Guitar

SKU: HL.322774

From the Classic Hot Licks Video Series. By Emily Remler. Hot Licks. Bebop, Jazz Instruction, Swing. Softcover Video Online. 32 pages. Published by Hal Leonard (HL.322774).

ISBN 9781540069689. UPC: 888680975982. 9x12 inches. Book/Online Video.

This is an opportunity to learn with one of jazz guitar's most gifted artists, the late Emily Remler. All of the essentials of true jazz bebop and swing are taught here, including Wes Montgomery and Pat Martino styles, working with the metronome on 2 and 4, learning to identify changes, jazz-style blues, turnarounds, practice tips, passing notes and chords, chord substitutions, and more. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet! Each book comes with a unique code used to access the cloud-based video footage from any type of device.

A Dictionary of Melodic Ideas for Improvisation. REH Publications. Bebop, Instruction, Jazz Instruction. Softcover Audio Online. With guitar tablature. 104 pages. Published by Hal Leonard

(An In-Depth Study of Single-Note Lines for Guitar). By Randy Vincent. For guitar. This edition: spiral-bound. Method book. 156 pages. Published by Sher Music Company

Guitar - Intermediate-Advanced

SKU: MB.21114M

Composed by Dave Stryker. Saddle-stitched, Improvising, Lines and Phrases, Jazz, Jazz and Contemporary, Method. Style. Book and online audio. 56 pages. Mel Bay Publications, Inc #21114M. Published by Mel Bay Publications, Inc (MB.21114M).

ISBN 9780786692767. 8.75 x 11.75 inches.

Dave explains his approach to jazz improvisation with musical examples that he himself uses, learned from years of playing with the greats - after learning how to play jazz from listening to players such as Grant Green, Wes Montgomery and Pat Martino. Explains the minor sub approach using minor scales to play over dominant seventh chords, and then includes several solos over often-played jazz standards, using this approach. Also described are the use of the blues and pentatonic scales as well as be-bop ideas, the melodic minor scale, and whole-tone and diminished scales and patterns. Hanon-type warm up exercises and Daves own fingerings shown in tab are also described. Perfect for intermediate-to-more advanced players, Daves concise way of explaining his approach will open up the students to developing their own improvisational ideas. Dave plays the examples and solos on the audio including tracks with a rhythm only section for student play-along. Includes access to online audio.

A Melodic Approach. Berklee Labs. Instruction, Jazz Instruction. Softcover Audio Online. With guitar tablature. 160 pages. Published by Berklee Press

(An In-Depth Look at the Styles of 25 Masters Bios · Gear · Licks · Photos). For Guitar. Guitar Educational. Softcover. Guitar tablature. 144 pages. Published by Hal Leonard

Its History and Its Players. By Adrian Ingram. Guitar. Softcover. 272 pages. Published by Centerstream Publications.

By Jamey Aebersold. This edition: spiral-bound. 104 pages. Published by Jamey Aebersold Jazz

((Songs for the Growing Choir)). By Diane Hannibal, Don Besig, J. Paul Williams, James M. Stevens, Jon Paige, Joseph M. Martin, Matt Limbaugh, Nancy Price, Pepper Choplin, and Wes Hannibal. Studiotrax CD. Glory Sound Simply Sacred. CD only. Guitar tablatu

((Songs for the Growing Choir)). Composed by Diane Hannibal, Don Besig, Jon Paige, Joseph M. Martin, Matt Limbaugh, Nancy Price, Pepper Choplin, Wes Hannibal, and James Michael Stevens. For Choral (Instrumental Accompaniment). Glory Sound Simply Sacred. CD-ROM. Published by Glory Sound

((Songs for the Growing Choir)). By Diane Hannibal, Don Besig, James M. Stevens, Jon Paige, Joseph M. Martin, Matt Limbaugh, Nancy Price, Pepper Choplin, and Wes Hannibal. For Choral (SAB). Glory Sound Simply Sacred. 96 pages. Published by GlorySound

Guitar - Beginning

SKU: MB.31103M

Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M).

ISBN 9781513468792. 8.75x11.75 inches.

Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.

This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.

There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.

In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.

The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.

The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.

Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.

Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.

< div>

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Concert Band/Harmonie - Grade 6

SKU: BT.AMP-422-140

Composed by Philip Sparke. Elite Series. Score Only. Composed 2015. Anglo Music Press #AMP 422-140. Published by Anglo Music Press (BT.AMP-422-140).

English-German-French- Dutch.

Three Washington Statues was commissioned by the United States Army Band â??Pershings Ownâ?, led by Colonel Thomas H. Palmatier. Washington D.C. contains some of the worldâ??s most iconic monuments, memorials and statues. Philip Sparke has chosenthree of these as the inspiration for this piece: â??The Lincoln Memorialâ?? in the form of a Greek Doric temple in which the composer depicts the grandeur of this monument; â??The Martin Luther King, Jr. Memorialâ?? on which steps the iconic speech â??I havea dreamâ?? was given - the music is both reverential as well as powerful referring to Martin Luther Kingsâ?? speech; and the â??Encoreâ?? statue in memory of the world famousAfrican-American composer, pianist and bandleader Duke Ellington. In this finalmovement, Philip Sparke catches the virtuosic, energetic and unique dynamism of Ellingtonsâ?? music.

Three Washington Statues is geschreven in opdracht van de United States Army Band â??Pershingâ??s Ownâ?? en de leider van dit orkest, kolonel Thomas H. Palmatier. Washington D.C. is het decor van een aantal van de meest iconische monumenten,gedenktekens en standbeelden van de VS. Componist Philip Sparke heeft er drie uitgekozen als inspiratie voor dit werk: The Lincoln Memorial, in de vorm van een Griekse Dorische tempel, waarin de grandeur van het monument wordt verklankt; het MartinLuther King Jr. Memorial, het gebouw waar de iconische toespraak â??I have a dreamâ?? ooit weerklonk de sfeer is respectvol en eerbiedig, maar de muziek weerspiegelt tevens de karakteristiekekracht die ervan uitgaat; en het beeld â??Encoreâ?? vancomponist, pianist en bandleider Duke Ellington in dit laatste deel geeft Philip Sparke de virtuoze, energieke, unieke en dynamische stijl van Ellingtons muziek weer.

Three Washington Statues wurde von der United States Army Band Pershings Ownâ??, die von Oberst Thomas H. Palmatier geleitet wird, in Auftrag gegeben. Washington D.C. besitzt einige der weltberühmtesten Bauwerke, Denkmäler und Statuen. PhilipSparke hat drei von diesen als Inspiration für dieses Stück genommen. So beschreibt er die Erhabenheit des Lincoln Memorialâ??, das mit seinen dorischen Säulen in Form eines griechischen Tempels erbaut wurde. Das Martin Luther King, Jr. Memorialâ??erinnert an die legendäre Rede Martin Luther Kings I have a dreamâ?? (Ich habe einen Traumâ??). Die ehrfurchtsvolle und zugleich kraftvolle Musik ist ein Tribut an diese Rede. Die StatueEncoreâ?? erinnert an den weltbekannten afroamerikanischenKomponi sten, Pianisten und Bandleader Duke Ellington. In diesem letzten Satz fängt Philip Sparke die virtuose, energiegeladene und einzigartige Dynamik von Duke Ellingtons Musik ein.

Three Washington Statues fut commandé par la United States Army Band « Pershingâ??s Own », dirigée par le Colonel Thomas H. Palmatier. Certains des monuments, mémoriaux et statues les plus emblématiques du monde se trouvent Washington D.C.Philip Sparke en a choisi trois comme inspiration pour ce morceau : « The Lincoln Memorial » où le compositeur dépeint la grandeur de ce temple grec de style dorique ; « The Martin Luther King, Jr. Memorial » sur les marches duquel le discourscélèbre « I have a dream » fut prononcé la musique est révérencieuse ainsi que puissante en référence ce discours de Martin Luther King ; et la statue « Encore » en mémoire du célèbrecompositeur, pianiste et chef dâ??orchestre de jazzafro-américain Duke Ellington. Dans le mouvement final, Philip Sparke a réussi saisir le dynamisme virtuose, énergétique et unique de la musique dâ??Ellington.

Co mmissionato dalla banda dellâ??esercito statunitense, condotta dal colonnello Thomas H. Palmatier, Three Washington Statues è un brano dedicato ad alcuni dei più noti e iconici monumenti americani mai realizzati. Philip Sparke ha scelto,difatti, di musicare la stentoreit del Lincoln Memorial, della statua di Martin Luther King di West Potomac Park e di quella dedicata al gigante della musica afro-americana Duke Ellington.

Performed by Various. Guitar. Size 9x12 inches. 168 pages. Published by Centerstream Publications.

By Cari Fuchs. For acoustic instruments. Songbook. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

(Serie III - Europe). Edited by Frederique Thouvenot, Suzi Mohlmeier. For Recorder. Facsimiles. Methodes and Traites. Grade 0. 1085 pages

Chamber Music String Quartet

SKU: CF.BE24

The Planet on the Table. Composed by Martin Bresnick. Folio. Set of Score and Parts. 48+20+16+16+16 pages. Duration 32 minutes. Carl Fischer Music #BE24. Published by Carl Fischer Music (CF.BE24).

ISBN 9781491156780. UPC: 680160915323. 9 x 12 inches. La.

Based on Wallace Stevens' poem The Planet on the Table this string quartet's world is made of the music and sounds of remembered times or of something heard that the composer, Martin Bresnick, liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems as a point of departure or pathway into those remembered sounds and music. What matters is that my music, like his (Stevens') poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part..
Wallace Stevens' poem The Planet on the Table begins - Ariel was glad he had written his poems, They were of a remembered time Or of something seen that he liked. In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked. The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music: I. Mrs. Anderson's Swedish Baby II. She Measured the Hour III. Scene 10 Becomes 11 IV. Someone Has Walked Across the Snow V. His Self and the Sun Like Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work. What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part. *Sources for the titles: I. The Pleasures of Merely Circulating II. The Idea of Order at Key West III. Chaos in Motion and Not in Motion IV. Vacancy in the Park V. The Planet on the Table.
Wallace Stevens' poem The Planet on the Table begins -Ariel was glad he had written his poems,They were of a remembered timeOr of something seen that he liked.In this string quartet, also entitled The Planet on the Table, my planet is made of the music and sounds of a remembered time or of something heard that I liked.The quartet has five movements, each headed by a quotation from one of Stevens' poems* as a point of departure or pathway into those remembered sounds and music:I. Mrs. Anderson's Swedish BabyII. She Measured the HourIII. Scene 10 Becomes 11IV. Someone Has Walked Across the SnowV. His Self and the SunLike Stevens, my self and the sun are one, and my music, like his poetry, although makings of my self, is also makings of the sun. Stevens wrote it was not important that his poetry survive, which is also true of my work.What matters is that my music, like his poetry, should bear some lineament or character, some affluence, if only half perceived in the poverty of its sounds, of the planet of which it was part.*Sources for the titles:I. The Pleasures of Merely CirculatingII. The Idea of Order at Key WestIII. Chaos in Motion and Not in MotionIV. Vacancy in the ParkV. The Planet on the Table.

Choral (Orchestra Accompaniment)

SKU: HL.35011553

Composed by Joseph M. Martin. Arranged by Brant Adams. Shawnee Press. General Worship, Hymn, Sacred. Softcover. Shawnee Press #LB5976. Published by Shawnee Press (HL.35011553).

UPC: 747510189206. 8.5x11 inches. Charles Wesley/Joseph M. Martin.

The classic Wesley text is set to new music by Joseph Martin. An excellent choice for any time of year, and especially meaningful during the Lenten season.

SKU: HL.438848

EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0202. Published by Hal Leonard (HL.438848).

UPC: 852940000844. 3.25x5.5x2.5 inches.

The Carl Martin Surf Trem has received a facelift from the boys in the back. The 2018 Surf Trem gets its circuitry from the famous Carl Martin TremO'vibe and takes you back to those infamous American amplifier tremolos... but wider, deeper, yet smooth with no noise or coloration. Clean, transparent analog trem... just what you would expect from Carl and the boys. The new 2018 Carl Martin Surf Trem has head-mounted Input/Output/9v, a very cool small footprint two-tone anodized diecast case, the same heavy duty switch and the awesome Carl Martin DC/DC converter circuitry that allows the pedal to run with +-12v internally while still being powered by a regular 9v 200mA external power supply. Bigger sound, bigger tone, all analog, all Carl Martin!

Choral (Listening CD)

SKU: HL.35031854

A Celebration of Faith. Composed by Joseph M. Martin. Shawnee Sacred. Cantata, Collection, General Worship. CD. Duration 1800 seconds. Published by Shawnee Press (HL.35031854).

UPC: 888680713218. 5.0x5.0x0.093 inches. Charles Wesley/Joseph M. Martin.

Originally commissioned for the 300th anniversary of Charles Wesley's birth, Testament of Praise contains arrangements of his most treasured hymns, along with original settings of some of his most inspiring lyrics. There are narrations and litanies that provide continuity of purpose as the work unfolds and celebrates the gifts of worship and praise in the life of the church. Each anthem stands on its own, allowing the book to function as a collection of favorites. Presented with full orchestrations by Brant Adams, you can use this choral menagerie anytime! Songs include: Voices of Praise; Love Divine, All Loves Excelling; Thankful for Our Every Blessing; A Call to Service; Jesus, Lover of My Soul; And Can It Be? Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a digital download.

SATB. Shawnee Press. Sacred. 12 pages. Shawnee Press #A8836. Published by Shawnee Press