By William J. Kirkpatrick. Arranged by Joseph Hoffman. For Cello and Piano. Christmas. Level: Medium Easy. Duration 2:45. Published by Jackman Music Corporation.

By C. Marianne Johnson Fisher, William H. Monk, Joseph J. Daynes, George Careless, Ebenezer Beesley, Hans G. Nageli, Robert Lowry, Giocomo Meyerbeer, John B. Dykes, Lowell Mason, Freeman Lewis, William B. Bradbury, John J. Mcclellan, Frank W. Asper,. Arranged by Darwin Wolford. For Organ Book. Level: Medium. Published by Jackman Music Corporation.

By Thomas. For SATB choir. Sacred. Collection. Published by Concordia Publishing House.

By J. Paul Williams And Joseph M. Martin. For SATB Choir. Choral, Contest/Festival Music, General Repertory, Secular, Graduation. Sheet Music. Published by Shawnee Press.

Mary, Mary by J. Paul Williams and Joseph M. Martin. For SATB Choir (SATB). Shawnee Press. Choral, Bass/Percussion, Tracks, Easter and Sacred. 12 pages. Shawnee Press #A7178. Published by Shawnee Press

By William Clayson. Arranged by Mack Wilberg. Text: Joseph L. Townsend. For SATB Choir. Level: Medium Difficult. Duration 5:00. Published by Jackman Music Corporation.

By William G. Tomer, Jeremiah E. Rankin. Arranged by Joseph Graham. SATB. Mark Foster. 8 pages

By Brendan Graham and William Joseph. Arranged by Roger Emerson. 2-Part. Festival Choral. 12 pages

By Joseph Barbera, William Hanna, And Hoyt Curtin. Arranged by Michael Story. By Joseph Barbera, William Hanna, and Hoyt Curtin / arr. Michael Story. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Conductor Score. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

By Joseph Barbera, William Hanna, And Hoyt Curtin. Arranged by Roland Barrett. For Marching Band. Marching Band. Mega Sounds for Marching Band. Pop; TV. Level: 3 (Medium) (grade 3). Conductor Score. 8 pages. Published by Alfred Publishing.

(For Trumpet). By Ludwig Van Beethoven Franz Joseph Haydn. Edited by William Campbell, Larry Clark, Daniel Schmidt. Arranged by Daniel Schmidt Larry Clark. For Trumpet, Piano. Protocol: A Guide To the Collegiate Audition Process. Student Book. Standard notation. Opus 72a. 48 pages

By J. Paul Williams And Joseph M. Martin. Sheet Music. Published by Shawnee Press.

By Joseph M. Martin. For SATB Choir. Choral, Orchestration, Tracks, General Use, Funeral and Sacred. Sheet Music. Published by Shawnee Press.

By Joseph M. Martin, J. Paul Williams. (2 part). Fred Bock Publications. Sacred. 16 pages. Published by Fred Bock Music Company.

By J. Paul Williams; Joseph M. Martin. For SATB choir and piano accompaniment. Choral. Octavo. Published by Shawnee Press.

High voice and piano - Late Intermediate

SKU: EC.9278

Composed by Joseph Stillwell. E.C. Schirmer Publishing #9278. Published by E.C. Schirmer Publishing (EC.9278).

UPC: 600313311185. English.

Songs of Love and Solace traces a young man's journey of love and heartbreak. The cycle of four texts by Irish poet William Butler Yeats begins with Brown Penny. This short poem depicts a young man infatuated with the idea of falling in love, and then becoming awestruck as he contemplates the depths of love’s power. In the second poem, He Wishes for the Cloths of Heaven, the poet, speaking to his beloved, realizes he has nothing of value to offer but his dreams. Tread softly, he implores, because you tread on my dreams.” In When You Are Old, we find our poet heartbroken. In his grief he peers into the future and foresees his beloved, in old age, remembering the depth and purity of their forsaken love: “But one man love the pilgrim soul in you, And loved the sorrows of your changing face.” In the final song, The Lake Isle of Innisfree,” the poet, saddened but wiser, wistfully resolves to escape the struggles and heartbreaks of his modern existence, and seek solace in the beauty and calm of nature. Songs may be performed separately.

Guitar - Intermediate

SKU: MB.31060M

Perfect binding. Jazz. Book and online audio. 180 pages. Mel Bay Publications, Inc #31060M. Published by Mel Bay Publications, Inc (MB.31060M).

ISBN 9781513468051. 8.75x11.75 inches.

As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation.

The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry.

Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade

Variable Brass Quintet with Organ Part Ad. Lib. - intermediate

SKU: BT.DHP-1063977-070

Composed by Johann Sebastian Bach. Arranged by Roland Kernen. Music Box. Set (Score & Parts). Composed 2006. 12 pages. De Haske Publications #DHP 1063977-070. Published by De Haske Publications (BT.DHP-1063977-070).

9x12 inches. English-German-French-Dut ch.

The melody of the chorale Nun danket alle Gott (Now Thank We All Our God) was originally written in 1636 by the German clergyman and musician Martin Rinckart . Its international fame is due to the fact that in 1725 Johann Sebastian Bach based his cantata Gott, der Herr, ist Sonn’ und Schild (BWV 79) on this melody. The five-part arrangement by Roland Kernen that lies before you is suitable for a variable brass line-up. After a short introduction, the chorale follows, first in four-part harmony, and later with an added counterpart. A middle section, which sounds refreshing and rhythmic because of the time changes and articulation used, finally leads to a repeat of thechorale with an agile upper part. This arrangement also contains an organ part ad libitum.

De melodie van het koraal Nun danket alle Gott (Now Thank We All Our God/Dankt, dankt nu allen God) werd oorspronkelijk in de eerste helft van de zeventiende eeuw geschreven. De internationale bekendheid ervan is tedanken aan het feit dat Johann Sebastian Bach in 1725 zijn cantate Gott, der Herr, ist Sonn’ und Schild (BWV 79) op deze melodie baseerde. De bewerking van Roland Kernen voor een variabele koperbezetting is voorzien van eenorgelpartij ad libitum.

Sir Hubert Parry (1848-1918) vertonte ein Gedicht aus dem Vorwort der Gedichtsammlung Milton von William Blake. Seit der Orchesterbearbeitung von Sir Edward Elgar ist es eine beliebte nationale Hymne, die heute traditionell die Last Night of the Proms“ in der Londoner Albert Hall beschließt. Der Text spielt die Überlieferung an, die besagt, dass Jesus in seiner Jugend mit Joseph aus Arimathia nach Britannien kam. Philip Sparke machte die traditionsreiche, würdevolle Musik dem Blasorchester zugänglich.

La mélodie originale de l’hymne chrétienne Nun danket alle Gott (Remercions tous notre Seigneur) est datée de la première moitié du XVIIe siècle. Elle deviendra mondialement célèbre en 1725, lorsque Jean-Sébastien Bach s’en inspire pour composer la Cantate BWV 79 Gott, der Herr, ist Sonn’ und Schild. Cet arrangement pour Quintette de Cuivres contient également une partie pour orgue ad. lib.Instrumentation : 2 Trompettes Sib, Cor en Fa/Mib, Trombone/ Euphonium en Ut BC ou Trombone/Euphonium Sib TC,Tuba en Ut BC ou Basse Mib TC ou Euphonium/Basse Sib TC, Orgue ad lib.

La melodia della corale Nun danket alle Gott fu scritta nel XVII secolo e deve la sua notoriet al fatto che Johann Sebastian Bach la utlizzò come base della sua cantata Gott, der Herr, ist Sonn’ und Schild (BWV 79). L’arrangiamento di Roland Kernen è pensato per un quintetto di ottoni a strumentazione variabile. La parte dell’organo, è opzionale (inclusa al libro).

Voice & keyboard

SKU: HH.HH192-FSC

Composed by Franz Joseph Haydn. Edited by Christopher Hogwood. Voice & Keyboard. Full score. Edition HH Music Publishers #HH192-FSC. Published by Edition HH Music Publishers (HH.HH192-FSC).

ISBN 9790708059707.

Hayd n's first set of Lieder, adapted for the English market by William Shield, who was to become his close friend, were an instant commercial success, with the most popular of them re issued separately not only in England but also in Ireland and America. The present edition reinstates a large number of Haydn's musical details -- dynamics, articulation, accidentals, and even accompanying figures in the keyboard part -- present in his German originals but missing from Shield's English edition. Generously illustrated with facsimiles from the original publications, which were notated on two staves, the new edition, the first in 200 years, uses three staves to clarify the voice and keyboard parts, and includes an Introduction and full Critical Commentary.

Choir

SKU: ST.B365

Composed by William Byrd. Edited by Alan Brown. Library Volumes. The Byrd Edition Volume 3. Edited by Alan Brown. First published: 1981. Pages: 304. Format: Paperback. Dimensions (mm): 254 x 177 x 19. Choral collection. Stainer & Bell Ltd. #B365. Published by Stainer & Bell Ltd. (ST.B365).

ISBN 9790220202858.

The Liber Secundus Sacrarum Cantionum appeared in November 1591, and was printed, like its predecessor, by Thomas East. Biblical and liturgical sources provided texts for its 21 motets, most of them sombre in tone. The noted scholar Joseph Kerman has observed that in these pieces, Byrd may have been voicing 'prayers, exhortations and protests on behalf of the English Roman Catholic community'.

SATB choir unaccompanied

SKU: ST.CC330

Composed by William Byrd. Edited by Gustav Holst. SATB unaccompanied. Choral. Octavo. Stainer & Bell Ltd. #CC330. Published by Stainer & Bell Ltd. (ST.CC330).

ISBN 9790220203138.

SATB unaccompanied. Latin and English texts.. . English text by Jane Joseph.

SATB choir

SKU: ST.EM5

Composed by Orlando Gibbons. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Note: Print on demand. Spiral-bound A4. Sacred. Choral Score. Stainer & Bell Ltd. #EM5. Published by Stainer & Bell Ltd. (ST.EM5).

ISBN 9790220206849.

Gibb ons seems to have been outside the process 'by which', wrote Joseph Kerman in The Elizabethan Madrigal, 'England first became sophisticated in the ways of Continental music.' These 20 pieces certainly, if differently, follow the pure line of William Byrd and are still of the old 'English' school. They include The Silver Swan and Dainty Fine Bird.

CONTENTS
Ah dear heart (SAA (or T) A (or T) B)
Dainty fine bird (SST (or A) TB)
Fair is the rose (SA (or S) ATB)
Fair ladies that to love (SSAT (or A) B)
Farewell all joys (SSA (or T) A (or T) B)
How art thou thralled (SS (or A) TTB)
I feign not friendship (SSAT (or A) B)
I see Ambition never pleased (SSATB)
I tremble not at noise of war (SSAT (or A) B)
I weigh not fortuneAs frown (SSAT (or A) B)
Lais now old (SATT (or A) B)
Mongst thousands good (SSAT (or A) B)
Nay let me weep (SA (or S) T (or A) T (or A) B)
NeAer let the sun (SAT (or A) TB)
Now each flowery bank of May (SST (or A) TB)
O that the learned poets (SSA (or T) B ( or T) B)
Silver Swan, The (SSA (or T) B (or T) B)
Trust not too much fair youth (SST (or A) TB)
What is our life? (SAA (or T) TB)
Yet if that age (SS (or A) T (or A) TB).

Strings & Optional Woodwind

SKU: ST.Y347

Composed by George Dyson. String music. With optional Flute, Oboe, Clarinet and Bassoon. Score. Stainer & Bell Ltd. #Y347. Published by Stainer & Bell Ltd. (ST.Y347).

ISBN 9790220225475.

This four-movement suite was first published in 1918 by Joseph Williams (now part of Stainer & Bell) as In Pixieland for Solo Violin or Flute and Piano. In 1921 string parts were added and then in 1930 optional parts for flute, oboe, clarinet in A or B flat and bassoon became available, making the work ideally suited for school or amateur orchestra. In 1999 the Sir George Dyson Trust decided that the original title was slightly out of tune with the times and it was changed to Woodland Suite.

In 2007, the piece was recorded by the BBC Symphony Orchestra conducted by Richard Hickox and issued on the Chandos label (CHAN 10439) alongside a number of Dyson's choral works.

The recording has created new interest in this early suite, which is again available for sale in all versions.

Violin (or Flute) & Piano

SKU: ST.Y349

Composed by George Dyson. String music. An Evening Bell. Silken Sails. Moon-Fairy. Elfin Market. Score and part. Stainer & Bell Ltd. #Y349. Published by Stainer & Bell Ltd. (ST.Y349).

ISBN 9790220225499.

This four-movement suite was first published in 1918 by Joseph Williams (now part of Stainer & Bell) as In Pixieland for Solo Violin or Flute and Piano. In 1921 string parts were added and then in 1930 optional parts for flute, oboe, clarinet in A or B flat and bassoon became available, making the work ideally suited for school or amateur orchestra. In 1999 the Sir George Dyson Trust decided that the original title was slightly out of tune with the times and it was changed to Woodland Suite.

Harpsichord

SKU: FZ.5835

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5835).

ISBN 9790230658355. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.