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Sonata in a Simple Scale for Viola and Piano
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. P...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00 ≈
¥57.98
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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French horn
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ADVANCED
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Contemporary
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Mov
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #351682...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00 ≈
¥57.98
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporary
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Ma...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00 ≈
¥14.49
The Sundials: I;Tempus Edax Rerum (Time devours things)
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Contemporary
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. M...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00 ≈
¥14.49
A Swingin' Safari
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Percussion Ensemble
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Contemporary
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages....
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Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99 ≈
¥362.29
Second Ragtime Sonata (Piano Sonata no. 12)
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Piano solo
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ADVANCED
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Contemporary
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Richard St
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Scherzo, Quite Fast
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Second Ragtime Sonata
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Richard St. Clair
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.939822 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score. 21 pages. Richard St. Cla...
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Piano Solo - Level 5 - Digital Download SKU: A0.939822 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score. 21 pages. Richard St. Clair #4839299. Published by Richard St. Clair (A0.939822). This piano sonata (duration ca. 14:30) is both classical ragtime in style and is structured in a classical sonata format in four movements, Lively, not too Fast; Scherzo, Quite Fast; Adagio; Rather Fast. For those who love classical ragtime, this work will satisfy. For those interested in classical sonata-form, this sonata will be of interest. This music will fit into any classical recital, and is appropriate for popular music venues.
$20.00 ≈
¥144.94
A Week in November - Sally Whitwell
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Piano solo
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ADVANCED
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Contemporary
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Sally Whitwell
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A Week in November - Sally Whi
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Sally Whitwell
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by S...
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Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00 ≈
¥108.71
Naughtycal Glimpses: Tales from a Kindergarten Class
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Piano solo
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INTERMEDIATE
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Contemporary
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Maria Thompson Corley
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Naughtycal Glimpses: Tales fro
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Maria Thompson Corley
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1173888 Composed by Maria Thompson Corley. 20th Century,Classical. Score. 7 pages. Maria Thompson Corley ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1173888 Composed by Maria Thompson Corley. 20th Century,Classical. Score. 7 pages. Maria Thompson Corley #774042. Published by Maria Thompson Corley (A0.1173888). These four brief, charming pieces were transcribed for nonet and featured in Songs and Stories 115, a PBS Kids Special. The first,The Early Morning March, depicts trudging through the snow to school (I am not a morning person, and grew up in Western Canada. Nuff said). The second, Recess, is about children teasing and chasing each other during recess, then running back into the school at the sound of the bell. The third piece, Teacher Tells a Mythical Tale, has a once upon a time feel, with an aura of mystery. Finally, Skipping Home is about...skipping home. The skipping turns into running when the front door is in sight.
$12.99 ≈
¥94.14
Time To Say Goodbye
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE
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Contemporary
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Andrea Bocelli & Sarah Brightm
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Sherry Lewis
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Time To Say Goodbye
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521718 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arra...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521718 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Sherry Lewis. Contemporary. 18 pages. Sherry Lewis Publishing #6402909. Published by Sherry Lewis Publishing (A0.521718). TIME TO SAY GOODBYE String Orchestra for 2 violins, viola, cello and string bass chord charts such as E, Cm, etc. Intermediate Level Score: 5 pages Parts: 10 pages Time: 3'30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
¥94.14
A Whole New World
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Violin
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INTERMEDIATE
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Contemporary
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Alan Menken
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Sherry Lewis
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A Whole New World
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Sherry Lewis Publishing
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.521821 Composed by Alan Menken. Arranged by Sherry Lewis. Contemporary. 4 pages. Sherry Lewis Publishing...
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Violin Solo - Level 3 - Digital Download SKU: A0.521821 Composed by Alan Menken. Arranged by Sherry Lewis. Contemporary. 4 pages. Sherry Lewis Publishing #6495837. Published by Sherry Lewis Publishing (A0.521821). A WHOLE NEW WORLD Violin Solo, Intermediate Level Score: 0 Parts: 1 pages Time: 3'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
¥36.16
A Whole New World
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String Orchestra
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INTERMEDIATE
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Contemporary
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Alan Menken
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Sherry Lewis
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A Whole New World
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.521817 Composed by Alan Menken. Arranged by Sherry Lewis. Contemporary. Score and Parts. 13 pages. ...
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String Orchestra - Level 3 - Digital Download SKU: A0.521817 Composed by Alan Menken. Arranged by Sherry Lewis. Contemporary. Score and Parts. 13 pages. Sherry Lewis Publishing #6494095. Published by Sherry Lewis Publishing (A0.521817). A WHOLE NEW WORLD String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 5 pages Time: 3'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
¥94.14
Echoes from a Fractured Dimension
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Piano solo
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Contemporary
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Michael Staff
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Echoes from a Fractured Dimens
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Michael Staff
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012135 Composed by Michael Staff. Contemporary. Score. 13 pages. Michael Staff #3587495. Published by Michael Staf...
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Piano Solo - Digital Download SKU: A0.1012135 Composed by Michael Staff. Contemporary. Score. 13 pages. Michael Staff #3587495. Published by Michael Staff (A0.1012135). This larger work is a one-movement sonata, while at the same time encompassing 4 movements within its structure. As a double-function form, 'Echoes' also employs contrapuntal techniques, bridging the development and recapitulation with a four-voice fugue. The compositional techniques used depict several abstract mathematical concepts. Tonal stability is increased and decreased throughout, particularly in the recitative sections. This changing of tonal stability depicts the intersecting of dimensions. A being existing in a 2-dimensional world, such as an insect on a flat surface, may occasionally get a glimse of 3 dimensions when a 3-dimensional being or object passes through the second dimension. This glimpse, however, on the part of the 2-dimensional being, is incomplete and does not accurately represent a world of a higher dimension. Similarly, at the intersection of our world with an even higher spatial dimension, we would only catch incomplete glimpses of this higher dimension. These polytonal and structural elements depict another concept. While a square is 2-dimensional, and a cube is 3-dimensional, it is possible for an object to exist in between 2 and 3 dimensions (by dividing logarithms). This idea of a fractional dimension is explored as thematic material is pulled between tonal centers, but never truly settling.
$9.95 ≈
¥72.11
Sonata For Trumpet, Horn and Organ Second Movement-Horn in F Part
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French horn
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ADVANCED
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Contemporary
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Thomas R
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Sonata For Trumpet, Horn and O
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Thomas R. Schadl
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Sc...
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French Horn Solo - Level 5 - Digital Download SKU: A0.912494 Composed by Thomas R. Schadl. Classical,Contemporary. Individual part. 3 pages. Thomas R. Schadl #3877233. Published by Thomas R. Schadl (A0.912494). Written in two movements for trumpet, horn in F and organ, the work starts with a slower introduction that is written in the key of B major, the dominant key of E major. Moreover, the first movement has imitative passages that are present in all the three instruments. Following the first movement that is written in the 4/4 time, the next movement, composed in the 6/8 time and in E major, is performed gracefully in a style of a pastorale. Like the previous movement, the second part is contrapuntal but it differs in its extensive use of the dialogue between the horn and trumpet. In performing the sonata, there should be balance among the brass instruments and the organ in regard to sound intensity and the speed. The trumpet tends to overpower the horn in passages marked f or louder, and the organist may adjust the registrations to keep the sound from overpowering the other two instruments. If this piece were to be performed in large concert halls or churches, the time that takes air to leave the organ chest to the pipes may be longer. Choice of speed should be rehearsed carefully. The organ registration itself is merely a suggestion and should not be taken too literally due to the design of the organ and the acoustics of the hall or church. Sonata For Trumpet, Horn And Organ is suitable for concert use. This work may be performed at any time of the year, especially Christmas, Post-Easter and general use.
$2.99 ≈
¥21.67
3 Preludes for a Quarantine for Solo Piano
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Piano solo
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ADVANCED
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Contemporary
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #57...
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Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00 ≈
¥72.47
Silent Durations Va (a Zen experience)
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Contemporary
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Drake Mabry
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Silent Durations Va
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Drake Mabry
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SheetMusicPlus
Small Ensemble Percussion - Level 3 - Digital Download SKU: A0.799521 Composed by Drake Mabry. Contemporary. Score and parts. 13 pages. Drake Mabry #3676...
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Small Ensemble Percussion - Level 3 - Digital Download SKU: A0.799521 Composed by Drake Mabry. Contemporary. Score and parts. 13 pages. Drake Mabry #3676107. Published by Drake Mabry (A0.799521). Silent Durations Va (a Zen experience) is an altered percussion trio version of Silent Durations V. Instead of the drums being used as a time-keeper they are more a guardian of time. The choice of sticks and instrumentation provides the atmosphere and mood for each movement. The first movement is slow and develops the colors provided by the use of snare sticks, fingers and coins. The second movement is quicker and is only scored for triangle, maracas and sand block. The third movement is moderate in tempo and played with a diversity of sticks, mallets, beaters and brushes. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. The work is in three movements with a duration of 15'18.
$5.99 ≈
¥43.41
Silent Durations V (a Zen experience)
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Drums
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Contemporary
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Drake Mabry
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Silent Durations V
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Drake Mabry
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SheetMusicPlus
Drums - Digital Download SKU: A0.799519 Composed by Drake Mabry. Contemporary. Score. 6 pages. Drake Mabry #3676103. Published by Drake Mabry (A0.799519)...
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Drums - Digital Download SKU: A0.799519 Composed by Drake Mabry. Contemporary. Score. 6 pages. Drake Mabry #3676103. Published by Drake Mabry (A0.799519). Silent Durations V (a Zen experience) was written for the drummer, Maxime Legrand. Instead of the drums being used as a time-keeper they are more a guardian of time. The work is in three movements with a duration of 15'08. The choice of sticks provides the atmosphere and mood for each movement. The first movement is slow and develops the colors provided by the use of snare sticks and coins. The second movement is quicker and is played entirely with brushes. The third movement is moderate in tempo and played with medium hard timpani mallets. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric.
$5.99 ≈
¥43.41
Another Place
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Percussion Ensemble
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ADVANCED
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Contemporary
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Adam Grim
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Another Place
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.939392 Composed by Adam Grim. 20th Century,Contemporary. Score and parts. 65 pages. Adam B. Grim #6862379. Published by Adam B. Grim (A0.939392). Another Place is a marimba quartet on two instruments with some accessory items like a mounted bass drum, cymbal, and wind chimes. The work is about 10.5 minutes long, and holds three distinct movements that begin with solemn rolls that slowly become more regimented and rhythmic. The second movement raises the bar and becomes very rhythmic and syncopated with a Reich-like approach of melody vs interlocking harmony. This climax brings a high dynamic level to the forefront of the instruments with interlocking impact points being contrasted to unison hits. The third movement takes this original melody and harmony to the next level by using changing time signatures and motivic ideas to maximize the powerful ending. Throughout there is a deep sense of color and texture that can be maximized by the ensemble in new and exciting ways with each performance. This has plenty of ink, but also leaves a lot to interpret and bring the ensemble’s voice forward. I hope you enjoy! This work won the Audience Award in the Rocky Mountain Music Composition Contest in 2022 as well as Second Prize overall. These international awards were judged by a panel of seven judges from around the world, but with the competition based out of Toronto, Canada.
$35.00 ≈
¥253.65
A Treatise on the Astrolabe
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Contemporary
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Kyle Rowan
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A Treatise on the Astrolabe
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Penguinman Music
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SheetMusicPlus
Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages...
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Small Ensemble Double Bass,High Voice,Multi-Percussion - Digital Download SKU: A0.1023054 Composed by Kyle Rowan. Contemporary. Score and parts. 27 pages. Penguinman Music #6097405. Published by Penguinman Music (A0.1023054). The only one of Chaucer’s works that is scientific, not literary, in nature, A Treatise on the Astrolabe represents the oldest known English-language scientific manual and is a personal manual for his son on how to use an astrolabe, an ancient astronomical instrument. The that this work was created for a practical rather than artistic purpose was particularly appealing – it called to mind Walter Miller’s A Canticle for Leibowitz, when Brother Francis creates an illumination of a relic of St. Leibowitz, unaware that the relic was in fact a simple, and quite ordinary, circuit diagram.Presented here are seven songs divided among four parts. The first part, Prelude, contains one song, a setting of Chaucer’s personal introduction to his son, Lewis. The second, Here Begynneth the descripcioun of thin Astrolabie, contains three songs describing various components of the astrolabe. The worken the verrey pracktik of the forseide conclusions follows with two songs explaining the use of the astrolabe to calculate the position of the sun and the time of dawn and dusk; here, the words are spoken rather than sung. Postlude concludes the work in a style reminiscent of the opening, unmeasured material, using for its text the humble conclusion to Chaucer’s introduction.I am very grateful to soprano Tiffany DuMouchelle and percussionist Steve Solook, who I first approached in 2011 about a potential Chaucer cycle, as well as bassist Scott Worthington, who came to the project later but no less enthusiastically; without their support this piece would not have been possible.With the purchase, you are authorized to print a copy of the score for each member of the ensemble for the purposes of rehearsal and performance. For best results print on 11x17 tabloid size paper, landscape orientation.
$45.00 ≈
¥326.12
A Snippet from the Inexorable March of Time
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Contemporary
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Stanley M
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A Snippet from the Inexorable
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stanleymhoffman.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.924841 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.924841 Composed by Stanley M. Hoffman. Contemporary. 1 pages. Stanleymhoffman.com #3913187. Published by stanleymhoffman.com (A0.924841). The idea for this piece were inspired by the submissions guidelines of the performing ensemble a very small consortium. That the piece needed to consist of 100 or fewer notes and be 60 seconds or less in duration caused the composer to think about how time passes in a very measured way. The resultant composition is supposed to be an audio snippet of music embodying the inexorable march of time, with indications such as As if tuning-in to music that is already going on, (Not cadencing is what makes the march inexorable), and Quickly turning down the volume knob.
$2.50 ≈
¥18.12
SQ15 ... Hommage à DSCH (2021) for string quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pag...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99 ≈
¥72.40
Silent Durations IIa (a Zen experience)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Contemporary
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Drake Mabry
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Silent Durations IIa
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.799520 Composed by Drake Mabry. Contemporary. 31 pages. Drake Mabry #3676097. Pub...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.799520 Composed by Drake Mabry. Contemporary. 31 pages. Drake Mabry #3676097. Published by Drake Mabry (A0.799520). Silent Durations IIa (a Zen experience) is a version of Silent Durations II for woodwind quintet. The first movement is primarily monadic in nature with a few instances of duos and one trio passage. The second movement is a scherzo alternating between chordal passages and melodic fragments stretched over time. The third movement is an essay on the varying colors and moods of a single Eb. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. The duration is 24'40. The work also exists as a quintet for mixed ensemble (Silent Durations II)
$7.99 ≈
¥57.91
Silent Durations II (a Zen experience)
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Contemporary
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Drake Mabry
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Silent Durations II
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Drake Mabry
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.799518 Composed by Drake Mabry. Contemporary. Score and parts. 31 ...
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Small Ensemble Cello,Clarinet,Flute,Guitar,Violin - Level 3 - Digital Download SKU: A0.799518 Composed by Drake Mabry. Contemporary. Score and parts. 31 pages. Drake Mabry #3676091. Published by Drake Mabry (A0.799518). Silent Durations II (a Zen experience) was written in 2003 for my friends in Ensemble Berlingot. The first movement is primarily monadic in nature with a few instances of duos and one trio passage. The second movement is a scherzo alternating between chordal passages and melodic fragments stretched over time. The third movement is an essay on the varying colors and moods of a single Eb. Â These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric.The duration is 24'40. The work also exists as a woodwind quintet (Silent Durations IIa).
$7.99 ≈
¥57.91
Silent Durations XVI (a Zen experience)
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Contemporary
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Drake Mabry
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Silent Durations XVI
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Drake Mabry
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SheetMusicPlus
Small Ensemble Bass Clef Instrument,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.799527 Composed by Drake Mabry. Contemporary. Score and p...
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Small Ensemble Bass Clef Instrument,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.799527 Composed by Drake Mabry. Contemporary. Score and parts. 26 pages. Drake Mabry #3676127. Published by Drake Mabry (A0.799527). Silent Durations XVI (a Zen experience) is for any combination of 3 treble clef and 2 bass clef instruments, voices or sound objects. The work was written for and premiered by John M. Kennedy with the CSULA New Music Ensemble. Each movement has a distinct character. The first features both legato phrases and staccato punctuations. The second focuses on the instrumental and rhythmical color possibilities of the same E pitch with the occasional neighboring F. Homophonic movement is featured in the last movement sometimes breaking up into smaller ensembles. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. The duration is 11'08. There is also a piano 4-hands version of this piece (Silent Durations XVIa)Silent Durations XVI was premiered by the CSULA New Music Ensemble conducted by John M. Kennedy at California State University Los Angeles, Los Angeles, California, USA on November 18, 2004
$7.99 ≈
¥57.91
All Is Not Gold That Shineth Bright in Snow
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Contemporary
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W
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Bill Wilson
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All Is Not Gold That Shineth B
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Alexander Wilson
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SheetMusicPlus
Brass Ensemble,Brass Quintet - Level 1 - Digital Download SKU: A0.774874 Composed by W. J. Westbrook. Arranged by Bill Wilson. 20th Century. Score and pa...
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Brass Ensemble,Brass Quintet - Level 1 - Digital Download SKU: A0.774874 Composed by W. J. Westbrook. Arranged by Bill Wilson. 20th Century. Score and parts. 18 pages. Alexander Wilson #518071. Published by Alexander Wilson (A0.774874). Quintets of any level can enjoy the lush harmonies of this piece, which won W. J. Westbrook second prize in the Bristol Madrigal Society's 1865 competition. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:50. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
¥28.99
Timeless
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Piano solo
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Dan Chadburn
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Timeless
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Dan Chadburn Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.744805 Composed by Dan Chadburn. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Dan Chadburn ...
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Piano Solo - Level 4 - Digital Download SKU: A0.744805 Composed by Dan Chadburn. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Dan Chadburn Music #5751375. Published by Dan Chadburn Music (A0.744805). Having reached #1 on Amazon.com’s New Single Releases in New Age Music chart, Timeless is one of thirteen pieces for solo piano on Dan Chadburn’s album, Love Themes for Solo Piano. Popular on SiriusXM, Pandora, and other streaming platforms around the world, the album is an expressive collection which explores and affirms the beautiful gift of love. Kathy Parsons, notable reviewer at MainlyPiano.com, writes, An extraordinary pianist…a master of piano improvisation…Chadburn says so much with a simple yet powerful melody and his deeply emotional expression – beyond words!Recorded at Joe Bongiorno’s Piano Haven Studio in Sedona, AZ, Timeless was originally composed as two separate improvisations. The first lyrical portion of the piece (measures 1-29) was improvised on March 21, 1998, while the second portion in 6/8 meter (measures 30-96) was improvised on March 21, 2017. Upon combining the two improvisations into one piece, Chadburn discovered they had been created exactly 19 years apart. For more information about Dan Chadburn and his music, visit his website at www.DanChadburn.com
$5.50 ≈
¥39.86
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