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Polish Christmas Carols Collection - 28 Songs [MEDIUM]
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Piano solo
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INTERMEDIATE
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Christmas
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Polish Christmas Carol and Pol
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Darek
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Polish Christmas Carols Collec
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1360589 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1360589 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christmas Songs. Arranged by Darek. Christian,Christmas,Multicultural,Religious,Traditional,World. Score. 51 pages. Darek #945093. Published by Darek (A0.1360589). Polish Christmas Carols Sheet Music Collection - 28 Songs [MEDIUM]A Collection of 28 Sheet Music for Polish Christmas Carols for Piano and Keyboard in Medium Arrangement for Intermediate Pianists. Each note has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of Sheet Music is Intermediate Arrangements for instruments such as piano, grand piano, keyboard or even accordion or bells! Medium Sheet Polish Christmas Carols and Christmas Songs Music Songs are aimed at those who can already play at a basic level.A Collection of 28 Polish Christmas Carols Sheet Music contains the most important and most popular Polish Carols and Polish Christmas Songs. Do you want to better feel the atmosphere of the upcoming holidays? Nothing is better for this than singing Christmas carols together at the piano. Enchant your family and friends by accompanying them in singing the most popular Christmas carols and songs. The songs in the collection have been collected in such a way as to collect in one product the melodies closest to your hearts.Each piece has fingering, i.e. information written next to the notes on which fingers to play given sounds. The songs have signed lyrics under the notes, making it easier to accompany them on the piano while singing.This Collection of Sheet Music also includes some tips on, among others: rhythmic values and rests, rules for numbering fingers for playing, divisions of rhythmic values, names of sounds on the piano/keyboard, ways to remember the names of sounds, and types of chords that will make it easier for beginners to learn how to play the piano and keyboard.Included: Lyrics, Fingering and simple YouTube video tutorial (Click to open the Playlist).Song list:1.    Ach, ubogi w żłobie2.    Anioł Pasterzom mówił3.    Bóg się rodzi (eng. The God is Born)4.    Bracia, patrzcie jeno5.    Cicha noc (eng. Silent Night)6.    Do szopy hej pasterze7.    Dzisiaj w Betlejem8.    Gdy się Chrystus rodzi9.    Gdy śliczna Panna10.  Gore gwiazda Jezusowi11.  Hej, w dzień narodzenia12.  Jam jest dudka13.  Jezus malusieńki14.  Jingle bells15.  Lulajże Jezuniu16.  Mędrcy świata17.  Mizerna Cicha18.  Oj Maluśki, Maluśki19.  Pójdźmy wszyscy do stajenki20.  Przybieżeli do Betlejem21.  Skrzypi wóz22.  Triumfy Króla Niebieskiego23.  W dzień Bożego Narodzenia24.  W żłobie leży (eng. Infant holy, Infant lowly)25.  We wish you a merry Christmas26.  Wesołą nowinę27.  Wśród nocnej ciszy28.  Z narodzenia PanaPiano | Keyboard | Polish Christmas Song | Polish Carols | Religious Songs | Polish Church Music | Polish Pastorals Songs | Digital Sheet Music | Medium Arrangement | Intermediate Arrangement | Medium Version for Pianists | Intermediate Version | Medium Piano Sheet Music | Arrangement for Intermediates | Grand Piano | Medium Piano Arrangement | Medium Arrangement For Intermediates | Sheet Music Christmas Collection | Sheet Music Carols Collection | Various Church Polish Songs| Various Christmas Polish Songs | Medium Sheet Music Collection | Polskie Piosenki Świąteczne | Polskie Kolędy | Polskie pastorałki | Zbiór Nut Kolędy.
$10.00 ≈
9.60€
INTERVALS: 24 Works for Piano - 4. A Whole Step Down
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Piano solo
#
INTERMEDIATE
#
Contemporary
#
Julie Mandel
#
INTERVALS: 24 Works for Piano
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Joopie Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.998551 Composed by Julie Mandel. Contemporary. Score. 7 pages. Joopie Music #3533887. Published by Joopie...
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Piano Solo - Level 3 - Digital Download SKU: A0.998551 Composed by Julie Mandel. Contemporary. Score. 7 pages. Joopie Music #3533887. Published by Joopie Music (A0.998551). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com
$4.00 ≈
3.84€
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 4: Prière au somm
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 4: Dans les bois f
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 4: Mon âme est pr
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 2: Je te l’avais
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 21, No. 2: Consolation from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 2: Consolation fro
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 9: Si la pitié tr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 11: Comme la fleur
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
Op. 45, No. 6: Heureux anneau from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 6: Heureux anneau
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-06E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.88€
On My Way - Piano Solo
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Piano solo
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INTERMEDIATE
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Jin Sugahara
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musician
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On My Way - Piano Solo
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JIN ATELIER
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.902562 Composed by Jin Sugahara. New Age,Standards. Score. 3 pages. JIN ATELIER #6072873. Published by JI...
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Piano Solo - Level 3 - Digital Download SKU: A0.902562 Composed by Jin Sugahara. New Age,Standards. Score. 3 pages. JIN ATELIER #6072873. Published by JIN ATELIER (A0.902562). Thank you for your access. I’m Jin Sugahara, a designer & musician.This song is from the first album Piano Terrace released in 2017.I’m so happy if my songs make your heart easier. Piano Terrace Score Book (10 Songs | $ 4.99)https://www.sheetmusicplus.com/title/21880623 YouTube Channelhttps://www.youtube.com/playlist?list=PLkjCEJ4w5BS9h3d3lYVRdJncG7nJUNR0b Spotifyspotify:album:1D2PCUTddnBhfjlJK5QfMU Apple Musichttps://itunes.apple.com/jp/album/piano-terrace/1212208910?ls=1 Feel free to use my sheet music except for commercial purposes.It’s OK at your recital or in your piano classroom.Of course you can post your performance on YouTube.I’m so happy if you note my name as a composer in either case. Your words encourage me more than you think.Please leave me a message or tweet of joy. Wishing you a wonderful piano life. -Jin Sugahara Jin Sugahara Web Sitehttp://www.jinatelier.com/en/ (C) 2017 SWEET ROOM CO. LTD. (P) 2017 JIN ATELIER CO. LTD.
$1.99 ≈
1.91€
Life's Garden - medium voice-piano
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Piano, Voice
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INTERMEDIATE
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Carrie Jacobs-Bond
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Phil Beaman
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like sympathy, devotion, etc
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Life's Garden - medium voice-p
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218723 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period,Wedding...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218723 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period,Wedding. Score. 4 pages. Phil Beaman #815161. Published by Phil Beaman (A0.1218723). Life's Garden is an arrangement of the 1914 hit pop song by Carrie Jacobs-Bond. Â I take this original melody and lyrics and put them to an entirely new setting of music. Â The piece grows, starting with a single note unaccompanied melody and each line adds more depth and texture as the piece continues to build to the end with a dramatic key change on the last phrase. Â The poetic Garden of Life is where all of the desirable characteristics of an ideal person (and love) grows; like sympathy, devotion, etc. Â This is a timeless art song that is perfect for any wedding today, whether vintage or modern. Â Â Â 4 page score; 1:40 minutesI have published it in 3 different vocal ranges on this site: Â High - low E to high G#; Medium - low Bb to high D; Low - low G to high B. Â The MP3 recording is of the Medium Voice version. Â Vocal part is Intermediate level, while Piano part is Advanced Intermediate level. Â This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$4.50 ≈
4.32€
Life's Garden - high voice-piano
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Piano, Voice
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INTERMEDIATE
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Carrie Jacobs-Bond
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Phil Beaman
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like sympathy, devotion, etc
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Life's Garden - high voice-pia
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218720 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period,Wedding...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218720 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period,Wedding. Score. 4 pages. Phil Beaman #815157. Published by Phil Beaman (A0.1218720). Life's Garden is an arrangement of the 1914 hit pop song by Carrie Jacobs-Bond. Â I take this original melody and lyrics and put them to an entirely new setting of music. Â The piece grows, starting with a single note unaccompanied melody and each line adds more depth and texture as the piece continues to build to the end with a dramatic key change on the last phrase. Â The poetic Garden of Life is where all of the desirable characteristics of an ideal person (and love) grows; like sympathy, devotion, etc. Â This is a timeless art song that is perfect for any wedding today, whether vintage or modern. Â Â Â 4 page score; 1:40 minutesI have published it in 3 different vocal ranges on this site: Â High - low E to high G#; Medium - low Bb to high D; Low - low G to high B. Â The MP3 recording is of the Medium Voice version. Â Vocal part is Intermediate level, while Piano part is Advanced Intermediate level. Â This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$4.50 ≈
4.32€
Duets for Students: The Sacred Collection (teacher book)
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1 Piano, 4 hands
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INTERMEDIATE
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Various
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Anne Britt
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Duets for Students: The Sacred
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Anne Britt
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1282705 Composed by Various. Arranged by Anne Britt. Instructional,Religious,Sacred. Scor...
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1282705 Composed by Various. Arranged by Anne Britt. Instructional,Religious,Sacred. Score. 29 pages. Anne Britt #873964. Published by Anne Britt (A0.1282705). This collection includes ten creative arrangements for a piano teacher or intermediate pianist to play with an elementary or late elementary student (student books sold separately). One piano, four hands. This teacher book works with both the elementary and the late elementary student books. Note: The cue lines included are the late elementary student part; the elementary student part is just the melody line shown on the top staff. 25 pages.1. Love at Home 2. The Dearest Names 3. Lead, Kindly Light 4. I Know That My Redeemer Lives 5. Jesus Wants Me for a Sunbeam 6. Tell Me the Stories of Jesus 7. Jesus Once Was a Little Child 8. Count Your Blessings 9. We Thank Thee, O God, for a Prophet 10. Choose the RightYouTube playlist of all ten songs: https://www.youtube.com/playlist?list=PLNCfNIIU9pLSepdOpgY7n65Yn2lRP3PaQFor more piano duets like this, see also Duets for Students: The Christmas Collection. Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
$11.99 ≈
11.52€
Duets for Students: The Christmas Collection (teacher book)
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1 Piano, 4 hands
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INTERMEDIATE
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Christmas
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Various
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Anne Britt
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Duets for Students: The Christ
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Anne Britt
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1282727 Composed by Various. Arranged by Anne Britt. Christmas,Classical,Holiday,Instruct...
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1282727 Composed by Various. Arranged by Anne Britt. Christmas,Classical,Holiday,Instructional,Sacred. Score. 37 pages. Anne Britt #873987. Published by Anne Britt (A0.1282727). This collection includes ten creative arrangements for a piano teacher or intermediate pianist to play with an elementary or late elementary student (student books sold separately). One piano, four hands. This teacher book works with both the elementary and the late elementary student books. Note: The cue lines included are the late elementary student part; the elementary student part is just the melody line shown on the top staff. 33 pages.1. Coventry Carol 2. Angels We Have Heard on High 3. Oh, Come, All Ye Faithful  4. What Child Is This? 5. Go Tell It on the Mountain 6. Once Within a Lowly Stable 7. The First Noel 8. Jesu, Joy of Man's Desiring 9. In the Bleak Midwinter 10. Here We Come A-CarolingYouTube playlist of all ten songs:https://www.youtube.com/playlist?list=PLNCfNIIU9pLRkOR6CCPsH-gcT0l00WNtNFor more piano duets like this, see also Duets for Students: The Sacred Collection. Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
$11.99 ≈
11.52€
Saw Ye My Savior? — trombone (or euphonium, cello) and piano
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Trombone and Piano
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INTERMEDIATE
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American folk hymn tune
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Todd Marchand
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Saw Ye My Savior? — trombone
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Con Spirito Music
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SheetMusicPlus
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,L...
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1204336 Composed by American folk hymn tune. Arranged by Todd Marchand. Christian,Easter,Folk,Lent,Traditional. Score and part. 8 pages. Con Spirito Music #802815. Published by Con Spirito Music (A0.1204336). Here's a lovely, lyrical tune that's ideal for use during Holy Week or as a meditative prelude, offertory, or communion selection for trombone (or euphonium, cello) and piano.Saw Ye My Savior? is an early 19th-century American folk hymn with a tune that predates it by perhaps 100 years or more. Both the text and the tune seem to have been freely adapted to the subject of the song (whether secular or sacred) and the singer, which is typical of folk songs and folk hymns handed down from one generation to the next. For example, the text of the hymn, which begins Saw ye my Savior, saw ye my Savior, saw ye my savior and my God? is similar to that of an English folk song, Saw you my father, saw you my mother, saw you my true love John?In the 1858 edition of William Walker's shape-note hymnal, The Southern Harmony, and Musical Companion, the source cited for the text and tune is Baptist Harmony (1834), p. 477. However, William Hauser and Benjamin Turner's collection, The Olive Leaf (1878), refers to the tune as a Scotch air; and certainly, the Scotch snap rhythm in measures 3 and 4 of the tune lend credence to that. The website, hymnary.org, cites Saw Ye My Savior? as having been published in 167 hymnals (all prior to 1979 but one). Two similar tunes, CRUCIFIXION (Southern Harmony) and ATONEMENT are associated with the text. Because the subject of the text is Christ's crucifixion (see representative text here), Saw Ye My Savior? has often been used as a choral anthem in Palm Sunday, Good Friday, and Holy Saturday worship services. This arrangement of the lovely, flowing tune for trombone (or euphonium, cello) and piano is ideal at any time as a meditative prelude to worship, or as an offertory or communion selection. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved.
$6.00 ≈
5.76€
Marble Halls for flute or violin and piano
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Violin and Piano
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INTERMEDIATE
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Classical
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M
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Klas Krantz
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Marble Halls for flute or viol
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Amadeus Music
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.530912 Composed by M. Balfe. Arranged by Klas Krantz. Classical,Romantic Period,Wedding. 4 pages. Amade...
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Piano,Violin - Level 3 - Digital Download SKU: A0.530912 Composed by M. Balfe. Arranged by Klas Krantz. Classical,Romantic Period,Wedding. 4 pages. Amadeus Music #2027049. Published by Amadeus Music (A0.530912). Michael Balfe (1808 – 1870) was an Irish composer, best-remembered for his opera The Bohemian Girl. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed 38 operas, almost 250 songs and other works. He was also a noted conductor, directing Italian Opera at Her Majesty's Theatre for seven years, among other conducting posts.
$3.95 ≈
3.79€
Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Praise Him with Stringed Instr
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1371210 By Sharon Wilson. By Elisha Albright Hoffman, George Bennard, Howard E. Smith,...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1371210 By Sharon Wilson. By Elisha Albright Hoffman, George Bennard, Howard E. Smith, James McGranahan, Joseph Brackett, Jr., Traditional, and William G. Fischer. Arranged by Sharon Wilson. Christian,Easter,Praise & Worship,Sacred,Traditional. 140 pages. Sharon Wilson #955463. Published by Sharon Wilson (A0.1371210). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . †(KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  For 8 of the 10 songs, all notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For the other two songs, Stricken, Smitten, and Afflicted and The Old Rugged Cross, the CELLO will need to play in second position for a couple of notes. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Beach SpringI Know Whom I Have BelievedLove Lifted MeNever AloneShowers of BlessingSimple GiftsStricken, Smitten, and AfflictedThe Old Rugged CrossWhat a Wonderful SaviorWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$24.99 ≈
24.00€
The Hand of You - medium voice-piano
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Piano, Voice
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INTERMEDIATE
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Carrie Jacobs-Bond
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Phil Beaman
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The Hand of You - medium voice
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218745 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,New Age,Romantic Period...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218745 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,New Age,Romantic Period,Wedding. Score. 4 pages. Phil Beaman #815182. Published by Phil Beaman (A0.1218745). The Hand of You is an arrangement of the 1920 hit pop song by Carrie Jacobs-Bond. Â The lyrics are a tender love story about how throughout our relationship everything is fine as long as I can touch the hand of you. Â In order to emphasize this simple and powerful emotion, for the first verse I simplified the original ballad's thick chords into a more shaped and expressive two part writing, just single notes in each hand; then for the second verse I did a reharmonization of the melody, adding some simple harmony and octaves for the climax; then back to two part for a slower, softer ending. Â I also wrote a new slow introductory section with my own lyrics and melody that is based on what follows. Â An incredibly beautiful piece, this is perfect for any wedding today, whether vintage or modern. Â 4 page score; 2:15 minutesI have published it in 3 different vocal ranges on this site: Â High - low E to high F; Medium - middle C to high D; Low - low A to high B. Â The MP3 recording is of the Medium Voice version. Â This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
$5.25 ≈
5.04€
And Can It Be (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ B2 to D4
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And Can It Be
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1363672 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wi...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1363672 By Sharon Wilson. By Charles Wesley and Thomas Campbell. Arranged by Sharon Wilson. Christian,Easter,Praise & Worship,Romantic Period,Sacred. 24 pages. Sharon Wilson #948067. Published by Sharon Wilson (A0.1363672). Here is a majestic instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of a beautiful hymn from the early 1800's titled And Can It Be by Thomas Campbell. Both the VIOLIN and CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first verse, then transitions during the piano interlude to the key of G major for the second verse.The range for each part is as follows: VIOLIN ~ E4 to B5; CELLO ~ B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 3:15.The purchase price includes these printing options: 1. a grand staff (10 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 ≈
5.75€
Never Alone (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ A2 to C4
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Never Alone
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1371170 By Sharon Wilson. By Traditional. Arranged by S...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1371170 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Christian,Praise & Worship,Religious,Sacred,Traditional. 22 pages. Sharon Wilson #955421. Published by Sharon Wilson (A0.1371170). Here is an instrumental trio (for VIOLIN and CELLO Duet with PIANO accompaniment) of the uplifting hymn Never Alone. The VIOLIN plays the melody for the first verse and the CELLO leads with the melody for the second verse. The first verse and chorus are in the key of C major. During the piano interlude, the song transitions to the key of G major for the second verse and chorus.The range for each part is as follows: VIOLIN ~ D4 to G5; CELLO ~ A2 to C4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.The purchase price includes these printing options:Â 1. a grand staff (8 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)3. a combined VIOLIN and CELLO score (4 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 ≈
5.75€
Whiter Than Snow (for VIOLIN and CELLO Duet with PIANO Accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sharon Wilson
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Sharon Wilson
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CELLO ~ G2 to D4
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370734 By Sharon Wilson. By James L Nicholson and William G. Fischer. Arranged by Sha...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1370734 By Sharon Wilson. By James L Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. 21 pages. Sharon Wilson #955070. Published by Sharon Wilson (A0.1370734). Here is a gently flowing instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the meditative hymn Whiter Than Snow by William G. Fischer. Both the CELLO and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The song begins in the key of C major for the first verse, then transitions during the piano interlude to the key of G major for the second verse.The range for each part is as follows: VIOLIN ~ C4 to B5; CELLO ~ G2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. Duration 2:15.The purchase price includes these printing options: 1. a grand staff (8 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (3 pages)This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 5 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 ≈
5.75€
Shall We Gather at the River (for Violin Duet with Piano accompaniment)
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Violin and Piano
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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VIOLIN 2 ~ G3 to C5
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Shall We Gather at the River
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.565820 By Sharon Wilson. By Robert Lowry. Arranged by Sharon ...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.565820 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Christian,Praise & Worship,Romantic Period,Sacred,Traditional. 13 pages. Sharon Wilson #6258667. Published by Sharon Wilson (A0.565820). This bright and encouraging hymn by Robert Lowry is arranged as an instrumental trio (for two VIOLINS with PIANO accompaniment). VIOLIN 1 leads with the melody throughout, but VIOLIN 2 has plenty of movement to make it interesting and also gets to play melody for the last phrase of each verse. An optional repeat and second ending is included in case a longer song is desired. This joyful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition for your ensemble sacred repertoire. Duration 2:00 with the repeat.The range for each string part is as follows: VIOLIN 1 ~ F#4 to G5; VIOLIN 2 ~ G3 to C5. All notes for both the VIOLIN parts are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.The purchase price includes these printing options: 1. a grand staff (5 pages) with all parts on each page2. separate scores for each VIOLIN (1 page each) and PIANO (2 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (2 pages) This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 2 (Collection of 10 Hymns for Violin Duet with Piano).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 ≈
5.75€
Shall We Gather at the River (Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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CELLO ~ D3 to D4
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Shall We Gather at the River
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Sharon Wilson
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565816 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Christian,Praise ...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565816 By Sharon Wilson. By Robert Lowry. Arranged by Sharon Wilson. Christian,Praise & Worship,Romantic Period,Sacred,Traditional. 13 pages. Sharon Wilson #6257209. Published by Sharon Wilson (A0.565816). This bright and encouraging hymn by Robert Lowry is arranged as an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment). The VIOLIN leads with the melody throughout, but the CELLO has plenty of movement to make it interesting and also gets to play melody for the last phrase of each verse. An optional repeat and second ending is included in case a longer song is desired. This joyful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition for your ensemble sacred repertoire. Duration 2:10 with the repeat.The range for each string part is as follows: VIOLIN ~ F#4 to G5; CELLO ~ D3 to D4. For both the VIOLIN and CELLO, all notes are playable in the first position making this piece an excellent choice for early intermediate string players.The purchase price includes these printing options: 1. a grand staff (5 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (1 page each) and PIANO (2 pages)3. a combined CELLO and VIOLIN score (2 pages) This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 2 (Collection of 10 Hymns for Violin, Cello, and Piano).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 ≈
5.75€
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Cla...
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Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00 ≈
19.21€
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