| Enno Poppe: Schweiss:
Ensemble: Score & Parts Violoncelle solo, Basse Flûte
Traversière Clarinet [Conducteur et Parties séparées] Ricordi
für Violoncello solo Bassflöte Bassklarinette Violine Viola
5.99 GBP - vendu par Musicroom GB |
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| Maurice Ravel: Ravel -
The Piano Trio: Cello
Solo: Instrumental Album Piano seul [Partition + CD] Music Minus One
Music Minus One Cello-Written in 1941 Maurice Ravel's piano trio was premiered ...(+)
Music Minus One Cello-Written in 1941 Maurice Ravel's piano trio was premiered on January 28 1915 in Paris with distinguished pianist Alfredo Casella playing the piano part. Filled with Basque themes and Ravel's unique impressionist effects the four-movement trio is a wonderful piece which is in its own way reminiscent at times of his famous Gaspard de la Nuit. Highly recommended for any devotée of the famous French composer. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Alan Shulman violoncello Accompaniment: The Vardi Trio: Emanuel Vardi violin Edwin Hymovitz piano
15.99 GBP - vendu par Musicroom GB |
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| Dietrich Buxtehude: Jesu
my hearts treasure: Mixed
Choir: Score and Parts
Solostimmen (SSB) auch Chor (SSB) und
Instrumente (2 Violine,
Fagott/Violoncello, Basso continuo) [Conducteur et Parties séparées] Barenreiter
Cantata-Jesu meine Freude - Jesu my heart's treasure BuxWV 60for soloists (SSB...(+)
Cantata-Jesu meine Freude - Jesu my heart's treasure BuxWV 60for soloists (SSB) mixed chorus (SSB) bassoon & stringsDietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.Dietrich Buxehude’s chorale cantata“Jesu my Heart’s Treasure” is like many of the Lübeck master’s cantatas an opulent-sounding work which produces a grand effect with simple musical means. It is a piece which can be performed at many occasions in the liturgical domain and contains no noteworthy difficulties.- Score with parts (BA487) separate parts (BA487) and choral score (BA487-91) available for sale
14.00 GBP - vendu par Musicroom GB |
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| Bach, Jean-Sébastien :
Suites, Partitas, Sonatas Piano seul [Partition] Barenreiter
?I think Bach would have forgiven me for embarking on these transcriptions. Whet...(+)
?I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.? (Gustav Leonhardt)
The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach?s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, the famed harpsichordist Siebe Henstra, based on the handwritten notes that Leonhardt used for his own performances.
- Informative Foreword by early music specialist Skip Sempé (Ger/Eng)
- Editorial notes by the editor Siebe Henstra / Classique / Partition /
46.95 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| CONCERTO FOR TWO
VIOLONCELLOS IN G MINOR
RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.
The edition is based on the careful evaluation of Vivaldi's autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue
25.46 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| CONCERTO FOR TWO
VIOLONCELLOS IN G MINOR
RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.
The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles et Piano
28.94 EUR - vendu par LMI-partitions Délais: En Stock |
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| Ludwig van Beethoven:
Concerto for Pianofort
Violin Violoncello &
Orch: Piano Trio: piano, violon, violoncelle Barenreiter
C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a f...(+)
C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part.Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
63.50 GBP - vendu par Musicroom GB |
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| 3 Suites Op. 131C For
Violoncello Solo Violoncelle [Conducteur d'étude / Miniature] G. Henle
Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three im...(+)
Max Reger composed his Three Suites for Violoncello solo in 1914/15 for three important cellists and teachers of the time: Julius Klengel, Hugo Becker and Paul Grümmer. Klengel was also friends with the composer. Reger humorously told him of his Opus 131c in summer 1915, calling them 'strapping triplets?. He asked the cellist to 'use these three things as often as possible in your lessons?, although they presuppose a great degree of skill on the students' part. For all those who wish to conquer these works in theory, we are now also offering our Urtext edition of the Suites (HN 478) as a study score. / Violoncelle
13.72 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Ludwig van Beethoven:
Concerto For Piano
Violin And Violoncello In
C: Barenreiter
Triple Concerto-The scholarly core of editor Jonathan Del Mar?s work is the crit...(+)
Triple Concerto-The scholarly core of editor Jonathan Del Mar?s work is the critical commentary a thorough description and discussion of all sources and a bar-by-bar analysis of their differences and comparative authenticity. In Beethoven?s Triple Concerto a Piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical Piano trio setting in contrast to the Orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the Orchestra (particularly the Cello) using two solo instruments together in ever new combinations andfinally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral Piano Violin and Cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three new sources.Correction of many errors found in previous editions.
46.50 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Concerto For Piano
Violin And Violoncello In
C: Barenreiter
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the solois...(+)
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical Piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the Orchestra (particularly the Cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral Piano Violin and Cello voices interplaying and entwining and he produces a truemasterpiece.Bärenreiter?s new Urtext edition of Beethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.
47.50 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Concerto For Piano
Violin And Violoncello In
C: Barenreiter
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the solois...(+)
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical Piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the Orchestra (particularly the Cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral Piano Violin and Cello voices interplaying and entwining and he produces a truemasterpiece.Bärenreiter?s new Urtext edition of Beethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.
6.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Concerto For Piano
Violin And Violoncello In
C: Barenreiter
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the solois...(+)
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical Piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the Orchestra (particularly the Cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral Piano Violin and Cello voices interplaying and entwining and he produces a truemasterpiece.Bärenreiter?s new Urtext edition of Beethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.
6.00 GBP - vendu par Musicroom GB |
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| Ludwig van Beethoven:
Concerto For Piano
Violin And Violoncello In
C: Barenreiter
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the solois...(+)
Triple Concerto-In Beethoven?s Triple Concerto a Piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical Piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the Orchestra (particularly the Cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the Orchestra. Beethoven weaves a complex web the orchestral Piano Violin and Cello voices interplaying and entwining and he produces a truemasterpiece.Bärenreiter?s new Urtext edition of Beethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo Piano part.Piano reduction with separate parts for all three soloists.Draws on three new sources.Correction of many errors found in previous editions.
6.00 GBP - vendu par Musicroom GB |
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| Jewish Prayer: Viola:
Score and Parts Alto, Orgue Barenreiter
For Viola Cello And Organ-Score with 2 parts (Viola Cello)High-quality works of...(+)
For Viola Cello And Organ-Score with 2 parts (Viola Cello)High-quality works of the Jewish late Romantic tradition.In addition to the solo part for Viola there is also a part for Cello.For professionals and amateurs alike.Jewish Prayer comprises works of the Jewish late Romantic tradition including one of the repertoire classics for strings Kol Nidrei by Max Bruch. This edition also contains other popular performance pieces such as The Hebrew Melody Op.23 by Albert Kellermann Elohenu by Friedrich Gernsheim Sarabande Op.8 by Joseph Sulzer and Prière by Fernand Halphen.These works can beplayed by professionals as well as experienced amateurs. For possible performances of the complete works the volume has been compiled as if it were as a concert cycle and completed with a work for solo Organ the Five Festival Preludes Op.37 by Louis Lewandowski.Separate parts for Viola and Violoncello are included with the score.The concert pianist Bella Kalinowska was born in the Ukraine and received her musical training in Winnitsa Odessa and Kiev. In addition to her extensive teaching and concert activities in the field of chamber music she works as an editor for well-known music publishers.Semjon Kalinowsky was born in the Ukraine and studied viola at the State Conservatory of Music in Lemberg. He plays as a soloist and chamber musician and was awarded the title of Honoured Artist of Ukraine in 1998.
22.50 GBP - vendu par Musicroom GB |
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| Maurice Ravel: Ravel -
The Piano Trio: Piano:
Instrumental Album Piano seul Music Minus One
Music Minus One Piano-Written in 1941 Maurice Ravel's piano trio was premiered ...(+)
Music Minus One Piano-Written in 1941 Maurice Ravel's piano trio was premiered on January 28 1915 in Paris with distinguished pianist Alfredo Casella playing the piano part. Filled with Basque themes and Ravel's unique impressionist effects the four-movement trio is a wonderful piece which is in its own way reminiscent at times of his famous Gaspard de la Nuit. Highly recommended for any devotée of the famous French composer. Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed by Edwin Hymovitz piano Accompaniment: The Vardi Trio: Emanuel Vardi violin AlanShulman violoncello
19.99 GBP - vendu par Musicroom GB |
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| Pop Rounds - 2 Part
(SCHMITZ MANFRED) Violoncelle AMA Verlag
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also...(+)
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violoncelle
22.99 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Pop Rounds - 2 Part
(SCHMITZ MANFRED) Violon AMA Verlag
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also...(+)
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon
22.99 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Pop Rounds - 2 Part
(SCHMITZ MANFRED) Alto (Viole) AMA Verlag
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also...(+)
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto
22.99 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Pop Rounds - 2 Part
(SCHMITZ MANFRED) Flûte traversière AMA Verlag
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also...(+)
2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière
22.99 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Fiser Lubos - Sonates
Pour Violoncelle Violoncelle Barenreiter
Fi'er, Lubo' Sonatas for Violoncello - Highly effective concert pieces - Fingeri...(+)
Fi'er, Lubo' Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná' Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo' Fi'er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo' Fi'er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer's lifetime.
33.80 EUR - vendu par Woodbrass Délais: Sur commande |
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| Johann Sebastian Bach:
Sonatas And Partitas BWV
1001-1006: Violin:
Instrumental Violon Wiener Urtext
Johann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most ...(+)
Johann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo the Violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph one cannot rule out thepossibility that this copy might be traced back to another original manuscript by Bach. At any rate some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance thus showing how absurd many a performance instruction of established interpretive editions is.
25.50 GBP - vendu par Musicroom GB |
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| Friedrich Grützmacher:
Technology of Violoncello
Playing: Cello:
Instrumental Violoncelle Barenreiter
Twenty-four Etudes for Violoncello Solo-Technology Of Violoncello Playing Op.38 ...(+)
Twenty-four Etudes for Violoncello Solo-Technology Of Violoncello Playing Op.38 - Twenty-four Etudes for Violoncello Solo. Edited by Martin Rummel.The German cellist Friedrich Grützmacher (1832-1903) an influential teacher and composer wrote two important works containing studies: ? Tägliche Übungen ? (Daily Exercises) Op.67 and ?Twenty-four Etudes? Op.38.Grützmacher was greatly admired during the 19th century for his brilliant playing technique and this forms the central part of his studies Op.38. To this day the twenty-four studies form an integral part of cellist's study repertoire and the development of a well-grounded cello technique.As with MartinRummel's editions of Popper's studies and the Duport Etudes the new Grützmacher publication contains a booklet with valuable tips and references to other works in the Cello repertoire requiring similiar solutions to technical problems.- Fold-out pages for ease of playing.- Large format.- Additional modern fingering and bowing.- Valuable comments in English and German on the technical goals of the etudes.
31.50 GBP - vendu par Musicroom GB |
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| Dietrich Buxtehude: Jesu
my hearts treasure: Mixed
Choir: Vocal Score
Solostimmen (SSB) auch Chor (SSB) und
Instrumente (2 Violine,
Fagott/Violoncello, Basso continuo) [Chorpartitur] Barenreiter
Cantata-Jesu meine Freude - Jesu my heart's treasure BuxWV 60for soloists (SSB...(+)
Cantata-Jesu meine Freude - Jesu my heart's treasure BuxWV 60for soloists (SSB) mixed chorus (SSB) bassoon & stringsDietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.Dietrich Buxehude’s chorale cantata“Jesu my Heart’s Treasure” is like many of the Lübeck master’s cantatas an opulent-sounding work which produces a grand effect with simple musical means. It is a piece which can be performed at many occasions in the liturgical domain and contains no noteworthy difficulties.- Score with parts (BA487) separate parts (BA487) and choral score (BA487-91) available for sale
3.50 GBP - vendu par Musicroom GB |
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