance structures written in score in two-part form: voice and flamenco guitar (standard notation and tabulature). This third volume collects the families of '''Fandangos''' '''Cantes varios''' and '''Cantes de Ida y Vuelta'''.

Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.

Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.

Partitura + C.C. In Inglese - Serie I - Vol.7. Par VERDI GIUSEPPE. Casa Ricordi, in joint publication with The University of Chicago Press, has published the works of Giuseppe Verdi in critical edition, making use of all the available sources - from autographs to sketches, from early manuscript copies to the variouseditions produced during Verdi´s lifetime - and contemporary orchestral parts. Full score: hardbound volume, 26. 5×36. 7 cm (Historical Introduction in Italian and English)/ Répertoire / Oeuvres Théâtrales/Oratorios et Ballets

for Solo Clarinet and 7 Players-This four movement work features the clarinet weaving melodies constructed in both Western equal temperenment and Persian modal systems. Most of the ensemble doubles on one or more instruments including the pianist and strings playing the chimes invarious passages. Premiered on January 16 2016 at the Segah Festival of Persian and Turkish Music.

Viola Violin 3 and Ensemble Score-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The viola book includes melody (solo) viola viola harmony third violin and full score including violin viola and cello parts with piano accompaniment. All of the Celtic Tunes for Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.