for Clarinet and Piano-Performed by Anton Hollich clarinet Accompaniment: Harriet Wingreen piano Here is a spectacular collection of classic pieces arranged for clarinet with piano accompaniment penned by the greatest composers of all time. Symphonic excerpts concert-pieces and themes from famous concerti combine to create an album filled with material for the advancing clarinetist. Drawn almost entirely from the golden age of classical and romantic German repertoire you will find thrilling music by Carl Maria von Weber Mozart Mendelssohn Beethoven Schumann and many more. These classic pieces have been assembled for early-intermediate and higher-level players to help develop a wide range ofinterpretational and technical skills. Listen to virtuoso clarinetist Anton Hollich perform these masterpieces then you step front-and-center with the illustrious Harriet Wingreen as your accompanist. Bravo! Includes a newly engraved authoritative printed solo part and two compact discs containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the accompaniment minus the soloist.

Contains scales chords and routines which are written for the technical advancement of the intermediate-level clarinetist. The material is presented with varied articulations meters rhythms and dynamics in order to enhance theexperience of the clarinetist. The emphasis for most of the book is placed on materials in keys through four accidentals using the major and minor scheme. More advanced keys and scale patterns are presented later in the bookalong with routines which may be used as daily warmup material. Each of the scales chords and routines have suggested dynamic markings and breaths in order to make each item a musical experience. The stylistic content of themusic in this book reflects the musical styles prevalent in the eighteenth and nineteenth centuries. Mastery of this materials will provide the clarinetist with good technical facility to play music written before the twentiethcentury and will give a good technical background for playing contemporary music.

French clarinetist and composer Hyacinthe Klosé (1808-1880) is predominantly known for his design improvements to the Clarinet and Flute. However his passion for the Clarinet is also apparent in his aids to the learning of the instrument as in this book Studies And Exercises. With revisions made by clarinetist and composer Paul Jeanjean (1874-1928) Studies And Exercises For Clarinet covers articulation breath control ornamentation range scales and arpeggios among other aspects. Featuring input from two well-established clarinetists this study and exercise book cannot be missed byaspiring Clarinet players.

Performed by Tom Fischer tenor saxAccompaniment: Tim Laughlin's New Orleans All-StarsMany people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well asJoseph ?King? Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a ?child of the Crescent City? as is Harry Connick and WyntonMarsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of thegreat hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band onyour own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.Includes newly engraved solo charts printed on acid-free ivory paper; andtwo compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

Arrangeur: Michael Drapkin. Par DEBUSSY CLAUDE. A serious clarinetist probably plays, at some point in their career, the famous Debussy Rhapsodie. More often than not, they will play with the piano accompaniment, as Debussy first wrote it. The fortunate few will perform with an orchestra. Drapkin now makes the Rhapsodie accessible for a soloist with string quartet. The solo line is faithful to the original, while the strings handle the accompaniment. A serious clarinetist probably plays, at some point in their career, the famous Debussy Rhapsodie. More often than not, they will play with the piano accompaniment, as Debussy first wrote it. The fortunate few will perform with an orchestra. Drapkin now makes the Rhapsodie accessible for a soloist with string quartet. The solo line is faithful to the original, while the strings handle the accompaniment./ Répertoire / Clarinette en Sib, 2 Violons, Alto et Violoncelle

Par SPOHR LOUIS. Louis Spohr?s technically, extremely demanding concertos have long been part of clarinetists? standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was ?undeniably one of the most accomplished works of art of its kind.? Emphasized was also the ?great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato.? The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler?s new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition. / Date parution : 2022-10-12/ Répertoire / Orchestre et Clarinette

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

Performed by Rick Trolsen trombone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Listen can you hear that band' Audio samples galore await you down below. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a 'child of the Crescent City' as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades andsteamboat gigs and asked them to put together a typical program of New Orleans classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.

A terrific tutor for the beginning clarinetist this book/CD pack teaches all the basics of playing and 5 hit songs: Chariots of Fire * Forrest Gump - Main Title (Feather Theme) * The Man from Snowy River (Main Title Theme) *Rock and Roll - Part II (The Hey Song) * We Will Rock You.

40 Studies For Clarinet-Twenty five progressive studies that explore all facets of technique in a variety of styles. Many of these studies could be approached as unaccompanied pieces rather than simply technical works.Grades:1-6

Par RAE JAMES. This book has been written to familiarise the clarinettist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing, ranging from Jazz and Rock to modern Classical interpretation. They are of short to moderate lenght in order to maximise concentration on style. They are compiled in order of difficulty. Early to advanced grades./ Etude / Clarinette