Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Even Then
Not classified
20
Piano & keyboards
Piano solo
23
Organ
2
Organ, Trumpet (duet)
1
Piano, Voice
1
1 Piano, 4 hands
1
Guitars
Guitar
3
2 Guitars (duet)
2
Plectrum Orchestra
1
Voice
Choral Unison
1
Choral SATB
1
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
4
Flute Quartet: 4 flutes
2
Flute and Piano
2
Clarinet Quintet: 5 clarinets
1
Saxophone
1
Baritone Saxophone, Piano
1
Tenor Saxophone and Piano
1
Oboe
1
Oboe, Piano (duet)
1
Flute ensemble
1
English Horn
1
Clarinet Quartet: 4 clarinets
1
+ 7 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
4
Trumpet, Piano
1
3 Trombones (trio)
1
Tuba
1
English Horn
1
Trombone
1
3 Euphoniums
1
+ 2 instrumentations
-
Retract
Strings
Violin and Piano
5
String Quartet: 2 violins, viola, cello
4
Cello, Piano
1
Violin, Cello (duet)
1
Viola, Piano
1
Viola and Harp
1
Harp
1
+ 2 instrumentations
-
Retract
Orchestra & Percussion
Concert band
10
Orchestra
8
Chamber Orchestra
2
String Orchestra
1
Jazz Ensemble
1
Brass ensemble
1
+ 1 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
20
Sheet Music Books
30
Music Equipment
220
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
Even Then
expert
Sheetmusic to print
20 sheet music found
<
1
One
#
Metallica
#
David Oosse
#
One
#
David Oosse
#
SheetMusicPlus
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. T...
(+)
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica. --- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.
$19.95
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Paul Wehage
#
Paul Wehage: To You for barito
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
(+)
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Babel for Tenor Trombone, Bass Trombone, and Piano
#
Uriel Imriffnol
#
Babel for Tenor Trombone, Bass
#
Songburd Music
#
SheetMusicPlus
Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1397728 Composed by Uriel Imriffnol. Ch...
(+)
Instrumental Duet,Piano Bass Trombone,Instrumental Duet,Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1397728 Composed by Uriel Imriffnol. Chamber,Classical,Contemporary. 33 pages. Songburd Music #981013. Published by Songburd Music (A0.1397728). Babel was a city full of riches, gods, power, and strength, Â However, their arrogance, pride and sin led them away from God's plan. Â It was then that they decided to build a giant towner that would reach to heaven, contradicting God's promise that He would not destroy the earth again with a flood. Â They did not care, and God came down to confuse their tongues, preventing the tower from being finished.Come, let us go down and confuse their language, so that they may not understand one another's speech. - Genesis 11:7.
$40.00
Horn of the Isles, Rhapsody for Eb Tenor Horn and Piano
#
Greg Patmore
#
Horn of the Isles, Rhapsody fo
#
Gregory Patmore
#
SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1416508 Composed by Greg Patmore. 21st Century,Classical. Score and indivi...
(+)
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1416508 Composed by Greg Patmore. 21st Century,Classical. Score and individual part. 11 pages. Gregory Patmore #998187. Published by Gregory Patmore (A0.1416508). Inspired by the western islands and highlands of Scotland, this is a beautiful but challenging showpiece for Eb tenor horn (alto horn) and piano. Virtuosic, dramatic, evocative, lyrical, exciting for performers and rewarding for an attentive audience. A rhspdody in the form of a single movement which subdivides into an opening theme followed by three main sections, each derived from elements of the opening theme. First a leisurely dance with a scottish lilt, then a peaceful central section building to a dramatic peak and falling away, then into a virtuosic, eccentric finale. The whole piece is stylish, with intensity, but also lightness of touch and even a little humour!
$19.99
Gigue Fugue
#
Classical
#
Johann Sebastian Bach
#
David Heywood
#
Gigue Fugue
#
David Heywood
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.910427 Composed by Johann Sebastian Bach. Arranged by David Heywood. Baroque. 33 pages. Davi...
(+)
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.910427 Composed by Johann Sebastian Bach. Arranged by David Heywood. Baroque. 33 pages. David Heywood #5210509. Published by David Heywood (A0.910427). So there are fugues, and then there are great fugues, and then there is the Gigue Fugue by J.S. Bach. Whereas many of the fugues of this period plod or even drag along at times and are not that fun to play, the light 12/8 dance like nature of this work is playful, energizing, and a challenge to perform. Set for Flute Quintet or Flute Choir (Three C Flutes, Alto, and Bass), the music bounces and dances in a way that is sheer magic in a live hall, and fits together like a beautiful clock that will both delight and impress your audience. It is three minutes of pure exhilaration!
$14.99
Low Brass - Horn Piece
#
Mike Lyons
#
Low Brass - Horn Piece
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pag...
(+)
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.767606 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 80 pages. Lyons Music Services #6703123. Published by Lyons Music Services (A0.767606). Originally a horn quartet inspired by a conversation about writing for horns. There are three movements. The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the lower tuba at the end.Enjoy.This is a really enjoyable and exciting new addition to the low brass quartet repertoire.
$15.00
Filigree, for contrabass and piano
#
Contemporary
#
Paul SanGregory
#
Filigree, for contrabass and p
#
Distant Engraver Music
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.977044 Composed by Paul SanGregory. Contemporary. Score and pa...
(+)
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.977044 Composed by Paul SanGregory. Contemporary. Score and parts. 15 pages. Distant Engraver Music #4627993. Published by Distant Engraver Music (A0.977044). Even though I had an image of certain types of Chinese painting or silk ornamentation in mind when composing this piece, I chose the title Filigree because such jewelry is constructed out of similarly delicate lines. As one might expect, then, this piece is essentially a weave of intricately interacting melodies. Technically, it’s based on a series of overlapping pentatonic scales that appear as short melodic fragments and longer lines. There is a continual rising of overlapping patterns as the piece builds to its most luxurious and complex climax, then the texture simplifies as delicate lines trace out the ending. In terms of expression, I hope the bass will be played in ways that call to mind the thin and delicate lines of an erhu.Performance time is ca. 5:30.The single downloadable file for this piece contains the full score and two versions of the bass part: one in concert pitch and the other transposed for solo tuning.
$10.00
An Entire Day of a Faun
#
Leonard E
#
An Entire Day of a Faun
#
Leonard E. Lopatin
#
SheetMusicPlus
Flute - Level 5 - Digital Download SKU: A0.1463870 Composed by Leonard E. Lopatin. Chamber,Classical,Instructional. Educational Exercises. 84 pages. Leon...
(+)
Flute - Level 5 - Digital Download SKU: A0.1463870 Composed by Leonard E. Lopatin. Chamber,Classical,Instructional. Educational Exercises. 84 pages. Leonard E. Lopatin #1042644. Published by Leonard E. Lopatin (A0.1463870). At one time, Claude Debussy’s approach to tonality and color was novel, even radical. Today, his Prélude à l’Après-Midi d’un Faune, is one of the most beloved works in the repertoire, certainly among flutists. That being the case, we’re likely to have a certain color and texture in mind when we play the flute part. So, what can we do to make our practice of this familiar piece more interesting? How about trying to achieve those desired qualities while playing it in different keys or in the extreme high and extreme low registers?You’re not likely to produce the usual languid, transparent sonority if you start the famous opening solo on high F sharp, but there is much to be learned by trying to do just that. Then, when you return to the original tonality, you may find that you have greater command of the passage’s tone color and quality than you’ve ever had before!
$20.00
Drifting - Score Only
#
Contemporary
#
Antonio Gervasoni
#
Drifting - Score Only
#
Antonio Gervasoni
#
SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Ger...
(+)
Small Ensemble - Level 5 - Digital Download SKU: A0.1088423 Composed by Antonio Gervasoni. Classical,Contemporary. Score and parts. 18 pages. Antonio Gervasoni #692688. Published by Antonio Gervasoni (A0.1088423). Single-movement work for string trio. I've been practicing meditation for several years and if I had to choose a particular word to describe what I experience, that word would be drifting. After relaxing, my mind begins to wander. Fragments of images, thoughts and sounds flash through my mind, like fast zapping on a TV. Everything is blurry, but every now and then an image takes shape and for a moment I see all kinds of things: people, landscapes, animals, etc.; sometimes I hear a voice that speaks to me; I've even listened to music, like tuning in to a radio station for a few seconds (and when I say listen I mean it; it's not like remembering a song, it's exactly like listening to it). This is known in neuroscience as the hypnagogic state, in which hallucinations often occur. I decided to draw on this kind of experience to write Drifting. It's organized in three sections, with no break between them: relaxing, flowing and being.
$5.99
A Mighty Fortress Is Our God
#
Folkloric/Traditional
#
Martin Luther
#
Rich Heffler
#
A Mighty Fortress Is Our God
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29139AX Composed by Martin Luther. Arranged by Rich Heffler. Key of C. Traditional. Score and pa...
(+)
Alto Sax and piano - Grade 5 - Digital Download SKU: DX.W29139AX Composed by Martin Luther. Arranged by Rich Heffler. Key of C. Traditional. Score and part. 7 pages. David E. Smith - Digital Sheet Music #W29139AX. Published by David E. Smith - Digital Sheet Music (DX.W29139AX). Moving and affective this solo begins unaccompanied and then later joined by the piano in a Celtic style. A second statement of the tune is further embellished and gains more complexity as it progresses. After a brief modulation the solo line becomes more plaintive- even though still embellished. The Coda is based on a brief motif where it ritards into a gentle repose.
$5.95
Amazing Grace
#
Folkloric/Traditional
#
John Newton
#
Rich Heffler
#
Amazing Grace
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Tenor Sax and piano - Grade 5 - Digital Download SKU: DX.W29138TX Composed by John Newton. Arranged by Rich Heffler. Key of Bb, C, Eb. Traditional. Score...
(+)
Tenor Sax and piano - Grade 5 - Digital Download SKU: DX.W29138TX Composed by John Newton. Arranged by Rich Heffler. Key of Bb, C, Eb. Traditional. Score and part. 6 pages. David E. Smith - Digital Sheet Music #W29138TX. Published by David E. Smith - Digital Sheet Music (DX.W29138TX). Moving and affective this solo begins unaccompanied and then later joined by the piano in a Celtic style. A second statement of the tune is further embellished and gains more complexity as it progresses. After a brief modulation the solo line becomes more plaintive- even though still embellished. The Coda is based on a brief motif where it ritards into a gentle repose.
$5.95
Entrainment (2009)
#
Contemporary
#
Guy Bunce
#
Entrainment
#
Enigma Music
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and part...
(+)
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
#
Classical
#
Felix Bartholdy Mendelssohn
#
Catriona Melville-Mason
#
The Hebrides Overture
#
C Melville-Mason
#
SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period....
(+)
Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
#
David Warin Solomons
#
David W. Solomons: Five Poems
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contempor...
(+)
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
Kreuzende Spuren
#
Harald Weiss
#
Kreuzende Spuren
#
Schott Music - Digital
#
SheetMusicPlus
Mezzo-soprano, clarinet in Bb (also bassclarinet in Bb), vibraphone (also marimba), viola and piano - advanced - Digital Download SKU: S9.Q21540 Vier ...
(+)
Mezzo-soprano, clarinet in Bb (also bassclarinet in Bb), vibraphone (also marimba), viola and piano - advanced - Digital Download SKU: S9.Q21540 Vier Lieder für Mezzosopran und Kammerensemble. Composed by Harald Weiss. This edition: score and parts. Downloadable, Score and parts. Duration 19 minutes. Schott Music - Digital #Q21540. Published by Schott Music - Digital (S9.Q21540). German.Returning from Majorca one autumn evening, composer Harald Weiss met poet Maria Bögel at a defective ticket machine at the airport metro station in Hanover. The malfunctioning equipment brought them together, but since then their paths repeatedly crossed and a collaboration was planned combining words and sound. The result is this collection of four settings of Bögel’s poetry for mezzo soprano and small chamber ensemble composed by Weiss.
$47.99
Amarillo (is This The Way To)
#
Contemporary
#
Howard Greenfield and Neil Sed
#
Austin Ralphson
#
Amarillo
#
Austin Ralphson
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.563578 Composed by Howard Greenfield and Neil Sedaka. Arranged by Austin Ralphson. Con...
(+)
Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.563578 Composed by Howard Greenfield and Neil Sedaka. Arranged by Austin Ralphson. Contemporary. Score and parts. 15 pages. Austin Ralphson #4298991. Published by Austin Ralphson (A0.563578). Written by Neil Sedaka, this song was first successful when Tony Christie recorded it in the 1970s. It was then rerecorded by British comedian Peter Kay (along with Tony Christie and other celebrities) for charity. Very popular at any public event of celebration, this tuba quartet arrangement maintains the excitement of the original.
$13.99
Wedding March from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
#
Classical
#
Felix Bartholdy Mendelssohn
#
Shinya Ishida
#
Wedding March from “A Midsum
#
BitNotes.jp
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged b...
(+)
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1297452 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century,Classical,Wedding. Score and Parts. 31 pages. BitNotes.jp #887509. Published by BitNotes.jp (A0.1297452). The Wedding March is a delightful composition by the German composer Felix Mendelssohn, originally conceived as part of the incidental music for William Shakespeare's play A Midsummer Night's Dream. This enchanting piece comes to life during the wedding scene, set on a magical night where fairies revel and four young lovers, along with the Fairy King and Queen, find themselves entangled in the mischief of a love potion, ultimately celebrating two joyous unions.Composed in 1842, this piece gained widespread recognition when it was performed alongside Wagner's Bridal Chorus at the wedding of Prince Friedrich of Prussia and Princess Victoria of the United Kingdom in 1858. Since then, it has remained a timeless classic and a staple in weddings and joyous celebrations worldwide.We have meticulously transcribed this iconic wedding composition for a brass ensemble featuring ten musicians (3 trumpets, 3 horns, 3 trombones, and 1 tuba). For those seeking to add an extra layer of grandeur to their performance, optional percussion instruments (cymbals and triangle) can be seamlessly incorporated.It's worth noting that the Bass Trombone part can be played on the Euphonium as well, offering flexibility to the ensemble. Given the piece's length and multiple repetitions, individual performers can consider omitting repeats or making cuts to suit the performance scene and endurance levels.Elevate your special occasion with this timeless masterpiece, the Wedding March, expertly arranged for brass ensemble. It's the perfect choice to add a touch of elegance and magic to your wedding or celebratory event.
$12.00
Anything You Can Do . . . for violin and vibraphone
#
Robert M
#
Anything You Can Do . . . for
#
Robert M. Greenberg
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
(+)
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Piano Trio No 1
#
Contemporary
#
David F Golightly
#
Piano Trio No 1
#
Modrana Music Publishers Ltd
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana M...
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00
"Litany" for alto flute solo
#
PanagiotisTheodossiou
#
"Litany" for alto flute solo
#
Panagiotis Theodossiou
#
SheetMusicPlus
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.886692 Composed by PanagiotisTheodossiou. Christian,Concert,Contemporary,Standards. 7 pages. Panag...
(+)
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.886692 Composed by PanagiotisTheodossiou. Christian,Concert,Contemporary,Standards. 7 pages. Panagiotis Theodossiou #3574285. Published by Panagiotis Theodossiou (A0.886692). Litany Seven Variations on a Theme, for alto flute solo (2015) The parts:Theme:God's WordVar. I:The Heart is Questioning Var. II:The Soul is DancingVar. III: The Mind is a PoetVar. IV:The Flesh is Singing and CryingVar. V:The Body keeps Walkin'Var. VI: The Saint is Listening...(and the bird is singing!)Var. VII: God's Fullfiled PresenceThe religion experience of a pilgrim in a Saint's litany (St. Dionysios of Zakynthos, Greece) in the Eastern Orthodox ritual. The work is dedicated to oboist Isidora Kopsida. There are transcriptions available or clarinet solo (dedicated to clarinetist and musicologist Giannis Sabrovalakis) and for english horn solo (dedicated to flutist Nikos Katritzidakis).Flutist Iwona Glincka performed alto flute version work's premier at An Art Artistry Hall at Plaka, Athens, on Febrouary 2016 and at MiMoDa Studio, Los Angeles on August, same year... She also recorded the work for a double cd on Greek Composers Works for flute, under Sarton cd company.
$10.00
<
1
