Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
196
Sheet Music
Books
1,022
Music
Equipment
63
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
196
PIANO & KEYBOARDS
Piano solo
103
Easy Piano
25
Piano, Vocal and Guitar
23
Piano, Voice
23
Organ
16
Big Note Piano
11
1 Piano, 4 hands
5
Piano (band part)
3
Piano Quintet: piano, 2 violins, viola, cello
2
2 Pianos, 4 hands
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
26
Melody line, (Lyrics) and Chords
12
Guitar notes and tablatures
12
Ukulele
4
2 Guitars (duet)
4
4 Guitars (Quartet)
3
3 Guitars (trio)
1
Guitar, Orchestra
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
37
Choral 3-part
13
Choral TTBB
9
Choral SSAA
7
Choral 2-part
3
Choral Unison
2
Soprano voice, Piano
1
Soli, Mixted choir and accompaniment
1
Choral SSATTB
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone ensemble
21
Saxophone Quintet: 5 Saxophones
21
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
18
Flute ensemble
14
Clarinet Ensemble
10
Saxophone Quartet: 4 saxophones
7
Flute Quartet: 4 flutes
6
Flute and Piano
6
Flute, Oboe, Clarinet, Bassoon
4
Ocarina
4
Clarinet Quartet: 4 clarinets
3
2 Saxophones (duet)
3
Flute
3
Flute and Guitar
3
Alto Saxophone
3
Tenor Saxophone
3
Oboe, Piano (duet)
3
Flute Trio: 3 flutes
3
2 Clarinets (duet)
3
Flute Quintet : 5 flutes
3
Clarinet
3
Saxophone (band part)
2
Alto Saxophone and Piano
2
Clarinet (band part)
2
Flute, Violoncello
1
Clarinet and Piano
1
Clarinet, Guitar (duet)
1
Clarinet, Cello (duet)
1
Descent (Soprano) Recorder, Piano
1
Harmonica
1
Oboe, Guitar (duet)
1
Descant (Soprano) Recorder
1
Soprano Saxophone and Piano
1
Oboe, Clarinet, Bassoon (trio)
1
English horn, Piano
1
Clarinet, Bassoon (duet)
1
Flute, Bassoon, and Piano
1
Baritone Saxophone, Piano
1
Flute, Viola (duet)
1
Clarinet Quintet: 5 clarinets
1
Bass Clarinet, Piano
1
Tenor Saxophone and Piano
1
Clarinet, Trombone (duet)
1
Flute, Clarinet (duet)
1
Flute, Violin
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass quartet : 2 trumpets, trombone, tuba
28
Brass Quintet: 2 trumpets, horn, trombone, tuba
21
Brass Quartet: 2 trumpets, horn, trombone
10
Trombone ensemble
8
Trumpet
6
Trumpet ensemble
4
Brass Quintet: 2 trumpets, horn, 2 trombones
3
2 Trumpets (duet)
3
Trombone
3
Brass Quartet: 4 trombones
2
2 Euphoniums and 2 Tubas
2
Euphonium, Piano (duet)
2
French horn
2
Tuba
1
Tuba and Piano
1
Trumpet, Trombone (duet)
1
Trombone and Piano
1
Brass Quartet
1
French Horn and Piano
1
English horn, Piano
1
Trumpet, Saxophone (duet)
1
French horn (band part)
1
Trumpet, Piano
1
Instrumentations suivantes
Retracter
STRINGS
Harp
35
String Quartet: 2 violins, viola, cello
20
Violin and Piano
9
Viola, Piano
6
Cello, Piano
5
Violin
4
Violin ensemble
3
Viola ensemble
3
Cello
3
Double Bass
2
2 Violins (duet)
2
4 Cellos
2
String Trio: 2 violins, cello
2
String Trio: violin, viola, cello
2
Violin (band part)
2
Viola (band part)
2
Violin, Viola (duet)
2
2 Harps (duet)
2
Viola and Bassoon
1
Viola
1
Cello (band part)
1
Viola, Cello (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
String quartet: 4 violins
1
Doublebass (band part)
1
String Quartet : 4 violas
1
Cello Ensemble
1
Harp (band part)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Brass ensemble
19
String Orchestra
13
Concert band
12
Orchestra
8
Jazz Ensemble
6
Chamber Orchestra
4
Handbells
2
Marimba
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Almost There - Percussion
Sheetmusic to print
196 sheet music found
<
1
26
51
....
176
Almost There
Small Ensemble - Level 4 - Digital Download SKU: A0.810630 Composed by Randy Newman…
(+)
Small Ensemble - Level 4 - Digital Download SKU: A0.810630 Composed by Randy Newman. Arranged by Bill Swick. Contemporary. Score and parts. 30 pages. Bill Swick #6575289. Published by Bill Swick (A0.810630). This unique arrangement is part of the Disney Movies series entitled Guitars and Strings. This arrangement of Almost There may be performed with four guitars only, as a large guitar ensemble with four parts, as a guitar quartet along with a string quartet, and/or a large guitar ensemble with a full string orchestra. The rhythms are advanced level. The range also puts this into the intermediate level. This is ideal for Year 2, Quarter 4.
$25.00
22.55 €
#
Randy Newman
#
Almost There
#
Bill Swick
#
SheetMusicPlus
Almost There - Score Only
Small Ensemble - Level 2 - Digital Download SKU: A0.1131720 Composed by Randy Newma…
(+)
Small Ensemble - Level 2 - Digital Download SKU: A0.1131720 Composed by Randy Newman. Arranged by Chloe Cardin-Stewart. Broadway,Jazz,Musical/Show. Score and parts. 23 pages. Chloe Cardin-Stewart #731935. Published by Chloe Cardin-Stewart (A0.1131720). This is an arrangement of Randy Newman's 'Almost There' from 'The Princess and the Frog'. It builds on Randy Newman's light swing style and includes call and response sections between the brass and woodwind. This is arrangement is of the horn accompaniment and piano chords only and does not include the vocal melody. Parts included; Clarinet, Soprano Saxophone, Alto Saxophone, Trumpet and Piano Chords.
$15.00
13.53 €
#
Randy Newman
#
Almost There - Score Only
#
Chloe Cardin-Stewart
#
SheetMusicPlus
Almost Baroque for String Trio
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.945635 Composed by…
(+)
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.945635 Composed by Nancy J. Brammer. Baroque,Contemporary. Score and parts. 11 pages. Nancy Brammer #6050095. Published by Nancy Brammer (A0.945635). There are three movements in Almost Baroque for Violin, Viola and Cello. Appropriate for school trios or adults, this light hearted piece is fun to play and to listen to. .
$8.50
7.67 €
#
Nancy J
#
Almost Baroque for String Trio
#
Nancy Brammer
#
SheetMusicPlus
Almost Like Being In Love
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: …
(+)
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.826743 By David Brooks And Marion Bell. By Frederick Loewe. Arranged by Bud Caputo. Contemporary. Score and parts. 43 pages. Bud Caputo #6675581. Published by Bud Caputo (A0.826743). Almost Like Being in Love is a jazz standard that is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. This arrangement has an optional guitar part and a Violin 3 Substitute for Viola as well. There is room for improvisation with a suggested violin solo on a separate part.
$24.50
22.1 €
#
David Brooks And Marion Bell
#
Almost Like Being In Love
#
Bud Caputo
#
SheetMusicPlus
Almost Like Being In Love
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.759349 By David…
(+)
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.759349 By David Brooks And Marion Bell. By Frederick Loewe. Arranged by Tim Olt. Contemporary. Score and parts. 18 pages. Olt Music #6086953. Published by Olt Music (A0.759349). Your audience will love this fast swing chart! Very reminiscent of the tight horn sections of some of the greatest big bands. There is even a chance for a violinist to do a light bit of improv.
$15.00
13.53 €
#
David Brooks And Marion Bell
#
Almost Like Being In Love
#
Olt Music
#
SheetMusicPlus
Almost There - Full Score
Choral - Digital Download SKU: HX.310785 By Michael W. Smith. Arranged by Heather S…
(+)
Choral - Digital Download SKU: HX.310785 By Michael W. Smith. Arranged by Heather Sorenson. This edition: scorch. Christmas,Sacred. Choral Instrumental Pak. 17 pages. Hal Leonard - Digital #262407. Published by Hal Leonard - Digital (HX.310785).
$7.00
6.31 €
#
Michael W
#
Almost There - Full Score
#
Hal Leonard - Digital
#
SheetMusicPlus
Almost There
Choral - Digital Download SKU: HX.500426 By Amy Grant and Michael W. Smith. By Amy …
(+)
Choral - Digital Download SKU: HX.500426 By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King. Arranged by Heather Sorenson. Christian,Christmas. Octavo. Duration 243. Published by Hal Leonard - Digital (HX.500426).
$24.99
22.54 €
#
Amy Grant and Michael W
#
Almost There
#
Hal Leonard - Digital
#
SheetMusicPlus
Almost There
Choral - Digital Download SKU: HX.500424 By Amy Grant and Michael W. Smith. By Amy …
(+)
Choral - Digital Download SKU: HX.500424 By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King. Arranged by Heather Sorenson. Christian,Christmas. Octavo. Duration 243. Published by Hal Leonard - Digital (HX.500424).
$1.99
1.79 €
#
Amy Grant and Michael W
#
Almost There
#
Hal Leonard - Digital
#
SheetMusicPlus
Almost There
Small Ensemble Voice,Wind Chimes - Level 3 - Digital Download SKU: A0.727055 Compos…
(+)
Small Ensemble Voice,Wind Chimes - Level 3 - Digital Download SKU: A0.727055 Composed by Randy Newman. Arranged by Kay Bromert. A Cappella,Contemporary. Score and parts. 7 pages. Kay Bromert #6527281. Published by Kay Bromert (A0.727055). Upbeat song from The Princess and the Frog, by Randy Newman, SSAA, A Cappella, barbershop style arrangement for quartet, arranged in D Major, 7 pages.
$12.99
11.72 €
#
Randy Newman
#
Almost There
#
Kay Bromert
#
SheetMusicPlus
Almost There (from The Princess and the Frog) (arr. Fred Sokolow)
Easy Ukulele (with Tab) - Digital Download SKU: HX.500594 By Anika Noni Rose. Arran…
(+)
Easy Ukulele (with Tab) - Digital Download SKU: HX.500594 By Anika Noni Rose. Arranged by Fred Sokolow. This edition: scorch. Disney,Film/TV. Tablature. 5 pages. Published by Hal Leonard - Digital (HX.500594).
$2.99
2.7 €
#
Anika Noni Rose
#
Almost There
#
Hal Leonard - Digital
#
SheetMusicPlus
Almost There, from The Princess and the Frog
String Orchestra Bass Voice,Drums,Flute,Guitar,Piano,Saxophone,Trumpet - Digital Download …
(+)
String Orchestra Bass Voice,Drums,Flute,Guitar,Piano,Saxophone,Trumpet - Digital Download SKU: A0.1339307 Arranged by Tunescribers. Funk. ArrangeMe #41244. Published by ArrangeMe (A0.1339307).
$15.95
14.38 €
#
Almost There, from The Princess and the Frog
#
ArrangeMe
#
SheetMusicPlus
Almost There
Choral Accompaniment Only - Digital Download SKU: HX.500425 By Amy Grant and Michae…
(+)
Choral Accompaniment Only - Digital Download SKU: HX.500425 By Amy Grant and Michael W. Smith. By Amy Grant, Michael W. Smith, and Wes King. Arranged by Heather Sorenson. Christian,Christmas. Octavo. Duration 243. Published by Hal Leonard - Digital (HX.500425).
$24.99
22.54 €
#
Amy Grant and Michael W
#
Almost There
#
Hal Leonard - Digital
#
SheetMusicPlus
MAGNIFICAT. Mov. 9 "Suscepit Israel". Aria for Soprano with piano (orchestra reduction)
Vocal Solo,Voice - Digital Download SKU: A0.893957 Composed by Gabriel Ruiz-Bernal.…
(+)
Vocal Solo,Voice - Digital Download SKU: A0.893957 Composed by Gabriel Ruiz-Bernal. Christmas,Contemporary,Sacred. 14 pages. Gabriel Ruiz-Bernal #6320931. Published by Gabriel Ruiz-Bernal (A0.893957). Suscepit Israel puerum suum recordatus misericordiae suae (He has come to the aid of his servant Israel, to remember his promise of mercy) A soprano solo that navigates among a warm accompaniment of strings, in a sweet, almost ethereal and timeless environment with a broad range of expression from both the soloist and the orchestra.Demonstration recording available at:https://www.gabrielruizbernal.com/reference-recording.html.
$3.00
2.71 €
#
Gabriel Ruiz-Bernal
#
MAGNIFICAT. Mov. 9 "Suscepit Israel". Aria for Soprano with piano
#
Gabriel Ruiz-Bernal
#
SheetMusicPlus
I Can Only Imagine
C Instrument,Instrumental Solo - Level 2 - Digital Download SKU: A0.1399330 By Merc…
(+)
C Instrument,Instrumental Solo - Level 2 - Digital Download SKU: A0.1399330 By MercyMe. By Bart Millard. Arranged by Pamela Tucker. Christian,Praise & Worship,Religious. Individual part. 2 pages. Pamela Tucker #982614. Published by Pamela Tucker (A0.1399330). C Instrument Part (Flute, Violin) for I Can Only Imagine by MercyMe from the Album Almost There in the Key of E Major (This is the original version, not the newer version)If your worship band is playing the same arrangement as the recording, this C instrument part will work nicely as a complimentary melodic line.
$4.99
4.5 €
#
MercyMe
#
I Can Only Imagine
#
Pamela Tucker
#
SheetMusicPlus
The Poet's Pen for Tenor, Oboe and Piano
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0…
(+)
Small Ensemble High Voice,Oboe,Piano Accompaniment - Level 5 - Digital Download SKU: A0.981218 Composed by Judith Cloud. Contemporary,Standards. Score and parts. 17 pages. Judith Cloud #6689693. Published by Judith Cloud (A0.981218). Composer’s Notes In my parents' library there was an assortment of very old books that I used to leaf through while home for holidays. One of these, The Ladies' Wreath, was of special interest. The inscription inside the front cover read To Miss Sophia Venable by her friend William M. Duphuy, April 25, 1850. Within the collection of romantic short stories and poems was The Poet's Pen from the Greek didactic poet Menecrates. Here was something very different from the overly sentimental offerings in most of the volume. I imagined the solitary lady reading this would feel most exhilarated and even empowered. Ideas for setting the poem came almost immediately, with the oboe as a key figure. Having experimented with a choral setting, I settled on tenor, oboe and piano and in 1989 the piece was completed. I revised The Poet’s Pen in 2016. The Poet's Pen I was a useless reed; no cluster hungMy brow with purple grapes; no blossom flungThe coronet of crimson on my stem;No apple blushed upon me, nor (the gemof flowers) the violet strewed the yellow heathAround my feet; nor jessamine's sweet wreathRobed me in silver: day and night I pinedOn the lone moor, and shivered in the wind.At length a poet found me. From my sideHe smoothed the pale and withered leaves, and dyedMy lips in Helicon. From that high hour,I spoke! my words were flame and living power!All the wide wonders of the earth were mine;Far as the surges roll, or sunbeams's shine;Deep as earth's bosom hides the emerald;High as the hills with thunder-clouds are palled;And there was sweetness round me, that the dewHad never wet so sweet on violets blue.To me the mighty scepter was a wand;The roar of nations pealed at my command.To me the dungeon, sword, and scourge were vain,I smote the smiter, and I broke the chain;Or, towering o'er them all, without a plumeI pierced the purple air, the tempest's gloom,Till blazed th'Olympian glories on my eye,Stars, temples, thrones and gods--infinity. Menecrates of Ephesus (330-270 BC)
$15.00
13.53 €
#
Judith Cloud
#
 
#
The Poet's Pen for Tenor, Oboe and Piano
#
Judith Cloud
#
SheetMusicPlus
'Adagio' from 'Gran Partita'
Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Down…
(+)
Woodwind Ensemble Alto Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.1339643 Composed by Wolfgang Amadeus Mozart. Arranged by Conrad Ho. 19th Century,Chamber,Classical. 42 pages. Conrad Ho #925343. Published by Conrad Ho (A0.1339643). On the page it looked nothing. The beginning simple, almost comic. Just a pulse, bassoons and basset horns, like a rusty squeezebox. Then suddenly; high above it, an oboe, a single note, hanging there unwavering, till a clarinet took over and sweetened it into a phrase of such delight! This was no composition by a performing monkey! This was a music I’d never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the very voice of God.--- 'Amadeus' (1984)This is one of the most gorgeous woodwind ensemble composition written during in the Classical period, by W.A. Mozart. It is now a common knowledge that Mozart was not fond of flute as an instrument, therefore we see the instrumention in the original version was without flute. In this arrangement, the melodies and accompaniment are separated with all the main melodies played by soloists which corresponds to the original principal parts. Horn is also arranged into Alto Saxophones which is more common in a woodwind ensemble.
$19.99
18.03 €
#
Wolfgang Amadeus Mozart
#
'Adagio' from 'Gran Partita'
#
Conrad Ho
#
SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.79 €
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.43 €
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Elizabethan Serenade
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge…
(+)
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge. By Ronald Binge. Arranged by Derek Hasted. 20th Century. Score and parts. 33 pages. Derek Hasted #714839. Published by Derek Hasted (A0.1112883). ELIZABETHAN SERENADE - 6 Guitars or 5+BassFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Ronald Binge was a fantastic composer, but few people know of his works. He worked as an arranger for Mantovani, and was, they say, responsible for “The Mantovani Sound†- that cascade of overlapping waterfalls of strings. His Elizabethan Serenade is nothing less that utterly charming. My arrangement is modelled on the version I wrote for the Hampshire Guitar Orchestra (which played 4 different sizes of guitar). This arrangement is one tone higher, and fits nicely onto 6 classical or acoustic guitars (or a large ensemble). Guitar 6 is in treble and bass clefs, so one can substitute a double bass or electric bass, or thicken up the existing part with a deeper sound. My arrangement is mixed ability, almost all the music is early intermediate, but the top line is perhaps intermediate. There are plenty of dynamics which make the music come alive, but there is no fingering - almost all of it can be played in First Position, and a gentle mellow sound will create the most amazing accompaniment which the audience will be convinced has a hidden echo somewhere. When my guitar orchestra played this in concert, you could hear a pin drop - it is a wonderful piece and deserves to be played far more often. I hope YOU enjoy playing this piece!
$4.99
4.5 €
#
Ronald Binge
#
Elizabethan Serenade
#
Derek Hasted
#
SheetMusicPlus
Kyrie (Durante) (Euphonium Quartet - Treble Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092454 Composed by F…
(+)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696546. Published by Regis Bookshar (A0.1092454). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.02 €
#
Francesco Durante
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
Kyrie (Durante) (Euphonium Quartet - Bass Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092452 Composed by F…
(+)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696544. Published by Regis Bookshar (A0.1092452). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.02 €
#
Francesco Durante
#
Kyrie
#
Regis Bookshar
#
SheetMusicPlus
The Saddest Noise
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1171219
(+)
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771557. Published by Lisa L Ochoco (A0.1171219). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief. The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful. This arrangement is scored for flute choir – 4 C, alto, bass, and contrabass.  There is an optional cello part that doubles the contrabass.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
14.43 €
#
separation’s sorceryÂ
Made cruelly more dear
#
Christopher Tin and Emily Dickinson
#
The Saddest Noise
#
Lisa L Ochoco
#
SheetMusicPlus
The Saddest Noise
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771583. Published by Lisa L Ochoco (A0.1171245). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief.   The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful.This arrangement is scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  There is an optional Eb part to play in addition to, or in lieu of, the 1st Bb part.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
14.43 €
#
separation’s sorceryÂ
Made cruelly more dear
#
Christopher Tin and Emily Dickinson
#
The Saddest Noise
#
Lisa L Ochoco
#
SheetMusicPlus
Easier Pachelbel Canon
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.110…
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1102450 Composed by Johann Pachelbel. Arranged by Mark Lansom. Baroque,Children,Classical,Film/TV,Instructional. Score and parts. 24 pages. Mark Lansom #705862. Published by Mark Lansom (A0.1102450). This arrangement was written for a school ensemble with violins at three distinct levels of ability. The first violin part is almost identical to the original, with occasional easing. The second violin part maintains as much of the original as possible too, but without having to leave first position. The third violin part was designed for players towards the end of their first year of lessons, and remains in first hand shape of tone-tone-semitone from each string. The cello part was adapted to avoid the slightly awkward F sharp stretch on the C string, which often leads young cellists out of tune. However, there is a second supplementary score and parts which use the original cello notes. Other supplementary parts include a fourth violin part which is all open strings, a viola part which doubles mostly second violin but sometimes first or third violin to stop the line leaving first position, and a double bass part. Minimum forces for a performance are the first three violin parts with at least one bass clef part (which could also of course be played on a keyboard). Inevitably, the piece loses its purity of being an actual canon of parts, but gains playability. It is almost as long as the original, but some cuts have been made, so it is inadvisable to add parts from other sources. Finally, the piece has been made much easier to read by being written in double time.
$35.99
32.46 €
#
Johann Pachelbel
#
Easier Pachelbel Canon
#
Mark Lansom
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.99 €
#
Alexander Scriabin
#
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
<
1
26
51
....
176
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version