Manley : Massive Passive (6 comments)
4 tapes per channel- Circuit fully passive- Overlapping frequency ranges- Each band offers...(+) 4 tapes per channel- Circuit fully passive- Overlapping frequency ranges- Each band offers the possibility of Shelf or Bell- Pro Band: Cut, Boost, and Off- Tube Make-Up Gain- Passive high-pass and low-pass filters- Level +4 dBU (can be switched internally to -10)- EQ Frequency control range: 22 to 27000 Hz- EQ Boost / Cut Range: 20 dB Boost / 20 dB Cut- Frequency range: +/- 2 dB: 8 - 60000 Hz- Maximum output at 1.5% THD +37 dBv, +26 dBv at 20 Hz- THD & noise (1KHz at +4 dBu): 0.06%- Noise Floor (with respect to + 4dBu): -85 dB (A Weight)- Dynamic Range: 120 dB- Bypass switch- Inputs and outputs as balanced XLR and 1/4 " jack- Weight: approx. 9.5 kg | |
Manley : Massive Passive Mastering (3 comments)
Mastering version with stepped potentiometers and changed filters for mastering applicatio...(+) Mastering version with stepped potentiometers and changed filters for mastering applications- 2-Channel EQ- 4 Bands per channel- Circuit completely passive- Overlapping frequency ranges- Each band offers the possibility of Shelf or Bell- Each band: Cut, boost and off- Tube make-up gain- Passive high-pass and low-pass filter- Level +4 dBU (can be switched to 10 internally)- EQ frequency control range: 22 - 27000 Hz- EQ Boost/cut range: 20 dB boost/20 dB cut- Frequency range: +/- 2 dB: 8-60,000 Hz- Maximum output at 1.5% THD dBv +37, +26 dBv at 20 Hz- THD & Noise (1KHz at +4 dBu): 0.06%- Noise floor (relative to +4 dBu): -85 DB (A Weight)- Dynamic range: 120dB- Bypass switch- Inputs and outputs as balanced XLR and 6.3 mm TRS- Weight: approx. 9.5 kg | |
Manley : Variable MU Compressor/Limiter (8 comments)
True tube compression in the style of the legendary 670s Fairchild- Dual Triode 5670 compr...(+) True tube compression in the style of the legendary 670s Fairchild- Dual Triode 5670 compression in Manley design- Best-selling tube-type stereo-compressor worldwide- Intrinsically balanced inputs and outputs (600 Ohm)- Hard bypass- Maximum gain 35 dB- Variable ATTACK: 25 msec-70 msec- LIMITER (4: 1 to 20: 1) or COMPRESSOR (1.5 to 1)- Balanced outputs- Max Output: +30 dBu (26Vrms) 26 dB Headroom- Variable Threshold- Stereo Link Switch- Optionally available with M / S option and as mastering version with rotary switches instead of potentiometers.- Optional link of several devices for 5.1 use- 19 " rack format with 2 U | |
Manley : NuMU (4 comments)
Variable Mu tube input stage- HIP function raises soft dynamics without squashing louder p...(+) Variable Mu tube input stage- HIP function raises soft dynamics without squashing louder passages- 2 transformer balanced XLR inputs- 2 electrically balanced XLR outputs- Side-chain input / output via TRS- Handmade in California, USA- Design: 19" / 2U | |
Manley : ELOP+ (3 comments)
All tube audio path with 5751 and 6922 double triodes- 10: 1 Limiter and 3: 1 compressor r...(+) All tube audio path with 5751 and 6922 double triodes- 10: 1 Limiter and 3: 1 compressor ratio- Limiter: Attack 15 ms, Release 200 ms- Compressor: Attack 75 ms, Release 200 ms- Bypass switch- Auto-mute function during the warm-up phase (approx. 30 seconds)- Two VU meters to display the gain reduction or output volume- Stereo link function- Side-chain high-pass filter- Balanced Manley IRON transformer-coupled XLR input- 2 Inputs: XLR- 2 Outputs: XLR- Integrated power supply 90 to 254 VAC, 50 - 60 Hz- Design: 19"/ 3 U | |
Manley : Variable MU Mastering (2 comments)
Complete tube- MANLEY input & output transformer with nickel lamination in mu-metal housin...(+) Complete tube- MANLEY input & output transformer with nickel lamination in mu-metal housing- Sym. Inputs and Outputs (600 Ohm)- ALL-TUBE circuits each with 5670, 5751, 7044 or 5687 & 12AL5 per channel- Hard-wire BYPASS switch- Recovery 5 stages: 0.2 s, 0.4 s, 0.6 s, 4sec, 8sec.- Variable Attack Time: 25 msec - 70 msec- Variable Threshold- Limiter (4: 1 to 20: 1) or compressor (1.5 to 1)- HP SC: High Pass Sidechain Filter -3 dB @ 100 Hz- Stereo Link Switch- Maximum gain: 35 dB- Max. Output: +30 dBu (26Vrms) 26 dB Headroom | |
MANLEY VARIABLE MU LIMITER COMPRESSOR
Le COMPRESSEUR LIMITEUR MU VARIABLE MANLEY est leur produit le plus vendu depuis de nombre...(+) Le COMPRESSEUR LIMITEUR MU VARIABLE MANLEY est leur produit le plus vendu depuis de nombreuses années. C'est l'un des très rares compresseurs qui est devenu un véritable standard dans les studios de mastering et a contribué à la plupart des disques à succès au cours de la dernière décennie et probablement de la suivante.Muest le langage à lampes pour le gain et Variable Mu est leur marque déposée pour ce compresseur limiteur. Il fonctionne en utilisant lacoupure à distanceou la re-polarisation d'un tube à vide pour obtenir une compression. Le précieux Fairchild 670 vintage utilise également cette technique et est l'un des rares compresseurs tout lampes à le faire, à leur connaissance. Même la chaîne latérale a des bouteilles de redressement incandescentes.Comment ça marche La double triode 5670 unique est au centre de l'action de réduction de crête et de compression, constamment re-biaisée par les tensions de commande de la chaîne latérale rectifiées du tube à vide, ce qui fait que ce tube modifie en douceur son gain. Juste comme ça. Le mode COMPRESS est un rapport de genou souple de 1,5 à 1, tandis que le mode LIMIT de genou plus précis commence à 4 à 1 et passe à un rapport plus spectaculaire de 20 à 1 lors de la limitation supérieure à 12 dB. Fait intéressant, le genou se ramollit en fait à mesure que l'on utilise plus de limitation. La distorsion peut être utilisée de manière créative en augmentant l'entrée et en diminuant la sortie tout en utilisant très peu ou pas de compression. Voir les courbes de réduction de gain ici !Vous remarquerez peut-être que le compresseur Variable Mu Limiter a un contrôle d'entrée groupé, mais ne sautez pas aux conclusions selon lesquelles il est mono-incompatible. Traquez loin ! Il existe des commandes de seuil et de sortie séparées pour effectuer des compensations et vous pouvez toujours ajuster vos niveaux de source individuels ailleurs, n'est-ce pas L'avantage du contrôle d'entrée stéréo devient considérablement clair lorsque vous passez en mode LINK et c'est ce que leur compresseur limiteur Mu variable fait mieux que toute autre chose : mixage final, limitation et compression 2 pistes ou mastering. Comme l'a dit un critique :C'est comme verser un bol de crème sucrée sur le mélange.Mmmmmm. Appétissant. Faites un gros câlin à votre musique. Caractéristiques : - Caractéristiques du compresseur Manley Labs- Transformateurs d'entrée et de sortie Manley avec des tôles de nickel dans des boîtiers en mu-métal avec une réponse en fréquence plate de 20 Hz à 25 kHz- Entrées et sorties symétriques (600 Ohms)- Circuits ALL-TUBE entièrement différentiels utilisant chacun 5670, 5751 (ou 12AX7), 7044 (ou 5687) et 12AL5 par canal- Alimentations B et Chauffage régulées indépendamment- Interrupteur BYPASS câblé- Atténuateur d'entrée à gradins à partir du 10/2011. (les unités plus anciennes utilisent un potentiomètre silencieux double)- Récupération 5 étapes : 0.2s, 0.4s, 0.6s, 4sec., 8sec- Attaque variable : 25msec-70msec- Seuil variable en continu- Limite (4 : 1 à 20 : 1) ou Compress (1,5 à 1)- HP SC : Filtre Passe Haut Side Chain -3dB à 100Hz- Commutateur de liaison stéréo- Plusieurs unités peuvent être liées pour le surround (commande personnalisée)- Gain maximal : 35dB- Sortie max : 30dBu (26Vrms) 26dB headroom- Moins de 0,1% THD à 1KHz Bruit de fond : -85dB typique- Consommation électrique (120 / 240VAC): 80 watts- L'unité est réglée en usine pour un fonctionnement 100V, 120V ou 220-240VAC pour la tension secteur du pays de destination d'origine- Tension secteur de fonctionnement modifiable avec commutateur de changement de transformateur de puissance et changement de valeur de fusible- Valeur du fusible secteur pour un fonctionnement 100-120VAC : remplacer par 1,25A à partir du 10/2011- Valeur du fusible secteur pour un fonctionnement 220-240VAC : remplacer par 0,6 A (600 mA) à partir du 10/2011- Type de fusible secteur : MDA ou MDL SLO-BLO Temporisation 1 1/4x 1/4- Fréquence de tension secteur : 50-60Hz | |
Manley Core Channelstrip Namm 2014 News
Fort d un héritage de 25 ans à produire du matériel d enregistrement utilisé par les m...(+) Fort d un héritage de 25 ans à produire du matériel d enregistrement utilisé par les meilleurs studios, Manley Labs a extrait la substantifique moelle de sa lignée. Le Manley CORE est un channel strip qui combine les plus grandes réussites de Manley avec de nouvelles technologies. Le panneau avant est très intuitif, il contrôle un circuit musical et flatteur qui permet au musicien de se concentrer sur sa performance plutôt que de se perdre dans un océan de boutons. Une grande facilité d utilisation ainsi que des contrôles savamment choisis font qu il est virtuellement impossible d enregistrer une piste qui ne sonne pas bien !À ce prix, aucun autre channel strip ne présente autant de headroom et un son aussi séduisant que le CORE. Fabriqué à la main aux Etats-Unis et solide comme un tank, le CORE est fait pour supporter des années d utilisation en tant qu épicentre de vos enregistrements. Le signal entre dans le transformateur d entrée bobiné à la main Manley IRON. L étage d amplification à l ampe est la dernière implémentation du fameux circuit Classe A que l on trouve dans la VOXBOX et les préamplis Dual Mono et Mono. Ce circuit à lampe tout-triode est alimenté en 300 Volt B , ce qui permet un headroom énorme et un niveau de sortie sans pitié. - Entrées et sorties :- Entrée micro XLR symétrique- Entrée ligne XLR symétrique- Entrée instrument 1/4sur le panneau avant- Point d insert entre le préampli micro et l EQ/limiter via un jack 1/4- Sortie XLR symétrique directe (après la section de préampli et le compresseur)- Sortie XLR symétrique principale | |
Massive Passive Manley Stereo Tube Equalizer
A PICTURE IS WORTH A THOUSAND WORDS...Perhaps, but would photographs of our Variable Mu® ...(+) A PICTURE IS WORTH A THOUSAND WORDS...Perhaps, but would photographs of our Variable Mu® Limiter Compressor or VOXBOX® have created their successes alone You have to hear this gear. You have to use this gear. Put your hands on the knobs and crank 'em. Engineers who have already gotten hold of the MASSIVE PASSIVE have told us: Why does it make everything sound so much better , It's organic and orgasmic., It's a f%#king powerhouse., It's unlike any other EQ., This is IT. The sound I've always dreamt of but couldn't ever get until now.GOT THE PICTURE Craig 'HUTCH' Hutchison designed these monsters... The MASSIVE PASSIVE is a two channel, four band equalizer, with additional high pass and low pass filters. Passive refers to the tone shaping part of this clever new EQ design not using any active circuitry. Only metal film resistors, film capacitors and hand-wound inductors sculpt the sound, kinda like a Pultec EQ on hyper-steroids. Super-beefy, hugely-high-headroom Manley all-tube make-up gain amplifiers deliver your tunes into the next realm. Massive.... it's a fitting word for this beast. You'll need to experience this.Creating natural, organic, acoustic tone can only be done with an equalizer that treats the signal with natural methods. The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a complex circuit to meet an arbitrary clinical or scientific goal. Manley knows that recording and mastering equalizers are used by artists for artistic goals and we balanced this design with a little more art than science. The Massive Passive is intended both for the most radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but incorporates the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that the Massive allows twice as much EQ with half the coloration. It allows huge HF boosts without sibilance problems and unbelievable fatness without mud. This is unique. Being different also gives it some quirks and idiosyncrasies that will spark your creativity and sense of audio adventure. We could attempt to use dozens of superlatives to describe the sounds, but really, you have to experience it yourself. Words cannot do it justice. The astute reader will notice a lack of buzz words and that the Massive Passive is not built around gimmicks, plagiarisms, or conventional techniques. However, it is built to complement our Variable Mu® Limiter Compressor for instance.... This combo could just be the ultimate processing chain. Its already a Mastering fave. To this end we finally have a new dedicated Mastering Version Massivo available too.The Filters - 5 frequencies Hi Pass and bypass, PLUS 5 frequencies Lo Pass with bypass. We made them extra steep. 36 dB/oct ! Why When you need to remove the garbage, this does the trick and allows more of the real music to be untouched. The other reason is that it sounds killer when combined with the regular bands. Towards the mids this degree of steepness may be tamed somewhat. We're going for pure usefulness not well, we guess it's standard. Thinking drums and guitar stacks, and other tough jobs. These filters are passive too.High Pass Filters = 22, 39, 68, 120, 220, OFFLow Pass Filters = 6K, 7K5, 9K, 12K, 18K, OFFLOW - 22, 33, 47, 68, 100, 150, 220, 330, 470, 680, 1KLM - 82, 120, 180, 270, 390, 560, 820, 1K2, 1K8, 2K7, 3K9HM - 220, 330, 470, 680, 1K, 1K5, 2K2, 3K3, 4K7, 6K8, 10KHI - 560, 820, 1K2, 1K8, 2K7, 3K9, 5K6, 8K2, 12K, 18K, 27K# Each band can be bypassed or set to boost or cut. This provides twice the control resolution over conventional EQs. It also eliminates the problem of a center detent not guaranteeing flat response.# Each band is capable of 20 dB of boost or cut combined with amazing headroom and freedom from clipping. Steep LP and HP filters for maximum effectiveness and achieved passively for minimal coloration. The minimum slope is 18 dB/octave and the 18kHz filter was designed for 60 dB/octave. # Modular design that allows future upgrades and special functions. The Massive Passive is an EQ platform with room to grow.# Transformer balanced floating outputs for ease of installation and a touch of desirable flavor. These too were custom designed for the Massive Passive to accommodate the huge boosts possible.# Manley quality, Manley engineering, and the Manley Sound. Features: All-Passive tone sculpting circuitry Unique Shelf curves use the bandwidth control Overlapping and Interleaved Frequency choices Every band switchable to shelf or bell Vacuum tube make-up gain and line drivers Parallel symmetrical topology Premium components throughout HP and LP Filters plus gain trims SPECIFICATIONS: Ins & Outs Balanced XLR & 1/4 (accepts unbalanced) Level +4 dBu nominal, internal switches for -10 operation Bypass Switch bypasses EQ & tube circuits (not hardwire) 44 Frequencies (roughly 1/4 octave spacing) Frequency Range: 22 Hz to 27 Khz EQ Boost/Cut Range : 20 dB boost, 20 dB cut Nominal Q range: 1.5 to 3 (uniquely active in shelf modes) Frequency Response: +/- 2 dB: 8 Hz to 60 KHz Maximum Output @ 1.5% THD +37 dBv; +26dBv @ 20 Hz THD & Noise (1KHz @ +4 dBu): 0.06% Noise Floor (referred to +4dBu): -85 dB (A Weight) Dynamic Range: 120 dB Tube Complement: 2 x 12AX7EH, 4 x 6414 for serial MSMPX### after 2/2004 Tube Complement: 2 x 5751, 4 x 6414 for serial MSMP### until 2/2004 Power Consumption (120/240VAC): 72 watts Unit is factory set for 100V, 120V or 220-240VAC operation for original destination country's mains voltage. Operating Mains Voltage changeable with power transformer changeover switch and fuse value change. Mains Voltage Frequency: 50~ 60Hz Size (3U): 19 x 5.25 x 10 Weight: Unit 21 lbs. Shipping Weight: 27 lbs. | |
Manley Variable-mu Variable Mu The Works Stereo Limiter Compressor Ms Mod T-bar Mod
The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystalli...(+) The Variable Mu Limiter Compressor is the GLUE that holds the mix together while crystallizing it into a professional, final product. All-tube, all transformer, an all-American legend. High Pass Side Chain mod now comes standard. The Works version includes MS Mod and T-Bar Mod. Specifications - MANLEY input and output transformers with nickel laminations in mu-metal cases with flat frequency response from 20Hz-25KHz - BALANCED INPUTS and OUTPUTS (600 Ohms) - Fully differential ALL-TUBE circuitry using one each 5670, 5751 (or 12AX7), 7044 (or 5687), and 12AL5 per channel - Independently regulated B and Heater supplies - Hard-wire BYPASS switch - Stepped switch INPUT attenuator as of 10/2011. (older units use Silent dual-ganged potentiometer) - RECOVERY 5 steps: 0.2s, 0.4s, 0.6s, 4sec., 8sec. - Variable ATTACK: 25msec-70msec - Continuously variable THRESHOLD - LIMIT (4:1 to 20:1) or COMPRESS (1.5 to 1) - HP SC: High Pass Side Chain Filter -3dB @ 100Hz Large ILLUMINATED Sifam METERS (older units before serial number MSLC61642 shipped before 12/2003 use: 26V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016B) Order spare bulbs using our parts order form. (newest units after serial number MSLC61642 shipped after 12/2003 use white LED lighting) - STEREO LINK SWITCH - Several units can be linked for Surround (custom order ) - Maximum gain: 35dB - Max. output: 30dBu (26Vrms) 26dB Headroom | |
Microphone Pre-amplifier, Equalizer, Compressor, De-esseur Manley Voxbox
It looks awesome, but what is it Primarily, it is a voice processor which in itself is not...(+) It looks awesome, but what is it Primarily, it is a voice processor which in itself is not a novel idea, but the time had come to pull out all the stops and make a truly professional high-end statement. One that covered the needs of the project songwriters and big-time major studios alike. One whose all-tube signal path could bring every instrument and overdub to life. One that, plain and simple, sounded unquestionably better than the rest, provided flexibility, simplicity, and well thought-out ergonomics. Full of features, timeless style, robust build quality, and that world-famous Manley Sound, we present to you the MANLEY VOXBOX®.That s nice. What s it good for While we were designing the VOXBOX® we couldn't help but notice how well it works on other instruments besides voice. There are some great settings for drums, bass, guitar, and keys and the two separate sections can be used together or independently. Stereo using two VOXBOXes You know we couldn t resist planning for that as well. There are Stereo Links for both the compressor and the De-Ess/Limiter sections, special compression settings and super-sweet EQ frequencies for your mix or pre-mastering. So don't just use it for voice. The name VOXBOX® represents only the beginning...MICROPHONE PREAMPLIFIER SECTION : The preamplifier is a clone of a highly regarded and popular mic pre: the Manley Mono Microphone Preamplifier! The mic input transformer is our own design wound in-house at the Manley Labs factory. High current 48V Phantom power is switchable from the front panel. A simple and effective passive BASS CUT switch kills rumble and reduces popping. The INPUT ATTENUATOR is a variable pad control situated before the first tube stage allowing the preamplifier to accommodate 4 line level signals via the balanced LINE INPUT and instruments via the front panel 1/4 DIRECT INPUT. These inputs are selected in the middle position of the dual-function phase invert switch. We provide both transformer balanced XLR output as well as a transformerless audiophile 1/4 phone jack output. The Gain switch is actually a clever variable feedback control that changes not only the gain but the slew rate and flavour of the circuit. With it you can choose how laid back and mellow or how up-front and aggressive you want it to get. See Notes on Variable Feedback for more info. Headroom is a strong point in this circuit, 31dBu capable. This is 5 to 10 dB better than almost all other pro gear. The music passes through only our super-clean pure Class A vacuum tube circuitry. There are obvious advantages to our purist approach and foremost is the un-electronic final sound that carries emotion into the digital realm. COMPRESSOR SECTION : This cool compressor design takes our opto-isolator approach of the Manley ELOP® Limiter to the max. We adjusted the Ratio down to 3:1 to turn our ELOP into a compressor and added ATTACK and RELEASE controls for more versatility. What is clever is how the signal is compressed before it hits the tubes with no detrimental effect on distortion or frequency response. This way, it can prevent mic-pre clipping and eliminate whole stages of electronics. This cuts the typical path of mic to tape in half! We also pioneered new thinking in the sidechain by using up to four different time constants simultaneously and controlling them with familiar simple attack, release and threshold controls. We call the approach Parametric Compression. We developed optimum settings or presets based our favorite Vactrols that we use in our own fast ELOP® Limiter, the quick LA-2A's T-4 module, the slower LA-3A and then created more complex special settings. This extended range and method of timing delivers fresh sounds from powerhouse punching drums to super-solid bass yet can also emulate the way good engineers delicately ride a fader while recording. It is transparent and liquid-smooth on vocals, easy to use and accurate. Also rare for an opto-based dynamic processor, this compressor works great on mixes. Of course, you ll be needing two VOXBOXes linked in stereo... EQ SECTION : Lots of folks requested that we include the Pultec Mid Frequency Equalizer in the VOXBOX®, but they wanted MORE.... Now we ve extended it to 33 frequencies in 3 bands with 6 new frequencies from 20 Hz to 150 Hz, and 6 more in the highs from 6.4 KHz to 20 KHz. Ever notice that only EQs with real inductors have the bottom end magic or that only Class A circuitry can keep the top end sweet This is for you. The EQ INPUT switch patches in the Line Input, Preamp Output, or the INSERT return. This switch serves double-duty acting as a bypass switch for the preamp and/or external processors or for processing two different tracks. DE-ESSER and LIMITER SECTION : Designed by folks with admittedly large gaps between their two front teeth, (Hutch and EveAnna) the VOXBOX® combo also includes a de-esser and peak limiter based on our original ELOP® Limiter design but with an added passive LC network to handle the de-essing four carefully chosen notch frequencies from 3KHz to 12KHz. (That 3KHz setting really tames those annoying frequencies!) The fifth position gives you a limiter which totally mimics the famous LA-2A. This means you can both compress pre-EQ then limit here post-EQ. Another cool feature is the ability to insert this de-esser silently and smoothly as the music plays, using it as needed. The METER is a full size illuminated Sifam VU meter. A five-position switch shows three audio levels: the line input, the preamp output and the final output. It also shows compressor gain reduction and the de-esser/limiter action. Other clever innovations incorporated into the VOXBOX® combo include warm-up muting circuitry, extensive magnetic field containment, smart -grounding , and silent switching. The sum-total is more than the separate parts: consider the reduced patching, the short path to tape and you having this much immediate control.As engineers, we choose what we use not based entirely on features and functions there is a sound, a texture we reach for and the VOXBOX® combo puts the Manley Sound together with Your Sound . FEATURES AND SPECIFICATIONS* MANLEY transformers w/nickel laminations in mu-metal cases* 2 Kohm MIC INPUT Z w/High current 48V Phantom power built-in* Hi-Z (100K) Direct Instrument Input* LINE and INSERT INPUTS (balanced XLR and 1/4)* PREAMP and EQ outputs LO-Z (50W)* Transformer balanced XLR outputs* Transformerless unbalanced 1/4outputs* STEREO LINK for Compressor and De-esser/Limiter* SIDE CHAIN MONITOR for De-Esser* Large ILLUMINATED Sifam METER with FIVE readout modes(older units before serial number MVB**1359 shipped before 9/2003 use: 12V 1.2W FESTOON LAMPS; Manley's Part Number: VAR016C) Order spare bulbs using our parts order form.(newest units after serial number MVB**1359 shipped after 9/2003 use yellow LED lighting) * THD N (1KHz @ 20 dBu): 0.3%* Maximum output: 31dBu Manley VOXBOX Combo Specifications:* MIC PRE* Frequency Response: ±1dB 20Hz - 60KHz* Noise Floor (A-weight): -86 dB* Signal to Noise Ratio: 113 dB* Tube complement: 12AX7LPS and 6414* Gain: 40 to 60 dB* EQ* Frequency Response: 10 Hz 100KHz* Noise Floor (A-weight); -89 dB* Signal to Noise Ratio: 116 dB* Gain: unity* COMPRESSOR* Ratio: 3:1* Maximum Reduction: 16 dB* Attack Times: 4mS to 70mS* Release Times: .3, .5, 1, 2, 5 Sec* DE-ESSER and LIMITER* Ratio: 10:1* Maximum Reduction: 32 dB* Attack Times: 2mS* Release Times: .5 Sec* De-Ess Notch Frequencies: 3, 6, 9, 12KHz, none (LIMIT)* General Info:* THD N (1KHz @ 20 dBu): 0.3%* Maximum output: 31dBu* Power Consumption: 24-watts* Mains Voltage Frequency: 50 60Hz* Dimensions: 19 x 5.25 x 10 (occupies 3U)* Shipping weight: 21 lb. | |
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