| Concerto Cello/Piano In
Em Op. 85 Violoncelle, Piano [Partition] - Intermédiaire/avancé Novello & Co Ltd.
Reconnu comme l'une des oeuvres les plus importantes du répertoire pour violonc...(+)
Reconnu comme l'une des oeuvres les plus importantes du répertoire pour violoncelle, le concerto Op.85 d'Elgar a été achevé en 1919 et se présente comme sa dernière oeuvre achevée majeur. Cette nouvelle édition, édité par John Pickard de la Société Elgar, utilise pour la première fois des esquisses originales du compositeur de reconstituer un arrangement autoritaire et définitif pour violoncelle et piano.
Une édition nouvelle et merveilleuse de l'une des oeuvres les plus jouées pour le violoncelle. / Violoncelle Et Piano / niveau : Intermédiaire / Avancé / Partition
33.10 EUR - vendu par LMI-partitions Délais: En Stock | |
| Hilary And Jackie Cello
Album Violoncelle, Piano Novello & Co Ltd.
A collection of music from the film for cello and piano. / Violoncelle Et Piano
23.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| The Sheku Kanneh-Mason
Cello Collection Violoncelle, Piano [Partition] Faber Music Limited
The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned perform...(+)
The Sheku Kanneh-Mason Cello Collection combines the artist’s renowned performance repertoire with his own inspirational compositions, all as performed by Sheku himself. Suitable for the intermediate cellist and beyond, this dynamic volume is sure to spark a desire to perform. With commentary from Sheku revealing the stories behind the pieces and his own expert advice, this collection is a must-have for all aspiring cellists./ Recueil / Violoncelle et Piano
23.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Cello School Cello Part
Vol.6 Rev. Edition
(SUZUKI SHINICHI) Violoncelle [Partition] Alfred Publishing
Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Mehod of teac...(+)
Par SUZUKI SHINICHI. This material is part of the worldwide Suzuki Mehod of teaching. Companion recordings should be used with these publications. In addition, there are piano accompaniment books that go along with this material. This book contains four classical pieces for cello / Méthode en anglais / Méthode / Violoncelle
25.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Cello Concerto (WALTON
WILLIAM) Violoncelle, Piano [Partition] - Avancé Oxford University Press
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concert...(+)
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concerto from the repertoire
Derived from the new Walton Edition volume and fully consistent with that and the new hire material
Cello and piano reduction of Walton's Cello Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Dating from 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. Orchestral material is available on hire. / Niveau : Avancé / Répertoire / Violoncelle et Piano
59.00 EUR - vendu par LMI-partitions Délais: En Stock | |
| CONCERTO FOR TWO
VIOLONCELLOS IN G MINOR
RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.
The edition is based on the careful evaluation of Vivaldi's autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue
27.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| CONCERTO FOR TWO
VIOLONCELLOS IN G MINOR
RV 531 (VIVALDI ANTONIO) 2 Violoncelles, Piano [Partition] Barenreiter
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty in...(+)
Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time.
The Concerto RV 531 is the only double concerto in Vivaldi?s ?uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students.
The edition is based on the careful evaluation of Vivaldi?s autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles et Piano
31.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Fanfares Violoncelle, Orchestre Barenreiter
This study score is based on the score and complete performance material of Dvor...(+)
This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger) / Violoncelle Et Orchestre
27.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Cello Concerto (BRYARS
GAVIN) Violoncelle, Orchestre [Conducteur d'étude / Miniature] Schott
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower ...(+)
Farewell to philosophy. Par BRYARS GAVIN. I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument’s lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music’s character.
One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony’s first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...
The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.
The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.
Gavin Bryars/ Répertoire / Violoncelle et Orchestre
38.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto Cello/Piano And
Solo For Viola Violoncelle Et Piano Et Alto Solo Novello & Co Ltd.
Elgar's last major work was the cello concerto, and it is unique in its poignanc...(+)
Elgar's last major work was the cello concerto, and it is unique in its poignancy and intensity. Through Jacqueline Du Pre's overwhelming interpretation, this work has now received the recognition it deserved and it will undoubtedly remain one of the best-loved concertos of all time. The Cello solo part has been arranged for viola and piano by Lionel Tertis. / Violoncelle Et Piano Et Alto Solo
41.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Cello Concerto (WALTON
WILLIAM) Violoncelle, Orchestre [Partition] - Avancé Oxford University Press
William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Conce...(+)
William Walton Edition. Par WALTON WILLIAM. This edition of Walton's Cello Concerto combines the scholarship of the Wiliam Walton Edition with the practical benefits of a study score, including an introduction by the editor. Written 1956, the work was commissioned by Gregor Piatigorsky and premiered by him the following year. Walton regarded this work as the best of his three solo concertos. / Niveau : Très Avancé / Répertoire / Violoncelle et Orchestre
39.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto In A Minor Rv35
(VIVALDI ANTONIO) Violoncelle, Piano [Partition] Peters
Par VIVALDI ANTONIO. This is an Edition Peter's German language edition of Vival...(+)
Par VIVALDI ANTONIO. This is an Edition Peter's German language edition of Vivaldi's Concerto In A Minor. Whilst not one of Vivaldi's more popular Cello concertos, this is still a wonderful piece, full of grace and energy./ Répertoire / Violoncelle et Piano
20.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto For Pianoforte
And Orchestra #4 Op. 58 Piano Quintette: piano, 2 violons,
alto, violoncelle Barenreiter
This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highl...(+)
This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, published with the original performance material in 1808. (The full score did not appear until 1861).The sextet version deftly integrates the original wind parts into the string texture.The arrangement stands in the tradition of piano reductions with chamber music accompaniment, of the sort which were also made for Mozart's piano concertos K. 413 to 415 and later for the Chopin concertos.This Urtext edition, edited by the renowned Beethoven scholar Jonathan Del Mar, presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.- First ever publication of this arrangement- Includes a separate solo part as was customary in Beethoven's day- Provides new possibilities for soloists to perform this work / Quatuor A Cordes Et Piano
49.80 EUR - vendu par LMI-partitions Délais: En Stock | |
| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Piano [Partition] Peters
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’...(+)
Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano
23.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Concerto for Cello and
Orchestra
(Concertstück) Violoncelle, Orchestre [Partition] Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
...(+)
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions.
‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Orchestre
68.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto For Pianoforte
And Orchestra #5 E-Flat
Major Op. 78 Violoncelle Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violoncelle
7.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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| Concerto G Minor RV 531, PV 411, F Iii/2 2 Violoncelles, Piano - Intermédiaire Schott
Cello Duet; Piano Accompaniment (3 Violine I - 3 Violine II - 2 Viola - 3 Violon...(+)
Cello Duet; Piano
Accompaniment (3 Violine
I - 3 Violine II - 2
Viola - 3
Violoncello/Kontrabass -
1 Basso continuo) -
intermediate SKU:
HL.49019605 2
Cellos with Piano
Reduction. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. Arranged by
Susanne Richter. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. 60 pages.
Schott Music #CB256.
Published by Schott Music
(HL.49019605). ISBN
9790001191272. UPC:
841886019607.
9.0x12.0x0.155
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozen of
his concertos are
dedicated to the
violoncello, including
probably the most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. Arrangement:
Suzanne Richter, Basso
Continuo: Marcus
Stein. $28.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto G Minor For 2 Cellos, Str Orch And Bc Rv531 Supplementary Str Pts, Urtext 2 Violoncelles (duo) - Intermédiaire Schott
2 cellos, string orchestra and basso continuo (2 Violine I - 2 Violine II - 1 Vi...(+)
2 cellos, string
orchestra and basso
continuo (2 Violine I - 2
Violine II - 1 Viola - 2
Basso) - intermediate
SKU: HL.49019635
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 36 pages.
Schott Music #CON267-75.
Published by Schott Music
(HL.49019635). ISBN
9790001191302. UPC:
841886019638.
9.25x12.0x0.111
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. $28.99 - Voir plus => Acheter | | |
| Concerto G Minor For 2 Cellos, Str Orch And Bc, Rv531 Score, Urtext 2 Violoncelles (duo) - Intermédiaire Schott
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Violoncello/Kontrabass -
1 Basso continuo) -
intermediate SKU:
HL.49019633
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Softcover. 28 pages.
Schott Music #CON267.
Published by Schott Music
(HL.49019633). ISBN
9790001191289. UPC:
841886019614.
9.25x12.0x0.13
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
'Concerto for Two
Violoncellos, String
Orchestra and Basso
continuo in G minor (RV
531)' written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. $22.99 - Voir plus => Acheter | | |
| Concerto G Minor For 2 Cellos, Str Orch And Bc, Rv531 Set Of String Parts Urtext 2 Violoncelles (duo) - Intermédiaire Schott
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Basso - 1 Cembalo) -
intermediate SKU:
HL.49019634
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 88 pages.
Schott Music #CON267-70.
Published by Schott Music
(HL.49019634). ISBN
9790001191296. UPC:
888680913090.
9.0x12.0x0.26
inches. The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources. $68.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto in d minor BWV 1043 for Two Cellos and Piano 2 Violoncelles, Piano Elegant Cello
By Johann Sebastian Bach. Arranged by Jane Firmunn Hollander. For 2 cellos and p...(+)
By Johann Sebastian Bach.
Arranged by Jane Firmunn
Hollander. For 2 cellos
and piano. Published by
Elegant Cello.
$28.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Six Great Cello Concertos Violoncelle, Piano Ricordi
Cello and Piano. By Antonio Vivaldi. Arranged by John York. String. Size 9x12 in...(+)
Cello and Piano. By
Antonio Vivaldi. Arranged
by John York. String.
Size 9x12 inches. 113
pages. Published by
Ricordi.
$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cello Concerto Violoncelle, Piano [Reduction] Oxford University Press
By William Walton (1902-1983). For Cello and piano. William Walton Edition. Piec...(+)
By William Walton
(1902-1983). For Cello
and piano. William Walton
Edition. Pieces and
Studies. Cello and piano
reduction. 68 pages.
Duration 27'. Published
by Oxford University
Press
$55.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cello Concerto Violoncelle, Orchestre [Conducteur d'étude / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For cello a...(+)
Composed by William
Walton (1902-1983).
Edited by David
Lloyd-Jones. For cello
and orchestra (solo
cello, 2 flutes, oboe,
english horn, 2 clarinets
in A, 2 bassoons, 4
horns, 2 trumpets in C, 3
trombones, tuba, timpani,
percussion, celeste,
harp, strings). William
Walton Edition. Pieces
and Studies. Level D
(difficult). Study score.
136 pages. Duration 27'.
Published by Oxford
University Press
$32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Orchestral Repertoire: Complete Parts for Cello from the Classic Masterpieces, Volume I Violoncelle Alfred Publishing
For Cello. String - Cello Collection. Masterwork. Book. Published by Alfred Publ...(+)
For Cello. String - Cello
Collection. Masterwork.
Book. Published by Alfred
Publishing.
$10.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Antonin Dvorak - Concerto in B minor Violoncelle, Piano [Partition] Salabert
Cello and Piano. By Antonin Dvorak. Arranged by Andre Navarra and Marcel Bardon....(+)
Cello and Piano. By
Antonin Dvorak. Arranged
by Andre Navarra and
Marcel Bardon. String.
Size 9x12 inches.
Published by Salabert.
$50.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Peter Maxwell Davies: Strathclyde Concerto No. 2 (Miniature Score) Violoncelle, Orchestre [Conducteur] Chester
Cello and Orchestra SKU: HL.14020990 Composed by Sir Peter Maxwell Davies...(+)
Cello and Orchestra
SKU: HL.14020990
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Score. Composed
1999. 80 pages. Chester
Music #CH58933. Published
by Chester Music
(HL.14020990). ISBN
9780711923904.
5.5x7.5x0.283
inches. If Davies's
Cello Concerto has
already evoked
comparisons with Elgar's,
that is perhaps an
indication not only of
its wealth of solo melody
(there is hardly a page
where the cello is not
singing, or if not that,
then dancing), and of its
predominantly slow
tempos, but also of its
musical stature. This
second Strathclyde
concerto is a virtuoso
piece for the entire
ensemble, which is used
almost throughout as a
clutch of soloists rather
than as a tutti block.
The general tone is one
of passionate but
interior dialogue,
especially in the opening
Moderato and the slow
movement; and though the
finale is more extrovert,
the work ends back in
quietness and
rumination. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Antonin Dvorak : Concerto in B minor for Violoncello and Orchestra, Op. 104 Violoncelle, Piano [Reduction] Barenreiter
By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchest...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jonathan Del Mar. For
cello and orchestra. This
edition: Urtext. Solo
part and piano reduction.
Opus 104. Published by
Baerenreiter Verlag
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| First 50 Classical Pieces You Should Play on the Cello Violoncelle, Piano - Facile Hal Leonard
Cello and Piano. Composed by Various. Classical. Softcover. 136 pages. Publi...(+)
Cello and Piano. Composed
by
Various. Classical.
Softcover.
136 pages. Published by
Hal
Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| E.J. Moeran: Cello Concerto Violoncelle, Piano Music Sales
Cello and Piano - intermediate-advanced SKU: HL.14009506 Composed by E.J ...(+)
Cello and Piano -
intermediate-advanced
SKU: HL.14009506
Composed by E.J Morean.
Music Sales America.
Classical. Book
[Softcover]. 56 pages.
Music Sales #NOV317198.
Published by Music Sales
(HL.14009506).
8.25x11.75x0.222
inches. Cello
Concerto was one of
Moeran's last major
works, written for his
wife - the cellist Peers
Coetmore - in 1945, and
stands as a robust and
sweeping confirmation of
his compositional
brilliance. This is a
version arranged for
cello with piano
accompaniment. Piano
reduction. $38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Aulis Sallinen: Concerto For Cello Violoncelle, Piano Music Sales
| | |
| Thirds in Thumb Position for the Cello, Book Two Violoncelle C. Harvey Publications
By Cassia Harvey. For cello. Instructional; string techniques. Method book. 46 p...(+)
By Cassia Harvey. For
cello. Instructional;
string techniques. Method
book. 46 pages. Published
by C. Harvey Publications
$10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto in G harpsichord, violin, viola, cello (string orchestra) [Conducteur] - Facile Furore Verlag
By Wilhelmine Von Bayreuth. Edited by Irene Hegen. For harpsichord, violin, viol...(+)
By Wilhelmine Von
Bayreuth. Edited by Irene
Hegen. For harpsichord,
violin, viola, cello
(string orchestra). First
Publication. Level:
beginning. Full score.
Composed 1734. Published
by Furore-Verlag (German
import).
$25.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hilary And Jackie: Cello Album Violoncelle, Piano [Partition] Novello & Co Ltd.
By Edward Elgar And Barrington Pheloung. For Cello, Piano. Film and TV, Classica...(+)
By Edward Elgar And
Barrington Pheloung. For
Cello, Piano. Film and
TV, Classical. Sheet
Music. 28 pages.
Published by Novello and
Co Ltd.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto for Cello in A Minor Violoncelle, Piano Carl Fischer
(Op. 129). Composed by Robert Schumann. Edited by Emmanuel Feurmann. For cello, ...(+)
(Op. 129). Composed by
Robert Schumann. Edited
by Emmanuel Feurmann. For
cello, piano. Solo part
with piano reduction.
Standard notation. 28
pages. Published by Carl
Fischer
$17.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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