Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Par HARTOG CEES. 3ème volume de la série 'pop songs for classical guitar', Retrouvez ici 9 chansons de Pop spécialement arrangées par Cees Hartog pour guitare classique (notations standards et symboles d'accords). Inclus les paroles des chansons./ Recueil / Guitare Classique

Give your wallet a break with this economical collection of nearly 70 classic rock staples, including: Addicted to Love · Amanda · Bang the Drum All Day · Changes · Come Sail Away · Dream On · Dream Weaver · Free Bird · I Love Rock 'n Roll · I've Seen All Good People · Joy to the World · Lay Down Sally · Love Hurts · Paradise by the Dashboard Light · Proud Mary · Rock'n Me · Roxanne · Stuck in the Middle with You · Turn the Page · Up on Cripple Creek · Walk on the Wild Side · We Are the Champions · Wild Night · and more. / Piano

Par SCHINSTINE WILLIAM / HOEY FRED A.. First Lessons Snare Drum is a proven approach for beginners featuring easily-understood lessons. Designed for independent study, private teaching or classroom use, this book provides all the information and instruction needed for those just starting out on the snare drum. Includes access to online audio. / Niveau : 1 / Pédagogie / Date parution : 2019-05-27/ Etude / Caisse Claire

Soprano/Alto Edition. Par EMERSON ROGER. The Hal Leonard Vocal Method is designed for anyone interested in learning the basics of singing, using vocal exercises and popular songs. Complete with demonstration audio tracks, accompaniment tracks, and step-by-step video instruction, this easy-to-use beginner's guide serves as an introduction to everything needed to begin singing with proper technique. Topics covered include: posture, breathing, warm-ups, consonants, vowels, phrasing, vibrato and range extension. Songs in this edition for soprano and alto singers include: At Last · Dancing Queen · Don't Know Why · I Will Remember You · Rolling in the Deep · A Thousand Years · and more. Audio and video are accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-05/ Méthode / Soprano ou Alto

Par . 100 tubes d\'artistes féminines réunis et arrangés pour piano, voix et guitare. Parmi lesquelles : Adele, Pat Benatar, Beyoncé, Madonna, Cher, Aretha Franklin, Whitney Houston, Janis Joplin, Carole King, Lorde, Joni Mitchell, Stevie Nicks, Dolly Parton, Diana Ross, Barbra Streisand, Taylor Swift, Tina Turner, Dionne Warwick, Amy Winehouse et bien d\'autres. / Date parution : 2022-05-31/ Recueil / Piano/Vocal/Guitare (PVG)

Par HARRISON TOM. Tom Harrison's book How to Become a Film Composer gives up-and-coming composers the inspiration, information and the tools necessary to succeed in today's music for media industry. Harrison has spent years working on the front line in Hollywood, where he has held key positions on music teams for some of the world's most successful television shows. His own music can be heard all over television on projects ranging from Dateline NBC and The Voice to NBC Golf tournaments, WWW Monday Night Raw and beyond. How to Become a Film Composer begins with breaking down how to approach music in a dramatic context and how to cultivate your own unique sound. Next, Harrison covers the technical computer skills needed to work in this digital era of music production and finally provides a thorough guide to building a successful career. Whether you are a young student or a seasoned musician, if you want to learn more about what it takes to become a film composer, this is the book for you./ Livre / Livre

Par WILSON PETER. Flexible arrangements for young string players of two famous James Bond themes and one great new original James Bond piece by Peter Wilson: perfect for concerts or just for fun! For Violin, optional Viola, Cello and Double Bass (up to approximately Grade 2 standard), plus additional open-string parts so beginners can be included, with Piano accompaniments. Put the CD-Rom in a computer to access PDFs of all ten instrumental parts and print out as many as are needed. Put it in a standard CD player to hear the free audio tracks of the Piano accompaniments - ideal for rehearsals and performances./ Recueil / Conducteur

Par MYERS TOKIO. The official songbook for Britain's Got Talent winner Tokio Myers' debut album, Our Generation. Created in close collaboration with the artist, it contains all 13 songs from the album, for solo piano, with chord symbols and full lyrics. The book also includes stunning imagery and specially-written song introductions. 'Instead of asking 'Why?', we should be saying: 'Why not?' That's always been my attitude, from when I was a small kid. I don' t recognise those so-called boundaries. In music, you can do anything you want.' Tokio Myers isn't a person who is terribly bothered by convention. The multi-talented pianist, composer and producer is a man on a mission. Fusing the classical music he fell in love with as a young child with the beats and textures of the dance music he immersed himself in in his teens, Tokio is a compelling example of what can happen when you throw away the rulebook. The days when you needed to seek permission to go against the grain as an artist are gone, he argues. Discover Tokio's music for yourself./ Recueil / Piano, Chant et Guitare