Par TAKE THAT. As the original boy-band, Take That took the pop world by storm in the 1990s with a flurry of huge hit singles, setting the blueprint for today's biggest pop acts. Along with principal songwriter Gary Barlow, Robbie, Jason, Mark and Howard captured the hearts of a generation with addictive melodies, characteristic good looks and a genuine sense of fun. Originally formed as a British answer to New Kids On The Block, the band split in February 1996 prompting The Samaritans to set up telephone help lines to counsel distraught fans. The split also saw the beginning or Robbie Williams' record-breaking solo career. In 2005 the four remaining members reformed for a fresh tour and retrospective DVD release. The tour was to become one of the fastest-selling tickets of that year, confirming yet again the continued adoration of their massive dedicated fanbase. This commemorative songbook features 17 of their biggest moments, including Back For Good , Could It Be Magic and Pray , all arranged for Piano, Voice and Guitar. / Niveau : Assez Facile / Recueil / Piano, Chant et Guitare

This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861).The sextet version deftly integrates the original wind parts into the string texture.The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart's piano concertos K. 413 to 415 and later for the Chopin concertos.This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.- First ever publication of this arrangement- Includes a separate solo part as was customary in Beethoven's day- Provides new possibilities for soloists to perform this work / Quatuor A Cordes Et Piano

Par MACARDLE FIONA. Approche cohérente pour l'introduction de techniques fondamentales de piano matériel original Vif thème sportif Spirituellement illustré tout au long Piano Time Sports 2 est une collection d'exercices d'imagination qui introduit une nouvelle gamme de techniques fondamentales et développe davantage certains de ceux trouvés dans le livre 1. Chaque section de l'ouvrage introduit le débutant pianiste à une technique différente à travers deux exercices d'échauffement et un petit morceau. L'élève obtient alors la possibilité de démontrer leurs nouvelles compétences dans une pièce originale qui intègre le point de techniques apprises. Emballé avec les dessins animés d'esprit, des Sports Piano Time est une façon amusante de réaliser pianistique super fitness./ Recueil / Piano

Pianoworks Duets 1 is the perfect resource for beginner pianists to explore duet-playing. They'll develop balance playing in time and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres from Offenbach's lively 'Can-Can' and Joplin's 'The Entertainer' to traditional folk tunes from Japan and the West Indies. In addition the collection contains several new and original gems by Alan Bullard the co-author of this celebrated series.21 duets with parts of equal standard compiled and arranged for beginner pianists (approx. Grades 1-2)Wide range of styles includingClassical Romantic jazz folk and contemporaryCD with backing tracks for each part to allow solo practiceUseful tips on style and technique and background information on every piecePerfect companion to Pianoworks Book 1 and Pianoworks Collection 1

Par WEDGWOOD PAM. After Hours For Piano Solo Book 3 by Pam Wedgwood, follows on directly from the previous two in this series of four books. It is a collection of new and original pieces in a variety of styles to suit any mood. It ranges from sentimental ballads, to cosy dinner jazz and wistful blues to cheerful, upbeat tunes. It truly provides the perfect antidote to stress. You can conjure up the smoky, dimly lit atmosphere of a jazz club, and relax with these lush harmonies and laid-back melodies. Suitable for players at Grade 5-6 standard. / Niveau : Elémentaire / Date parution : 2003-11-20/ Recueil / Piano

Pianoworks Duets 2 is the perfect resource for developing pianists to explore duet-playing. They'll develop balance playing in time and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres including 'Spring' from Vivaldi's The Four Seasons Joplin's exuberant rag 'The Easy Winners' and the traditional Scottish song 'Afton Water'. In addition the collection contains several new and original gems by Alan Bullard the co-author of this celebrated series. 21 duets with parts of equal standard compiled and arranged for beginner to intermediate pianists (approx.Grades 3-5) Wide range of styles including Classical Romantic jazz folk and contemporary CD contains backing tracks of each part to allow solo practice Useful tips on style and technique and background information on every piece Perfect companion to Pianoworks Book 2 and Pianoworks Collection 2

Developing Artist Original Keyboard Classics-The pieces were carefully selected for musical moments of drama mystery suspense and excitement. Paired with each composition is a famous poem. Contents include: Allegro con Fuoco (Diabelli); Avalanche (Heller); Etude in C Minor (Bertini); The Ghost in the Fireplace (Kullack); Storm and Stress (Gurlitt); The Wild Horseman (Schumann).

France 1-This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes dances suites rondeaux and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality age-resistant paper that is produced in an environmentally-friendly climate-neutral manner using renewable raw materials.

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Since most of Lisztâ??s vast output of piano music both original and arranged was obviously intended for the virtuoso it's easy to forget that he also wrote short and beautiful pieces which are technically undemanding. Moreover many of these are far more interesting musically than the typically brilliant works. By way of introducing this less familiar side of a great keyboard composer this edition offers twenty-one non-virtuoso pieces that he wrote between the ages of 38 and 74. They are arranged roughly in chronological order and prepared from original sources by leading scholars including informative introductions and performance notes. This book comprisescollections of pieces which include: Consolations Six Pieces S.172; Vier Kleine Klavierstucke (Four Short Piano Pieces) S.192; and Funf Ungarische Volkslieder (Five Hungarian Folksongs) S.245.