Written for and dedicated to the Toronto Children's Choir, legendary Canadian composer Ruth Watson Henderson has constructed a piece that incorporates all levels of a broad based Community Children's Choral organization. Written for a 2-part training choir, a 3-part intermediate treble choir and an SATB advanced choir, this is the perfect closer for a combined Christmas Concert. / Choeur A 2 Parties Et Ensemble Divers

from The Strathclyde MotetsInstrument : mixed choir (SATB), trumpet in C (organ) ad libitumType : choral scoreNombre de Pages : 4The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate standard choirs.In splendoribus sanctorum is a communion motet for Nativity Midnight Mass (Psalm 109: 3).

German folksongs in new and old arrangements for three-part choir (Soprano, Alto, Baritone). Par . This new collection contains 48 of the most popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone). Covering a wide variety of styles, it combines a selection of pieces from earlier Edition Peters anthologies with several new arrangements by leading exponents of German choral writing (Jutta Michel-Becher, Ludwig Böhme, Uli Führe, Uwe Henkhaus, Felicitas Kuckuck, Alwin M. Schronen, Sylke Zimpel) ? with a focus on singability and richness of sound. 48 popular German-language folksongs, arranged for three-part choir (Soprano, Alto, Baritone) A wide variety of pieces selected from earlier anthologies, together with new arrangements by Germany?s leading choral composers Mostly easy to intermediate arrangements, suitable for amateur choirs Edited by choral expert Jochen Stankewitz / Date parution : 2022-05-31/ Recueil / Choeur SAB

Vol.Three - Songs For Children'S Choir. This collection of choral music brings together settings of Latvian folk songs and poetry by Ešenvalds, Sejans and others. Scored for SSAA and ranging from beginner to intermediate difficulty, this volume is particularly ideal for children's choirs seeking to expand their repertoire./ Recueil / Choeur d'Enfants SSAA

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above. / Date parution : 2022-05-17/ Répertoire / Brass Band

Par LAURO ANTONIO. Antonio Lauro is one of the most famous composers to come from Venezuela. He has written many works for orchestra, piano, choir, harpsichord, and guitar. He is most well-known for his guitar works, this being his main instrument. In the early 1980s he gave concerts in London and Paris at the request of John Williams and Paco Pena. The pieces represented in these guitar works are for players at a beginner-intermediate level, and in standard notation only. Continuing the 19th Century tradition of other composers of Venezuelan waltzes, Lauro named many of his pieces after people or places. 'El Marabino' is the name given to someone who comes from the city of Maracaibo. 'Angostura' is the original Spanish name of the city where Lauro was born. 'Carora' is the colonial city near Lauro's birthplace. The Venezuelan waltz differs from the European waltz in its rhythm which may alternate between 3/4 and 6/8 time and in its more syncopated style. The melodies are highly sentimental and romantic. / Niveau : Facile à Intermédiaire / Répertoire / Guitare

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above / Date parution : 2022-05-17/ Répertoire / Brass Band

Par MARTIN MATTHEW. Commissioned by the Tallis Scholars, Lamentations is a prime example of Martin's exemplary choral writing. Combining complex harmonies and intricate, antiphonal rhythms Martin has created a rich and sonorous setting of this sombre, mournful text. Suitable for intermediate choirs and part of Faber Music's Choral Signature Series./ Feuillet / SATB

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass section's never-changing 'A' provides the anchor. All four voices then come together in homophony, urging God to 'come quickly...and take my soul to rest?. Rather than a simple repetition of thematic material in the manner of a standard hymn, the texture alters through the rest of the work until the very end where all voices gradually fade away into the distance, leaving what seems like a lone voice in the wilderness to cry 'to Thee?. Contrasting to other well-known setting of this text, this new work provides a fresh interpretation, suitable for intermediate choirs. / Choeur Mixte (SATB) A Cappella

A New Heaven is a collaboration between Peters Edition and Faber Music. It contains 16 exciting new choral works by some of the most highly regarded British choral composers of our time – from Jonathan Dove and Howard Goodall to Judith Bingham and Jonathan Harvey. Includes an introduction and commentary with valuable rehearsal and performance tips by internationally acclaimed British choral conductor Simon Halsey. A New Heaven features contemporary settings of key sacred texts such as Agnus Dei, Gloria and The Lord is my shepherd, for use in concerts, church services and choral evensongs throughout the year and includes accompanied and unaccompanied works for mixed-voice choirs (four to eight parts), from intermediate to more advanced level. / Choral Music / Recueil / Voix Mixtes et Orgue

Mixed Voices/ 2 Soprano Parts. Par GUERRERO FRANCISCO (ARR.MATTHEW MARTIN). Commissioned by the ORA, Ave Virgo sanctissima (after Guerrero) is composer Matthew Martin's reimagining of Guerrero's famous 16th Century setting. Arranged for SSATB and suitable for intermediate choirs. Part of Faber Music's Choral Signature Series./ Répertoire / SATB