| Forever Vienna - Piano
Solo Piano seul [Partition] - Intermédiaire/avancé Amsco Wise Publications
All the uplifting waltz music from the classical chart topping album arranged fo...(+)
All the uplifting waltz music from the classical chart topping album arranged for Piano solo, including The Blue Danube . With Forever Vienna , the Johann Strauss Orchestra has broken records to become the best selling orchestral album ever, topping the classical album charts from the time of its release for over three months. The album has also transcended its traditional market, reaching the number 2 spot on the pop charts. Much of this success is down to conductor André Rieu who has injected fun back into the waltz by not so much conducting as leading the orchestra with his Violin and a mixture of wit, humour and spontaneity rarely seen in the classical world. / Piano
29.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Gluck C.w. - Orfeo Ed
Euridice - Vienna Version
1762 - Vocal Score Barenreiter
Gluck, Christoph Willibald Orpheus and Eurydice Opera in three actsVienna Versio...(+)
Gluck, Christoph Willibald Orpheus and Eurydice Opera in three actsVienna Version 1762 Details Edition no.: BA 5845-90 ISMN: 9790006558735 Editor: Abert, Anna Amalie / Finscher, Ludwig Arranger: Moehn, Heinz Language(s) of work: Italian, German Language(s) of text: German, English, Italian Product format: Piano reduction, Urtext edition Comments: Replaces BA 2294-90 Binding: Paperback Pages / Format: XVI, 164 S. - 27,0 x 19,0 cm The premiere of the Azione teatrale ?Orfeo ed Euridice? took place in Vienna in 1762 and plays a significant role in the history of the music theatre. With this work, the composer for the first time rejected the rigid conventions of the Italian opera seria and made an important first contribution towards the renewal of opera genre. In collaboration with his librettist Calzabigi, Gluck reduced the plot to its essentials and freed it from the typical political and romantic intrigues which prevailed at that time. The choir takes on a larger role and the ballet is integrated into the plot. Solo and choral parts, instrumental music as well as pantomime and dance are closely connected. The style of singing has a natural simplicity and coloratura is largely abandoned. This stands in stark contrast to the vocal acrobatics of opera seria. · Urtext edition based on the ?Gluck Complete Works? · Revised and newly set · Italian libretto with singable German translation · Comprehensive foreword (Ger/Eng/Ital) on the genesis of the work and its reception as well as on the plot · Clear, idiomatic piano reduction
43.80 EUR - vendu par Woodbrass Délais: Sur commande | |
| Easy/Intermediate Piano Piano seul [Sheet music] - Intermédiaire Hal Leonard
26 Waltzes, Polkas and Quadrilles. Waltz King Johann Strauss was one of Vienna's...(+)
26 Waltzes, Polkas and Quadrilles. Waltz King Johann Strauss was one of Vienna's great musical masters of the 19th century. This collection presents easy to intermediate solo piano transcriptions of his most famous music, including: Artist's Life ú The Beautiful Blue Danube ú Cagliostro Waltzes ú Carnival in Rome Polka ú Die Fledermaus Quadrille ú Emperor Waltz ú Kiss Waltz ú Pizzicato-Polka ú Roses from the South ú Sweetheart Waltz ú Tales from the Vienna Woods ú and more. The pieces are in their extensive, complete form. Includes a biography of the composer. / Piano
18.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Ballet Music: Les
Corsaires (Vienna 1759) /
Le Prix De La Danse
(Vienna 1759) / Le Berger
Magicien (Vienna 1759) /
Les Miquelets Espagnols
(Vienna 1759) / Le
Naufrage (Vienna 1759) /
Les Faunes (Vienn (GLUCK
CHRISTOPH WILLIBALD) Voix et Orchestre [Partition] Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. This volume is the second of three planned volume...(+)
Par GLUCK CHRISTOPH WILLIBALD. This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck's activities as 'Compositore von der Music zu denen Balletten' (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons). / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
451.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Strauss World's
Great Classical Music
Interm. To Adv. Piano
Solo Piano seul [Sheet music] - Intermédiaire/avancé Hal Leonard
Classical Music la série les grands du monde. Le roi de la valse fut l'un des g...(+)
Classical Music la série les grands du monde. Le roi de la valse fut l'un des grands maîtres musicales de Vienne du XIXe siècle. Cette collection exceptionnelle de notre monde célèbre grand classique musique série présente les transcriptions de piano solos intermédiaires à avancé de sa musique plus célèbre : 28 valses, polkas et quadrilles. Comprend : Vie · l'artiste Le Beau Danube bleu · Die Fledermaus Overture · Valse de l'empereur · Kiss Waltz · Nouveau Vienne · Pizzicato-Polka · Tales from the Vienna Woods · et plus encore. Les pièces sont fidèlement transcrit et nouvellement gravés et apparaissent sous leur forme de valse de concert vaste et complète. Comprend une biographie du compositeur. / Piano
23.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| A Centenary Journey
(RUEGG MATHIAS) Orchestre Universal Edition
Mathias Rüegg and the Vienna Art Orchestra. Par RUEGG MATHIAS. Celebrating Rüe...(+)
Mathias Rüegg and the Vienna Art Orchestra. Par RUEGG MATHIAS. Celebrating Rüegg’s life as an amazingly prolific jazz arranger and orchestrator, Universal Edition has just released A Centenary Journey, a compilation of the great charts by Rüegg in notated score form. A rarity in published music, these jazz scores “unlock the secrets” to phenomenal performances, echoing the evolution of jazz itself along the way. Students of the art (of any age) can now follow along with the written page, and see the music behind the experience, to study the process from concept to reality. The score includes an audio CD recording of select compositions, as well, performed by the Vienna Art Orchestra. An excellent overview of the development of jazz from1900 to its present form(s)./ Répertoire / Orchestre
75.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Lorenzo Da Ponte
(LACHMAYER HERBERT /
EISENDLE REINHARD) Divers [Partition] Barenreiter
Opera and enlightenment in late 18th century Vienna. Par LACHMAYER HERBERT / EIS...(+)
Opera and enlightenment in late 18th century Vienna. Par LACHMAYER HERBERT / EISENDLE REINHARD. / Livre / Divers
107.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Favorites Piano, Voix [Partition] Hal Leonard
Partitions pour piano, voix (paroles et ligne mélodique) et guitare (symboles d...(+)
Partitions pour piano, voix (paroles et ligne mélodique) et guitare (symboles d'accords) de 18 chansons de Billy Joel.
Inclus les tubes Say Goodbye to Hollywood et Vienna. / Mélodie/Vocal/Piano (MVP) / 248 pages / niveau : Intermédiaire à Avancé / Partition
40.70 EUR - vendu par LMI-partitions Délais: En Stock | |
| Glasses box Sheet music
black Accessoire Vienna World
16x6x2,5cm This sturdy Glasses Case from Vienna World features an attractive des...(+)
16x6x2,5cm This sturdy Glasses Case from Vienna World features an attractive design with white musical notes against a black background./ Accessoire / Accessoire
12.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Pencil box Mozart white
(72 pcs) Accessoire Vienna World
The perfect practical gift for any music enthusiast, this Pencil Box from Vienna...(+)
The perfect practical gift for any music enthusiast, this Pencil Box from Vienna World contains 72 stylish pencils in a black and white design featuring Mozart's signature and excerpts from his sheetmusic./ Accessoire / Accessoire
78.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Play The Tuba (The Charm
Of Vienna + Cd) Tuba et Orchestre à Vent [Partition + CD] Editions Marc Reift (Swiss import)
The Charm Of Vienna. Play The Tuba With The Philharmonic Wind Orchestra / Niveau...(+)
The Charm Of Vienna. Play The Tuba With The Philharmonic Wind Orchestra / Niveau : Elémentaire à Difficile / Répertoire / Tuba et Orchestre à Vent
30.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Brooch Guitar Accessoire Vienna World
Add some musical flair to your outfit with this miniature Guitar Brooch from Vie...(+)
Add some musical flair to your outfit with this miniature Guitar Brooch from Vienna World.
This delightfully detailed design features real metal strings and painted rosette detail. A stylish gift for anyguitar enthusiast!/ Accessoire / Accessoire
4.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Beethovens Last Night
(pvg) (ORCHESTRA
TRANS-SIBERIAN) Piano, Voix et Guitare [Partition] Alfred Publishing
Par ORCHESTRA TRANS-SIBERIAN. This 22-song piano/vocal/chord album-matching song...(+)
Par ORCHESTRA TRANS-SIBERIAN. This 22-song piano/vocal/chord album-matching songbook contains beautiful artwork and the powerful, emotional, classical/rock opera music that TSO fans rave about. Titles: Overture * Midnight * Fate * What Good This Deafness * Mephistopheles * What is Eternal * The Moment * Vienna * Mozart / Figaro * The Dreams of Candlelight * Requiem (The Fifth) * I'll Keep Your Secrets * The Dark * Fur Elise * After the Fall * A Last Illusion * This Is Who You Are * Beethoven * Mephistopheles' Return * Misery * Who is This Child * A Final Dream. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier
36.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| John Thompson Recital
Series: Waltzes Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
Excellent, virtuosic arrangements of famous romantic waltzes: Artist's Life (Str...(+)
Excellent, virtuosic arrangements of famous romantic waltzes: Artist's Life (Strauss) - Paraphrase on the Beautiful Blue Danube (Strauss) - Dark Eyes (Russian Cabaret Song) - Vienna Life (Strauss) - Waltz of the Flowers (Tchaikovsky) - Wedding of the Winds (John T. Hall). / Piano
12.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Pencil case Keyboard Accessoire Vienna World
19x9cm A useful gift for any musical enthusiast, this rectangular Keyboard Penci...(+)
19x9cm A useful gift for any musical enthusiast, this rectangular Keyboard Pencil Case from Vienna World features a black and white design. A handy metal clip is included, allowing the case to be securely attached to abag or another accessory./ Accessoire / Accessoire
7.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Most Famous Classical
Music For Easier Piano Piano seul - Facile Hal Leonard
Lower Intermediate to Intermediate. 103 arrangements of must-know classical stan...(+)
Lower Intermediate to Intermediate. 103 arrangements of must-know classical standards by 41 composers at the lower intermediate to intermediate level. BACH: Air on the G String · Arioso · Jesu, Joy of Man's Desiring · Sheep May Safely Graze · Sleepers, Awake BEETHOVEN: Theme from Symphony No. 5 · Theme from Symphony No. 6 · Theme from Symphony No. 7 · Ode to Joy from Symphony No. 9 BIZET: Themes from Carmen · Farandole from L'Arlésienne Suite No. 2 BOCCHERINI: Minuet from String Quintet BORODIN: Polovetsian Dances from Prince Igor BRAHMS: Hungarian Dance · Lullaby · Theme from Symphony No. 1 · Theme from Variations on a Theme by Joseph Haydn CLARKE: Trumpet Voluntary (The Prince of Denmark's March) DVORÁK: Themes from Symphony No. 9 ELGAR: Nimrod from Enigma Variations · Pomp and Circumstance March No. 1 FAURE: Pavane · Pie Jesu · Sicilienne GOUNOD: Ave Maria adapted from Prelude in C Major by JS Bach GRIEG: Anitra's Dance from Peer Gynt Suite · Morning from Peer Gynt Suite · Solveig's Song from Peer Gynt Suite · Theme from Piano Concerto HANDEL: Harmonious Blacksmith · Bourrée from Music for the Royal Fireworks · Largo (Ombra mai fu) from Serse · Where'er You Walk from Semele · Hornpipe from Water Music HOLST: Jupiter Chorale from The Planets HUMPERDINCK: Evening Prayer from Hansel and Gretel MAHLER: Adagietto from Symphony No. 5 MASSENET: Meditation from Thaïs MENDELSSOHN: Nocturne from A Midsummer Night's Dream MOZART: Theme from Clarinet Concerto · Minuet from Don Giovanni · Allegro from Eine kleine Nachtmusik · Theme from Piano Concerto No. 20 · Theme from Piano Concerto No. 21 · Theme from Symphony No. 40 MUSSORGSKY: Promenade from Pictures at an Exhibition OFFENBACH: Can-Can from Orpheus in the Underworld · Barcarolle from The Tales of Hoffmann PACHELBEL: Canon in D PAGANINI: Caprice No. 24 from 24 Caprices PARRY: Jerusalem PONCHIELLI: The Dance of the Hours from La Gioconda PUCCINI: O mio babbino caro from Gianni Schicchi · Themes from Madama Butterfly PURCELL: Rondeau from Abdelazar ROSAS: Over the Waves ROSSINI: Themes from The Barber of Seville · Theme from William Tell SCHUBERT: Ave Maria · Serenade · Theme from Symphony No. 8 (Unfinished) · Theme from Symphony No. 9 · To Music · The Trout · SEMTANA: The Moldau from My Homeland SOUSA: The Liberty Bell · The Stars and Stripes Forever · The Washington Post STRAUSS I: Radetzky March STRAUSS II: Emperor Waltz · On the Beautiful Blue Danube · Tales from the Vienna Woods · Tritsch-Tratsch Polka · Viennese Blood · Wine, Women, and Song TCHAIKOVSKY: Themes from 1812 Overture · Marche slave · Dance of the Reed Flutes from The Nutcracker · Waltz of the Flowers from The Nutcracker · Theme from Piano Concerto No. 1 · Theme from Romeo and Juliet Theme from Swan Lake · Theme from Symphony No. 5 · Theme from Symphony No.6 VERDI: Grand March · La donn / Niveau : Facile / Classique / Recueil / Piano
27.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Pencil set Saxophone (6
pcs) Accessoire Vienna World
5,5x25cm A great practical gift for a Saxophone player or any music enthusiast, ...(+)
5,5x25cm A great practical gift for a Saxophone player or any music enthusiast, this Saxophone Pencil Set from Vienna World contains six pencils with a Saxophone design./ Accessoire / Accessoire
7.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 3 Letzte Motetten Concert Band/Harmonie [Conducteur] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
50.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 14 Motetten (BRUCKNER
ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
406.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Ighigenie auf Tauris
(GLUCK CHRISTOPH
WILLIBALD) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (...(+)
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet current standards. - Revised and newly engraved - Detailed foreword (Ger/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, easy-to-play piano reduction - Performance material available for hire BA05843-72 - Full Score, hardback, available for sale BA02281 / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
63.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Mazurka De Salon Op. 16 Flûte traversière et
Piano Schott
This Mazurka de Salon for flute and piano with its delightful elegiac and virtuo...(+)
This Mazurka de Salon for flute and piano with its delightful elegiac and virtuoso passages is a character piece full of contrasts - moderate in difficulty, it represents a valuable addition to the repertoire for ambitious amateur players.Along with his younger brother Carl (1825-1900), Albert Franz Doppler (1821-1883) was one of the most celebrated flautists of the nineteenth Century. Their virtuoso duo playing was greatly admired and they captivated audiences in the musical capitals of Europe with works they had composed themselves.In 1842 the brothers were founder members of the Vienna Philharmonic orchestra. After spending some time as principal flautist at the Bucharest Opera (1835) and in the orchestra of the Hungarian National Theatre (1841), Franz Doppler decided to return to Vienna, where he worked as principal flautist and conductor at the Court opera and was appointed professor at the Conservatoire in 1865. Awarded the Franz-Joseph medal by the Kaiser in 1881, he died in Baden near Vienna in 1883. / Flûte Et Piano
14.00 EUR - vendu par LMI-partitions Délais: En Stock | |
| 3 Letzte Motetten Concert Band/Harmonie [Conducteur et Parties séparées] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
195.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Orchestre d'harmonie Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
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