The Best Step-by-Step Guide to Start Playing. Par . Do-It-Yourself Piano is a fun way to get started playing on your own. Using over 90 well-known pop tunes and classical repertoire, you will be given step-by-step instructions on what you need to know to get started and sounding like a pro in no time. Includes over 170 audio tracks for demonstration and play-along, plus video instruction by piano teacher Alistair Watson. Covers: · Piano fundamentals · Reading standard notation · Keys and key signatures · Chords and chord progressions · Scales and arpeggios · Chromaticism · Exploring rhythm · Demonstration and play-along audio tracks · Video instruction and demonstration The price of this book includes access to audio and video online, for download or streaming, using the unique code found inside. Includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-05-31/ Méthode / Piano

A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker.The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage.Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged

A step-by-step method teaching correct modern jazz interpretation and phrasing. Great for reading and for learning to ?play in the pocket?. Companion CD allows the guitarist both to hear how the phrases should be interpreted andto play the jazz etudes with a rhythm section.

Contemporary Baroque Etudes-The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies opera companies choirs chamber ensembles and soloists on many instruments. The period was characterized by the worksof such great artists as J. S. Bach (b. 1685) Handel (b. 1685) Telemann (b. 1681) and many others. These composers defined the rich ornate and melodic Baroque style of music which we categorize in theclassical realm. There was another genre of music flourishing during this period and that was the 'common' or folk music style characterized by such composers as Ireland's legendary harpist Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique phrasing expression note- reading ability and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aestheticaspects of performing at an advanced level on the guitar these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay 'Achieving Guitar Artistry' series whichis designed to condition and guide the developing guitarist to an advanced level of proficiency regardless of the style of music performed.

Description This is a very popular guitar method. Its success lies in the fact that it is extremely easy to understand and very flexible. It moves at a slow, steady pace and enables you to play chord accompaniments in 7 primary guitar keys! In addition, you will learn to strum blues chords and you will also begin to play fingerstyle backgrounds. This package includes the companion video in DVD format.

With a companion CD of recorded piano accompaniments. Includes works by Samuel Barber Charles Ives and William Schuman.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Jazz Series : Workout Number of pages : 24 A step-by-step method teaching correct modern jazz interpretation and phrasing. Great for reading and for learning to play in the pocket�. Companion CD allows the guitarist both to hear how the phrases should be interpreted and to play the jazz etudes with a rhythm section.

This method for self-teaching ranks as one of the very best introductory rock guitar methods available. The student will learn licks phrases solos bass runs and power chords in the keys of E F G A D B-flat and C! Alsoincluded is a special section by Mark Lonergan on performing licks and riffs rock techniques such as tapping bending double stops etc. and some great solo ideas! With notation and tablature note reading ability is notnecessary! This also includes the companion DVD in which William Bay teaches the essential elements of contemporary rock and blues guitar. CD included.

A handy collection of 24 popular harmonica songs packaged with a split-track CD! Fun music to play. Excellent play- along repertoire for practice with a C diatonic harmonica. All selections are performed on the companion compactdisc. Includes a section on basic technique and music reading and features a diatonic note chart with each song.

Par BAY WILLIAM. A collection of classical pieces arranged for flatpicking guitar, together with a few modern flatpicking originals in the classical style by William Bay. Includes works by J.S. Bach, Dowland, Handel, Krieger, Mouret, Playford, Praetorius, Quantz, Rameau, Sanz, and St. Jacome, as well as music by a couple of anonymous Renaissance lutenists-21 pieces in all. All selections appear in standard notation and tablature with fingering and suggested guitar chords when appropriate. The companion CD includes all of the selections in the book. / Niveau : Débutant à Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Par BOWMAN BRYAN. Syncopation Companion is a must-have book for those who seek to improve their rudimental technique, sight-reading, and four-way coordination on the drum set. This unique investigation of Ted Reed’s Syncopation seeks to recast and reinterpret familiar 8th note rhythmic figures (using half-time 4/4, 8th note triplet, 6/4, and 12/8 interpretations) to expand the possibilities hidden within this legendary sight-reading textbook. This integrated approach to rudimental drumming, involves learning specific sticking formulas and rhythmic treatments of a four-bar phrase, and then activating them by sight-reading through numerous rhythmic etudes in Syncopation. Explore the many ways Syncopation can be applied to the drum set within the context of Jazz, Afro Cuban, and Brazilian styles. Includes an extensive study of jazz comping possibilities inspired by famous drummers such as Tony Williams, Jack DeJohnette, Roy Haynes, and many others.   / Methods & Tutors / Etude / Percussions