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11 sheet music found
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1
Go Tell It On The Mountain - Vocal, Backing Vocals with Optional Choir, Rhythm Section and Strings
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Christmas
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James Taylor
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Daryl McKenzie
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Go Tell It On The Mountain - V
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.718158 By James Taylor. By Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Traditional. Sc...
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Large Ensemble - Level 4 - Digital Download SKU: A0.718158 By James Taylor. By Traditional. Arranged by Daryl McKenzie. Christmas,Holiday,Traditional. Score and parts. 53 pages. Daryl McKenzie #4846355. Published by Daryl McKenzie (A0.718158). Arrangement in the style of James Taylor for Solo Vocal, Backing Vocals, optional SATB Choir, Acoustic Guitar, Piano, Keyboards, Bass Guitar, Drums, Percussion, Harp, Vln1, Vln2 Vla, Vcl, CB. Key of E major. Great for Christmas concerts.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$59.99
Mussorgsky: Night on Bald Mountain for String Trio
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Classical
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.549953 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Concert,Ha...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.549953 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Standards. Score and parts. 85 pages. Jmsgu3 #4332887. Published by jmsgu3 (A0.549953). Score: 47 pages, 457 measures. Duration ca. 11 minutes. Violin I part: 14 pages, Viola part: 13 pages, Cello part: 11 pages. .
$41.95
Mussorgsky: Night on Bald Mountain for Piano Quintet
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Classical
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Night on Bald Moun
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jmsgu3
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SheetMusicPlus
Small Ensemble,Strings Piano - Level 4 - Digital Download SKU: A0.549950 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Concert,H...
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Small Ensemble,Strings Piano - Level 4 - Digital Download SKU: A0.549950 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Concert,Halloween,Romantic Period,Standards. Score and parts. 140 pages. Jmsgu3 #4327087. Published by jmsgu3 (A0.549950). Score: 70 pages, Duration ca. 11 minutes. Violin I part: 14 pages, Violin II part: 11 pages, Viola part: 10 pages, Cello part: 11 pages, Piano part: 24 pages. 457 measures.
$49.95
Like a River Glorious (Trio for Flute, Violin and Piano)
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Sacred music
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James Mountain and Claude Debu
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John A
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Like a River Glorious
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.546490 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey....
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Small Ensemble Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.546490 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #156504. Published by John A. Dempsey (A0.546490). A hymn that celebrates God's perfect peace and love, Like a River Glorious is arranged here as a trio for flute, violin and piano. Â The incidental music winding its way through the hymn is Claude Debussy's Arabesque, No. 2. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude and special music. Â 14 pages of music (that includes separate two-page parts for flute and violin). Â Key: G major.
$11.99
Grieg: Peer Gynt Suite Complete for Bass Flute and Piano
Bass Flute
Intermediate/advanced level
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Hallow...
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Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 61 pages. Jmsgu3 #5306289. Published by jmsgu3 (A0.551495). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 â??1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ?ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ??s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Peer Gynt Suite Complete for Oboe d'Amore & Piano
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Classical
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.551506 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Hall...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.551506 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 62 pages. Jmsgu3 #5306343. Published by jmsgu3 (A0.551506). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Sonata Hymnica No. 7 - Score Only
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Sacred music
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James Siddons
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Sonata Hymnica No. 7 - Score O
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James Siddons Music and Writings
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Sco...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Nothing Else Matters
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Rock
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Metallica
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Larry Conger
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Nothing Else Matters
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Larry Conger/Dulcimerican Music
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SheetMusicPlus
Dulcimer,Instrumental Solo - Level 4 - Digital Download SKU: A0.1511295 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Larry Conger. Rock. ...
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Dulcimer,Instrumental Solo - Level 4 - Digital Download SKU: A0.1511295 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Larry Conger. Rock. Individual part. 5 pages. Larry Conger/Dulcimerican Music #1086471. Published by Larry Conger/Dulcimerican Music (A0.1511295). Released in 1992 by the heavy metal band Metallica, this arrangement is for solo mountain dulcimer in 1-5-8 or DAD tuning. It is suitable for the upper intermediate level player. The arrangement makes use of a capo and a 1+ fret.Four pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.
$4.99
Dance Me To The End Of Love
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Madeleine Peyroux
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Ben D'Ooge
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Dance Me To The End Of Love
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Ben D'Ooge
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SheetMusicPlus
Small Ensemble Dulcimer,Flute - Level 4 - Digital Download SKU: A0.834319 By Madeleine Peyroux. By Leonard Cohen. Arranged by Ben D'Ooge. Jazz,Pop. Score...
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Small Ensemble Dulcimer,Flute - Level 4 - Digital Download SKU: A0.834319 By Madeleine Peyroux. By Leonard Cohen. Arranged by Ben D'Ooge. Jazz,Pop. Score and parts. 8 pages. Ben D'Ooge #6404809. Published by Ben D'Ooge (A0.834319). This is an ensemble arrangement, in the key of B minor, for two DAD tuned Appalachian mountain (lap) dulcimers and B minor Native American style flute. The two dulcimer parts, chord melody and backup accompaniment, are written in both standard musical notation and dulcimer tab. The Native American style flute melody part, to be played with an B minor key flute, is written in Nakai tablature. R. Carlos Nakai developed this system of tablature notation (commonly known as Nakai tablature) that can be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provides resources and support for musicians playing the Native American flute.
$12.99
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