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Clarinet, Violin, Viola, Cello and Piano
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Clarinet Quintet, opus 155 (2013)
Clarinet Quintet: Clarinet, String Quartet
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thoma…
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.
Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister?s wedding in Vermont. Nancy premiered the solo clarinet piece ?Trinca di Chro? during the wedding ceremony. The second work was ?Yo Picasso? (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was ?Octet in D, opus 144? (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.
My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.
Clarinet Quintet, opus 155 is in seven movements.
I. Largo
II. Allegro
III. Interlude 1 ? Presto
IV. Adagio
V. Reprise ? a bit faster than before!
VI. Interlude 2 ? Adagio
VII. Allegro con moto
The work begins with a clarinet meditation over pianissimo string chords. The music is very static ? not unlike the sacred music of Arvo Prt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You?ll get lost! Above the ?oom-pah oom-pah? accompaniment, the clarinet soars like a flying bird ? diving, hovering, dipping and swooping!!!
ENJOY!!!
Audio link. Copy and paste the URL link into your browser.
https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013
Video link: https://youtu.be/2fByM3tEAqc
$9.99
9.39 €
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Clarinet Quintet: Clarinet, String Quartet
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
A Thousand Years
Trumpet, Piano
Piano,Trumpet - Digital Download SKU: A0.747213 By Christina Perri. By Christina Pe…
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Piano,Trumpet - Digital Download SKU: A0.747213 By Christina Perri. By Christina Perri and David Hodges. Arranged by Christopher R. Brown. Pop. Score and part. 10 pages. Christopher Brown #4737087. Published by Christopher Brown (A0.747213). A Thousand Years (Christina Perri & David Hodges) arranged for trumpet solo with piano accompaniment.Perfect for weddings and recitals!This arrangement is also available for Flute, Oboe, Clarinet, Bassoon, Violin, Viola, Cello, and French Horn.Included in your purchase:Piano Accompaniment (with solo reference in concert pitch)Trumpet in Bb Solo Part (transposed).
$4.99
4.69 €
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Trumpet, Piano
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Christina Perri
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A Thousand Years
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Christopher Brown
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SheetMusicPlus
[Fennelly] Canzona and Dance
Small Ensemble Cello,Clarinet,Piano,Viola,Violin - Digital Download SKU: A0.952837 …
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Small Ensemble Cello,Clarinet,Piano,Viola,Violin - Digital Download SKU: A0.952837 Composed by Brian Fennelly. 20th Century. Score and parts. 66 pages. American Composers Alliance Inc. #4624405. Published by American Composers Alliance Inc. (A0.952837). Scored for clarinet, violin, viola, cello, and piano - PDF download includes score and parts.
$24.95
23.45 €
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Brian Fennelly
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[Fennelly] Canzona and Dance
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American Composers Alliance Inc.
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SheetMusicPlus
New Heart Hymns: 10 Familiar Hymns for Solo Clarinet in Bb and Intermediate Piano
Clarinet and Piano
By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contempora…
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By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score and part. 53 pages. Jennie Rhodes Music #164839. Published by Jennie Rhodes Music
"My students were tired of playing out of the hymn book. This collection makes them to feel like artists when they perform in their worship services!" This volume of 10 beloved, multi-denominational hymns are arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, oboe, flute, and piano. Listen to a playlist of the entire collection (as arranged for violin) on YouTube. DETAILS: Total length = 24 minutes. Solo instrument part = 15 pages. Piano score =29 pages . All texts included. SONG LIST: Abide With Me; Come, Come Ye Saints (All is Well); Come, Follow Me; Come, Thou Fount of Every Blessing; Count Your Blessings; How Firm a Foundation; I Know that My Redeemer Lives; I Stand All Amazed; Lead, Kindly Light; Nearer, My God, to Thee. www.jennierhodesmusic.com.
$19.95
18.75 €
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Clarinet and Piano
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Jennie Rhodes
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Worship, Sacred
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New Heart Hymns: 10 Familiar Hymns for Solo Clarinet in Bb and Intermediate Piano
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Jennie Rhodes Music
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SheetMusicPlus
Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.534535 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.534535 Composed by Ange Flégier. Romantic Period. 227 pages. Musik Fabrik Music Publishing #3627029. Published by Musik Fabrik Music Publishing (A0.534535). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Cor”, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratorio Ossian and many chamber works, including the first “dixtuor” for wind quintet and string quintet. This work is in the form of a four movement classical symphony. The set includes the score and complete parts
$38.94
36.6 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ange Flégier
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Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
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Musik Fabrik Music Publishing
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SheetMusicPlus
New Heart Hymns: 10 Familiar Hymns for Solo Flute and Intermediate Piano
Flute and Piano
By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contempora…
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By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score and part. 52 pages. Jennie Rhodes Music #164838. Published by Jennie Rhodes Music
"My students were tired of playing out of the hymn book. This collection makes them to feel like artists when they perform in their worship services!" This volume of 10 beloved, multi-denominational hymns are arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, oboe, clarinet, and piano. Listen to a playlist of the entire collection (as arranged for violin) on YouTube. DETAILS: Total length = 24 minutes. Solo instrument part = 15 pages. Piano score =29 pages . All texts included. SONG LIST: Abide With Me; Come, Come Ye Saints (All is Well); Come, Follow Me; Come, Thou Fount of Every Blessing; Count Your Blessings; How Firm a Foundation; I Know that My Redeemer Lives; I Stand All Amazed; Lead, Kindly Light; Nearer, My God, to Thee. www.jennierhodesmusic.com.
$19.95
18.75 €
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Flute and Piano
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Jennie Rhodes
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Worship, Sacred
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New Heart Hymns: 10 Familiar Hymns for Solo Flute and Intermediate Piano
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Jennie Rhodes Music
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SheetMusicPlus
New Heart Hymns: 10 Familiar Hymns for Solo Oboe and Intermediate Piano
Oboe, Piano (duet)
By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contempora…
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By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score and part. 51 pages. Jennie Rhodes Music #164841. Published by Jennie Rhodes Music
"My students were tired of playing out of the hymn book. This collection makes them to feel like artists when they perform in their worship services!" This volume of 10 beloved, multi-denominational hymns are arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, flute, clarinet, and piano. Listen to a playlist of the entire collection (as arranged for violin) on YouTube. DETAILS: Total length = 24 minutes. Solo instrument part = 15 pages. Piano score =29 pages . All texts included. SONG LIST: Abide With Me; Come, Come Ye Saints (All is Well); Come, Follow Me; Come, Thou Fount of Every Blessing; Count Your Blessings; How Firm a Foundation; I Know that My Redeemer Lives; I Stand All Amazed; Lead, Kindly Light; Nearer, My God, to Thee. www.jennierhodesmusic.com.
$19.95
18.75 €
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Oboe, Piano (duet)
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Jennie Rhodes
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Worship, Sacred
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New Heart Hymns: 10 Familiar Hymns for Solo Oboe and Intermediate Piano
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Jennie Rhodes Music
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SheetMusicPlus
Silent Night--violin duet
Violin and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.786762 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431077. Published by Beka Wilson (A0.786762). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
9.39 €
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Violin and Piano
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Joseph Mohr, Franz Gruber
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Silent Night--violin duet
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Beka Wilson
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SheetMusicPlus
Silent Night--cello duet
Cello, Piano
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU:…
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.786757 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431065. Published by Beka Wilson (A0.786757). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
9.39 €
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Cello, Piano
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Joseph Mohr, Franz Gruber
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Silent Night--cello duet
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Beka Wilson
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SheetMusicPlus
Mini Concerto For Alex (Cello and Piano Arrangement)
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Den…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time. The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00
8.46 €
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Cello, Piano
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Sparrowhawk Tango. (Flute, Cello and Piano Arrangement)
Flute, Cello, Piano (trio)
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1300131 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 13 pages. Geraldine (Denny) Green at Oakmountmusic #889873. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300131). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour, hunting techniques and how they fly and soar. They appear to “Tango” with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
$20.00
18.8 €
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Flute, Cello, Piano (trio)
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Geraldine Green
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Sparrowhawk Tango.
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Geraldine
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SheetMusicPlus
Silent Night--viola duet
Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU:…
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - Digital Download SKU: A0.786761 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431075. Published by Beka Wilson (A0.786761). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
9.39 €
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Viola, Piano
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Joseph Mohr, Franz Gruber
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Silent Night--viola duet
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Beka Wilson
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.55 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
24K Magic for flex band
By Bruno Mars. Arranged by Andrea La Rose. Set of Parts. 202 pages. Published by Andrea La…
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By Bruno Mars. Arranged by Andrea La Rose. Set of Parts. 202 pages. Published by Andrea La Rose (H0.206517-278107). - Set of Parts - - Andrea La Rose
$24.99
23.49 €
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Bruno Mars
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24K Magic for flex band
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Andrea La Rose
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SheetMusicPlus
The Song of Moses and of Miriam at the Red Sea-Clarinet
Clarinet
Clarinet Solo - Level 2 - Digital Download SKU: A0.969557 Composed by Zachary Damm.…
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Clarinet Solo - Level 2 - Digital Download SKU: A0.969557 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014297. Published by Digital Print Publishing (A0.969557). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the clarinet part: see also all the individual instrumental parts under the same title.
$4.51
4.24 €
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Clarinet
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Zachary Damm
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The Song of Moses and of Miriam at the Red Sea-Clarinet
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Digital Print Publishing
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SheetMusicPlus
A Thousand Years
Cello, Piano
Cello,Piano - Digital Download SKU: A0.747207 By Christina Perri. By Christina Perr…
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Cello,Piano - Digital Download SKU: A0.747207 By Christina Perri. By Christina Perri and David Hodges. Arranged by Christopher R. Brown. Pop. Score and part. 11 pages. Christopher Brown #4736851. Published by Christopher Brown (A0.747207). A Thousand Years (Christina Perri & David Hodges) arranged for cello solo with piano accompaniment.Perfect for weddings and recitals!This arrangement is also available for Flute, Oboe, Clarinet, Bassoon, Violin, Viola, Trumpet, and French Horn.Included in your purchase:Piano Accompaniment (with solo reference)Cello Solo Part.
$4.99
4.69 €
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Cello, Piano
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Christina Perri
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A Thousand Years
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Christopher Brown
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SheetMusicPlus
The Song of Moses and of Miriam at the Red Sea - Piano
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.969553 Composed by Zachary Damm. Ch…
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Piano Solo - Level 2 - Digital Download SKU: A0.969553 Composed by Zachary Damm. Christian,Sacred,Spiritual. Score. 6 pages. Digital Print Publishing #3012605. Published by Digital Print Publishing (A0.969553). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. It utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a piano accompaniment: see also all the individual instrumental parts under the same title.
$4.51
4.24 €
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Piano solo
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Zachary Damm
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The Song of Moses and of Miriam at the Red Sea - Piano
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Digital Print Publishing
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SheetMusicPlus
Musica Proibita for Tenor Voice and Chamber Ensemble
Small Ensemble Cello,Clarinet,High Voice,Piano Accompaniment,Viola,Violin - Level 3 - Digi…
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Small Ensemble Cello,Clarinet,High Voice,Piano Accompaniment,Viola,Violin - Level 3 - Digital Download SKU: A0.781589 Composed by Stanislao Gastaldon. Arranged by Luke Flynn. Concert,Romantic Period. Score and parts. 26 pages. Luke Flynn Publishing #3514937. Published by Luke Flynn Publishing (A0.781589). Composed by Stansislao Gastaldon (1881). Arranged and Orchestrated by Luke FlynnFor Tenor Voice, Clarinet in Bb, Violin, Viola, Cello, and Piano.Includes free Piano/Vocal arrangment.Also available in:-Tenor Voice, String Quartet and Piano-Tenor Voice, Solo Violin, and Piano
$14.99
14.09 €
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Stanislao Gastaldon
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Musica Proibita for Tenor Voice and Chamber Ensemble
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Luke Flynn Publishing
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SheetMusicPlus
Ocean's Waves | Trio for Violin, Cello, and Piano
Piano Trio: piano, violin, cello
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1092…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1092601 Composed by Michael Barrera. 20th Century,Contemporary. Score and parts. 24 pages. Michael Barrera #696697. Published by Michael Barrera (A0.1092601). Https://www.michaelbarreraflute.com/shop/p/oceans-waves-vi Program Notes One of the first compositions I wrote, this was inspired by images of sunsets. It has a repeating passacaglia-like bass line that gradually builds and then releases when the waves hit the shore. The piano creates the image of rolling waves washing onto a beachfront while the other instruments act as the mist on the water. Its simple yet layered structure invites the listener to relax and imagine staring beyond the horizon. Instrumentation Mixed piano trio of - Clarinet (B flat) / Violin / Viola Cello Piano.
$19.99
18.79 €
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Piano Trio: piano, violin, cello
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Michael Barrera
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Ocean's Waves | Trio for Violin, Cello, and Piano
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Michael Barrera
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SheetMusicPlus
A Thousand Years
Oboe, Piano (duet)
Oboe,Piano - Digital Download SKU: A0.747209 By Christina Perri. By Christina Perri…
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Oboe,Piano - Digital Download SKU: A0.747209 By Christina Perri. By Christina Perri and David Hodges. Arranged by Christopher R. Brown. Pop. Score and part. 10 pages. Christopher Brown #4737051. Published by Christopher Brown (A0.747209). A Thousand Years (Christina Perri & David Hodges) arranged for oboe solo with piano accompaniment.Perfect for weddings and recitals!This arrangement is also available for Flute, Clarinet, Bassoon, Violin, Viola, Cello, Trumpet, and French Horn.Included in your purchase:Piano Accompaniment (with solo reference)Oboe Solo Part.
$4.99
4.69 €
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Oboe, Piano (duet)
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Christina Perri
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A Thousand Years
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Christopher Brown
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SheetMusicPlus
Come Thou fount of every blessing (piano & viola)
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.772780 Composed by Robert Robinson…
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Piano,Viola - Level 3 - Digital Download SKU: A0.772780 Composed by Robert Robinson. Arranged by David Kocijan. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 6 pages. David Kocijan #6062375. Published by David Kocijan (A0.772780). - Piano transcription- Viola transcriptionSolo transcription available for Violin, Viola, Violoncello, Flute, Oboe, Clarinet, Soprano, Alto and Tenor Saxophone.Backing track available!facebook.com/davidkocijan
$9.99
9.39 €
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Viola, Piano
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Robert Robinson
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Come Thou fount of every blessing
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David Kocijan
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SheetMusicPlus
Railway Song (Auf de schwäb'sche Eisebahne) flute, oboe, clarinet, bassoon, viola, cello, piano
Viola, Piano
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - Digital Download …
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - Digital Download SKU: A0.575776 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. Score and parts. 31 pages. David Warin Solomons #2028015. Published by David Warin Solomons (A0.575776). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwäb'sche Eisebahne (= on the Swabian railway) from the Tübinger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).
$12.00
11.28 €
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Viola, Piano
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Traditional
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Railway Song
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David Warin Solomons
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SheetMusicPlus
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