| SPL : Hermes All Black
- Router for eight 2-channel processors- Two parallel mix stages with switchable level cor...(+) - Router for eight 2-channel processors- Two parallel mix stages with switchable level correction- Create, save and compare processing chains- Quick comparison of up to four processing chains- Entirely passive routing- Enter and display device names- 120 V technology- Colour: All black- Dimensions (W x H x D): 482 x 88 x 300 mm- Weight: 9 kg |
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| SPL : Stereo Vitalizer Mk2-T
(38 comments)
Stereo Vitalizer MK2-T Modell 9739- Tube version of the Vitalizer bestseller- -20 dB - 2 d...(+) Stereo Vitalizer MK2-T Modell 9739- Tube version of the Vitalizer bestseller- -20 dB - 2 dB Drive- 2 Bass sounds (tight and soft)- Stereo expander- Clip LED- Ground / lift switch- Very good sound quality- Balanced XLR and jack I/O- 19" / 1 RU |
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| SPL : Tube Vitalizer
(10 comments)
Tube Vitalizer Model 9530- Tube-based Vitalizer- Bass and HiFreq RC and LC filters- 2-band...(+) Tube Vitalizer Model 9530- Tube-based Vitalizer- Bass and HiFreq RC and LC filters- 2-band compressor- "Limit" mode in the tube section- Sym. XLR and jack ins outs |
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| SPL : 9629 De-Esser
(9 comments)
De-Esser model 9629- 2-channel De-esser- XLR / Jack In / Out- Process selectable: Female /...(+) De-Esser model 9629- 2-channel De-esser- XLR / Jack In / Out- Process selectable: Female / Male- Auto Threshold- Very good sound quality- 19 "/ 1U |
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| SPL : DeS
(7 comments)
- Removal of sibilant noise via phase cancellation- 2-band processing: Hi-S and Lo-S- Cont...(+) - Removal of sibilant noise via phase cancellation- 2-band processing: Hi-S and Lo-S- Controls for Hi-S and Lo-S- De-S intensity LED display- Male / Female voice selection- On / Bypass toggle switch- Signal LED- Single slot 500 series rack module |
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| SPL : TDx
(7 comments)
- Extended original Transient Designer circuitry- Attack, sustain, output level and mix co...(+) - Extended original Transient Designer circuitry- Attack, sustain, output level and mix controls (blend between 'wet' and 'dry')- Differential Envelope Technology (DET)- On / Bypass toggle switch- Signal LED- 500 series rack module (single slot) |
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| SPL : MixDream XP
(21 comments)
High quality analog summation- Size 19 "rack format with only one RU- High-quality design ...(+) High quality analog summation- Size 19 "rack format with only one RU- High-quality design with Class-A / 60V stages for the analog, active summation in the quality of the best analogue consoles- Summation of all analog tracks before A / D conversion- Latency-free listening- Channel number can be expanded as required by additional units- Own differential amplifiers for each input |
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| SPL : HPm
(1 comments)
- Two separately adjustable headphone outputs, each with their own separate amplifier stag...(+) - Two separately adjustable headphone outputs, each with their own separate amplifier stages- Phase reversal of L and R channels, as well as stereo / mono / mute switching- Electronically balanced- Impedance: 10 kOhm- Max. input level: +21 dBu- Max. output level: +18 dBu @ 600 ohm, +15 dBu @ 300 ohm, +5 dBu @ 32 ohm- Frequency range: 10 - 10,000 Hz- Noise floor: -92.3 dBu (A-weighted)- Total harmonic distortion (THD): 0.00024% (at an output level of 0 dBu and 600 ohm)- 0 dBu = 0.775 V- Dual slot 500 series rack module- Weight: 0.8 kg |
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| SPL : MixDream
- High-quality analogue summation to only 2U- No mixing console required- High-quality des...(+) - High-quality analogue summation to only 2U- No mixing console required- High-quality design with Class-A / 60V stages for the analog, active summation in the quality of the best analogue consoles- 16 symmetrical insert paths for optimal integration of analog effects into the DAW- Reduction of the A / D conversion (14 A / D conversions less with fully loaded inserts), summation of all analog tracks before the A / D conversion- Channel settings and automation (level, panorama, etc.) are still made in the DAW - the digital comfort remains fully preserved- Lower processor utilization of the DAW- Easy re-sampling of individual tracks, latency-free listening- Surroundable (from 3 MixDream units)- Channel number can be expanded as required by additional units- Analogue peak limiter for powerful loudness gain- Sensitive and transparent stereo control- Master inserts and switchable output transformers- Optimized signal paths, all switching functions via relays- Separate differential amplifier for each input- Discretely built, low-noise power supply- Frequency range: |
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| SPL : PQ black
- 120 V technology- Fully parametric five-band equalizer- Frequency range: 10 - 40,000 Hz-...(+) - 120 V technology- Fully parametric five-band equalizer- Frequency range: 10 - 40,000 Hz- Type: 19 "/ 4 U- Dimensions (W x H x D): 482 x 177 x 311.5 mm- Weight: 15.2 kg- Colour: Black |
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| SPL : BiG
- SPL BiG; Stereo Image Processor; Range: selection of frequency range to be processed; St...(+) - SPL BiG; Stereo Image Processor; Range: selection of frequency range to be processed; Stage: frequency range is pushed back or forward on the stereo stage; Bigness: intensity of stereo processing; Bypass switch; Signal LED; API Series 500 format, requires two 500 slots |
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| Spl Des Dual-band De-esser 500 Format News
Back in the 1990 s, we developed an alternative way to process signals based on phase canc...(+) Back in the 1990 s, we developed an alternative way to process signals based on phase cancellation in order to reduce sibilance. Unlike traditional compression methods, this procedure is much more unobtrusive and simplifies control to one single parameter. SPL s De-Esser quickly became a standard reference among recording studios, broadcast stations and live sound engineers. The Dual-Band De-Esser expands on this concept by making use of two frequency bands that can be used independently or jointly. Two de-esser stages increase processing effectiveness without introducing audible artifacts. Focused processing with high and low bands makes it possible to process sibilant sounds with great precision. Furthermore, input signals are automatically adjusted so the processing is uniform, regardless of the distance between source and microphone. The Male/Female modes adapt processing in the lower band to male or female voices. Now, the Dual Band De-Esser DeS is also available in 500 Series format. High Band and Low Band De-Essing You can use the two processing stages separately or jointly. They are connected in series as independent de-esser modules. The Low-Band De-Esser (Lo-S) is set fi rst in the chain. If both de-essers are engaged, there is interaction between them: a signal already processed with the Low-Band De-Esser is different from the raw material that the High-Band De-Esser would otherwise process. Application: Voice (Male/Female) The Male/Female switch allows you to adjust the Low-Band De-Esser to the type of voice being processed. These values have been determined by practical experience, so that the processor adapts better to gender. Nevertheless, you cannot take for granted that these settings will suit every single male and female voice. Consider the Male/Female function as an additional tool to help you set the Low-Band De-Esser more precisely according to your needs. Always trust your ears to find the best settings. |
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| Spl Frontliner Tube Transistor Preamplifier Microphone Instrument Di De-esser Compressor Limiter Eq ...
With the finest ingredients from SPL, the new flagship of SPL's channel strips establishes...(+) With the finest ingredients from SPL, the new flagship of SPL's channel strips establishes the basis for world-class recordings and each of its particular processing stages can be inserted into studio environments or DAWs like analog plug-ins! The brand-new Frontliner has all tools on board to record vocals and instruments in perfect quality: it merges a preamp, a de-esser, an EQ and a compressor. Thanks to it's individual analog I/Os, all these powerful, hi-end analog processors can be inserted into any studio by the Frontliner pilot, i. e. to use them also during mixing and mastering. Thus it appears that the Frontliner is not reduced to a frontend device especially DAW based studios get the chance to integrate high-grade analog processing at any stage of the audio production process. The hybrid preamp with discrete transistor stage and separate tube stage combines high performance and neutrality with the option for sound coloration by enhancing the harmonic content with the switchable tube drive. The unique one-knob de-esser employs a phase cancelling technique to reduce sibilants. With three bands, the EQ section covers the complete frequency spectrum efficiently, and a tube saturation control allows to apply distortion to any signal from subtle to reckless levels. The compressor offers all classic parameters and a controllable automation of attack and release which adjusts the setting of time constants to the input signal pretty much like a cruise control. Three separate, individually optimized inputs for microphones, line signals and instruments. Discrete semiconductor/tube hybrid preamplifier to combine the advantages high dynamic range and low noise operation of semiconductors with the musical qualities of tube sounds (appealing top end, beautiful spacial impression). Discrete construction is based upon single transistors instead of integrated circuits (ICs) from industrial production and ensures a higher level of optimization. 250 volts tube circuits in the preamplifier and for tube saturation stages. High-grade operational amplifiers from Burr-Brown at critical positions. The SPL De-Esser applies the method of phase cancellation for reducing sibilants. This innovative approach works much more neutral than traditional compression methods a unique method for unobtrusive results and extremely fast operation. The compressor is operated by SPL s double VCA drive circuitry. A differential stage eliminates side effects and the half load per VCA dramatically reduces THD. The operational amplifiers for the compressor circuitry meet military specifications. Therefore the regulating voltages are extremely precise a precondition for high signal processing quality. Selected condensers for the EQ filters with pleasant sound characteristics. Especially with vocals, amplified frequencies are not sounding too bright, and on the other hand reductions can tame harsh sounds without sounding dull. Central star ground wiring scheme minimizes influences that could affect the ground paths. The audio ground is separated from the ground of the remaining equipment. This leads, in the truest sense of the word clean , to considerably improved tonal quality. The power supply is built around two toroidal transformers, one for the audio voltages and one for the other supply voltages (tube heating, LEDs, micro controller etc.) Mutual interferences are excluded and lavishly over-dimensioned capacities ensure absolutely stable supplies for all audio circuitries. |
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| Spl Transient Designer 4 Td4 Dynamic Processing 9842000
The Transient Designer provides a revolutionary concept for dynamic processing rendering c...(+) The Transient Designer provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer provides a very elaborated automation, so while the processing going on inside the box may be very complex, the user has to deal with just a pair of intuitive controls. How does it work The Transient Designer uses envelope followers to track the curve of the natural signal so that optimum results are guaranteed regardless of the input signal's dynamics. Because of the level-independent processing inherent in Differential Envelope Technology (DET), manual threshold adjustments are not required. Sound benefits - The attack of a bass drum or a loop can be emphasised with a single control to increase the punch and the penetration in the mix - Sustain of a snare or room-sound can be shortened very musically to clean up the mix for more transparency - Acoustic or electronic instruments become in the face sounds or can be smoothened with lower attacks - De-verb capability! Less Sustain shortens reverb flags of any sound (more elegant than gates do) - New panorama effects based on different dynamic effects per channel try this with loops for example Other features For stereo operation the Link function connects channel pairs (1 and 2 and/or 3 and 4). Linked channels are controlled by the same side-chain voltage so as to maintain a coherent and stable stereo image. When operating in Link-mode, the control elements of the first (or third) channel, including the Active switch, control the second (or fourth) channel, too. Each channel is equipped with a relay hard bypass circuit to ensure a minimum signal path when the process is bypassed and to provide power fail safety. The Signal-LEDs allow to quickly monitor the signal flow, which is particularly important if the four channels are connected to a patchbay. The Transient Designer is fitted with XLR-connectors for balanced operation. To improve signal quality, SPL has developed a new hybrid-component balanced input/output stage using all laser-trimmed resistors with a tolerance of 0.01%. This approach has resulted in an exceptionally high CCMR (common mode rejection) better than -80dB at 1kHz. |
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| Spl Iron Stereo Tube Mastering Compressor 1520 Messe2015 Wbdlxstudio Unveiled at the MusikMesse 2015! |
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| Spl Mixdream Analog Summing Unit With 16 Inserts 2384
The MixDream is a cascadable, 16-in-2 analog outboard mixer in a 19 /2U format. Any DAW or...(+) The MixDream is a cascadable, 16-in-2 analog outboard mixer in a 19 /2U format. Any DAW or digital console can be expanded with active analog stereo summing and insert functionality. This concept offers high-grade analog summing without panorama and fader controls, in turn allowing an engineer to retain the entire scope of his computer automation. One MixDream can sum up to 16 audio tracks to a stereo signal, and should the need arise for more than 16 tracks, several MixDreams may be linked together. The MixDream discrete class A technology is based on a 60-volt rail ( /- 30V). Newly developed circuitry, based on the most modern analog components, guarantees an extremely high slew rate, a low noise level of -97dBu (A-weighted, all channels active) and a dynamic level of over 125dB. Thus the MixDream easily realizes the technical level of the best analog consoles. MixDream advantages: High-grade analog summing on just 2U rack space Sophisticated, active Class A/60V stages for analog summing in the quality of the best consoles 16 balanced inserts allow for integrated analog effects with individual and overall hard bypass relays Reduction of A/D conversions (14 A/D conversions can be spared with all inserts connected). All analog tracks can be summed before A/D conversion. Channel adjustments and automation (level, panorama etc.) remain controlled from the DAW so the user loses no digital efficiency Lower DAW processor utilization rates The most efficient possible re-sampling of individual tracks with latency free monitoring Surround capable (from up to 3 MixDream units) Channel capacity expandable through linked units Sensitive and transparent stereo expansion control Analog peak limiter for impressive loudness Master inserts and switchable output transformers from Lundahl Optimized signal pathes, all switching functions via relays Proprietary differential amplifiers for each input Discrete, exceptionally low-noise power supply |
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| Spl Stereo Vitalizer Mk2t Enhancer Tubes (9739000)
Le Stereo Vitalizer MK2-T possède des circuits à lampes dans son filtre médian ainsi que d...(+) Le Stereo Vitalizer MK2-T possède des circuits à lampes dans son filtre médian ainsi que dans l´étage de sortie. Son analogique de qualité supérieure garanti ! L´optimisation brevetée du son par le Vitalizer® est recommandée dans tous les domaines de la production musicale et de la diffusion afin de redessiner les plus fins détails des signaux audio et mettre en valeur la balance des sons avec des contrôles efficaces et des traitements très musicaux. |
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| Spl Tdx Transient Designer 500 Format
With the Transient Designer TDx the level-independent processing of signal paths is making...(+) With the Transient Designer TDx the level-independent processing of signal paths is making headway into the world of 500 series rack modules. Working with the Transient Designer is very simple: Attacks can be amplified or attenuated and sustain may be prolonged or shortened. However, the possibilities for studio and live application are seemingly endless. Technical foundation is SPL s Differential Envelope Technology (DET) which allows level-independent dynamic processing by calculating differences in generated envelopes. These envelopes are always tracking the curve of the original signal to provide optimal results in every moment of the music. So only two controls per channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound. Thanks to the new TDx feature MIX (parallel mix) you can continuously blend between the processed and the unprocessed signal. Thus, the range of functions is extended even further and with the three parameters ATTACK, SUSTAIN and MIX, which offer an intuitive operation, the options of designing transients reach a new dimension of great variety. The Transient Designer is ideally suited for use in professional recording, project or home studios and in sound reinforcement applications. Applied to single instruments or loops the Transient Designer allows you to create entirely new sounds and/or effects. The following examples are given as suggestions and examples. You will find more examples in the manual. The described procedures with specific instruments can of course be transferred to others which are not mentioned here. Drums and Percussions Processing drum and percussion sounds is probably the Transient Designer s most typical range of application, both from samples to live drum sets: Emphasize the attack of a kick drum or a loop to increase the power and presence in the mix by increasing ATTACK. Drums Ambience If your drums happen to sound as if the room mics have been placed in a shoe closet, the Transient Designer can immediately turn that sound into the ambience of an empty warehouse. Just send the room mic through the Transient Designer module and crank the ATTACK control to emphasize the first wave.Now slowly increase SUSTAIN values to bring up an all-buttons-in- 1176-sound room tone but without pumping cymbals. Bass: Staccato vs. Legato Speaking of bass: Imagine a too sluggishly played bass track ... you may not have to re-record it: Reduce the SUSTAIN until you can hear clear gaps between the downbeats the legato will turn into a nice staccato, driving the rhythm-section forward. |
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| Spl 24/192 Ad Converter 24 Bit 192 Khz Analog Digital Output Optional Module 1090
Internal analog to digtal converter module (optional digital output) The Analog/Digital...(+) Internal analog to digtal converter module (optional digital output) The Analog/Digital Converter Module 1090 is an optional digital output for compatible SPL units (see below) with a plug-and-play design for easy installation. It offers an S/P-DIF output with both coaxial and optical connectors in parallel. The heart of the module is a 24-bit converter with a variable sample rate of up to 192 kHz. Highly accurate quartz oscillators ensure a clean, low-jitter master clock. The internal sample rate can be switched between 44.1, 48, 88.2 and 96 kHz. Other sample rates (32, 176,4 and 192 kHz are set by external syncronization. The converter can be synced to other digital devices via a S/P-DIF input. The internal oscillators are automatically disabled when an external clock signal is present to prevent interference. An extremely effective voltage stabilizing circuit ensures that the converter continuously receives sufficient and stable voltage an important prerequisite for clean, transparent audio. The compact design of the input stage guarantees the shortest possible signal path to the converter. Overdimensioned grounding surfaces on both sides of the circuit board effectively reduce interference and ensure optimal separation between analog and digital components. The converter module 1090 serves as an optional digital output for the following SPL units: - Frontliner - Channel One - Track One - Kultube - GainStation1 - GoldMike MK2 SPECIFICATIONS - Internal sample rates: 44.1, 48, 88.2, 96 kHz - External sample rates: 32 kHz, 176,4 kHz and 192 kHz - Dynamic range: 112 dB (A-weighted) - THD N (@-1 dBFS/1 kHz): 0,0007% - Frequency response (48 kHz): 10 Hz-22kHz, ±0.2 dB - Jitter (average; 700 Hz-100 kHz): 300 ps - Stop band attenuation: -105 dB @48 kHz; -102 dB @96 kHz - 0 dBFS: = 15 dBu - Power consumption 15 V: max. 115 mA - Power consumption -15 V: max. 17 mA - Dimensions (W x H x D): 100 x 27 x 76 mm (3.94 x 1.06 x 3 in.) - Weight: 68 g (2.39 oz.) |
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| Spl Track One Microphone Instrument Preamplifier Di Eq De-esser Limiter Compressor Channel Strip 296...
The new model 2960 brought a facelift to one of our best-selling products. Now the new SPL...(+) The new model 2960 brought a facelift to one of our best-selling products. Now the new SPL design represents the common origin of our channel strips Frontliner, Channel One and Track One. However, technically we did not change anything to continue with tried and tested quality. The Track One is a complete mono channel strip with a very attractive price/performance ratio. It is a perfect tool for the fast and safe recording of voices and instruments and especially popular in the German broadcasting industry. The Track One meets highest demands in sound quality and reliability and covers an unlimited application range from studio over live to post production applications. FEATURES - Preamp stages optimized for all microphone types and instruments - SPL s De-Esser - Compressor/limiter stage - 3-band EQ stage - Output stage with metering - Balanced XLR and 1/4 inch TRS connectors - Options: A/D converter and Lundahl input transformer SPECIFICATIONS MICROPHONE INPUT Frequency response: 10 Hz-200 kHz (200 kHz = -3 dB) Common mode rejection: 1 kHz: -80 dB / 10 kHz: -68 dB (at -20 dBu) THD and N amplification A-weighted 20 dB -97,5dBu 40 dB -91,0dBu 65 dB -69,6 dBu Dynamic response: 115 dB INSTRUMENT INPUT Frequency response: 10 Hz-180 kHz (180 kHz = -3 dB) THD and N amplification A-weighted 7 dB -98,4 dBu 20 dB -95,8 dBu 42 dB -77,2 dBu Input impedance Line: 12 kOhm / Instr.: 1 MOhm Max. input level Line: 28 dBu / Instr.: 12 dBu Dynamic response: 115 dB OUTPUTS Max. output level XLR/jack: 20 dBu Output impedance: 50 Ohm POWER SUPPLY Toroidal transformer: 15 VA Fuses: 315 mA (230 V/50 Hz) 630 mA (115 V/60 Hz) DIMENSIONS Stand.-EIA-19 inch/1U housing: 482 x 44 x 210 mm Weight: 3.1 kg |
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