Par STAINER. A classic text on Organ technique. Sir John's book, first published in 1877, quickly became the classic for beginners- so popular that publishers Schirmer, Ditson, and Presser each issued its own 'Americanized' edition in the early twentieth century. In addition to the seven Organ pieces of the original edition, including five of Stainer's own works and two pieces by Guilmant, three additional works round of this Dover edition. This edition is a slightly expanded republication of the edition first published by G. Schirmer, New York in 1909, edited by F. Flaxington Harker. Introduction to this Dover edition by Rollin Smith. / Pédagogie / Méthode / Orgue

Four Romantic Madrigals is a new edition of selected madrigals (for unaccompanied SATB choir) composed by John Stainer (1840-1901). Jeremy Dibble of Durham University brings Stainer's expressive and enticing part-songs to a wider audience by presenting them in modern notation. This edition coincides with the release of the CD, English Romantic Madrigals (Hyperion, CDA68140), an exciting new recording of works by Stainer, Sir Hubert Parry, Elgar and other composers of nineteenth-century English part-songs performed by Rupert Gough and the Royal Holloway Choir. / Choeur Mixte (SATB)

Par KING ROBERT / RUTTER JOHN. Oxford Choral Classics: anglais Church Music rassemble en deux volumes d'environ 100 des plus beaux exemples de l'anglais la musique chorale sacrée des cinq derniers siècles. Le premier volume, consacré aux hymnes et motets, présente à la fois favoris et des Oeuvres moins connues, de la polyphonie de la Renaissance exceptionnelle Taverner, Tallis, Byrd et, à travers la restauration dirigée par Purcell, les Oeuvres glorieuses de la grande XIXe et XXe siècles compositeurs-siècle, y compris Wesley, Elgar, Stanford, Vaughan Williams, et Howells. Le volume contient un certain nombre d'Oeuvres plus importantes, y compris de Mendelssohn Ecoute ma prière, Stainer, je vis le Seigneur, et dicentis Naylor Vox: Clama, ainsi qu'une belle sélection de pièces plus courtes, de Gibbons O Seigneur, dans ta colère pour définir Walton moi comme un sceau sur ton cOeur. Avec le volume second compagnon de cantiques et de réponses, cette collection présente bipartite une enquête approfondie de la musique sacrée anglaise à son meilleur. / Recueil / Chant

Par BLOW JOHN. A collection of 20 pieces by Froberger, Fischer and Strungk in the hand of John Blow, transcribed and edited from the ms. in the Brussels Conservatoire by Davitt Moroney. CONTENTS BLOW, John (Ground in E minor) FISCHER, Johann (Chaconne in G major; Suite in D major; Suite in E minor; Suite in F major) FROBERGER, Johann (Capriccio in D minor; Cappricio in G major; Fantasia on 'Sol La Re'; Ricercar in D minor; A collection of 20 pieces by Froberger, Fischer and Strungk in the hand of John Blow, transcribed and edited from the ms. in the Brussels Conservatoire by Davitt Moroney. CONTENTS BLOW, John (Ground in E minor) FISCHER, Johann (Chaconne in G major; Suite in D major; Suite in E minor; Suite in F major) FROBERGER, Johann (Capriccio in D minor; Cappricio in G major; Fantasia on 'Sol La Re'; Ricercar in D minor;/ Répertoire / Piano

Par IRELAND JOHN. JOhn Ireland's Sea Fever Baritone Solo, TTBarB Choir and Piano Arranged by Mansel Thomas. JOhn Ireland's Sea Fever Baritone Solo, TTBarB Choir and Piano Arranged by Mansel Thomas./ Répertoire / Baryton Solo, TTBB et Piano

Par IRELAND JOHN. John Ireland's Cavatina for violin and piano, which was probably composed in 1904, shows the composer's mastery of the popular salon style of the time. Unavailable for many years, it is now reissued in a new edition that includes a scholarly note by Geoffrey Bush, Music Advisor to the John Ireland Trust./ Répertoire / Violon et Piano

Par ECCLES JOHN. A collection of songs for Voice and Piano by John Eccles, edited by Michael Pilkington. A collection of songs for Voice and Piano by John Eccles, edited by Michael Pilkington./ Répertoire / Chant et Piano

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953, when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey, being preceded the evening before by the premiere of 'Silence and Music', fourth of ten partsongs of A Garland for the Queen, commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch. Long unavailable except as separate items from individual publishers, this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format, allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and, in 2013, the 60th anniversary of the Coronation itself. In addition to VW's contribution, A Garland for the Queen includes important settings by Bax, Berkeley, Bliss, Finzi, Howells, Ireland, Rawsthorne, Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax, Edmund Blunden, Paul Dehn, Christopher Fry, Christopher Hassall, James Kirkup, Louis MacNeice, Walter de la Mare, Henry Reed and Ursula Wood. Intended as a counterpart to The Triumphs of Oriana of 1601, the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley, A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration, from the airy five-part ensemble of Bax's 'What is it like to be young and fair?', and the soprano solo with SATB of Rawsthorne's Canzonet, to the lustrous contrasting of male and female timbres in Bliss's Aubade, and the rapturous eight-part setting of/ Recueil / Voix Mixtes

Par ADDISON JOHN. An advanced level concerto for Trumpet and Strings by John Addison, arranged for Trumpet and Piano accompaniment by the composer. Set for the Associated Board, Trinity College and London College examinations./ Répertoire / Trompette et Piano

Medium Voice. Par IRELAND JOHN. The Complete works for Medium Voice and Piano, by John Ireland. This second volume contians eighteen terrific settings of some real masterpieces! Set for the Associated Board and Guildhall School examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Par BLOW JOHN. Selected from Musica Britannica Volume 69. Edited by Barry Cooper. This collection of sixteen pieces by John Blow (1649-1708), taken from the complete organ music published in Volume 69 of Musica Britannica, is an authoritative introduction to the work of the leading Restoration English composer of organ music. More organ music from this period is ascribed to Blow than to all his English contemporaries put together, including Henry Purcell. In compiling this anthology, the editor has incorporated both the best examples from the corpus, and those that were most popular in the composer's lifetime, while illustrating the variety of styles he used. Most of the pieces may be played ona single manual, but there are also 'double voluntaries' (for two manuals) and 'cornet voluntaries' (for two or three manuals). The collection includes advice on ornamentation and a comprehensive editorial note./ Répertoire / Orgue

Arrangeur: John Rutter. Par CARTER SYDNEY. Sydney Carter's Lord Of The Dance arranged for SATB Choir with Piano accompaniment by John Rutter./ Feuillet / SATB et Piano

Par DOWLAND JOHN. Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these ‘airs’, with accompaniment which may be played on guitar or keyboard as well as lute. SATB CONTENTS Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away, come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains/ Répertoire / SATB