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26
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.27 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Do Nothing Till You Hear From Me
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197783 Composed by P…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197783 Composed by Paul Sutin. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score. 2 pages. John Fries #796961. Published by John Fries (A0.1197783). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Do Nothing till You Hear from Me (also written as Do Nothin' Til You Hear from Me) is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental (Concerto for Cootie) that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944. Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
$4.99
4.47 €
#
Piano, Vocal and Guitar
#
Paul Sutin
#
Do Nothing Till You Hear From Me
#
John Fries
#
SheetMusicPlus
Aladdin (Choral Highlights) (from Aladdin: The Broadway Musical) (arr. Mac Huff) - Guitar
Guitar (band part)
Digital Download SKU: HX.307374 Arranged by Mac Huff. Broadway,Children,Disney,Musi…
(+)
Digital Download SKU: HX.307374 Arranged by Mac Huff. Broadway,Children,Disney,Musical/Show. Choral Instrumental Pak. 10 pages. Hal Leonard - Digital #37010. Published by Hal Leonard - Digital (HX.307374).
$7.00
6.27 €
#
Guitar (band part)
#
Aladdin
#
Hal Leonard - Digital
#
SheetMusicPlus
Mamma Mia! - Highlights from the Movie Soundtrack (arr. Mac Huff) - Guitar
Guitar (band part)
Choral - Digital Download SKU: HX.440259 By ABBA. Arranged by Mac Huff. This editio…
(+)
Choral - Digital Download SKU: HX.440259 By ABBA. Arranged by Mac Huff. This edition: scorch. Disco,Film/TV,Musical/Show. Choral Instrumental Pak. 6 pages. Duration 900. Hal Leonard - Digital #179875. Published by Hal Leonard - Digital (HX.440259).
$13.00
11.65 €
#
Guitar (band part)
#
ABBA
#
Mamma Mia! - Highlights from the Movie Soundtrack
#
Hal Leonard - Digital
#
SheetMusicPlus
Addio del Passato
Cello, Guitar (duet)
Acoustic Guitar,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1199393
(+)
Acoustic Guitar,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1199393 Composed by Giuseppe Verdi. Arranged by André Nusa. 19th Century,Chamber,Classical,Opera,Romantic Period. 11 pages. Andre_Nusa #798461. Published by Andre_Nusa (A0.1199393). Addio del passato is a deeply moving and melancholic aria from the opera La Traviata by Giuseppe Verdi. Although originally composed for soprano voice and orchestra, the piece can be arranged for a variety of instrumental combinations, including a classical guitar and cello duo like this. The arrangement highlights the beauty of the original aria, while also showcasing the unique qualities of the cello and classical guitar. The cello plays the melody and the guitar plays the accompaniment with some occasional solo parts. The classical guitar and cello arrangement of Addio del passato is a touching interpretation of Verdi's timeless aria. The interplay between the two instruments creates a nuanced and expressive performance that highlights the emotional depth and beauty of the original piece.
$6.99
6.26 €
#
Cello, Guitar (duet)
#
Giuseppe Verdi
#
Addio del Passato
#
Andre_Nusa
#
SheetMusicPlus
Addio del Passato
Violin, Guitar (duet)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1199398
(+)
Acoustic Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1199398 Composed by Giuseppe Verdi. Arranged by André Nusa. 19th Century,Chamber,Classical,Opera,Romantic Period. 11 pages. Andre_Nusa #798466. Published by Andre_Nusa (A0.1199398). Addio del passato is a deeply moving and melancholic aria from the opera La Traviata by Giuseppe Verdi. Although originally composed for soprano voice and orchestra, the piece can be arranged for a variety of instrumental combinations, including a classical guitar and violin duo like this. The arrangement highlights the beauty of the original aria, while also showcasing the unique qualities of the violin and classical guitar. The violin plays the melody and the guitar plays the accompaniment with some occasional solo parts. The classical guitar and violin arrangement of Addio del passato is a touching interpretation of Verdi's timeless aria. The interplay between the two instruments creates a nuanced and expressive performance that highlights the emotional depth and beauty of the original piece.
$6.99
6.26 €
#
Violin, Guitar (duet)
#
Giuseppe Verdi
#
Addio del Passato
#
Andre_Nusa
#
SheetMusicPlus
Stay Together For The Kids
Piano, Guitar (duet)
Guitar,Piano - Level 3 - Digital Download SKU: A0.1013770 By Blink 182. By Mark Hop…
(+)
Guitar,Piano - Level 3 - Digital Download SKU: A0.1013770 By Blink 182. By Mark Hoppus, Tom De Longe, and Travis Barker. Arranged by Cleber Domingues. Rock. Score and part. 9 pages. Cleber Domingues #619384. Published by Cleber Domingues (A0.1013770). ''Stay Together For The Kids'', was one of the highlights of the album ''take off your pants and jacket''. Part of all this repercussion goes through the composition of the song: The very well-built guitar line that makes the intro, and Travis' always creative ideas on drums that go from the stanza to the end of the song with very well-placed turns. In the interlude, the bass has its moment in a simple idea, but quite adequate. This transcription basically follows the original dynamics of the song, with the exception of a variation in the part of the interlude for the drums.
$5.00
4.48 €
#
Piano, Guitar (duet)
#
Blink 182
#
Stay Together For The Kids
#
Cleber Domingues
#
SheetMusicPlus
Wet Hands
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1216007 By C418. By Daniel Rosenfe…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1216007 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. Individual part. 1 pages. Andre_Nusa #812665. Published by Andre_Nusa (A0.1216007). This arrangement for guitar of the song Wet Hands from the game Minecraft captures the contemplative and peaceful tone of the original composition. The guitar weaves in harmony, delicately exploring the melodic motifs that are central to the piece. The arrangement might include variations in dynamics and phrasing, allowing the guitar to convey the emotional depth of the song's simple yet poignant melody. The arrangement highlights the beauty of the piece's simple, minimalist structure, emphasizing the warmth and intimacy of the sound of the guitar playing. This arrangement is a great choice for guitarists looking to add a calming and reflective piece to their repertoire, or for gamers who want to experience the meditative quality of the music outside the context of the game.
$5.99
5.37 €
#
Guitar
#
C418
#
Wet Hands
#
Andre_Nusa
#
SheetMusicPlus
Brazil
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1207509 By The Ritchi…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1207509 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by John Fries. 20th Century,Jazz,Latin,Pop,Standards. Score. 2 pages. John Fries #805676. Published by John Fries (A0.1207509). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one night due to a heavy storm. Its title, a reference to a watercolor painting in his room, is a clear reference to the rain. Initially, he wrote the first three melancholy chords and the samba beat that follows highlights the sound of the rain. According to him, the rest came naturally, music and lyrics at once. He declared to have felt like another person after writing the song so easily.
$4.99
4.47 €
#
Piano, Vocal and Guitar
#
The Ritchie Family
#
Brazil
#
John Fries
#
SheetMusicPlus
Decorate the Christmas Tree
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.564451 By Sharon Wils…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.564451 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Christmas,Contemporary,Sacred. Score. 3 pages. Sharon Wilson #2006515. Published by Sharon Wilson (A0.564451). Decorating the Christmas tree is one of the highlights of the Christmas season. This song compares this holiday tradition to our spiritual life: as we decorate the tree we can remember that God wants to decorate our lives, not with candy and garland, but with a character that reflects His love (thoughts drawn from Galatians 5:22-23). Decorate the Christmas tree with bells of joy and with hearts of love. . .Decorate my life, O Lord, with joys to share and a heart of love. . . Â
$3.99
3.58 €
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Piano, Vocal and Guitar
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Sharon Wilson
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Decorate the Christmas Tree
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Sharon Wilson
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SheetMusicPlus
Another Brick In The Wall, Part 2
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters.…
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Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
5.38 €
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Guitar
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Pink Floyd
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Another Brick In The Wall, Part 2
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Milhomusic
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SheetMusicPlus
Minuet in G (BWV Anh. 114)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petz…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861876. Published by All Music (A0.1269356). This is a guitar arrangement of the first minuet (BWV Anh. 114) from a suite for harpsichord by Christian Petzold (1677 - 1733), which was included in the 1725 Notebook for Anna Magdalena Bach and previously attributed to Johann Sebastian Bach (1685 - 1750). The arrangement was meticulously transcribed for the guitar by Pedro Abreu in 2013, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach.Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar. The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.When played together with the Minuet in G minor (BWV Anh. 115), this arrangement offers a glimpse into the suite's elegant and charming character, which is emblematic of the Baroque era.
$3.00
2.69 €
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Guitar
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Christian Petzold
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Minuet in G
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All Music
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SheetMusicPlus
Minuet in G minor (BWV Anh. 115)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petz…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861877. Published by All Music (A0.1269357). This is a guitar arrangement of one of the two minuets (BWV Anh. 114 and 115) from a suite for harpsichord by Christian Petzold (1677 - 1733), which were included in the 1725 Notebook for Anna Magdalena Bach and thus previously attributed to Johann Sebastian Bach (1685 - 1750).The minuet has been meticulously transcribed for the guitar by Pedro Abreu (b. 1977) in 2022, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach. Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar.The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.
$3.00
2.69 €
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Guitar
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Christian Petzold
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Minuet in G minor
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All Music
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SheetMusicPlus
Wet Hands
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.1216010 By C418. By Daniel Rosenfeld. A…
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Guitar - Level 2 - Digital Download SKU: A0.1216010 By C418. By Daniel Rosenfeld. Arranged by André Nusa. Video Game. Guitar Tab. 2 pages. Andre_Nusa #812668. Published by Andre_Nusa (A0.1216010). This arrangement for guitar of the song Wet Hands from the game Minecraft captures the contemplative and peaceful tone of the original composition. The guitar weaves in harmony, delicately exploring the melodic motifs that are central to the piece. The arrangement might include variations in dynamics and phrasing, allowing the guitar to convey the emotional depth of the song's simple yet poignant melody. The arrangement highlights the beauty of the piece's simple, minimalist structure, emphasizing the warmth and intimacy of the sound of the guitar playing. This arrangement is a great choice for guitarists looking to add a calming and reflective piece to their repertoire, or for gamers who want to experience the meditative quality of the music outside the context of the game. The sheet music includes standard notation and tablature.
$5.99
5.37 €
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Guitar notes and tablatures
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C418
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Wet Hands
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Andre_Nusa
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SheetMusicPlus
I Don't Want to Miss a Thing
Piano, Vocal and Guitar
Piano/Vocal/Chords - Digital Download By Aerosmith. By Diane Warren. Pop/Rock. 7 page…
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Piano/Vocal/Chords - Digital Download By Aerosmith. By Diane Warren. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015710. Published by Alfred Music - Digital Sheet Music
ISBN 9780739098981.<br> <br> This volume contains sheet music for dozens of cherished songs and themes by Hollywood's greatest composers and songwriters! Pianists, singers, and aspiring media composers will find unlimited hours of fun and inspiration among the nearly 250 pages of music in this giant collection, which features musical highlights from 75 years of entertainment history. Titles: Anne of Green Gables: Anne's Theme * Argo: The Mission * Armageddon: I Don't Want to Miss a Thing * August Rush: August Rush Rhapsody (Piano Suite) * Batman (TV series): Batman Theme * Batman Begins: Corynorhinus (Surveying the Ruins) * The Big Bang Theory: Main Title Theme * Corpse Bride: Main Title, Victor's Piano Solo * The Dark Knight: The Dark Knight Overture * Downton Abbey: Downton Abbey - The Suite * Dr. No: James Bond Theme * Extremely Loud & Incredibly Close: Main Theme * Fame: Out Here on My Own * Gilligan's Island: The Ballad of Gilligan's Isle * Harry Potter and the Deathly Hallows - Part 2: Lily's Theme * Harry Potter and the Half-Blood Prince: Harry and Hermione, When Ginny Kissed Harry * Harry Potter and the Sorcerer's Stone: Harry's Wondrous World, Hedwig's Theme, Nimbus 2000 * The Hobbit: An Unexpected Journey: The Adventure Begins, Song of the Lonely Mountain, A Very Respectable Hobbit * Inception: Time * The Lord of the Rings: The Fellowship of the Ring: Concerning Hobbits, In Dreams * The Lord of the Rings: The Return of the King: Into the West * The Lord of the Rings: The Two Towers: Rohan * Love Affair: Theme from Love Affair * The Lucky One: Main Theme * Mamma Mia!: Dancing Queen, I Have a Dream * Man of Steel: Flight, Look to the Stars * Masterpiece Theatre: The Masterpiece * Music and Lyrics: Way Back into Love * The Notebook: Main Title * Once: Falling Slowly, When Your Mind.
$3.99
3.58 €
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Piano, Vocal and Guitar
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Aerosmith
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I Don't Want to Miss a Thing
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Highlights from Dreamgirls - Guitar
Guitar
By Tom Eyen and Henry Krieger. Arranged by Roger Holmes. Broadway; Film/TV; Musical/Show. …
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By Tom Eyen and Henry Krieger. Arranged by Roger Holmes. Broadway; Film/TV; Musical/Show. Jazz Band. 3 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
5.38 €
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Guitar
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Tom Eyen and Henry Krieger
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Film/TV
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Highlights from Dreamgirls - Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Beetlejuice (main Theme)
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1249449 By Danny Elfman. By Danny Elfma…
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Guitar - Level 3 - Digital Download SKU: A0.1249449 By Danny Elfman. By Danny Elfman. Arranged by André Alberto Santos. 21st Century,Classical,Film/TV,Holiday. 17 pages. Soul - Musical Creations #843883. Published by Soul - Musical Creations (A0.1249449). Elevate your musical performances to new heights with the captivating sheet music arrangement of Beetlejuice (Main Theme) by Danny Elfman from the iconic movie Beetlejuice, specifically arranged for four classical guitars. Experience the enchantment of this beloved melody as it resonates through the harmonies of multiple guitars, adding depth and richness to your performance.Crafted with precision and care, this arrangement allows you and your fellow guitarists to recreate the magical atmosphere of Beetlejuice, captivating audiences with the hauntingly beautiful notes that have become synonymous with the film. With individual parts for each guitar, you'll enjoy the unique experience of playing in harmony and creating a captivating ensemble performance.Whether you're a guitar ensemble, a group of friends, or a music educator looking to inspire your students, this sheet music is an invaluable addition to your repertoire. The four-part arrangement ensures that every guitarist has an opportunity to shine and contribute to the spellbinding rendition of Beetlejuice (Main Theme).From concerts and recitals to gatherings and events, this arrangement will be the highlight of any performance. Its recognizable melody and nostalgic charm will captivate listeners and leave a lasting impression on all who hear it.Unlock the extraordinary potential of your guitar ensemble with the sheet music for Beetlejuice (Main Theme) arranged for four classical guitars. Order your copy today and embark on a musical journey that blends the world of classical guitar with the enchantment of Beetlejuice.  Don't miss out – seize this opportunity and let the haunting melodies of Beetlejuice resonate through your guitars!
$4.99
4.47 €
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Guitar
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Danny Elfman
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Beetlejuice
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Soul - Musical Creations
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SheetMusicPlus
Lullaby for Mirabai
Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954942
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.954942 Composed by Jim Bosse. Concert,Contemporary,World. Score and parts. 9 pages. Jim Bosse #4574551. Published by Jim Bosse (A0.954942). This is the fifth movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Lullaby for Mirabai was written in a Scottish style, highlighting her genetic heritage. Performance time is 3 minutes and 30 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.78 €
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Jim Bosse
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Lullaby for Mirabai
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Jim Bosse
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SheetMusicPlus
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