Quezada, Ernesto. Par PICCININI / ZAMBONI. / Niveau : Intermédiaire / Recueil / Guitare Seule

Book 11. Par GIBBONS ORLANDO. Book 11 for SSATB & SATTB. Madrigals by Orlando Gibbons/ Répertoire / SATB et SATTB

Par D?ORLEANS MERCURE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par DOWLAND JOHN. John Dowland was unsurpassed in his day as a lute virtuoso, and the composer of 88 lute songs. Since the early twentieth century, Dowland's excellence as a songwriter has been well established; many of his compositions for lute- long shrouded in obscurity have become well known. This collection of 45 songs includes all the works in his third and fourth collection. Transcribed for voice and Guitar by David Nadal including Dowland's original lute tablature./ Répertoire / Voix et Guitare

Toutes les chansons de ce spectacle passionnant. Présentation de couleur, avec des photographies de l'action du film. Comprend ' What I Did For Love ', 'Je peux faire que' et 'la musique et le miroir'. / Chant Et Piano

Par NELSON SHEILA MARY. 4E partie de la série de Tetratunes, le Keytunes introduit des touches plus difficiles et les techniques de déplacements. Plusieurs pièces sont disposées dans le répertoire classique./ Répertoire / Instruments à Cordes Divers et Piano

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally. This practice, common in Schütz's time, has been incorporated into Bärenreiter's new publication. The edition includes the twelve five-part motets at original pitch with basso continuo. In addition, instrumental parts for string and wind instruments can be purchased. These parts, which include the text, serve to support and complement the choral sound 'colla parte?. To enable varying tone-colour possibilities, instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.- Reflects the latest in musicological research based on the 'New Schütz Edition?- Includes a detailed foreword (Eng/Ger) on performance practice by a Schütz expert- Instrumental parts (strings, winds) available in transpositionsManfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory, counterpoint and ensemble and is also rector of the 'Hochschule für Künste Bremen?. He performs internationally as the director of the ensemble 'Weser-Renaissance Bremen?. / Choeur Mixte Et Basse Continue

Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes classiques et romantiques. Inclues des oeuvres de Carcassi, Bach, Tarrega et Mozart. / Guitare / Partition

Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano

Par BUXTEHUDE DIETRICH. Das neugeborne Kindelein (The newborn babe, the heavenly child) (BuxWV 13) for Mixed choir (SATB), Strings, Basso continuo Dietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lubeck from 1668 until his death. He wrote many works for specific secular occasions, feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings, style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo. Dietrich Buxtehude's Cantata forfour part chorus is suited remarkably well for the Christmas services as well as the general religious services which choruses take part in every year. This opulent-sounding work possesses its every own special Christmas magic. It is a piece which can claim a place in the repertoire of many choruses. - Score with parts (BA717), separate parts (BA717) and choral score (BA717-91) available for sale/ Répertoire / SATB