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You've selected:
All By Myself - Piano Solo
Sheetmusic to print
17 sheet music found
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1
All By Myself
Small Ensemble Drums,Vibraphone - Level 4 - Digital Download SKU: A0.867493 By Celi…
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Small Ensemble Drums,Vibraphone - Level 4 - Digital Download SKU: A0.867493 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by K Davies. Pop. Score and parts. 36 pages. Bandmusic.co.uk #3241897. Published by Bandmusic.co.uk (A0.867493). All By Myself was a hit for Celine Dion in 1996 and originally released by Eric Carmen in 1975. This arrangement for Solo Horn and brass band like the 1996 arrangement omits the guitar solo and the key change of the 1996 version but includes various interjections from Soprano Cornet and Solo Horn. The scoring in 12/8 throughout allows a more consistent sense of flow in and out of the Rachmaninov middle section as well as reducing the reliance on rubato.
$45.00
40.33 €
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Celine Dion
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All By Myself
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Bandmusic.co.uk
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SheetMusicPlus
All By Myself
Bells,Instrumental Solo - Level 3 - Digital Download SKU: A0.974591 By Celine Dion.…
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Bells,Instrumental Solo - Level 3 - Digital Download SKU: A0.974591 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Goos ten Napel. Film/TV. Individual part. 3 pages. Goos ten Napel #6456139. Published by Goos ten Napel (A0.974591).
$4.99
4.47 €
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Celine Dion
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All By Myself
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Goos ten Napel
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SheetMusicPlus
Cortigiani vil razza dannata (cello solo part and baritone)
Cello,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.1438245 Composed…
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Cello,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan #1018283. Published by Kovats Istvan (A0.1438245). Hi cellists,I made this score for myself, when I was practicing this solo part.It's has the cello solo (which is in fact accompaniment) and Rigoletto's line. I think the biggest challenge of this piece is to follow the singer, for me it was much easier with this score, I hope it will be useful for you, too.I wrote the fingerings and bowings exactly how I played.TIPS: If you don't like the bowings you can try the original bowing of the group of sixteens: down-down (legato) - up-up (staccato) - down (stacc) - up (stacc) in the bar 13, in the the second group of sixteens the octaves could be slured two by two. It could be VERY HELPFUL to listen to the aria, without playing, just with this score in your hand. Good luck!
$4.99
4.47 €
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Giuseppe Verdi
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Cortigiani vil razza dannata
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Kovats Istvan
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SheetMusicPlus
One
Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Me…
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Instrumental Solo,Percussion - Level 5 - Interactive Download SKU: A0.1144838 By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Oosse. This edition: Interactive Download. Contest,Rock. Individual part. 7 pages. Duration 428. David Oosse #3B8VfaKu94vDmyZecDoRrX. Published by David Oosse (A0.1144838). Key: D major.One - Metallica Marimba arrangement for a soloist. All due credit given to the legends themselves - the members of Metallica. --- One day I thought to myself, How cool would it be to play a Metallica song on a marimba, for a solo and ensemble event? then I thought, What would be a good song? One with a slower, more lyrical part, and a crazy solo and a heavy ending? ... What about One? Then I sat down for some time, and started listening and writing, listening and editing, then playing and editing, until everything felt possible to play, with no weird transitions or stickings or anything else weird. Even with what little chops I had at the time, I learned the piece, made edits on the way to minimize awkward transitions, and now I am sharing the final product.
$19.95
17.88 €
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Metallica
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One
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David Oosse
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SheetMusicPlus
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) (mp3)
Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1271084 By David Warin Sol…
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Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.
$10.50
9.41 €
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
22.41 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 17
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Socrates Arvanitakis
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Be…
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Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.14 €
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Seven Renaissance Pieces arr. for classical guitar quartet with soprano, alto and tenor recorders
Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Leve…
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Small Ensemble Alto Recorder,Guitar,Hand Percussion,Soprano Recorder,Tenor Recorder - Level 4 - Digital Download SKU: A0.775446 Composed by Tielmann Susato and John Dowland. Arranged by John Pinno. Concert,Renaissance,Wedding. Score and parts. 21 pages. John Pinno #3235415. Published by John Pinno (A0.775446). An arrangement of seven pieces from the Renaissance era by Tielmann Susato and John Dowland, for classical guitar quartet along with soprano, alto and tenor recorders. I have played these pieces in public performances, with three classical guitarists and myself playing either classical guitar or one of the recorders. Optionally the whole group could be played with four guitarists and a fifth member playing the different recorders. Additionally, my group has also included my wife playing some light ad-lib parts on bodhran (Irish-style hand drum), tambourine, and finger cymbals. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745 The way I've performed these pieces, including myself and three guitarists: The Allemande gtr 1 part is played with tenor recorder playing the gtr 1 line down an octave, as shown in the tenor rec part, and on repeats, while the tenor rec. is not playing, the gtr 3 player plays the gtr 1 part, leaving the third gtr part unplayed, or the tenor recorder could play it. The Ronde in D minor is for gtr qt only On the Ronde in F major, I played the top part on an alto recorder. The Ronde and the Hupfauf are basically the same tune, but with different time signatures. On the Hupfauf I played the the gtr 1 part and there was no recorder part. For the Hoboeckentanz I played the gtr 1 part from the provided alto recorder part, which is a plain and then ornamented version. On the Ronde in C major I played the gtr 1 line on soprano recorder. The last piece in the group, Now O Now I Needs Must Part, either the soprano recorder plays the gtr 1 part through the whole tune, or alternates with one of the guitarists, as shown in the part for soprano and gtr 1.For any questions, concerns, etc. email John Pinno at jpinno093@hotmail.com
$15.00
13.44 €
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Tielmann Susato and John Dowland
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Seven Renaissance Pieces arr. for classical guitar quartet with soprano, alto and tenor recorders
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John Pinno
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SheetMusicPlus
The quiet way you move me for wind quartet
Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapes…
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Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122174 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 219. David Warin Solomons #723324. Published by David Warin Solomons (A0.1122174). This is one of several arrangements based on my lullaby song The quiet way you move me (also available on this site). The poem is by Nevil Frenkiel (from his play Barabbas) Sometimes when you fall asleep, it seems you take me with you deep into a peaceful land far from all the heartache; that you'll understand one day, you will understand one day the quiet way quiet way you move me quiet way quiet way you move me. Sometimes when you fall asleep it seems you take me with you, deep into a peaceful land far from all the heart ache. I find myself complete; I find myself repeating a prayer and smiling at the sky: the quiet way you move me even when you cry. Now within your drowsy eyes I can see why the world has lost all its wonders. A new dream is rising, impatient to begin. A new dream is rising impatient to begin. And when the dream is through, your hungry feelings will find me. My comfort is you. My comfort is you. The quiet way quiet way you move me quiet way quiet way you move me Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.
$4.50
4.03 €
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Budapest Scoring wind quartet
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The quiet way you move me for wind quartet
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David Warin Solomons
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SheetMusicPlus
Practical and Pretty: #17 Count Your Blessings - Obligato
Small Ensemble Flute Solo - Level 2 - Digital Download SKU: A0.908180 Composed by J…
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Small Ensemble Flute Solo - Level 2 - Digital Download SKU: A0.908180 Composed by Johnson Oatman Jr. Arranged by Rebecca Maughan Cook. Sacred,Spiritual. Individual part. 5 pages. Rebecca Maughan Cook #6291751. Published by Rebecca Maughan Cook (A0.908180). Count Your Blessings is a cheerful hymn and I've created multiple oblilgatos for it. This arrangement is especially good for the new flutist since two of the verses are mostly in the middle register and you don't have to change notes as rapidly. Of course, there are some verses that more experienced player would like too! I find myself humming the notes and articulation of the classical time period verse and it cheers me up.
$1.99
1.78 €
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Johnson Oatman Jr
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Practical and Pretty: #17 Count Your Blessings - Obligato
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Rebecca Maughan Cook
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SheetMusicPlus
No Longer At Ease for Euphonium Quartet
Euphonium,Low Brass Quartet - Level 5 - Digital Download SKU: A0.1259405 Composed b…
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Euphonium,Low Brass Quartet - Level 5 - Digital Download SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99
22.4 €
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Matthew Nunes
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No Longer At Ease for Euphonium Quartet
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Matthew Nunes Music
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SheetMusicPlus
Welcome to the Classroom: A Piece for Orff Instruments
Multi-Percussion,Percussion Solo - Level 4 - Digital Download SKU: A0.1168350 Compo…
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Multi-Percussion,Percussion Solo - Level 4 - Digital Download SKU: A0.1168350 Composed by Mudiwa Williams. Children,Contemporary. Individual part. 9 pages. Mudiwa Music #768681. Published by Mudiwa Music (A0.1168350). EMAIL ME FOR PARTS: mudiwamusic@gmail.comAlongside being a composer, my ambitions also focus on music education. I wanted to mix these parts of my identity in a piece, and to challenge myself, make it another percussion piece. My friend, Bianca, commissioned me to write a solo multi-percussion piece, and so I took ideas from my elementary music methods class, and the instruments you would typically see in an elementary music classroom, and here we are. The performer works double, acting as an elementary music teacher (with more Orff practices) and performing a piece that grows in difficulty over time. Come join the classroom, as the audience also acts as classmates in Ms. Borile’s class.
$12.00
10.75 €
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Mudiwa Williams
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Welcome to the Classroom: A Piece for Orff Instruments
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Mudiwa Music
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SheetMusicPlus
Illusions for clarinet and classical guitar (mp3)
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (gui…
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 278. David Warin Solomons #1082113. Published by David Warin Solomons (A0.1506742). Arrangement for clarinet and guitar of my setting of the poem Illusions by Bluma Finkelstein for her husband.The original words are:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years.
$5.00
4.48 €
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András Csáki
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Illusions for clarinet and classical guitar
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David Warin Solomons
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SheetMusicPlus
Musical Clock (for Carillon)
Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1465418 Composed by…
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Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Individual part. 14 pages. Adam Lenhart #1044120. Published by Adam Lenhart (A0.1465418). For centuries people have associated music with the passing of time. While most of us no longer live within earshot of bells, many will find a catchy and simple melody still wakes us up in the morning, reminds us to go to that meeting we forgot about, or even just helps us to do day-to-day tasks. As an avid alarm-user myself, I find music assisting me with punctuality just as it has for my ancestors. I wanted to create a piece commemorating this bond between music and time, inspired by both traditional carillon melodies, as well as modern day ringtones. My piece Musical Clock contains movements for both beginners and intermediate players. Each movement may be played individually, but any two or more movements should be played sequentially. ~Adam Lenhart, 2024This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
8.95 €
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Adam Lenhart
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Musical Clock
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Adam Lenhart
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SheetMusicPlus
A rune of hospitality (The Crofter's song) for low voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 2 - Digital Download SKU: A0.57698…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 2 - Digital Download SKU: A0.576982 Composed by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 3 pages. David Warin Solomons #683225. Published by David Warin Solomons (A0.576982). Poem translated from the Gaelic by Rev Kenneth MacLeod (1871-1955) I saw a stranger yestreen I put food in the eating place Drink in the drinking place. Music in the hearing place. In the sacred name of the Triune, he blessed myself and-my house, my cattle and my dear ones. And the lark sang in her song Often comes the Christ in the stranger's guise The sound sample is performed by the composer A video of my performance of this song can be found on youtube at https://www.youtube.com/watch?v=f6LBAMfAaRk.
$9.00
8.07 €
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David Warin Solomons
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A rune of hospitality
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David Warin Solomons
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SheetMusicPlus
Five Short Variations on Shenandoah, Revised
Instrumental Solo - Level 5 - Digital Download SKU: A0.493772 Composed by American …
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Instrumental Solo - Level 5 - Digital Download SKU: A0.493772 Composed by American Folk Song. Arranged by Tuaimanu Byron Petaia. Classical,Contemporary,Folk. Individual part. 23 pages. Tuaimanu Byron Petaia #108580. Published by Tuaimanu Byron Petaia (A0.493772). As a disclaimer: This piece is best suited to pianists with larger hands. It is common to find the left hand playing a tenth with the perfect fifth above the bass in between (i.e. C-G-E). In general, the fast movements are very technically demanding, and while lyricism dominates the first two movements, the large chords definitely add a couple layers of difficulty! I still hope you enjoy them!I wrote my set of variations as a way to explore a variety of ways by which I could accompany the folk tune, Shenandoah. With the first two variations, I chose to stick to the decidedly lyrical disposition of the original tune, while the last three variations are recast in a more boisterous and upbeat light. In all variations, I did my best to write in a way that evoked the feeling of Americana (I tried not to limit myself to stereotypical depictions of Shenandoah, and yet I wanted to ensure I maintained a respect for the source material). Thus, one variation, I attempted to transplant the melody into the vast openness of the unexplored West (variation three). In another, I tried to utilize harmonies that were reminiscent of Jazz (variation two). The final variation's intended affect is one of general optimism that characterizes America's trajectory from infancy to today.
$6.99
6.26 €
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American Folk Song
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Five Short Variations on Shenandoah, Revised
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Tuaimanu Byron Petaia
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SheetMusicPlus
Believe in Yourself Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069967 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Published by Boothe Publishing (A0.1069967). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
1.78 €
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the time I sat down I had decided that I was never going to sing again
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Steven H
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Believe in Yourself Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
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