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Complete Improvisation, Fills and Chord Progressions Book


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By Gail Smith. For Piano. Theory and harmony. Complete. All Styles. Level: Intermediate. Book. Size 8.75x11.75. 228 pages. Published by Mel Bay Publications, Inc.

Instrumentation :

Piano seul


Editeur :

Mel Bay


Niveau : Voir articles de même classement et même niveau

Song List: Table of Contents: Foreword Chapter 1: Improvise with the Whole Tone Scale Examples The Water Fall Augmented Chords with Whole-Tone Scales Chapter 2: Chords and Roman Numerals Every Chord in Every Key Dominant 7 - Tonic in Every Key Chapter 3: The Scale Used as a Fill Every Major and Minor Scale Examples of Two-Beat Fills Chapter 4: Chimes Harmonic Intervals Examples of Chimes Chapter 5: The A B C's of Improvising A. Notes Remain the Same B. Notes Step C. Notes Skip Chapter 6: Right-Hand Whole Measure Fills Examples of Whole Measure Fills Four-beat Fills in Every Key Three-beat Fills in Every Key Chapter 7: Left-Hand Patterns in 3/4 Time Amazing Grace Brahms Lullaby Patterns in 3/4 Time in Twelve Keys Chapter 8: Left-Hand Patterns in 4/4 Time Shenandoah Patterns in 4/4 Time in Twelve Keys Chapter 9: Faster Left-Hand Patterns in 4/4 Time Patterns in faster 4/4 Time in Twelve Keys Chapter 10: Special Effects Broken Chords Chromatic Patterns Diminished Scales Secondary Sub-Dominant Chords Dominant and Sub-Dominant Arpeggios Major-Seven Chords Voiced Turnarounds Substitution Chords Dominant to Tonic using the Blues Scale Review Chapter 11: Chord Progressions Right-Hand Add 9 Fill Chord Progressions in Twelve Major Keys Right-Hand Patterns in Twelve Keys Twelve-Bar Blues Patterns More Right-Hand Patterns in Twelve Keys Chapter 12: Faster Right-Hand Riffs The Twelve-Bar Blues Progression (example) Twenty-four faster fills for the right hand Chapter 13: Minor Chord Patterns and Progressions Chord Progression Improvisation Twenty-four Minor Right-Hand Patterns in Twelve Keys Chapter 14: Improv with the Left-Hand (Fills for Roman Numeral Bass Progression) Four Chord Progressions Pachelbel's Canon as a progression O Come All Ye Faithful Left-Hand Patterns for basic chord progressions in 4/4 Time Left-Hand Patterns for basic chord progressions in 3/4 Time Chapter 15: Fills for Both Hands Together Chapter 16: Pseudo-modulations Pseudo-modulations in twelve keys Chapter 17: Happy Endings Twelve Different Endings in Twelve Keys Chapter 18: The "Two-Five-One" Progression The Cycle of Chords Review of Patterns Final Assignment

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