Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles

Ed. Critica di Helen M. Greenwald - riduzione per canto e pianoforte-Attila Verdi?s ninth opera and the second of five that he composed for Venice?s Teatro La Fenice had its premiere on 17 March 1846. Verdi was inspired to compose an opera on the subject of Attila by two rather unusual sources Attila König der Hunnen a curious play by a now-forgotten German playwright Friedrich Ludwig Zacharias Werner and Madame de Staël?s discussion of it in her magisterial work on Germany De l?Allemagne. This present reduction is based on the critical edition of the full score that - published in 2012 - is the first complete published version of the full orchestral score and the product of the study of numerous manuscript sources: the autographsources (now kept at the British Library in London at the Library of Congress in Washington D.C. and at the ?Museo del Teatro alla Scala? in Milan) manuscript sources (those kept at Teatro La Fenice in Venice and at Teatro San Carlo in Naple) andthe first piano vocal scores.

 Arrangement de Jean-Christophe RosazCe magnifique Ave Maria est chanté par Desdemona après le célèbre Air du Saule à un sommet d'intensité dramatique qui survient vers la fin d'Otello, l'opéra fabuleux de Giuseppe Verdi, A l'origine cette prière est accompagnée des cordes seules, J'ai imaginé cette version avec choeur a cappella où les parties vocales habillent littéralement le murmure qui s'élève de l'orchestre et sur lequel se sont glissées des paroles en écho à celles de la soliste, Ainsi l'impact de sa prière est-il démultiplié par la présence à ses côtés de cette masse chorale, Par l'utilisation des consonnes, les voix donnent un peu d'ossature et par leurs couleurs spécifiques un peu de chair au somptueux tapis des cordes, Un humble hommage rendu à l'art infini d'écrire pour les voix de Verdi, / Soprano

Trilogia popolare - Edizione critica (ril. brochure). Par VERDI GIUSEPPE. Anlässlich des 200-jährigen Jubiläums von Giuseppe Verdi erschien 2013 der 4-bändige Schuber POPULAR TRIOLOGY mit den drei bekanntesten Opern des Komponisten: RIGOLETTO (1851) und IL TROVATORE (1853), jeweils in einem Band sowie LA TRAVIATA (1853)in zwei Bänden. Der elegante, kostengünstige Schuber enthält Klavierauszüge, die auf den kritischen Ausgaben der Partituren beruhen, die bei RICORDI in Zusammenarbeit mit THE UNIVERSITY OF CHICAGO PRESS erschienen sind (RIGOLETTO: Martin Chusid, ed. IL TROVATORE:David Lawton, ed. LA TRAVIATA: Fabrizio Della Seta, ed. ) / Opéra-opérette / Répertoire / Voix et Piano Réduction

Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles

'La Forza del Destino' is a product of the rich middle period of Verdi’s long creative life and marks an important development in his style. The entire work is pervaded by a dark brooding feeling. Verdi and librettist Francesco Maria Piave have created a tangled tale in which the characters come together through coincidence. Melitone and Preziosilla provide asides and comic elements as the three main characters Donna Leonora Don Carlo and Don Alvaro play out their tragic parts. This is the Schirmer Edition of the Vocal Score in the original Italian with an English translation by Ruth and Thomas Martin.

Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles

Opera Completa per canto e pianoforte - Edizione tradizionale - Testo cantato in Italiano. Par VERDI GIUSEPPE. The hidden sadness and frustration of living as a moral outcast, the attempt to simulate innocence in frivolous living and the desperate search for relief from pain and anguish, the destruction of all hope in an unrealistic love affair. . . this is Violetta Valery. Verdi penetrated the tormented sensitivity of her soul as he visualized her in his music, transforming her individual fate into a universal representation of human suffering. His compassion for her, however, met with bigoted censure: the bourgeois public, scandalized by the presence of a kept woman as a character on the stage, gave the opera an icy reception at its premiere in Venice (Teatro La Fenice, 6 March 183). Certainly an inferior cast for the occasion did little to help. Only the following year, when La traviata was revived for another production in Venice (Teatro San Benedetto), did the tale of Violetta manage to overcome this prejudice and win the unconditional esteem it so deserves./ Répertoire / Chant et Piano

Edited by David Rosen-The Works of Giuseppe Verdi is the first critical edition of the composer’s oeuvre. Together with his operas the series presents his songs his choral music and sacred pieces and his string quartet and other instrumental works. This edition of Messa da Requiem is based on Verdi’s autograph score and other original sources. The appendices include two pieces from the compositional history of the Requiem: an early version of the Libera me composed in 1869 as part of a collaborative work planned as a memorial to Rossini and the Liber scriptus which in the original score of the Manzoni memorial Requiem was composed as a fugue for chorus. The introduction to the score tracesthe complex compositional and performance histories of the Requiem and discusses the work’s problems of instrumentation and notation while the critical commentary gives a full description of the sources and an account of all editorial decisions.

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon I

Remarquable pour sa caractérisation gras, la couleur, l'atmosphère, et l'intrigue dramatique, Verdi Opéra en 1851 fut un succès immédiat lors de ses débuts à Venise, et il reste un aliment de base du répertoire jusqu'à ce jour. L'histoire d'un bossu méprisé et sa fille bien-aimée a marqué la première apparition du bouffon tragique de l'opéra italien et à condition de Verdi avec un sujet bien adapté à ses talents.Artistes amateurs et professionnels apprécieront ce beau, pratique et à prix modéré édition performance de partition vocale de l'opéra. Idéal pour étude, les répétitions et les considérants, il contient de la musique complète pour voix avec une réduction pour piano de la partition vocale. Paroles apparaissent dans la version originale en italien seulement.Réimpression de l'Ricordi G., Milan, c. 1851 édition. / Voix Et Piano

Par VERDI GIUSEPPE. English language version for TTBB choir of Verdi's famous Va Pensiero chorus from Nabucco. This version adapted and arranged by Sydney Northcote and translated by Norman Tucker and Tom Hammond./ Répertoire / Choeur