The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states. They demonstrate the care which the composer generally brought to the task of instrumentation, and more particularly the aptness and validity of this piece in his own eyes as chamber music. It is clear that Falla's art of orchestration (and notably his feeling for instrumental idiom) gives his score a profound sense of balance. String parts only. Piano player reads from full score, available separately. / Instruments A Cordes

As one of Hollywood's most memorable films, and perhaps the greatest screen adaptation of a novel ever, the 1939 Wizard Of Oz brought the words to music, entrenching the songs in popular culture and ensuring their timelessness. With this Easy Piano sheet music book, you can learn every song from the hit movie in simplified arrangements with selected fingering.There were other film adaptations of L. Frank Baum's book before and after it, but the 1939 version, starring Judy Garland, remains the one where visual imagination and unforgettable songs gave us a definitive version. What 'Yip' Harburg and Harold Arlen created was a film bursting with unforgettable musical sequences, putting their talented songwriting brains together to produce this most famous of musicals. Obviously, a song like Over The Rainbow needs no introduction, winning an Academy Award for resonating with our desire for something better, and becoming especially prescient given the world war about to erupt.The rest of Harburg and Arlen's songs for the film are just as evocative, instantly conjuring Dorothy's legendary journey from Kansas to Oz and back. An absolute pleasure to perform, these songs belie their 75-year vintage and sound as fresh today as they did when audiences were first thrilled to hear them in the cinema. In this Wizard Of Oz sheet music song book, every song from the film is included, Ding Dong The Witch Is Dead, We're Off To See The Wizard, Follow The Yellow Brick Road, If I Only Had A Brain and If I Only Had A Heart, plus more.Arranged for Easy Piano, each fantastic song includes Piano parts that have been simplified so that you'll be able to play them with ease. It also features chord symbols and full lyrics, as well as selected fingering guides so that you'll know which fingers should go where. It really is everything you need to learn the songs as closely as possible to the film version. With the Easy Piano arrangement, you'll be playing the most famous songs in no time, and you'll immediately fall in love with the songs you might be less familiar with... if there are any!If you've ever wanted to learn Over The Rainbow note for note, or how exactly the ensemble sang We're Off To See The Wizard, look no further than this Wizard Of Oz sheet music song book, arranged for Piano, Vocal and Guitar. / Piano

Par MCHUGH JIMMY. 'I'm in the Mood for Love' is today a 'standard' song released in 1935. The music was written by Jimmy McHugh, with lyrics by Dorothy Fields. The song was introduced by Frances Langford in the film 'Every Night at Eight' and released that year. It became Langford's signature song. Bob Hope, who often worked with Langford entertaining troops in World War II, later wrote that her performance of the song was often the show-stopper. This is one of the most recorded songs out there, from contemporary Billy Eilish to legends such as Luis Armstrong, Vera Lynn and Charlie Parker. The tune started as film music and has later been used in movies such as 'The Nutty Professor' and in “The Spike Jones Show”. Please try to create a 'ballroom' atmosphere around this song. It is possible to expand the solo part with more soloists (45 – 69) and you can choose whether you want to let everyone in part 3 play what is written, or let each one improvise. If you have piano or guitar, you can also let the bass line go together with them and cut out the wind parts. Use the score as a starting point to create an instrumentation that suits your ensemble! (Should some parts only be played by woodwind or brass?) There are quite a few additional notes in the chords. Therefore, balance is very important. Do not let 9ths or other dissonant notes stick out but let them melt into the harmony. / Date parution : 2023-07-31/ Répertoire / Ensemble Flexible à 5 Parties

This edition of John Thompson's Easiest Piano Course introduces a number of First Hit Songs to the beginner pianist, providing easy-to-play hits in the well-loved John Thompson style with simplified arrangements and large notation.A number of the most popular chart songs are included in First Hit Songs, which have all been simplified so that pupils working through parts two to four of the Easiest Piano Course are able to play some familiar and famous tunes. The songs are ordered progressively, so as pupils learn more challenging theory and techniques, they can put that into practice by getting to grips with more advanced songs. All the songs included here are well-known hits, with most being modern chart-toppers.The 15 hits in this songbook include Piano-based ballads like Tom Odell's Real Love and Sam Smith's I'm Not The Only One, as well as more upbeat pop tunes arranged for Piano like Style by Taylor Swift and Meghan Trainor's Lips Are Movin'. Other hits like See You Again, Hold Back The River, Blame It On Me and Ed Sheeran's Thinking Out Loud are included, along with two all-time classics, Love Is All Around and We Are The Champions. Popular songs like these enable pupils to enhance their learning by using the techniques to play songs they know and love, helping them to develop deeper musicality.Because dynamics and phrasing are not introduced until part three of the Easiest Piano Course, some of the songs early in First Hit Songs do not feature this, while some outline fingering is included throughout, helping pupils at this level. As well as being a fun and enjoyable complement to learning, the book can also provide invaluable sight-reading practice for advanced students. For a complement to the acclaimed John Thompson's Easiest Piano Course, the famous and popular songs included in First Hit Songs will enhance musicality while building a solid repertoire of songs that all pupils will love to learn. / Piano

Following the worldwide success of their instructional music series Ultra Smooth Jazz Grooves', the Super Groovers decided to create a play-a-long book of full length songs from their two albums Supergroovin' and Mainline Connection.They picked songs that would provide music students with a varied repertoire, ranging from the pop/jazz style of You Are The Only One In My Life and minor blues of To The T to the latin sound of Groovin' With The In Crowd and the gospel style of To Our Loved Ones.The Ultra Smooth Jazz Play-A-Long Songbook For C Instruments contains 13 songs and is accompanied by a CD containing full rhythm backing tracks.All of the songs from the book can also be purchased separately in an in MP3 file format that includes the Sax melody parts. / Instruments En Clé de Fa

Six pieces from Musica Britannica Vol. 96. Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving Keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner 's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins ' being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton 's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-rangingtonal schemes. / Date parution : 1905-07-07/ Recueil / Clavier

Organ, Brass - 2.1.1.1, Percussion (2) parts only. Par TROTTA MICHAEL JOHN. A new work for choir, brass quintet, organ, timpani and cymbals. This setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the listener through the three contrasting movements. Trotta’s work is a rare example of music that is both grounded in tradition and appealing to the modern listener. Exciting and inspiring! / Date parution : 2021-11-03/ Répertoire / Orgue, Cuivres et Percussion

Par BEATLES THE. Celebrate the music of The Beatles with this one-of-a-kind collection! These five classic hits have been adapted specifically for young unison voices, with optional harmony for some added fun. Perfect for group singing in the classroom, choir or community, these arrangements will be a blast to rehearse and perform! The Piano/Vocal Collection offers fully accompanied songs, and the Singer Edition comes in handy paks of ten with vocal parts only. Check out the professionally-produced recording available separately, for performance and accompaniment possibilities! Suggested for grades 4-8. / Date parution : 2022-09-20/ Recueil / Choeur d\'Enfants

Full Orch parts only- 2.2.2.2 Ð 4.3.3.1 hp. timp 2 perc. Str. Par TROTTA MICHAEL JOHN. / Date parution : 2021-11-30/ Répertoire / Orchestre

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano

This second album of historic recordings continues with a fabulous collection of standards, including Jeepers Creepers, Just One of Those Things, and many more. Your backgrounds for these classics are created by legends Don Abney, Mundell Lowe, Jimmy Raney, Oscar Pettiford, Wilbur Ware, Kenny Clarke, and Bobby Donaldson. Includes sheet music for E-flat, B-flat and Bass Clef instruments. A true time machine to the greatest days of jazz accompaniments, in digitally remastered sound so real you can touch it. Includes slow-tempo versions of several songs to help you get up to speed.Features two CDs featuring each piece performed with soloist, then again with accompaniments only, minus the soloist. / Tout Instrument